Balaji Srinivasan (80:24)
That's right. So this concept of the Internet intermediate, which we already have online, I think the key insight is we want to print that out offline. Right. The same kind of thing that you've consented to online where you enter a slack, you enter a Reddit, you enter a discord, you consent to moderation. If you don't like it, you can leave and pick from another one of those thousand. Right. We bring that concept offline, just like with the envoy kind of thing. Except you sign a social smart contract before you enter jurisdiction. And in this fashion you opt into constraints, you start rebuilding conventions of civility. But crucially, we do it from Anglo American first principles. There's consent and there's contract. Right. You're opting into those constraints, you have free choice. It is not opt down imposed Chinese communist, you know, censorship and filtering. Does that make sense? Right. So we restore order, but through liberty. Ordered liberty. Okay, so I, that might seem very abstract, but kind of like the ledger of record stuff, I think it's going to be pretty important in the years to come. Okay, and so let me pause there. There's a lot I just said, but that's also, that gives a rationale for why the media A is mad at us because we've taken over the dissemination, presentation and collection, presentation and dissemination of information. We've disrupted them economically. There's a, you know, the print media disruption graph that I always like. Right, do we show that one? We didn't show that one yet. Right, let me show that one. This, this is. Maybe this. Probably should have shown this one first, but basically the Internet just disrupted media. That's why they're so mad at us. Right. We didn't mean to do it, but we did it. And here we go. Hold on, let me put this on screen. Let me share this with you guys. Yeah, here we go. So take this guy, put this on screen, if you wouldn't mind, and then I'll, I'll summarize and then let's do Q and A. So if you click the second graph there, there it is. So that shows. Yeah, so this is like the graph to understand tech versus media. There's many more graphs, but this one's mined, you know, the Rifleman, whatever. Right. So this, this graph is it, it captures a ton where it shows that for decades it was awesome to be in newspaper print media. Right. This thing goes from 20 billion a year in 1950 to 67 billion in the year 2000. That was like peak American empire peak, you know, media and so on and so forth. And then it's like kind of flat in the 2000s, and then it just completely, roughly in the late 2000s, especially after the financial crisis where what Happened was everybody was seeking more efficient dollars, right? Like their dollars for advertising. They didn't just want to throw them away. They needed to make them efficient. And. And at that point, Google was ready to catch the rain, right? The intern was finally ready. It was no longer just eyeballs and untargeted ads. They could do these personalized, you know, AdWords kind of links, which was still a big thing, but there's a huge innovation then. So they just started capturing all the spend. And then you see Facebook going vertical like this. And actually another big part of this is not shown is Craigslist going after classifieds. So like, suddenly, you know, the guy. Remember the thing, never argue with a man who buys ink by the barrel. Now the guy who's buying ink by the barrel is just wasting all his money because we don't have to buy ink by the barrel. We can get our information out online. So they drop from 67 billion to like 16, 19 billion. If you include, you know, digital revenue. That's like, that's a huge drop. You know, you go from 70 to $20 billion. That's like a, you know, 60, 63, 62% drop in actually a 70% drop. Okay. In. In just five years, six years, something like that on that chart. Right. So the thing about this is imagine, you know, the journalists really weren't that bad going into the early 2000s. Why? They could fly. I mean, yes, they would cancel someone from time to time. And when I say they weren't that bad, to be clear, that's all relative. Because, you know, Herbert Matthews, you know, was the one who caused Castro, and he was a New York Times reporter who reported on, who turned Castro into like a celebrity figure. John Reed helped create Lenin. Walter Durante helped create Stalin and covered up the hall. D' Moore won a Pulitzer Prize for the New York Times. David Hallerstam helped create the Vietnam War. And as Ashley Rittsberg has documented, the great Lady Wink. Yeah, there are lots of journalists where if you actually go and look. Actually, in fact, let me just give you that digression. Put this on screen. Here's four book references that will change your worldview if you aren't aware of this, right? But basically, John Reed, Walter Ranty, Edgar Snow, Herbert Matthews. It's very hard to find a communist dictator that didn't come to power due to some journalists doing PR for them, okay. Basically doing recruiting for them. They basically got them distribution, okay. And however, with that said, they were not extremely hostile in the. So you click all those books if you want Just put them on screen for a second, one by one, right? So John Reed is literally buried at the Kremlin wall because he was so important to the October Revolution, right? And he was an American who went there and wrote this book, Ten Days that Shook the World, that whitewashed the entire Communist revolution. Go to. Go back one. Click the next one. Like Walter Ranty, he won a Pulitzer Prize, Stalin's apologist for covering up the mass murder of millions of Ukrainians. And you know, by the way, is after the whole war in Ukraine, New York Times wrote all these articles on Ukraine. You know what? They never mention Walter Durante, which is their own role. The New York Times is a big part of the reason that Ukraine was ever subjugated by Soviet Russia in the first place. And sudden they reinvented themselves as a champion of Ukraine after they were the ones who like, you know, basically won a Pulcher and made money. They made money from having starving out the Ukrainians and they made money from the Ukrainian war. Just got them coming and going. This crazy, crazy thing which basically this is, you know, the kind of thing they cover up is reporting on themselves. Right. No account. You know, really, if you just liquidated NYT and took the billions of dollars and gave it to the Ukrainians for reparations, that would be justice, Right? If you go and click the next link back 1. Edgar Snow, right, so this guy. Yeah, click this guy. Edgar Park Snow. There we go. This guy. American journalism, the most important Western reporting on the communist movement in China the years before the Q Power. Right, and what was that reporting? It was like Red Star over China remained a primary source. And he's like, oh, yeah, you know, they're. They're for the people and so on and so forth. And everybody got misled by this as to. Yeah, actually, that's right. Snow depicted. See that thing on scroll up a little bit? Snow depicted Mao Zedong and his followers not as the opportunistic Red Bandits described by the nationalists, but as dedicated revolutionaries who advocated domestic reforms and were eager to resist Japanese aggression in China. They just wanted to reform. In reality, by the way, the Chinese nationalists were the ones who spent most of the blood fighting Japanese aggression. The Communists let them fight, and then they attacked them from the back. And their reforms consisted of shooting landlords in the head and, you know, all this bad stuff. Fine, okay. And you go back and the reason that they got to power is again, because of guys like Edgar Snow who did press coverage for them and basically, you know, like, formed the reputation of the Chinese Communist Party before it achieved power. Then go back one Herbert Matthews, right? This another New York Times journalist, Another communist dictator. Another journalist, another communist, but I repeat myself. So the man who invented Fidel, right, Castro, Cuba. Herbert L. Matthews in New York Times, right? And basically this, this shows that, you know, Fidel Castro was on the run. He was in hiding. And then what happened was Herbert Matthews basically wrote this whole thing which is like, Castro is alive and he's still recruiting. It'd be like saying like, Osam bin Laden is still alive and he's here and if you want to join Al Qaeda, go to this location. I didn't say that. You know, it's literally like that kind of thing, right? And so there's actually a good book by this, on all of this by Ashley Rinsberg on the Great lady winked called the Great Lady Winged, which just goes through all of these episodes, right? And shows the New York Times is never great, right? The Salsberger family, by the way, you know, just to show you a little bit more, just to show you what we're dealing with, right? Remember, you know, BLM and how like, everybody, everybody was a racist other than the New York Times, right? Well, actually, just to know here, this again, something you'll never see in the New York Times itself. The family that owns the New York Times were reportedly slaveholders. Ta da. So all white people are racist other than the white people who own the New York Times. Every. All white people are guilty of slavery. Other than the white people in New