Debra Roberts (3:05)

Wow. And it's also adjacent to fame, too, because he styled hair for some of the more famous people in Hollywood.

Pat Lalama (3:12)

That's exactly right. This man. So let me tell you just a little bit about Fabio before we go. Very, I mean, just beloved in the industry. One of the only actual. And he wasn't just a stylist in a salon. He was the creative director for all the big Runway shows from here to Paris and Rome and everywhere else. And he was so beloved and so smart that they made him an executive at Wella Corporation, which was at the time owned by Procter and Gamble. So that's what brought him to LA from Toronto. So he came here with his wife and his two young daughters, and they made a home in an upscale part of LA called Woodland Hills. And on the outside, Deborah, everything was beautiful.

Debra Roberts (3:55)

That classic story.

Pat Lalama (3:56)

Classic story. And what happens now? This is, according to the prosecution, Monica, his wife decides to have this lust driven affair with her racquetball coach. Right. The guy is a convicted sex offender. He's an interesting character, but apparently so many of the women in this upscale health club in Woodland Hills were crazy about him. Go figure, right? I mean, that's a story for another podcast.

Debra Roberts (4:26)

Well, let's go back to that security camera footage we talked about and how police zeroed in. There were two admitted killers in this case and testifying for both sides of the case. One prosecution, one defense.

Pat Lalama (4:41)

Yeah. You know what? I wish we had eight hours to go through every little detail, but I'll try to narrow it down for you. Here's what really makes this case so interesting. Two men were on that surveillance tape. You can't see them, but they were able to figure them out. Right. One of them, it turns out, and I can say this matter of factly, because they have confessed to the crimes. Right. Robert Baker is the racquetball coach. He's one of them. The other one is one of his. A young man he considered his nephew. They'd known each other for decades, very, very close. He turns out to be the other man. Now, in the end, what happened is the racquetball coach has fallen on the sword 100%. He was not offered any kind of a deal. He just comes forward and says, I'm just going to admit to it. I did it. I want nothing. I'm going to spend the rest of my life in prison and darn it, I'm going to testify for Monica Sammitelli, who understands why he wants to die on this hill. I don't know. The other man, the younger one, he pled guilty to second degree murder. And here's the peg. He testified for the prosecution that Monica was most definitely behind this. His words were that Robert didn't make a move without her instruction. Robert is trying to tell the jury, or told the jury that she had nothing to do with it. And therein lies this double edged sword. One killer for the prosecution, one killer for the defense. How interesting is that?

Debra Roberts (6:13)

Wow. It's beyond interesting. And these are the kinds of things that we actually see play out all the time in these cases that we cover on 2020. Pat, hold that thought for a second. We're going to take a quick break and when we come back, we're going to talk about what police caught on tape about Monica.

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Debra Roberts (7:36)

Some of the most fascinating audio presented at this trial came from conversations that police recorded between Monica Simmentelli and her lover, Robert Baker. You brought us Pat, one of those and you can set up this clip for us. Because the fascinating thing is you've got two different people here, two different stories. Tell us what you brought to us.

Pat Lalama (7:56)

Okay, so the police, LAPD deliberately put them in cells next to each other. So there's a lot of different ways they were able to monitor Their conversations. And so in these conversations, some of them are phone calls, some of them are what they call overhears, where they can record them talking to each other between cell blocks. But these are actual phone calls. And the way they were able to do the phone calls, Deborah, is they got a third party to help put them together. Anyway, that's also another long description of how this happened, but let me just tell you.

Debra Roberts (8:32)

But clever police were absolutely the best.

Pat Lalama (8:34)

But what happened was, you think, now they're both arrested for murder, right? And if she is innocent, then you wouldn't think she would keep this up. But here they are in jail, professing their undying love and lust for each.

Debra Roberts (8:53)

Other, calling each other. And the phone calls got a little steamy, too, right?

Pat Lalama (8:59)

Oh, my gosh. You haven't heard that. We can't play you the half of it. We can't redo the half of it. We can't play you. We can't show you. I mean, you have to go and sit in the trial every day like I did, to see your own jaw drop every day listening to the undeniable passion these two had for each other.

Debra Roberts (9:21)

Let's take a listen. You're so gorgeous, baby.

Ryan Reynolds (9:25)

Oh, you just like me a little bit.

Pat Lalama (9:27)

Oh, my God, I love you so much. You're so gorgeous, baby. You just like me a little bit. Oh, my God, I love you so much.

Ryan Reynolds (9:35)

I've had quite a few relationships.

Pat Lalama (9:37)

I'm like, this.

Ryan Reynolds (9:41)

Is, like, different. This is, like, supercharged.

Pat Lalama (9:44)

Honestly, I've had quite a few relationships. This is different. This is supercharged.

Ryan Reynolds (9:49)

I love you so much. I can't talk.

Pat Lalama (9:54)

He's telling her, be strong, baby. I love you so much.

Ryan Reynolds (9:57)

I am your home.

Pat Lalama (10:00)

You are my home.

Ryan Reynolds (10:02)

Wherever we are is our home. Remember that. We are each other's home. They cannot take our home.

Pat Lalama (10:11)

They're each other's home. Nobody can take that away. And that. That's, you know, that's the lustful edge of it. But what you'll find is that in this case, they also. There are recordings of them actually talking about evidence. And, Deborah, that is what gave the prosecution a lot of strength, because they are discussing evidence and they are expressing concern for some of the evidence. So the prosecution is arguing. Well, then how is it that she didn't know anything?

Debra Roberts (10:39)

You know, they're talking about their love for each other and their lust for each other, but. And I'm sure viewers were probably struck by this, too, when this aired, but there's no, oh, sense of, we're in trouble. What do we do? Oh, my gosh, how did we get here? None of that.

Pat Lalama (10:52)

This is when they first got to jail. But over time, you hear in the jail what they call the overhears, where the cops are monitoring the conversations, where they really do get concerned about certain things. For example, how Robert's blood got into the home. And there are lies about that. So the cops are able to establish some inconsistencies and some lies, because think about it, they're so embroiled in their lust for each other that they're not being very smart. Right, Right. So they give themselves away a lot in those conversations. Deborah, here's the important thing. The important point for the prosecution in trying to prove that she was the mastermind is that they have a plethora of compelling, irrefutable evidence of her going to Fabio's many memorials and services, playing the grieving widow, and then going home and sending Robert the most salacious nude photographs and messages you can imagine. The problem for the defense is they can't refute it because it's right there in the technology, which is what makes this such a great circumstantial case.

Debra Roberts (12:04)

Well, that's what I wanted to get at, because you've been covering these cases for decades. You know, you have been at it a long time, as have I, and the technology has changed a lot over the years. And when you talk about sometimes things that are circumstantial, and that happens a lot with the cases we cover on 2020, but that has changed a lot and made the police work a little bit more fruitful, hasn't it?

Pat Lalama (12:26)

Oh, my gosh, Deborah, you just hit it on the head. Let me tell you, if I were speaking to, let's say, some young juvenile offenders, what I would say them to. What I would say to them back then was, oh, you're going to spend the rest of your life in prison. What I say now is, don't do it. There's a camera somewhere. Somewhere there is a record. And this trial, the prosecution laid out one of the most intricate and fascinating timelines using text messages, encrypted app indications, cell towers, surveillance footage. And when I sat. I've been covering this forever. I feel like I know every detail. Right, but you still have to keep yourself objective. But when I saw that timeline of the day of the murder and the exchanges between Monica and Robert, and they do this beautiful timeline, it makes it so clear how she placed herself. He placed himself in places and times and communications that made it seemingly clear that she was definitely Involved.

Debra Roberts (13:34)

That's what's so interesting, the timeline, you know, and they. They're able to do that with all of this technology, yet kind of walk us through that a little bit.

Pat Lalama (13:41)

Yes, absolutely. So just speaking of only the day of murder. Right. They start out in this timeline of showing you cell phone usage where she starts calling him early in the morning. And then you'll see the graph go higher, lower in terms of their communications. It stops when they're not communicating and they're at a location where they meet before the murder. And then there's a flurry of activity. I'm not even doing. Deborah. I am not doing justice to what this timeline was able to reveal for the jury of what happened the day of the murder. And they placed them at the Target store, where she's basically hiding out while he goes to do the murder. I can't. There's so much detail. Trust me when I tell you this timeline made it. It parted the clouds for me and I believe for the jury in terms of how she alleged by the prosecution manipulated the whole day, gave him all the instructions, told him. Told him where everyone in the family was going to be that day, sent him her husband's itinerary, sent him the code to the DVR surveillance video. They have technological evidence that she was watching her home DVR system as they were there doing the murder. She gave him all this information so that he would know when the window of opportunity was.

Debra Roberts (15:09)

Yeah. Now, of course, the defense disputed that timeline in court.

Pat Lalama (15:13)

Yes, they did. They tried to find glitches in the timeline. And listen, there is no smoking gun. There is no text message that says, all right, go get it. Okay, honey, we'll be together forever. Now go slice them up. Right. There's nothing. Nothing. Okay. And the other thing that the jury has to wonder, as I do, is why is this man, Robert Baker, dying on this hill? For her? He gets nothing. He'll never see the light of day. What is motivating him to say she had nothing to do with it? So those are two very strong things. But remember, in a circumstantial case, when the pieces all fit together, they can be airtight. And the defense can try all they will to undo these pieces. Puzzles. But it's hard to break them open. They fit together perfectly. This episode is brought to you by Enterprise Mobility. From fleet management to flexible truck rentals to technology solutions, Enterprise Mobility helps businesses find the right mobility solutions so they can find new opportunities. Because if your business is on the road, they want to make sure it's on the road to success. Enterprise mobility. Moving you moves the world. Find your road@enterprisemobility.com.

Debra Roberts (16:38)

Let'S talk about your reaction, Pat in the courtroom because one of the things that just grabs me in a lot of our reporting is when these cases are revealed and there are kids involved. And so Monica's then 16 year old daughter Isabella is the one who found her father brutally, brutally stabbed to death outside their house near the pool. And she testified in the trial and talk to us about the family and watching that and seeing the daughter's testimony and particularly for you, as you know, not just as a journalist, but as a person.

Pat Lalama (17:12)

The prosecution alleged that Monica devised the timeline so that her 16 year old daughter would come home to find her dad dead. Now the defense disputes that and they say, no, no, it just happened that way, you know, because Monica didn't know anything about it. But the fact is there is some evidence that Monica did everything and even detoured her daughter Isabella for a while to go pick up some glasses that she needed just out of the blue. But still Isabella got home in time to find her dad. Okay? Now, Robert Baker is a convicted sex offender, sodomized a 14 year old girl, excuse me for the harsh description, but it's true. And it came out in the case. And yet Monica gave him the codes to her home surveillance footage. Right, and pin numbers and everything he needed with two teenage daughters in the home. Okay. Also after the murder, there are text exchanges between Monica and her daughters where she is downright emotionless and callous because Isabella is saying, mom, I'm afraid to be home alone in this house. Please come home. And Monica's responding like I'm at a comedy club. And what are you guys, a cop? You know, basically, yeah, absolutely. I'm talking, Deborah, I'm talking days and weeks after this young girl Isabella finds her daddy dead. And get this, I got one. I can't keep this from you. On one of the text exchanges, remember, Monica is out with Robert through all of this until all hours of the morning, sometimes not even coming home. Isabella is just pleading with her mother to come home, right? And she goes, and she goes, I'm alive. I'm a human being. You guys aren't even paying attention. I'm so scared to be here by myself. And then she says, mom, I'm gonna make that therapist appointment tomorrow. Deborah, get this. You know what? Monica responds, okay, okay, fine, I'm coming home. I'm so disappointed. I'm so disappointed.

Debra Roberts (19:17)

She says, and that had such an impact in the courtroom too, when you think about that. But yet, but yet Isabella still, you know, defends her mom. I mean, she wants to actually see her mom free.

Pat Lalama (19:31)

Deborah, you're a parent. I'm a step parent and I love the kids like they were my own. To me, this is what I mean when I say that, you know, jokingly. I say everybody wants to kill their spouse now and then, right? I say that jokingly, so don't take that out of time. But when you hear.

Debra Roberts (19:49)

But there's truth to that.

Pat Lalama (19:52)

When you hear these young ladies and what their mother had absolutely no regard for their emotional well being. To me, I said to myself, the jury's gonna hate this more than the murder. Now, of course, I'm being slightly facetious because murder is murder, of course. But these girls, Deborah, they don't wanna believe their mother is capable of this. And you can understand that.

Debra Roberts (20:20)

And also for their future too. I mean, going forward, I mean, how can you process all of that? But that' really got me in this case too, that they still, they don't really believe that she could have as much as they probably know that their mom could be callous and all of that. They don't want to believe that she could do something that heinous. No, Pat, you have, as we said earlier, you've covered so many of these cases and oftentimes when I'm out there in the field and I'm reporting on these things and getting all the details, you do think that you just couldn't make this up and.

Pat Lalama (20:48)

No, you can't.

Debra Roberts (20:49)

This one? Yeah. This one, I think you said it's up there for you in terms of what you found so fascinating about it. The human condition, very Shakespearean. You know, this is one you're not going to forget for a long time, right?

Pat Lalama (21:02)

No, this is in my think about. Well, I've covered hundreds of trials, right, over all these decades, and this is in my top five. This is in my top five because, Deborah, the reason why I made criminal justice the focus of my career, like you, I've covered everything you can throw at me, right? But criminal justice, particularly when it comes to violent, to murder, I'm not interested in the murder. I'm interested in what happened in a person's life that could make them go off the rails like this. To put yourself above every living thing, to be able to construct and craft such a heinous murder of someone that you had two children with, right?

Debra Roberts (21:48)

We talk about the timeline and everything kind of falling into place for this murder. If Monica Indeed, you know, did it. But do you think she wanted her daughter, she set it up for her daughter to find her father's body, or do you think that was just collateral damage here?

Pat Lalama (22:03)

Well, I'll put it this way. The prosecution, the detectives, even said on the stand, horrible as it may be, we believe that she set it up this way so that someone else besides her would have to be the one the public sees as having found the dead person. That's what the prosecution's trying to say. She put that on someone else to deal with so that she didn't have to be in the spotlight. That's what the prosecution believes. The defense said to the detectives, you can't possibly believe Monica would do such a thing. And the detective came back and said, well, sad as it is to say, yes, we believe that she constructed it so her own daughter would find it and her own daughter would be the one that would have to carry that weight. Isabella came home one minute, Deborah. One minute after the killers left the house. And in fact, Robert Baker made a comment to his accomplice. Oh, expletive. She's one of the daughters is coming home.

Debra Roberts (23:10)

One of the things that was so incredible is that there are two murder suspects here. And one testified for the prosecution, one testifies for the defense. Talk about that accomplice to Robert Baker.

Pat Lalama (23:23)

Chris Austin was a baby when Robert Baker met him. Chris Austin's dad is Robert Baker's best friend. Chris Austin is a pretty decent guy, Deborah. I'm going to tell you, you might find it hard. How can Pat say that when he's going to prison for 16 to life for. For murder? But I will tell you this. You know what Chris Austin did for a living? He mentored juvenile offenders. Never been in trouble himself. He was a mentor to them. He kept them on the straight and narrow. If they got in trouble, he tried to put them back on track. He delivered food to people who were mentally challenged. He has a wife and a baby whom he worships and adores. Now, look, I'm a law and order kind of girl. You're responsible for the actions that you take in your own life. However, I would say that there are mitigating circumstances in this because the prosecution brought out the way in which Robert coerced him to get involved, but only as a lookout. His role was just to be a lookout. That's what Chris Austin thought he was going to be doing. You may not know this. The first murder attempt was the night before, where the prosecution alleges that Monica gave Robert Baker the Name of a Chinese restaurant where Fabio was going to pick up food at a Chinese restaurant. And they went to that scene and he handed Chris Austin the knife and said, you go do it. How's that for a spineless person? Right? And Chris Austin went. Got out of the car, went toward the restaurant where he spotted Fabio and then chickened out and came back practically in tears saying, I can't do it, Robert. I can't do it. So that's why they had to do it the next day when Monica, according to the prosecution, let them know when Fabio was going to be home alone. Christopher Austin testified that he closed his eyes and stabbed him once. Couldn't do it anymore. Okay. And then when they figured out who he was, he told them the whole story and Monica's involvement. The defense countered by saying, you're only making the Monica stuff up so you can get a deal. Okay. That was a legitimate defense. That was a legitimate defense. But I gotta tell you, he just sobbed on the stand and talked about how ashamed he was and how remorseful how he was and how, you know, he just. Robert. He called Robert Unk all his life, and he just was trying to help him out. And Robert Baker used him. And it breaks my heart, I'm going to tell you. Breaks my heart that his life is ruined.

Debra Roberts (25:50)

Yeah. And he got a lighter sentence, though. Pat, this has been so fascinating, and you and I could talk all day about this, but I. I can't thank you enough for bringing such intrigue and such understanding to these stories, at least to the extent that we can understand them. Always a pleasure to talk with you, Pat.

Pat Lalama (26:07)

Oh, thank you. And I'm thrilled to be a part of it, so thanks.

Debra Roberts (26:10)

Pat Lalama is an ABC News consultant who covered the Simentelli trial for us in Los Angeles. That does it for 2020, the after show. And we hope you'll tune in on Friday nights at 9 for all new episodes of 2020 on ABC. This episode was produced by Cameron Chertavian and Sasha Aslanian, along with Jo Rhee, Brian Mazersky and Alex Barenfeld of 20 20. And we also had help this week from Amirah Williams, Meg Vieiro and Larry Decant. Janice Johnston is the executive producer of 20 20. Josh Cohen is the director of podcasting at ABC Audio. Lar Mayer is the executive producer.

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