Accelerated Culture Podcast - Episode 59: Massive Attack’s “Blue Lines” (1991)

Release Date: February 1, 2025
Host/Author: acceleratedculture
Title: Accelerated Culture: The Rise of Alternative Music in the 80s and Beyond
Description: This episode delves into Massive Attack’s groundbreaking debut album, "Blue Lines," exploring its creation, influence, and lasting legacy in the alternative and trip-hop genres.

Introduction

In Episode 59 of the Accelerated Culture Podcast, hosts Lori and Scott Free embark on an in-depth exploration of Massive Attack’s seminal debut album, Blue Lines (1991). Recognized as a cornerstone in the trip-hop genre, this episode unpacks the album’s origins, production nuances, and its enduring impact on music history.

Background: The Formation of Massive Attack and Sound System Culture

[05:09] Scott Free:
“I chose the 1991 debut from Massive Attack, Blue Lines. It is a masterpiece of a debut album, and it kicked off an entire genre of electronic hip hop music that would come to be known as trip hop.”

The hosts begin by tracing the roots of Massive Attack, highlighting their evolution from the Bristol-based sound system collective known as The Wild Bunch. This collective was deeply influenced by Jamaican reggae and dancehall culture, emphasizing the role of selectors and DJs in unearthing obscure tracks—a practice that would significantly shape Massive Attack’s sound.

[10:34] Scott Free:
“Miles Johnson, AKA DJ Milo Nellie Hooper, who would go on to found Soul to Soul, and Grant Marshall, AKA Daddy G, later of Massive Attack fame, spent the weekends listening to reggae, punk and new wave records before their sound came to life.”

The transition from The Wild Bunch to Massive Attack involved expanding their repertoire and refining their production techniques, leading to their unique fusion of reggae, soul, and emerging electronic elements.

Detailed Track-by-Track Analysis

1. Safe from Harm
[31:55] Lori:
“According to that 33 and a third book by Ian Borland, it concisely communicates the sense of anxiety felt by women in everyday life.”

This opener features Shara Nelson’s soulful vocals layered with 3D’s rap interjections. The track is anchored by a repeating bassline sampled from Billy Cobham’s “Stratus” and incorporates elements from Funkadelic and Herbie Hancock, showcasing Massive Attack’s knack for deep crate digging and intricate layering.

Notable Quote:
[35:04] Scott Free:
“You can free the world, you can free my mind Just as long as my baby's safe from harm tonight.”

2. One
Featuring legendary reggae singer Horace Andy, this track blends Minimalist production with profound lyrical themes centered around monogamy and fidelity. Samples from Mahavishnu Orchestra and Isaac Hayes add depth to the composition.

Notable Quote:
[42:47] Lori:
“It's not every day you'll find the woman of your dreams who will always be there no matter how bad things seem.”

3. Blue Lines (Title Track)
The eponymous track establishes the album’s thematic and sonic foundation, integrating samples from Tom Scott’s “Sneaking in the Back” and The Blackbirds’ “Rock Creek Park”. Mushroom’s programming prowess is evident in the seamless blend of these elements.

Notable Quote:
[46:30] Scott Free:
“Blue lines are the reason why the temple had to shatter. Blue Lines is supposedly a reference to snorting lines of crushed Valium pills.”

4. Be Thankful for What You've Got
A faithful cover of William DeVaughn’s 1974 soul hit, this track underscores the album’s connection to classic R&B while infusing it with Massive Attack’s signature trip-hop vibe. Tony Bryan’s vocals enhance the song’s nostalgic feel.

Notable Quote:
[52:19] Lori:
“What’s the point in killing people for their Nikes? We’re living in a time where nobody can be satisfied with what they’ve got because of the media.”

5. Five Man Army
Another reggae-influenced track, it features a rotating cast of vocalists, including Tricky and Daddy G. The song heavily samples Dillinger and Trinity’s rendition of “Five Man Army”, blending it with new lyrical content and additional Scratch elements.

Notable Quote:
[58:02] Scott Free:
“Rotating in and out... you have this really diverse group of Bristol weirdos who come out of this party dance scene.”

6. Unfinished Sympathy
Often hailed as one of the greatest songs of all time, this track is celebrated for its lush string arrangements and Shara Nelson’s powerful vocal performance. The production incorporates samples from J.J. Johnson’s “Parade Strut” and Subconscious selections, creating a rich, emotive tapestry.

Notable Quote:
[61:50] Lori:
“It’s not a regular meter. It’s heavily syncopated. It just makes me want to scream.”

7. Daydreaming
Featuring extensive sampling from Wally Badu’s “Mambo”, this track stands out for its playful lyrical references and funky rhythms. Tricky’s whimsical rap lines add a layer of humor and complexity.

Notable Quote:
[69:16] Lori:
“Daydreaming perfectly describes who we are. If me and G went out talking about beating and shooting people, it wouldn’t be us.”

8. Lately
A straightforward R&B track that leverages a sample from Lowell’s “Mellow Mellow Right On” intertwined with Isaac Hayes’ “Joy”. Shara Nelson’s delicate vocals complement the mellow instrumentation.

Notable Quote:
[80:25] Lori:
“Baby, where did we go wrong?”

9. Hymn of the Big Wheel (Closing Track)
A collaborative piece with Nina Cherry, this song delves into environmental concerns with a minimalist production that highlights Horace Andy’s unique vocal texture. The absence of traditional samples allows the raw message to resonate.

Notable Quote:
[83:15] Scott Free:
“It is the only song on the album not to contain any samples. Just a sound effect.”

Production Insights: Sampling and Sound Design

[05:52] Scott Free:
“They did not, by their own admission do a particularly good job of this.”

Massive Attack’s Blue Lines is a masterclass in sample-based production. The hosts discuss the technical aspects, including the use of turntables, Ensoniq EPS sampling synth, Yamaha drum machine, and a Newmark mixer. Despite limited sample clearance, the album creatively integrates diverse influences ranging from Mahavishnu Orchestra to Funkadelic, resulting in a sonically rich and innovative project.

[26:17] Lori:
“I don't know how common it was in 91, is essentially, we've got the sound system, these three guys doing samples.”

The minimalist approach in some tracks, such as the sparse arrangement in One, allows individual elements like vocal harmonies and sampled loops to shine prominently, demonstrating the band’s ability to craft complex textures from simple foundations.

Legacy and Influence: The Birth of Trip-Hop

[89:54] Lori:
“Gen X, a Millennial… the full name from that novel was Gen X Tales for an Accelerated Culture.”

Blue Lines is credited with pioneering the trip-hop genre, influencing a myriad of artists and shaping the Bristol sound. Bands like Portishead and Tortoise Head drew inspiration from Massive Attack’s fusion of genres, while artists like Thievery Corporation and Tricky further expanded the boundaries of electronic and alternative music. The album’s innovative use of samples and its eclectic sound palette continue to resonate within the music industry.

[90:03] Scott Free:
“Portishead was not part of this sound system tradition… Beth Gibbons’ voice… gives a very different feel.”

Host Perspectives: Diverging Tastes and Mutual Respect

Scott Free expresses a profound appreciation for Blue Lines, highlighting tracks like Daydreaming and Unfinished Sympathy as standout pieces that showcase the album’s depth and emotional range.

[87:57] Scott Free:
“I love this album so hard. It is a brilliant chill album. It is not perfect, but damn, is it good.”

Conversely, Lori admits to a more nuanced reception. While she acknowledges the album’s foundational role and influence, she personally finds certain tracks less compelling, such as Be Thankful for What You've Got and Hymn of the Big Wheel. However, she respects the album’s legacy and its impact on future artists.

[88:55] Scott Free:
“But yeah, it's pretty much 3D now. Hoping to hear new music from them or him and see who he brings back into the fold.”

Their differing viewpoints illustrate a balanced discussion, appreciating the album’s significance while acknowledging personal preferences.

Additional Insights: Banksy and 3D Connection

A fascinating segment explores the speculation surrounding Massive Attack’s Robert Del Naja (3D) and his potential connection to the elusive street artist Banksy. The hosts reference an article from 33 and a third that questions if 3D might actually be Banksy, citing similarities in artistic styles and coincidental appearances of Banksy’s work during Massive Attack’s tours.

[94:14] Lori:
"He sometimes gives interviews and then denies having done so through a press agent."

While speculative, this connection underscores the band’s deep ties to Bristol’s creative and rebellious spirit.

Concluding Thoughts: The Enduring Impact of Blue Lines

In wrapping up the episode, Scott Free emphasizes the album’s role in inspiring both listeners and fellow musicians, citing personal anecdotes about how Massive Attack’s performances fueled his own creative and activist endeavors.

[99:14] Lori:
"One of the highest purposes of creating art is if that art inspires somebody else."

[99:28] Scott Free:
"Hope to see another tour in the not too distant future."

As Blue Lines continues to be celebrated for its innovation and emotional resonance, Accelerated Culture affirms its place in chronicling the pivotal moments that shaped alternative music from the 1980s onward.

Looking Ahead: Next Episode Teaser

The hosts tease their next exploration into Pearl Jam's Ten, promising a revisitation of the Seattle grunge scene and its interconnection with the early 90s alternative landscape.

[100:48] Lori:
"We are going to revisit the whole Seattle grunge scene… Pearl Jam feels closely linked with Nirvana."

Stay tuned for another engaging deep dive into a transformative album that defined a generation.

Notable Quotes with Timestamps

• Scott Free [05:09]:
  “Blue Lines… it kicked off an entire genre of electronic hip hop music that would come to be known as trip hop.”

• Lori [34:28]:
  “But I believe in one love…”

• Scott Free [42:47]:
  “It’s not every day you’ll find the woman of your dreams who will always be there.”

• Lori [75:46]:
  “Daydreaming perfectly describes who we are…”

• Scott Free [87:55]:
  “Unfinished Sympathy… it paints a picture of the quality of life in the city.”

Conclusion

Episode 59 of the Accelerated Culture Podcast offers a comprehensive and engaging analysis of Massive Attack’s Blue Lines. Through meticulous track-by-track breakdowns, insightful discussions on production techniques, and reflections on the album’s legacy, Lori and Scott Free provide listeners with a profound understanding of why Blue Lines remains a landmark in alternative music history.