B (4:34)

This show is sponsored by American Public University. The future won't wait and neither should you. That's why American Public University offers Master's programs designed for momentum, affordable, high quality and flexible so you keep moving forward with career relevant programs in business, healthcare, education, it and more. You can gain skills you can use right away and the confidence to power your next move. American Public University made for what's next. Learn more at apu.apus.edu Eczema is unpredictable,

A (5:08)

but you can flare less with Epglis, a once monthly treatment for moderate to severe eczema. After an initial four month or longer dosing phase, about 4 in 10 people taking EPGLIS achieved itch relief and clear or almost clear skin at 16 weeks. And most of those people maintain skin that's still more clear at one year with monthly dosing.

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MGLIS Lebricizumab LBKZ a 250mg 2ml injection is a prescription medicine used to treat adults and children 12 years of age and older who weigh at least 88 pounds or 40 kilograms with moderate to severe eczema, also called atopic dermatitis that is not well controlled with prescription therapies used on the skin or topicals, or who cannot use topical therapies Epglis can be used with or without topical corticosteroids. Don't use if you're allergic to Epglis. Allergic reactions can occur that can be severe. Eye problems can occur. Tell your doctor if you have new or worsening eye problems. You should not receive a live vaccine when treated with Eglis. Before starting Ebglis, tell your doctor if you have a parasitic infection.

A (5:58)

Ask your doctor about eglis and visit eglis.lilly.com or call 1-800-lilyrx or 1-800-545-5979.

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Wolfgang Amadeus Mozart remains one of history's most celebrated composers, a prodigy whose melodies have echoed through concert halls for more than two centuries. At the astonishing age of just five years old, he was able to compose short pieces and perform for European royalty. By his teenage years, he had produced works that would make seasoned masters jealous. Yet behind this musical brilliance lay a man of idiosyncratic habits, whose strange appetites and offbeat humor revealed a personality as colorful as his scores. One of the most charming anecdotes concerns Mozart's pet starling, a bird presented to him in 1784. Enamored with the feathered visitor, Mozart transcribed the lilting tune that the bird sang into his notebook, a motif that mirrors a passage from his own Piano Concerto no. 17 in G major. When the songbird died three years later, Mozart staged a miniature funeral, complete with a tiny coffin and mournful procession to honor his small companion. His sense of humor was equally distinctive, although far less refined than one might expect from a classical maestro. Scatological jokes pepper his private correspondence, the verses brimming with bawdy wordplay that would shock modern readers. Historians debate whether these jokes merely reflect the culture of 18th century Vienna or served as a deliberate, playful rebellion against social conventions. Occasionally the levity seeped into his music, too, where he set risque German lyrics to familiar tunes as inside jokes for close friends. Not all of Mozart's experiences were so light hearted, though. At 11 he contracted smallpox, a disease that claimed countless lives in the 18th century. The illness temporarily blinded him and forced his family to flee Vienna to escape the epidemic. Such a severe setback could have ended his career before it truly began. And yet Mozart recovered and continued to compose works of astonishing depth and variety. But the most haunting chapter of Mozart's biography revolves around his Requiem in D minor, the work that he never lived to finish. In the autumn of 1791, a mysterious patron approached a trusted intermediary, Franz von Walzig, with a commission for a solemn Mass for the dead. Valsegg, a wealthy amateur composer, desired the piece to appear as his own tribute to his late wife, a secret that he guarded jealously. Mozart accepted the commission, unaware of his client's true identity. He was already ailing. Persistent fever, exhaustion and a lingering respiratory infection weighed heavily on him. And yet the promise of a substantial fee and the artistic challenge of a liturgical masterpiece spurred him onward. He began sketching the Introitus in early November, his pen moving swiftly, as if racing against an invisible clock. And in a sense, he was. As the days passed by, Mozart's health deteriorated. He worked feverishly often through the night, dictating sections to his devoted copyist, Joseph Eleser, and confiding in his wife, Constanze, who assisted with copying and proofreading. Although the days were prolific, his body could no longer sustain the effort. Legend holds that on the evening of December 4th of 1791, Mozart, barely able to lift his head, whispered the opening bars of the Lacrimosa, the final movement, which would remain forever finished. He died two days later, on December 5, leaving the Requiem, a half rendered tapestry of soaring vocal lines and trembling orchestration. This manuscript, scattered across several pages, bears his unmistakable handwriting, interspersed with frantic corrections and marginal notes. After his death, his student Frantz Xaver Sousmier was tasked with completing the work using Mozart's sketches and verbal instructions. Sousmierre finished the Lacrimosa, added the remaining movements, and orchestrated the entire piece, striving to honor his master's voice while filling in the inevitable gaps. And thus the Requiem stands as a dual monument. On one hand, a testament to Mozart's unrivaled capacity to convey grief, awe and transcendence, and on the other, a poignant reminder of a life cut short, his final masterpiece forever tinged with mystery. Listeners still hear in its somber chords the echo of a composer confronting his own mortality, a fitting if tragic coda to a career that reshaped Western music. In the end, Mozart's life, marked by laughter and sickness, creative brilliance and bizarre episodes, serves as a testament to the multifaceted nature of human genius. These strange vignettes do not diminish his achievements rather, they add depth to the story of a man whose music continues to captivate the world. I hope you enjoyed today's guided tour through the Cabinet of Curiosities. This show was created by me, Erin Manke, in partnership with iHeart Podcasts, researched and written by the Grim and Mild team and produced by Jesse Funk. Learn more about the show and the people who make it over@grimandmild.com curiosities. You'll also find a link to the official Cabinet of Curiosities hardcover book available in bookstores and online, as well as ebook and audiobook. And if you're looking for an ad free option, consider joining our Patreon. It's all the same stories but without the interruption for a small monthly fee. Learn more and sign up over@patreon.com grimandmild and until next time, stay curious.

B (12:07)

This show is sponsored by American Public University. The future won't wait and neither should you. That's why American Public University offers Master's programs designed for momentum, affordable, high quality and flexible so you keep moving forward. With career relevant programs in business, healthcare, education, IT and more, you can gain skills you can use right away and the confidence to power your next move. American Public University made for what's next? Learn more at apu.apus.edu this is an iHeart podcast.

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Guaranteed Human.