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Hello, welcome to Avio's Journey podcast. My name is Anthony. This show is all about helping the new and upcoming voiceover artists grow their business. Sidestep all the crazy things that I seem to step on. Today we are going to talk about how to get started as a voiceover artist in today's world. I'm really excited about this topic. You know, I don't talk about it as much as I used to, but I think after 10 years doing this and, you know, everything that we've built and all the people we've helped, that it's, it's a good idea to, you know, talk to the people who are brand new and who are just coming in and give some advice on how to get started in the voiceover industry. So we're gonna, I'm gonna talk about that today and I, I think it's going to be super helpful. All right, let's do it. This is VO's Jo. With your host, the incomparable Anthony Pica. Great. Welcome back. It is, you know, we're doing episode 298. I keep saying we're like, there's someone else over here. There really isn't. It's just me. I don't, I don't have a production team. I feel like I should, but I don't. I'm the production team. Which leads me to the first part. Just diving right into this, how to get started as a voice actor. Right. Leads me to the first part of. That is. And that is when you're first starting. It is perfectly okay. In fact, I recommend it to learn as much as you can about your audio, how to, you know, not just how to record in your acting, but also how to edit, how to master your files. Really dive in to learning your daw, whatever you decide to use. Okay. I mean, I think, you know, we are kind of a one person band now. Down the road, it's, it does help to have a team. So like for me at Aveo Journey Academy and Academy Voices, I have a team. I've got 10, 15 people who help me. I could not do it. I actually added another person. I could not do it alone because that's a lot going on there. But my own personal stuff and everything I've built from my own side has been all me. So let's go ahead and dive into how to get started. And this is, I think, very relevant. I was working with a voice actor yesterday and she was just beginning. And also you might be a voice actor who has been doing this for a long time. But you got out of it, and you're looking to get back into it. That was. I spoke to another person the other day who was doing the same thing. They've been doing it for years, 20 plus years, but they had been out of it for a few years, and they're trying to get back into it and set up their own space and everything. So, you know, this is a very relevant thing. All right? So, of course, let's lay this out from beginning to getting yourself that first job, okay? So, of course, the very first thing that you have to do is you've got to find a space in your house to record, okay? This space. Now remember, a space you want to try to find is where it is quiet. But the size of the space doesn't matter. It can be a big space. It can be a. It can be a room. It can. It can be a little. It can be a closet. You can build a hobo for it is what I did when I first started, which I took PVC pipes, some of those L brackets, you know what I mean? I cut them and fitted them together, and then I got packing blankets and draped them over the top, and I got plastic clamps, and I would. I would. Every night I would put that thing up and bring it back down. Because we had a very small house back then, and. And I, like, It took up like the. The. The office space, but the office space, like, led into the. Directly into the kitchen, and there was no doors. So you, like. It just. It took up the whole room because it wasn't a very big house. There's only. It's only about six rooms in the whole house anyways. So, you know, first you've got to find yourself a space. Now, the size of the space only matters in that it matters how much you can treat it. Okay, so closets are very, you know, they're very popular because it's a smaller space. They typically have clothes which act as amazing acoustical treatment products, if you will, or, you know, like, you see, foam. A lot of people have that they purchase from Amazon or something like that. I have foam. But clothes, that works the best. Clothes, blankets, pillows. And most everybody have those. I mean, when I. Again, when I first started, I use blankets, but I use clothes. I use pillows. My wife is like a blanket hoarder. So we have tons of blankets every, like, everywhere. Blankets stashed away, blanket, you know, so, like, that. That was something. And they're very inexpensive. Like, you can go to a thrift store, you can go find, you know, things that, that work as. As. As great treatment. So closets work great. You can get yourself a little table, little chair. You can use if, you know, use a laptop. And, you know, you can have your first booth or you could do what I did, which is I had a desk with a computer on it. So I got PVC pipe and, you know, measured and shaped it around the desk. And that's how I built my hobo for. It was just to fit around my desk. And, you know, I think I made it like 6, 8, 6, 9. I'm not very tall, so, like, that was more than tall enough. And yeah, I mean, you can do it that way now. You can use a room. I. I worked with many people who use their bedroom or whatever. I actually, later on, right before I had moved from that house to another house, I had made kind of a hobo fort walk in for the corner up in my bedroom because I was tired of taking the thing, putting it up and taking it down every single night. And my wife didn't mind my working in there, which was wonderful. So I was able to put it like in the corner of my room. Do you mean up against the corner of a wall? Just happened to my room fit that way. And it was only about, literally three by three, you know, just fit around. And I made a. I made a little. I got a little table. Excuse me. That was. I made it work. You know, that was small enough and chair that could fit in it. Anyways, the point is, is you have to find a space, and it needs to have acoustical treatment so that when you speak, you don't have a lot of bounce coming off of the walls. Okay? That's a very important part of the process. Now, the right equipment to use. Some people start with a USB mic. I don't recommend it. I did because I didn't know what I was doing at the time. If you are. If you do have a USB mic and that's where you are right now, that's fine. But what you want to do is you want to start with an XLR mic. Most people start with the focusrite. This is a interface. So if you start with an XLR mic, you need your computer, then you need an interface, and you need a microphone and an XLR cord. And basically that XLR cord will plug into the microphone, which will then go to your interface. And then from your interface, there is a. Usually either it's a USB plug or it's a Thunderbolt or something that plugs into your computer. And that basically takes the analog signal that's coming from your microphone and turns it into a digital signal for your computer to read, which then you use a daw, which we call a Digital Audio workspace or workstation. And that's what we call things like Audacity, Adobe Audition, you have Studio One, Reaper Pro Tools, you have all these different programs. There's lots of software. I personally use Adobe Audition because I think it is by far the most easiest one to learn and use. And most people will agree with that. However, most people, the problem with Adobe Audition that people have is that it does come with a monthly subscription fee. So that is a part of, you know, why people will stick to. They'll try something else, which is totally fine. It's really up to you what workstation you use. But definitely use one that you know you can learn on. Audacity is free and that's okay, but at some point you're going to want to move on from Audacity. I don't recommend you stay on that very long, but some people love it and some people use it. So it's a personal preference, but I use Adobe Audition. But anyways, that's how your, that's how your setup goes. You'll have a microphone and some sort of mic stand and usually a pop filter. A pop filter is basically a wire mesh or a nylon mesh of some kind that attaches to the stand or your microphone and you put it between your mouth and your microphone and it eliminates what we call pops. These are plosives that come from P's and T's and things where we have hard consonants that blow air that come out. We blow air in order to say them and it can cause a popping sound in your audio. And that's what a pop filter does, it eliminates that. So anyways, again these are all simple things you can type in. Pop filter, pop filter, you know, get what you need. Microphone. Now I, most people and I do recommend the. I had started out like I said, with a USB microphone, but I quickly moved to a, a different microphone and I, I took a huge jump. Okay. And that was that I spent a lot of money early on and I went to a Sennheiser 416. Now that's a thousand dollar microphone. And yeah, I didn't tell my wife. She would have killed me at the time because Lord knows I wasn't making any money. But I, you know, I was like, I gotta, I'm really serious about this and I'm gonna get my. So I got that mic, you know, I Had to put on a credit card and that's what I got. You know what I mean? And so. But that's a thousand dollars microphone. The other mics though, that are typical, right? You have the AT or the. What is it? The AT 2020 Audio Technica 2020. Now I had started though, in between the USB mic which I'd gotten the, the blue Snowball mic. It looks literally like a ball. I went to the rode nt1a. Now this microphone is a large diaphragm microphone. It's a condenser microphone. You want a condenser microphone. If you do have trouble with noise in your space, then yes, you're going to want a dynamic microphone. They make some good dynamic microphones. Like Everybody knows the SMB or the Shure, the SM7B, excuse me, which is a podcasting microphone, but it's fantastic. Or the one I use for my videos is the RE20 Electra. So that's again a very old but very well known radio type of mic. They're hardy mics. Basically they don't pick up as much as a condenser microphone, but they eliminate a lot of background noise because you have to get closer to the mic to speak. It's kind of like the old mic, the old sure microphone that you used to see on a stage with like that silver ball. That's the same thing, right? You could be like, how are they using on stage where they're. It's so loud from the. The musicians. That's why they're built, right? That's why dynamic microphones are built that way. But anyway, so I got the RODE NT one A and honestly I didn't. It was so bright. So that's why I went back to the RODE NT one. So my recommendation is when you're first starting out is get the rode. The RODE NT one. Okay. It's a great mic to start with. It's affordable, I think RODE R O D E and you'll need an XLR cable usually will, you know, prompt you to get one of those, if you get it off of Amazon or something. And then from there you'll need your interface. Now a lot of people start with the Focusrite Solo or Focusrite 2i2. I will be honest with you. I recommend the 2i2. It's just always had a better. I don't know, I felt like it's had a better amp in it, right? A better preamp, excuse me, in it. And I think it has a little better than the solo because some people do find that the solo, the focusrite solo is sometimes it's very gain heavy meaning like you got to turn up the gain in order to hear your microphone a lot and that can cause internal noise coming from your interface. So I do recommend that you use something like the 2i2 but that's a great place to start for your interface. That interface will come with everything you need to plug into your computer and then from there you will have a. You'll need your software, your workstation, your daw and that's what I recommend. I recommend Adobe Audition. I just love it, I love it. I used it for 10 plus years now and I never want to use anything else. But again, some people use Audacity, some people use Reaper, some people use Pro Tools, it's really up to you. But you know, I love Adobe Audition now computer wise I am a big Apple Mac person especially for this. I love PC for gaming. I have a PC, I have a gaming laptop that's, that's PC based but I, that's Windows based but I use Apple, I use Mac for all of my recording because it just works better. The software, all the software, the plug, everything just seems to work better with Macs. I don't know why, I think it's just the way it's designed in the software usually for videography, voice, all the things that we do just works better it seems. But again if you're a PC lover that's fine, you can use whatever you want. But I recommend Macs. I would also recommend if you can start with what you have, of course, but down the road you're going to want a bigger screen than a laptop screen because we have, you'll have things up, you'll have scripts up on your screen, you'll have your DAW up on your screen, you have all these things up on your screen. So a big screen is really good. Like I have a couple 32 inch screens now. If you're just starting out, you're not going to have that space. You're going to have, you might be like all I got is a laptop, that's fine, use the laptop, that works as well. You know, you can, you can have a MacBook, MacBook Pro, whatever, but you know, or maybe you have a PC, you know, laptop or whatever but you know, use what you've got, of course. But I would recommend you move towards, down the road you want to get a Mac and also I've gone to the Mac Mini because it's way more affordable and for, you know, it's, it's a lot more bang for your buck. And I got like the mini, the Mac Mini Pro. And so then you just need to have your own computer screen right with that. So but it's way more. It's like,
