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Last week, we looked at Charles Jennens, the compiler and arranger of the biblical passages for Handel's Oratorio the Messiah. I briefly mentioned John Newton's sermons, 50 of them, on those biblical texts. And some years back, we did an episode on Sermon 1, the Consolation. This week, let's look at Newton's three sermons on the Hallelujah course. The first is Sermon 36. Newton titled it the Lord Reigneth. The book of Revelation can be a little confusing and perplexing. In fact, Newton begins this sermon by saying that the book, being chiefly prophetical, will not perhaps be fully understood until the final accomplishment of the events shall draw near. But while the learned commentators have been hitherto divided and perplexed in their attempts to illustrate many parts of it, there are other parts of this book well adapted for the instruction and refreshment of plain Christians. Newton is talking about those passages that give us a vision of heaven, such as the passage before us, Revelation 19:6. Of course, Revelation 19 is preceded by Revelation 18. And there we have the destruction of Babylon, which paves the way for this song of triumph. And Newton picks it up from there. The performers are all interested in the subject. They fear God. They are devoted to his service and glory. Their united voices are here compared to the voice of many waters of mighty thunders. And this is the solemn close the chorus of their song, Hallelujah for the Lord God Omnipotent reigneth. But then Newton turns to the earthly choirs. In the singing of this passage from the oratorio, he says, the impression which the performance of this passage in the oratorio usually makes upon the audience is well known. So many people are moved by this. But do they really know that beyond a moving musical performance is truth is the living God. Newton goes on to say, but do the professed lovers of sacred music in this enlightened age generally live as if they really believed that the Lord God Omnipotent reigneth? This leads Newton to end his sermon with an invitation. Jesus must reign. He will reign. You must either bend or break before him. Then he moves on to Sermon 37 on Revelation 11:15 with the words, and he shall reign forever and ever. Of course, Handel has those words cascading through the Hallelujah chorus. Newton opens his sermon with a great illustration. But I'm not going to tell you what it is. You will need to find it and discover it for yourself. So on to Sermon 38. This is on Revelation 19:16, King of kings and Lord of Lords. I love this observation by Newton. He says, the Kings of the earth are continually disturbing the world with their schemes of ambition. They have seldom any higher end in view than the gratification of their own passions. But in all they do, they are but servants of this great king and Lord and fulfill his purposes as the instruments he employs to inflict prescribed punishment upon transgressors or to open a way for the spread of the Gospel. As Newton comes to the end of this sermon and the end of these three sermons on the Hallelujah Course, he looks to that great day of judgment where all will stand before the King of Kings and the Lord of Lords. Newton writes, O the solemnities of that great day when the frame of nature shall be dissolved, when the judge shall appear, the books opened, and all mankind summoned. Will not you tremble and bow before him while he is seated upon a throne of grace, While the door of grace stands open? Once more I call, I warn, I charge you to repent and believe the Gospel. Seek his face that your soul may live. That's Newton on Handel's the Hallelujah Course, which is to say on Revelation, the revelation of the King of Kings and the Lord of Lords, and I'm Steve Nichols, and thanks for listening to Five Minutes in Church History.
Podcast: 5 Minutes in Church History with Stephen Nichols
Episode: 3 Sermons on the Hallelujah Chorus
Date: November 19, 2025
This episode explores John Newton’s three sermons on the biblical texts that inspired Handel's "Hallelujah Chorus." Host Stephen Nichols delves into Newton's reflections on key passages from Revelation and connects these insights to the perennial impact of both Handel’s composition and the underlying scriptural truths. The episode offers both historical context and devotionally relevant insights drawn from Newton's exposition.
Theme: The sovereignty of God and the worship of heaven (01:26–03:03)
Theme: The eternal reign of Christ (03:03–03:43)
Theme: Christ’s ultimate authority and the fate of earthly rulers (03:44–04:54)
This episode offers a brief but rich look at how music, history, and expository preaching intertwine to declare the sovereignty and triumph of Christ.