Bryan Cranston + Barry Crimmins (Carolla Classics)

Summary

Episode Summary: The Adam Carolla Show – Bryan Cranston & Barry Crimmins (Carolla Classics)
Release Date: July 20, 2025
Guests: Bryan Cranston, Barry Crimmins, Bobcat Goldthwait, and Gina Grad
Platform: PodcastOne / Carolla Digital

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Introduction to Carolla Classics

The episode opens with Giovanni Ribisi introducing "Carolla Classics," a segment dedicated to showcasing memorable moments from The Adam Carolla Show's extensive history. This episode features a reunion with the late Barry Crimmins and comedian Bobcat Goldthwait, alongside recurring guest Gina Grad and Brian Cranston.

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Celebrating the Documentary: "Call Me Lucky"

[02:21] Adam Carolla
Adam introduces the documentary "Call Me Lucky," highlighting Barry Crimmins's role as a comedian and his impactful activism. He remarks on the documentary's unique blend of humor and serious subject matter, praising its depth and the unforeseen turn it takes midway through.

Notable Quote:
“Call Me Lucky is an important documentary... it was another [45 minutes] of comedians heaping praise on this guy... and then it took a shift and became something altogether different.”
— Adam Carolla [28:03]

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Deep Dive with Bryan Cranston

The conversation shifts to Bryan Cranston's personal journey and his portrayal of complex characters. Bryan shares his experiences and the emotional depth involved in his roles, particularly reflecting on his character in "Breaking Bad."

Key Topics Discussed:

• Overcoming Trauma: Bryan opens up about surviving childhood abuse and its profound impact on his life and career.

  Notable Quote:
  “I was born without blood on my hands, and I want to keep it that way... this is the question more because I don't want there to be more abuse survivors because we're a pain in the ass.”
  — Brian Cranston [44:08]

• Advocacy Against Abuse: Bryan discusses his efforts to combat child pornography and his collaboration with Barry Crimmins in raising awareness.

  Notable Quote:
  “I had to do something about it... I can’t become a monster... I resist.”
  — Brian Cranston [44:08]

• Rehabilitation vs. Segregation: The debate on whether individuals who commit such heinous crimes can be rehabilitated or should be permanently segregated from society.

  Notable Quote:
  “The recidivism rate of those who are caught is ridiculous. You just can't trust them.”
  — Brian Cranston [48:09]

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Bobcat Goldthwait on Filmmaking and "Call Me Lucky"

Bobcat Goldthwait joins the discussion to share insights into the making of "Call Me Lucky," emphasizing the documentary's stylistic approach and the challenges faced during production.

Key Points:

• Documentary Style: Bobcat praises the film's departure from traditional documentaries by incorporating stylized cinematography and personal storytelling.

  Notable Quote:
  “It's the most stylized movie I've made. And it's a documentary.”
  — Bobcat Goldthwait [36:32]

• Transformative Storytelling: He elaborates on how the documentary shifts from a light-hearted portrayal of Barry to addressing serious societal issues related to child abuse.

  Notable Quote:
  “It was like a Frank Capra story. This little guy up against...”
  — Bobcat Goldthwait [31:34]

• Impact and Reception: Discussion on the film's accolades and the powerful message it conveys about combating abuse and supporting survivors.

  Notable Quote:
  “It's a courageous story... we've actually won the movies. Won like seven awards now. It's kind of crazy.”
  — Bobcat Goldthwait [42:13]

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Mission Impossible: Rogue Nation Analysis

The trio delves into a critique of "Mission Impossible: Rogue Nation," discussing its plot complexities, stunt work, and overall reception.

Highlights:

• Plot Complexity: They express confusion over the movie's convoluted storyline, questioning the necessity of its intricacies.

  Notable Quote:
  “The violence is just the violence. It's pretty PG-13 for a reason.”
  — Giovanni Ribisi [10:00]

• Stunt Appreciation: Despite plot issues, the team commends the impressive stunts and practical effects used in the film.

  Notable Quote:
  “There are scenes that I'm not sure why they're there... great stunts and it's a lot of fun.”
  — Giovanni Ribisi [19:07]

• Bechdel Test Discussion: They evaluate the film's failure to meet the Bechdel Test, highlighting the lack of meaningful interactions between female characters.

  Notable Quote:
  “They don't speak to each other at all. This would fail miserably.”
  — Giovanni Ribisi [19:35]

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Behind the Scenes: Groundlings and Acting Insights

Bryan Cranston and Adam Carolla reminisce about their time at the Groundlings, sharing humorous anecdotes and discussing the nuances of acting.

Key Insights:

• Acting Craft: Bryan emphasizes the importance of authenticity and emotional truth in acting, drawing parallels between his real-life experiences and his on-screen performances.

  Notable Quote:
  “It's about being authentic and truthful.”
  — Dawson (Bobcat) [77:22]

• Script Development: Bobcat discusses the initial challenges in scripting the documentary and how external factors, like Robin Williams's support, propelled the project forward.

  Notable Quote:
  “Robin gave me the initial money. He didn't finance the movie, but he gave me the initial push.”
  — Bobcat Goldthwait [63:29]

• Performance Pressure: The conversation touches on the pressures actors face while filming intense scenes, such as Bryan crashing the Aztec during a shoot.

  Notable Quote:
  “There was some kind of nervous energy... that was fun.”
  — Dawson (Bryan) [137:26]

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Upcoming Projects and Collaborations

The episode concludes with discussions about future projects, including Bryan Cranston's involvement in "Sneaky Pete," an animated series called "Super Mansion," and other creative endeavors.

Highlights:

• "Sneaky Pete": Bryan provides an overview of the pilot series, detailing its premise and his role in the production.

  Notable Quote:
  “If it's Logical in the story sense and character sense, I would do it in a second because I miss those people.”
  — Dawson (Bryan Cranston) [103:55]

• "Super Mansion": Bobcat introduces the animated series, describing his character Titanium Rex and the show's comedic elements.

  Notable Quote:
  “I'm playing Titanium Rex, who is a superhero just a little bit past his prime.”
  — Bobcat Goldthwait [122:34]

• Acting Philosophy: Bryan shares his approach to acting and the importance of surrounding oneself with talented individuals to elevate the quality of projects.

  Notable Quote:
  “I have to have the script that's great, the director that has a clear vision... it's such a delicate recipe.”
  — Dawson (Bryan Cranston) [85:15]

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Closing Remarks

Adam Carolla wraps up the episode by expressing gratitude to his guests for their candid and insightful conversations. He encourages listeners to watch "Call Me Lucky" and stay tuned for upcoming episodes featuring Bryan Cranston and other notable personalities.

Final Quote:
“Call Me Lucky is the name of the documentary and again you go to CallMeLuckyMovie.com if you want to see it.”
— Adam Carolla [68:46]

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Key Takeaways

• Impact of Personal Trauma: Bryan Cranston's discussions shed light on how personal experiences with trauma can fuel advocacy and influence creative work.

• Documentary Storytelling: Bobcat Goldthwait's approach to "Call Me Lucky" demonstrates the power of blending humor with serious topics to create compelling narratives.

• Acting and Authenticity: The guests underscore the importance of authentic performance and the challenges actors face in conveying deep emotional truths.

• Industry Insights: Conversations provide a behind-the-scenes look at the complexities of filmmaking, from script development to managing on-set pressures.

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Notable Quotes with Timestamps

1. “Call Me Lucky is an important documentary... it was another [45 minutes] of comedians heaping praise on this guy... and then it took a shift and became something altogether different.”
   — Adam Carolla [28:03]

2. “I was born without blood on my hands, and I want to keep it that way... this is the question more because I don't want there to be more abuse survivors because we're a pain in the ass.”
   — Brian Cranston [44:08]

3. “It's the most stylized movie I've made. And it's a documentary.”
   — Bobcat Goldthwait [36:32]

4. “The recidivism rate of those who are caught is ridiculous. You just can't trust them.”
   — Brian Cranston [48:09]

5. “Call Me Lucky is the name of the documentary and again you go to CallMeLuckyMovie.com if you want to see it.”
   — Adam Carolla [68:46]

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Conclusion:
This episode of The Adam Carolla Show offers a profound exploration of personal trauma, advocacy, and the art of storytelling through the lens of Bryan Cranston and Barry Crimmins. Their honest and heartfelt discussions provide listeners with deep insights into overcoming adversity and the transformative power of sincere dialogue.

Transcript

[Adam Carolla]

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[Dawson]

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[Adam Carolla]

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[Dawson]

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[Adam Carolla]

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[Giovanni Ribisi]

Welcome to Coral Classics. I'm your host, superfan Giovanni. This is the podcast where we play the best moments, highlights and fans like the clips from all 16 years of.

[Adam Carolla]

The Adam Carolla show.

[Giovanni Ribisi]

We have a separate premium podcast feed through Podcast one where you contain all three episodes ad free of Cruella Plastics each weekend. Check out Podcast one Premium for that if you'd like ad free access to the Adam Kurolla show, the Adam Dr. Drew show as well as exclusive access to the brand new podcast Beat It Out. Make sure to check out AdamCorla's substack adamcarla.substack.com and if you'd like to request a clip, Please email us classicsdamcurlo.com alright, let's get to the clips coming up. First we have adam Kriller Show 1631 with the great bobcat Goldthwait along with his friend and legend, comedic hero and overall hero to humanity, Barry Crimmins right there along with Gina Grad and Brian Bishop from 2015. Hope you guys enjoy.

[Adam Carolla]

Bob and Barry are gonna be in. Haven't seen Bob in a while. Saw the movie last night. Really enjoyed it. Barry Crimmins for those who don't know is one of those comedians. Comedians. The guy kind of. Oh, there's a handful of guys that never had the success of the blue collar comedy tour. Guys had. But the guys, the comedians all looked up to the truth tellers. The guys didn't care if they got the laughs. They weren't telling the jokes. They were doing the social commentary and all that stuff. So very interesting documentary. We'll get into that in a couple of few. Thank you guys for listening. Thanks for spreading it around. A little short in format, less commercials, a little tighter show because we're taking off our one vacation week out of the year and I'm going racing and everyone else is going home and putting their thumb in their ass. Good day, Gina grad. Good day to you and bull. Brian. Podcasting was worthless.

[Giovanni Ribisi]

Important PSA from last show.

[Adam Carolla]

So I finally corresponded with Brian Grazer.

[Giovanni Ribisi]

The mystery phone call.

[Adam Carolla]

He'd been wanting to get a hold of you. Yeah, he downgraded to an email. And then just at a certain point, everybody said, I said, what's Grazer want? Finally my genius is being recognized. In my time, yeah, it'll be recognized. But in my time.

[Giovanni Ribisi]

Better late than never.

[Adam Carolla]

Yeah, but no. Just told me, flew out to Atlanta with Tom Cruise. Really enjoyed the Newman racing doc and shared it with Cruz. Well, that's something that could have. That could have been worse. Well, it could have been, but I. I got.

[Giovanni Ribisi]

Yes, I'm here with lawyers.

[Adam Carolla]

I got way. I got way too many. I got way too many. Listen, Grazer doesn't call just to say hi. He's got an idea. He's got a movie. He's got something. I'll take it. Don't get me wrong. Maybe you planted a seed.

[Giovanni Ribisi]

It's a little too close to rush. You'll be here for my lawyers once again.

[Adam Carolla]

But I did, I did get excited about it anyway. Sweet guy. And flattered they took the time to watch that. Flatter that. You guys taking time to watch that. All right.

[Giovanni Ribisi]

Did you ever think that Cruz would see the movie?

[Adam Carolla]

I'll tell you this about car guys. As a car guy and whatever guys, foodies.

[Giovanni Ribisi]

For instance, if it's your thing.

[Adam Carolla]

If it's your thing. If your thing. So if you want to book Jon Favreau on your crappy podcast, good luck. But if you do a foodie podcast.

[Giovanni Ribisi]

Do you have a shot?

[Adam Carolla]

You have a very good shot at Jon Favreau because it's sort of Leno with cars kind of thing. Jay Leno is a megastar and good luck. But if it's car centric. He'll come right on out. Okay, so that's kind of. That's kind of the thing. And it's kind of what I was. I don't know who we were talking about now. Well, sorry. Yeah. Cruise.

[Brian Cranston]

Yeah.

[Adam Carolla]

Cruz. The car guys will watch all the car stuff. The gearhead guys will watch all. Now I'll never.

[Giovanni Ribisi]

You'll lower your bar too. For what? You'll watch if it's based around your thing.

[Adam Carolla]

Oh, Absa dam lutely. Yeah.

[Giovanni Ribisi]

You'll see Winning the Racing Life of Paul Newman. Whereas normally, you know, no person would.

[Adam Carolla]

Well, think what we'd all do with porn. Let's put it. Because that's everyone's universal thing.

[Giovanni Ribisi]

Makes sense.

[Adam Carolla]

The bar is buried in the dirt and we'll still watch anything. That's how it goes. So I imagine. Here's this scenario. I imagine Cruz does see it, Cruz does enjoy it, and I never know it. Yeah, that's my. That's my scenario. That's my scenario.

[Giovanni Ribisi]

Certification. Or that little verification.

[Adam Carolla]

It'd be nice. Listen, I'll hit up Grazer in a couple of weeks and I'll see if. If he could get Cruz to.

[Brian Cranston]

Tom.

[Giovanni Ribisi]

Like it. Like it or he's just like it?

[Adam Carolla]

Check this box. Well, Grazer seemed to enjoy. But then again, what's he know about filmmaking anyway? You speak of films. Bald Brian.

[Giovanni Ribisi]

I saw the aforementioned Mission Impossible Rogue Nation couple we mentioned a couple of weeks or a couple days ago with that. Actually, he had seen it. Have you guys seen it yet?

[Adam Carolla]

No, my dad and brother saw it. Loved it. Okay, well, let's try to figure out if Sonny can go.

[Giovanni Ribisi]

You know what?

[Adam Carolla]

Since no one understands the story.

[Giovanni Ribisi]

Yeah, yeah.

[Adam Carolla]

That's a push then. The violence is just the violence. But he sees that everywhere. Anyway, let's start Bollywood then. Hooray for Bollywood. He will tell you if a movie's good. Brian will review the flicks that he's seen up on the big screen or in his Netflix queue. Before you spend bucks, remember his taste sucks. He loved that train wreck piece of shit Transformers to hooray for Bollywood.

[Giovanni Ribisi]

Mission Impossible, Rogue Nation. It's in theaters now. It's directed and written by Christopher McQuarrie. We talked about him. He's the writer of Usual Suspects. He wrote the Edge of Tomorrow. Have you guys seen Edge of Tomorrow?

[Adam Carolla]

Yes.

[Giovanni Ribisi]

It's making the rounds on cable now, right? Yeah, yeah, it's solid. For what? I think people kind of wrote it off as a sort of silly summer movie. Tom Cruise was Maybe about a bit of a downswing public, you know, opinion wise. That's a solid movie.

[Adam Carolla]

I think the problem with that movie is there were too many movies and too many Tom Cruise movies that felt like that movie from the trailer, from the commercial, like it's in the future. Soldier. Yeah. What's going on? Didn't he just do this? Right. He's got to go back and do something. And there were a slew of those movies that came out all in the same four month period. Wait, I'm sorry, There's time travel in Mission Impossible? No, we're talking about another movie tomorrow. Okay. I was like, well, no, no, I'm interested. We're talking about the Edge of Tomorrow. Right. Okay. And there was time travel in that. Either slight tangent. Well done, well done. But yeah, there was. There was this whole. And also. Yeah, here's what you have for everybody. Everyone is basically driving down the grapevine of life and we pass the exits and we look up and we see the sign that says McDonald's or Burger King or In N Out or whatever. And we really have about four to seven seconds to make that move to the on ramp or off ramp or we just kind of sail past it. And you'll do that move. And we've all done it. Where you've kind of looked up and you went, hey, it's Denny's. And then you kind of went, let's keep driving. Maybe we'll find an In N Out.

[Giovanni Ribisi]

Yeah, we'll hold out for the In n Out.

[Adam Carolla]

And sometimes it's a really good dining place, but you just blast past it because you looked up and you saw big orange letters on a brown background and you just kind of went, nah. And then, you know, and once you passed it, you never get off and double back and go, maybe I was wrong. That's what happened with Edge of Tomorrow. Turns out they were serving up some good vittles.

[Giovanni Ribisi]

Very apt analogy. Well done. That's worthy of sniff. Excuse me. Mission Impossible. Rogue Nation is the follow up. Yeah. Christopher McQuarrie, Tom Cruise, what is her name? Rebecca Ferguson is the sort of co star. Jeremy Renner, Simon Pegg, Ving Rhames and Alec Baldwin. You asked if this is okay for Sonny. This is, you know what, all the violence. Okay. The stunts are pretty spectacular. And they're really pushing the stunts as a real selling point, which is kind of amazing because we're selling the movies now based on the fact that, oh, no, these are real people doing real things. This isn't green screen. This isn't a superhero flying through the air. These are people doing things and they are impressive. They're well done. The violence is not very bloody. I noticed at a certain point there's not really much blood in this movie. All the violence is kind of bang, pow.

[Adam Carolla]

Acne, fishy cuffs.

[Giovanni Ribisi]

Exactly. There is some implied torture stuff, but it's pretty. It's a PG13 movie for a reason. No nudity, no sex or anything. So it might be an intense for Sonny, but it's not going to be appropriate.

[Adam Carolla]

You can do it.

[Giovanni Ribisi]

In my opinion.

[Adam Carolla]

He literally just covers his eyes when the time comes.

[Giovanni Ribisi]

Okay, then he'll be fine. Yeah, he'll be fine. They don't explain the rogue nation part very much. If I'm too. If I'm too. If I'm to describe the plot from memory. Okay. At one point the British government set up a shadow organization to government sponsored terrorism to bring down other governments. But then one of the guys who was in charge went rogue and faked a bunch of other people's deaths and got them to join him. So now he's trying to get back at the government by doing. I'm not sure what he's trying to do.

[Adam Carolla]

Kind of pseudo double agent.

[Giovanni Ribisi]

There's some double agent. There is definitely some double agency going on. And I don't know what the plot exactly is other than what I described. Maybe it's for men. Some members. Gina, you might like this.

[Adam Carolla]

I'm not sure that there's another movie where nobody knows what the plot is.

[Giovanni Ribisi]

I would fail a test on the plot of this movie.

[Adam Carolla]

All right. And it's a thriller, it's an intrigue sort of thriller. And nobody seems to. Matt Atchety didn't seem to know what the plot was either. But it's hovering in the mid-90s on rotten tomatoes.

[Giovanni Ribisi]

93%.

[Adam Carolla]

That's very rare for not knowing what the plot is on a plot driven.

[Giovanni Ribisi]

Yes, the plot should matter, but it kind of doesn't.

[Adam Carolla]

Gary. Gary saw it. Gary, do you know what the plot is? Brian did a very good job. I don't think I could do much better. It's confusing. The plot's hard to follow. But I also noticed, speaking of Rotten Tomatoes, I saw a trailer for this. It was the first time that in a trailer it had the Rotten Tomatoes score on there.

[Giovanni Ribisi]

Yeah.

[Adam Carolla]

Wow. I saw a TV commercial. Yeah, that's what I'm talking about. Yeah. Well, I see trailers sometimes in the movies. Yeah, it's kind of nice. But I don't know. Brian, did you. I don't know if I was the only one. My girlfriend thought this too, but I walked out and thought that the female lead in this was distractingly age appropriate.

[Giovanni Ribisi]

Meaning what?

[Adam Carolla]

Meaning she's too old. She was older.

[Giovanni Ribisi]

She was an adult. Yeah, she was older than a chick.

[Adam Carolla]

Would be in this type of movie. Usually distractingly age appropriate.

[Giovanni Ribisi]

It was exactly right for Tom Cruise's age, but, yeah, there was no romantic interest whatsoever. I don't think they even so much.

[Adam Carolla]

As kissed a little long in the tooth. Yeah.

[Giovanni Ribisi]

These Mission Impossible movies are really sexless. Like, even the first one, I don't think they even so much as had a look, but let alone a kiss or anything, these are just action movies.

[Adam Carolla]

Good.

[Giovanni Ribisi]

Whatever. It's a good movie. I think what Gary is trying to say and what I observed is it's needlessly elaborate. The plot and the stuff that the guys go through. Very, very minor spoiler because it doesn't even come halfway through the movie. But at one point, the bad guys are attempting to assassinate the Prime Minister of Austria. I don't know why, but they want to assassinate the Prime Minister. And they choose the very convenient location of a packed opera house to have not one, but three snipers. Three snipers. It's just in the bowels of this thing, like, triangulate, aim at him, and like, for redundancy purposes, if one misses, there's two backups. So you have to pay these guys, hire them, and they have to escape once they make the shots through. It's a horrible plan. Shockingly, you're gonna find this hard to believe. Tom Cruise thwarts the plan. He kills one of the snipers, and. But one takes a shot and misses. And as soon as the place starts to empty out, the. The Prime Minister is rushed to his waiting SUV and drives off. And as soon as he gets about 100ft away, it blows up. They had a fail safe, which was a car bomb, which could have eliminated the entire plan and just blown him up. That's the most efficient way to do it.

[Adam Carolla]

Also, needlessly elaborate. If I'm a sniper and you say, look, we want you to take out the Archduke, and over at the Opera house, I'm like, well, first off, thank you for your business. Appreciate that.

[Giovanni Ribisi]

You'll not be disappointed.

[Adam Carolla]

You'll not be disappointed.

[Giovanni Ribisi]

Please leave a good review going. Yelp.

[Adam Carolla]

Yep. So thanks for thinking of me. So I'll get up on, like, the balcony, probably in the back there, and I should be able to get a pretty good shot from there. And then they go yeah, that's where Barry's gonna be. And I'm like, that's a sniper.

[Giovanni Ribisi]

I'm like, well, that's the. That's the spot. But why would you have more than.

[Adam Carolla]

Oh, no, we don't have two snipers. We're going with three.

[Giovanni Ribisi]

The three snipers.

[Adam Carolla]

Yeah.

[Giovanni Ribisi]

I feel like I'm not even necessary.

[Adam Carolla]

You're fine.

[Giovanni Ribisi]

Who are the other guy? Barry's one of them.

[Adam Carolla]

Well, Barry, yeah. And Jay. Those are world class.

[Giovanni Ribisi]

Those are the two other best snipers for me. Why even have us?

[Adam Carolla]

The Scorpion guy passed, but I didn't.

[Giovanni Ribisi]

Know he was real. I thought he was a urban legend.

[Adam Carolla]

That's why I knew who he is. Yeah, I got a text from him.

[Giovanni Ribisi]

So me, Barry, and Jay.

[Adam Carolla]

Well, we went for Barry, J.

[Giovanni Ribisi]

And I.

[Adam Carolla]

We went for Barry, Jay, and then we went for Barry. Well, no, we went for Scorpion.

[Dawson]

Right.

[Giovanni Ribisi]

Of course. It'd be silly not to.

[Adam Carolla]

Yeah, we just got his people passed. Oh, you got a flat out past.

[Giovanni Ribisi]

Oh, you didn't go right from his people. You should have gone right.

[Adam Carolla]

Well, he's Scorpion.

[Giovanni Ribisi]

He's a hard as hard.

[Adam Carolla]

He's a shadow.

[Giovanni Ribisi]

He has a hard time saying he's.

[Adam Carolla]

One of the best second story guys in the business.

[Giovanni Ribisi]

I'd say he's the best.

[Adam Carolla]

The point is, there's a couple guys that passed.

[Giovanni Ribisi]

Do you do a silly thing where you invited. You invited a couple people without saying to see if they would say yes or no, and then all of a sudden you have three invites out there?

[Adam Carolla]

Baker's dozen of other prominent snipers in this region and some from neighboring regions, just either they passed. Everyone knows that feeling. Wanting to experience more stories but struggling to find the time. That's where Audible changes everything. With over a million audiobooks and Audible originals, there's a story waiting to spark anyone's imagination. Take the Paris Apartment by Lucy Foley, the gripping psychological thriller that's keeping listeners on the edge of their seats. Imagine unraveling its mysteries during your morning commute, or losing yourself in its twists and turns while doing household chores. That's the magic of Audible. It transforms daily routines into opportunities for thrilling discoveries. The best part? Members get access to thousands of included titles with new content added regularly. From bestsellers to hidden gems, every genre imaginable is at their fingertips. And with one easy to use app, switching between favorites or discovering new passions has never been simpler. There's more to imagine when you listen. Start a free 30 day Audible trial and get your first audiobook free at audible.com wondery that's audible.com wondery. Their people passed the schedule. Didn't line up anyway.

[Giovanni Ribisi]

Right.

[Adam Carolla]

I'm not here to insult you. We're looking for sort of a third wheel on this sniper date. You know what I mean?

[Giovanni Ribisi]

Please tell me it's Barry.

[Adam Carolla]

It's not that you're not a good shot.

[Giovanni Ribisi]

I would consider myself an excellent. I'm a sniper, for God's sake.

[Adam Carolla]

No, I have it. Obviously you're well respected in the community. It's just. It is allergy season and you do sort of have that thing going on. And if something came up at the last second, you just got a case of the sneezes or the sniffles. I was just looking for redone again. Your check's gonna clear.

[Giovanni Ribisi]

That's the most important.

[Adam Carolla]

Bring a sack lunch.

[Giovanni Ribisi]

Yeah, well, I do see at the opera house. I'll be there. I already have the tux on rent, so I gotta show up.

[Adam Carolla]

Yeah, you do that movie. You turn your hat backwards, right? That's.

[Giovanni Ribisi]

Turn your formal hat backwards. My. My opera hat backwards?

[Adam Carolla]

Yeah, you turn your top hat backwards. Is exactly the same. Actually. Turn it sideways more. A little less of a brand. I shouldn't have brought up Scorpion and the rest of the guy.

[Giovanni Ribisi]

Wish you hadn't.

[Adam Carolla]

You know what? I. I've been. I've been told by Z, who's the main guy.

[Giovanni Ribisi]

You talked to Z also.

[Adam Carolla]

Well, he says I'm a little too chatty.

[Giovanni Ribisi]

I had lunch with that motherfucker today and he didn't say anything. But you knew I was going to the opera.

[Adam Carolla]

Don't tell him you heard it from me.

[Giovanni Ribisi]

I. I will not tell him. He will not know anything about this.

[Adam Carolla]

His car has an ejector seat. So it's really kind of uncomfortable because every time I drive with the guy and I don't know whether he's passed along information or not, and he's like, oh, I'm going to go for the cigarette lighter. I'm going to change the radio or turn on the defroster. You know, freeze. You know, it freaks me out.

[Giovanni Ribisi]

You always check your seatbelt over and over again. Is this thing.

[Adam Carolla]

Well, it's attached to the seats.

[Giovanni Ribisi]

The problem?

[Adam Carolla]

Yeah. Anyway, Mission Impossible. I don't even know where we are anymore.

[Giovanni Ribisi]

So.

[Adam Carolla]

Yeah.

[Giovanni Ribisi]

Needlessly elaborate. It's a good movie though. It's very good. It's well directed. There are scenes that I'm not sure why they're there. He has to jump and he has to hold his breath for three minutes to exchange this card or Something. I don't know why he had to do it, but it was a great scene, so you're gonna get your money's worth. These are great stunts and it's a lot of fun.

[Adam Carolla]

And what's with the reviewers all loving it when nobody knows what the story is? Are we all just going, hey, man, it's fun. It's a fun romp. It's like a. You're gonna get summer romp because they're not in love with Cruz, per se.

[Giovanni Ribisi]

Hit and miss. But you're gonna get a minimum four excellent scenes in this movie. And you walk away from the movie getting four great scenes.

[Adam Carolla]

I'm surprised that the critics are above 90% on cruise. And action. With no plot that we can figure out.

[Giovanni Ribisi]

And, you know, what else has going against it. There are, by my count, three female characters who have speaking parts. One is Rebecca Ferguson. One is. What is she credited as?

[Adam Carolla]

You know, you tell me. There's a black guy in there with some verbiage.

[Giovanni Ribisi]

The other one's credited as lighting technician number one. And the other one is record shop girl. And they don't speak. This would fail the Bechtelton. You know what the Bechdel test is? The Bechdel test is a test to determine the. It has three questions. One, is there more than one female character of the speaking part? Do they speak to each other? And do they speak to each other about something other than a man? So it's sort of like how feminization is this movie and all that stuff? This would fail miserably. They don't speak to each other at all.

[Adam Carolla]

All right.

[Giovanni Ribisi]

But good movie.

[Adam Carolla]

All right, I. He'll punch himself out. Hooray for Bounty war. Gary, I would argue with your age appropriate point. When there's no love interest, they make them older so that there is no love interest. So that we're not confused that there is.

[Giovanni Ribisi]

So how could it possibly be interesting?

[Adam Carolla]

Yeah, once she's over 20, if they make them over 26 years old, then a 51 year old Tom Cruise cannot have a relationship with them. So that's what they do. And so oftentimes they go with like in James Bond or something, they go with what's her name, Sir? Judi Dench, or that. That sort of thing. So they. The female in there, but they'll make sure that there is no. Yeah, they've done it with a ton of movies where they had the chick attractive and 78 can't be misconstrued. That's right. That's why they do it. All right. Bobcat Goldthwaite's coming in. Barry Crimmins coming in first. Well, and also we. I, Gary and me, forgot to bring up the passing of the great Roddy Rowdy Piper or Rowdy Roddy Piper that was, I don't know, over the weekend. Friday. Last Friday. Thursday. Friday. Yeah. I love that Ronda Rousey did the whole dedication thing, and I thought it was nice that she talked to him about his name, and I thought it was cool. By the way, everybody, here's what you're gonna leave. You mean you're gonna leave, hopefully some property and maybe a couple of cars or something. But the main thing you're gonna leave is memories. And so when you're gone, would you like Ronda Rousey sitting in the middle of the octagon thanking you first? Or would you like to be known as the douchebag who wanted 15 grand for your name? Or just forbid her from using it? I mean, because that's it. You're just gonna leave a memory. You cannot take it with you, but you can leave behind this memory, and you have Ronda Rousey with a microphone in front of hundreds and thousands of millions of people worldwide saying, rody Rowdy, want to thank the man dedicated to you simply because you were cool about something that you should have been cool about. Perfectly Fine. She's a female, she does mma. You're a male, you do wrestling, fine. And after meeting him, could you imagine him doing anything else? I mean, absolutely not. I couldn't imagine him getting bent out of shape about something like this. No. And I'll play a couple clips first. What else we got going on? Ah, NBC, Mr. Robinson. Coming up. Craig Robinson. Love that guy from the office. Hot Tub Time Machine. This is the End, I think was the name of the movie, was really good. Anyway, new comedy tomorrow, NBC, from the producers of the Office. You got Mr. Robinson, and then you got the premiere of the Carmichael show, starring one of the most buzzed about standups around. How do you know? I know. I never call for anybody. Jarrod Carmichael. And I was just watching this guy's special from. It was from the Comedy Store. You know, it's one of those things when you watch stand up, you don't know how much standup you sweep past on cable. And the best sign is when you. You'll stop. You'll listen to, like, two jokes, and then you'll move on. But when you find yourself stopping, and then it's called Love at the Store. It's the Comedy Store. You find yourself stopping Then you look at your watchman 40 minutes and you're still sitting there watching. That never happens. It never happens. Well, it did with Jarrod Carmichael. And that's what I love about David Alan Grier Daggeroni, but plays his dad, baby. Maybe black Duke. Crack. Anyway, that's it. Don't miss the premiere of Mr. Robinson and the Carmichael show after America's Got talent tomorrow on NBC. All right? U.S. doing a bunch of live shows everywhere. So you can go to mcroll.com and find out when and where. London. Now, these guys aren't coming with me to London, but I'm going to London. So you can come out and see that. Also, Mangria. That's right. They're doing a tasting in nyc. That's right. In New York. Lynette's going to be there. Come out and see her. Say hi to her. She, by the way, all you San Diego guys got. Bless you and all the fans. I was just talking to Lynette last night. She's like, God, your fans are the greatest. It's just the nicest people. Everyone is so nice and kind and generous and everything else. So come on out tomorrow night. It's at the library. Oh, sorry. Liberty. Is it called the Liberty.

[Giovanni Ribisi]

The Liberty NYC.

[Adam Carolla]

Liberty NYC on 35th Street. Go say hi to Lynette and keep the streak alive of super cool fans and super cool folks.

[Giovanni Ribisi]

Don't show up to the library expecting mangrove.

[Adam Carolla]

That's right. Right. Yeah. You'll be wildly dis.

[Giovanni Ribisi]

I mean, go to the library. Educate yourself earlier in the day, but then later go to the Liberty.

[Adam Carolla]

Go to the Liberty in New York. 35th Street. Also take a knee. Tai Lopez coming up. And people tweeted me, hey, you should get Michelle Beetle to come on and do take a knee. And we did. So there you go. Reasonable doubt with Mark Garrigos. Daddy, stop talking. I really enjoyed that. By the way, the. I listened to the first episode with you and Mark. Fantastic. Thank you. He's just one of those dudes. And he's also. Mark is how politicians should be, which is. I will just give you the answer. Not the answer you want to hear. Not the answer that may feel make you feel better or an answer that, you know, like I'll give you, for instance, like, Mark's a wildly progressive guy. His politics are very progressive. You know, he's always fighting against the cops and, you know, black guy gets pulled over with some weed, and he's gonna champion that guy's cause and this and the other. On the other hand, he'll tell you, get the fuck to work, too. Like, he's. He just. He's how everyone should be, which is. It drives me nuts with the politics, because you go, all right, you're in this camp, and now you go along with the three or four main tenants of that, of that religion, of that camp, of that govern, of that way of governing. And then there's 14 below, 14 other ones underneath it that you kind of disagree with that you wouldn't go along with.

[Giovanni Ribisi]

You got to cling to it because.

[Adam Carolla]

Yeah, and. And by the way, if we looked into your lifestyle, there's nothing in your lifestyle that looks anything close to that. But that's your team. You just gotta fucking stick with it. Well, and you don't have to cling to it, but people will accuse you of clinging to it just because that's where you are. Well, if everyone clings to it, then sort of you are that. Then de facto, if you go, I'm a Democrat, then you're everything the Democrats stand for. And if you say you're Republican, then you're everything. Seems like a weird way to go through life. Why not mix and match? You go to the supermarket, nobody tells you what to pick. You get this cereal, and then you may agree on that bread, but then you move somewhere else for the dairy department. Like, just go ahead and put together your. A team of topics and ideas. Yeah.

[Giovanni Ribisi]

And not allowed to have nuanced opinions on something or even, God forbid, changing opinions.

[Adam Carolla]

The thing about gargis is he'll just tell you whether it's law or anything else. Just sort of, here's what you do. It doesn't matter what the popularity of his opinion is or who he's offending or whatever it is. He just knows what the answer is and he spits it out. And he's super passionate about it. All right, Bobcat and Barry are walking in. Gary's gonna get Bobc and Barry, and I think we're gonna just slide him in here. And. Yeah, he's also one of these guys. And we all owe it to everyone in society. I should apologize in advance for not being this way. Positive energy. He just comes in the room like, hey, what's going on?

[Giovanni Ribisi]

I accept your apology.

[Adam Carolla]

Pull up a mic, Bobcat. Bobcat Goldthwait in studio. Bobcat is here. Barry Crimmins, comedian, is coming in, I think soon enough. The documentary Call Me Lucky in select theaters and cities coming up on August 7th. So it's coming up on. Is that Friday? Is that this Friday? Yeah, August 7th. Yeah, I really enjoyed it, Bob.

[Bobcat Goldthwait]

Oh, thanks.

[Adam Carolla]

Let me say this. I don't think I've seen one of your documentaries because maybe this is your first.

[Bobcat Goldthwait]

Yeah, this is the first. The last documentary I did was when we were in New Orleans with the man show.

[Adam Carolla]

Does that count?

[Bobcat Goldthwait]

Do you remember this? And we were filming bits, but I shot footage the whole time of just people reacting to you and Jimmy. Do you remember this?

[Adam Carolla]

Oh, I'd love to see that.

[Bobcat Goldthwait]

And then I cut it together and it was.

[Adam Carolla]

Oh, yeah, yeah, yeah, yeah, yeah.

[Bobcat Goldthwait]

It was like triumph of the will. I mean, people just going nuts for you guys. And it was really kind of touching.

[Adam Carolla]

I'd love to see that again. It's been a million years and would probably help me on low self esteem days.

[Bobcat Goldthwait]

Put it on a loop.

[Adam Carolla]

The documentary was amazing. And I gotta tell you, seen, I've been watching a lot of documentaries lately and a lot of them, quite frankly, haven't gone anywhere. They've done like a lot of here's what we're doing at the beginning, and then 92 minutes later, it's like we're still doing it, we're still talking about. And I was watching Bobcat's documentary again, Call me lucky, it was about 40 minutes in. And I thought to myself, all right, here we go again. It's another. This guy's a great comedian. He's unknown. We have all these other comedians. He's not unknown. But I mean in the, the comedic. And that's what I thought the documentary was. I thought, okay, now we got another 45 minutes of comedians heaping praise on this guy. And then it took it, and then it shifted, then it. Then it shifted into another piece altogether. And so the first half was literally just a setup of. Here's this guy, here's his voice, here's his anger, here's this inner rage. Here's this guy who's a comedian's comedian. But as we, as we know, never probably saw a big payday and so on and so forth. And then it shifted. And man, when it shifted, it went big time. Barry Crimmins is in studio. Bob and Barry, put your headphones on, please. It'll be.

[Brian Cranston]

Thank you for having me.

[Adam Carolla]

It'll be good. It's my pleasure. I watched a movie last night and I watched the entire thing and I was really moved by it. And Barry probably took flap those flaps down adjustment on that side so it's not so uncomfortable. There you go. There you go. Yeah, you got it. All right. And so I, you know, and so, Bob, when it shifted, like, I don't know how. Obviously we want to talk about the. The issue, but I don't. I don't know how much. Spoiler alert.

[Bobcat Goldthwait]

You know, it's important to talk about it. And, you know, it's not like people should know.

[Brian Cranston]

It's. You know, it's. I mean, the movie largely hinges on the fact that I survived rapes as.

[Adam Carolla]

A very young child, which was not talked about for 41 minutes. Well, you know, no, I'm good, because I was all in. And then, then it, then. But I thought it was going to be more comedians talking about how much they respected Barry, but then it took a. It took a shift. There's a knob there if you want to turn that up or turn it down or do whatever with it. And the next thing you know, Barry's in front of Congress and he's taken AOL and he's fighting the system. And aol in the early days, chat rooms.

[Bobcat Goldthwait]

Yeah. And the chat room they had. Pedophiles were openly exchanging child pornography. And Barry took AOL to task on the floor of the Senate at a Judiciary Committee hearing. And it's. I think that guy, he's up against probably just thought, well, this is some comedian. You know, I mean, and I love that footage. That's what inspired me to make the movie, because I knew that story. And it was always like a Frank Capra story. This little guy up against.

[Adam Carolla]

Well, the guy from AOL was like central casting. It looked like he sold previously owned Corvettes in the Dade county area. Like, he literally sort of dashing, crayon tan, looked a little too good, hair very well coiffed.

[Giovanni Ribisi]

Phil Hartman would have voiced his Simpsons character.

[Adam Carolla]

Yes.

[Bobcat Goldthwait]

If I had made it as an actual narrative with someone playing Barry. And I would have. And that guy showed up, I would say two on the money. Oh, yeah, he's gotta.

[Adam Carolla]

I won't believe it.

[Bobcat Goldthwait]

He's gotta send him through the works again.

[Adam Carolla]

No one believed he was essentially spokesmodel for aol. Right, right. And Barry gets in there and you know the thing. But I always say, I say this to my wife, you know, I was like, well, don't argue with a comedian. You know what I mean? We're always gonna win, even if we're not right. We're used to doing that. And when you are right, look out. Right. So the story starts off with Barry and you see all this anger and this rage. He's up on stage, he's like a bear. And he's just pacing and he's sort of getting into it with every. He's getting into political humor and it's kind of that 80s when everything was neon and coke fueled and people just wanted to hear stick jokes and they didn't want to hear Barry go on about the Sandinistas and things like that.

[Brian Cranston]

Yeah, and I didn't. My friend Tim Walkle says, I'm gonna coat guy because I didn't like to stay up late and complain about my little league coach.

[Adam Carolla]

So Barry has all this rage against the government and against the church. And you're sort of, you're going, where's all this coming from? Because he came from, you know, pretty nice town, Skinny Atlas, New York. Outside. Yeah, outside the city and parents and everything and all. And then as it starts to uncover, you start to realize where maybe a lot of the rage came from. So here's the minus. If you took the sexual abuse out of your childhood, would you still be a comedian, do you think? And would you have that approach comedically? Would the rage be there?

[Brian Cranston]

I would like to think that I still would have been outraged by a lot of the stuff that outrages me. And I've known a lot of people who are. Who weren't raped as children. So I mean, there's certainly a factor there where I big, you know, I don't like bullies. I don't like the, you know, I stick up for the underdog. And people who can't be heard have no chance to be heard. I, I take their part. But really having done that work and then sort of figuring out my own deal, I had a choice to either be consistent and cut myself the same sort of break. I was willing to cut a lot of other people or be a hypocrite. And fortunately I chose to remain consistent. And it really helped me a lot. And then I was able to go help other people. And to me, that's where all the healing really came from. Because you get out of your lot of stuff for abuse victims. They get kind of sold this deal where the whole world's supposed to come up and apologize to you. The whole world's been through their own crap, you know, they've had their own troubles. And if you set yourself up to take injury all the time at everything, everyone not thinking in really specific terms of you, you're not, you know, you're not going to get anywhere. You're going to spin your wheels. And I lost, basically, I lost my childhood to this crap. So I, I once I had a chance to really do something about It. I did.

[Bobcat Goldthwait]

I think Barry would have still done comedy. I think he probably would have been a prop act, though. I think he would have given Carrot Top a race for his money.

[Adam Carolla]

Board. You get it? It's a board with a baby staple to it. Come on, people. No, no, Barry, this is. I was regretting the question as it was leaving my mouth because you're so bright and you're so smart and so articulate, and it's. People said in the documentary, you're one of these guys who, once you get wound up, you even get better and you get faster and all that kind of stuff. But the crazy vitriol, well, that's happened.

[Bobcat Goldthwait]

Sometimes during the Q&As, you know, and someone will ask a bonehead question, and I'm sitting there going, oh, boy. You know, actually, like, actually, I. Kind of fun. Yeah. Cause it's like, I know at the end of the day, no one's gonna get hurt.

[Adam Carolla]

But I must say, too, from just a pure craft standpoint, Bobcat, it was really amazingly well shot. A lot of documentaries, a lot of sort of talking head stuff. And then they go to some archival footage, but Bob took a lot of, like, nice shots of Barry up in his cabin and snow, and then the snow thawed, and a lot of like, sort of.

[Bobcat Goldthwait]

That was Bradley Stonecipher, my cinematographer. You know, he does. He's a pretty smart guy, but I.

[Adam Carolla]

He must do movies as well, because it didn't seem like a documentary. It didn't look like.

[Bobcat Goldthwait]

And going into making a documentary, it's like, you know, any. Anybody with a DV camera now can. Can make a doc, you know, so it's funny. It's the most stylized movie I've made. And it's a documentary.

[Adam Carolla]

Yeah, it's very stylized to me.

[Brian Cranston]

Coming in, he goes, I don't want to make one of those docs where 38 people are sitting in front of the same bookcase. Which pissed me off because I had my books all over.

[Adam Carolla]

I. So as the. As. As the doc goes, because Barry's out there and he's speaking the truth and he's doing his political stuff and he's raging, pacing up on stage and getting into it with hecklers and doing all that stuff, there's a lot of great archival footage of that. And then he's opening up a club and he's helping along other young comedians. And then during a live show, you just come out with this revelation about being raped as a very young boy. And it just comes out now, I know you did A lot of sort of free flowing when you were up there on stage, and not necessarily a tight 40 minutes or whatever it was, but did you have any plans of bringing this up at that night, that day?

[Brian Cranston]

I did, because we were doing a benefit and it was right after the Rodney King stuff and the, you know, the insurrection out here. I had just come from here and everybody was really coming down and saying a lot of judgmental stuff about these kids. And they were kids, and they, you know, there's context for them, too. And I said, you know, a lot of stuff happened, happens to kids, and we don't know, maybe we need to figure out some context. Maybe that's what we need. And I said. And then I said, for instance, here's my deal. And I talked about it that one time and it hit the papers, and I didn't talk about it in public again for a year. And then I wrote about it for the Boston Phoenix. But in between, I was asked to do a bunch of tabloid shows and stuff, and it was just like, no, that's not, you know, I. There's dignity involved here. And I'm not doing this. This isn't some sensational thing. I disclosed for purpose to speak up for kids.

[Bobcat Goldthwait]

But he did know that he was going to disclose on stage. And Steve Sweeney, a very funny comedian. Oh, yeah. He's like, well, I gotta. I gotta. I gotta close Sweeney. And Barry's like, I don't think you want to close.

[Brian Cranston]

And he insisted on it. And I went, you know what? I didn't have an. I was kind of focused. I was like, okay, Swain, good luck.

[Bobcat Goldthwait]

So he talks about his race.

[Brian Cranston]

Follow that.

[Bobcat Goldthwait]

Talk about, follow that on stage. And then it's like. And that was a funny guy. Here's the character King of Boston.

[Adam Carolla]

So this. And then goes to work, then moves to Cleveland and sort of sets up an apartment, which was like a performance.

[Brian Cranston]

Art piece I didn't even get, and.

[Adam Carolla]

Tries to start nabbing all these guys that are on AOL circa 1994. 95. Yeah, 95. Who are trafficking and all this child porn. And I just. By posing as.

[Bobcat Goldthwait]

Well, he didn't even. He just had to just sign on.

[Brian Cranston]

As kids, you walk into those. Well, what I did was I just made a screen name that said I was a boy and a girl. Whatever they're fixated on, they asked for that. They asked for the boy, they asked for the girl. So. But you would just go into these rooms and people just started sending you child pornography just because you entered into the room. So when I first went in, I just said, what's the matter with you people? You know, and then. And they literally are talking about First Amendment stuff. And it's like writer Andrew Vox says you can mug somebody and call it performance art, but it doesn't mean you're going to get away with it. Well, of course it's not protected speech to take photographic evidence of rape and abuse of children. So I just made that, you know, I mean, I didn't do any more entrapment than I just put a screen name up there and they all had fake screen names. So I was just doing what everybody else did and they just started sending me stuff and they thought I was kids. I look at the fun you can have and whatever. And it was. And I was watching. There had never been a community for those people, you know, so this was really dangerous. They could never really hold a clinic for one another. So they're there talking to one another and I'm, you know, I've always been the kind of person you want to sign up for the blacklist. I'm going to read the thing, you know. So there they are. And it's basically you, you know, they're just rationalizing with one another what they're doing, but they're also bragging. And for the first time ever, I'm seeing in almost real time. It wasn't video then, but almost real time. You know, this kid, this is a half an hour ago, this kid getting raped. And I'm looking at the pictures. So it's like something which would be unheard of for anything, you know, like any kind of picture, like this was taken from the Bank Tower at 2:15 and it's 217 and you can see it, but it was kids being raped. Raped, you know, so. So I had to do something about it. People say, oh, so brave of you to do that. Well, it would have been much tougher on me to like, as if you walked in on something like that and saw, oh, excuse me, I guess I didn't want to see, and walked away. I would have been in much worse shape to not do something about it. So it's not some heroic deal. I was just.

[Bobcat Goldthwait]

But Barry did go when he, when he came across this stuff while he was looking for other survivors and, and he did go to AOL and complain, and they ignored him basically because they.

[Brian Cranston]

Were making a fortune.

[Bobcat Goldthwait]

And then he went to.

[Adam Carolla]

Because it was dial up and they're making tons of money.

[Brian Cranston]

Yeah, because. Yeah, because it took a half hour.

[Adam Carolla]

To upload It, Yeah, in the documentary they talk about some of the guys going, Jesus, cost me 1200 bucks a month to do this.

[Giovanni Ribisi]

Used to have to buy by the hour. AOL back in the day.

[Bobcat Goldthwait]

And then he, and he went to the feds and he went to the police. And the police, you know that the, the folks that are in the movie, they explained we didn't even have computers and. Yeah, so, so that's why he took it upon himself. And, and, and you know, it's, it's, it's a courageous story and, and, and I really hope I win more awards.

[Adam Carolla]

Be nice. What'd you win, something?

[Bobcat Goldthwait]

No, we've actually won the movies. Won like seven awards now. It's kind of crazy.

[Adam Carolla]

It's, it's good, it's important and it's filled with jokes because it's got bearings, got a lot of other comedians and all that. But then it takes a turn for the meaningful. At a certain point. It started off as sort of a case study. It was like, oh, let's just study this guy who, you know, I'm going to introduce you to Barry the funny guy. And then at a certain point it takes a turn, a topical turn, like an important topical turn. And then you start thinking like, geez, right, Wasn't that long ago. And then who are these guys and are they still out there and how many of them are out there and what are we doing about, about this? And one thing that I'm glad that you touched on in the movie because from doing Loveline all those years, we had to deal with this a lot, which is the guys who are now the most heinous people on the planet at some point were 3 year olds that were being brutalized by their stepdad. And so it's like you go fire up the electric chair. But it's like for the three year old that was brutalized by his stepdad and changed his wiring and now he's on aol and so there's this party that has to weigh it. Like, do we put him down like a dog that just had Michael Vick for an owner? And it's like there's nothing we can do about it. I mean, he's so broke and there's nothing we can do. Or do we have compassion because he was a victim at some point. And I don't know what you said, but I mean, it was 70, 80% of these guys were, were victims at some point or something like that.

[Brian Cranston]

Who knows what the. I would say it's probably higher than that. But most People who are abused don't become perpetrators of these crimes. But most people who perpetrate these crimes were abused. Right. So. And I don't know, I mean, I don't know, like, what if I had been raped five more times? Would something have. Would my wiring have broken? I don't know what happens. I just know that I. I live.

[Adam Carolla]

Do you think?

[Brian Cranston]

And so I have. I don't. I not. I didn't become one. I resisted. You know, I was born without blood on my hands, and I want to keep it that way. But I think that those people think if you're offending in that fashion over the age of 21, you need to be segregated from children for the rest of your life. Because at this point, from what I've learned, you can't. Those people, if they're offending into adulthood, they are. All they're doing is planning their next offense. I mean, I hate to be that much of a hard ass about it, but it's. Sorry if it's taking a chance on a kid or, you know, these people, you know, I don't think at this point we can rehabilitate them. That doesn't mean I want them treated brutally. That doesn't mean I want anybody raped. People that come up to me and talk about rape in prison and think I'm going to dig it are like, listen, I abhor rape. I've been raped. And you're insulting me to talk about this. And if you say it's okay for someone to get raped, believe me, other innocent people are going to get raped eventually because of that. And I abhor all rape. And I'm not endorsing, you know, rape. And also this stuff where like, well, just kill them. And that's just like the ultimate sweeper under the rug. Because it's a scary subject and people can get it over with quickly by going like, hey, I said to execute them. Now let's move on to another subject. Well, we need to talk about the subject more because it's prevalent and hits a lot of our lives from a lot of different angles. Angles with people who are screwed. I mean, one of the reasons I want. I work on this is because I don't want there to be more abuse survivors because we're a pain in the ass.

[Adam Carolla]

You do yell a lot. Yeah, it's a very. The subject is very nuanced and something needs to be done. But I say to people all the time, see, we approach it as like, you know, if you're heterosexual, you go whatever your norm is I mean, in life, it's not like I met someone who didn't like Rainier cherries once, and I was. I couldn't believe it. I was apoplectic and I yelled, analogy. I don't know. What I'm saying is, I just. It didn't compute. Like, how can you not like Rainier? Cherries are the best things on the planet. They're like, I don't like it. And it's like, fuck you. You're wrong.

[Giovanni Ribisi]

Your sensibilities were raped.

[Adam Carolla]

My taste buds were raped by this person. But anyway, when you have your sexual proclivities and I like ladies, then I go, well, everyone likes ladies. Come on. And then these guys, they're a little bit confused, but if we could just steer them toward the booby light over here, they would catch on. But it's not that way. They are into what they are into. And I would argue that they're into it more than we're into what we're into. Because it's a tougher putt. I mean, it's a tougher life. I mean, I feel the same way about gay. Like, oh, come on, sleep it off or walk it off. Rub some dirt on it or something like that. No, don't rub dirt on it. By the way, they are gayer than I am straight. Because it's a harder life. It's a bigger commitment. It's a tougher life. Yeah. So you can't just say to the pedophile, hey, hey, come on, knock it off. These are kids. Now, come on, get it together. You have kids. You have nieces and nephews. You wouldn't want that to happen to them. They're deeper into it than I believe. Folks that are heterosexual, even heterosexual, really.

[Brian Cranston]

Learned a lot about that sitting in those chat rooms. They just. They're fixated criminals, aberrant to something. You know, I don't. You know, it's not an excuse. But there's something wrong with them. But there's not. That's not an excuse. That's not. You can't. But there's something wrong with them. But there's something wrong with them that makes them very dangerous. And we can't have them. We can't have them out there where they can get any access to children. And I'm telling you, once someone is fixated and does that, like, you know, the recidivism rate of those who are caught is ridiculous.

[Adam Carolla]

Do you.

[Brian Cranston]

You just can't trust them.

[Adam Carolla]

I have a question for you. That's. Maybe I've been asked. But a lot of people that were victimized, like yourself do end up going down that road. And you say you didn't because maybe you were five rapes away from going down that road yourselves. Who knows? But I think also, and you tell me if this factors in. I've had this theory about other things that not to do with this subject, but you have a very, very high intellect. You're a very intelligent person. Super high intelligent.

[Bobcat Goldthwait]

Thank you.

[Adam Carolla]

Bob will verify that. Bob was smart enough to recognize your genius in filming.

[Bobcat Goldthwait]

Yeah, some smart coattails. I'm going to ride these.

[Adam Carolla]

Yeah, it's like a. Followed me and Jimmy down Bourbon street many years ago. But do you think I have this feeling that people that have a lower horsepower brain are more. A little more malleable? Like they're easier to get in the clan.

[Brian Cranston]

Yeah, right, right, right.

[Adam Carolla]

And they're easier to get in those chat rooms on aol like you can mold. You know what I mean? Like, you know, dad's a racist now. You're racist because you got the kind of a, you know, lawnmower engine where you should have big V8. Big fire breathing V8 suggestion. Yeah. Just. I think it works that way. We, you know, they see a Pizza Hut commercial, they're like hot dogs in the crust. That's awesome. Where do I find, where do we get it? They're like, we just ate dinner, Iowa. We're eating again. You know, and then the smart friends here sit around and go, what the fuck? That's. So do you think. And I'll sort of ask Bob because you may be too modest, but I don't know. Do you, do you think you're super high in a low intellect helped in not going down that road and becoming that?

[Brian Cranston]

I, you know, I think it's helped my. Me being decently intelligent has helped me sort of analyze and cope with and figure out how to recovery and recover and move along. But I don't think it made me much more likely. I think one of the things, it's just something I want to go back to as you talk about sexuality and whatever. I think one of the great crimes about child sexual abuse is it can skew someone's sexuality. Children, people, human beings should grow into their own sexuality in their own time and have it become whatever they really are. And if you, you know, who knows how much this changes if you're raped by your woman, who's raped by your father your whole life, like, you know, what does that do to you by the time you're an adult and you're trying to figure out who you're supposed to sleep with. I mean, you could go one way or the other. You could be, you know, straight when you're supposed to be a lesbian. You could be a lesbian when you're supposed to, like, whatever. But it's a crime to skew children's right to come into that in their own time. So that's like going back to that. As far as the intellect, I don't know. I mean, I feel fortunate that I have been able to do this, but I do think that it's. I know all sorts of abuse survivors, and they come from various levels of intelligence. And I know some really great people who aren't going to be in the debating club, but they are spiritually intelligent, and then they're okay. I don't think they would be more likely. I think there's something about it. There's this light inside you, and sometimes it gets extinct, you know, and that's what happens. Like, the light goes out and you don't have the connection. Your social contract is gone. You don't have this connection, this compassion, whatever. For whatever reasons, I was fortunate enough to become an empath rather than a monster. I don't know why I feel really fortunate. I don't know if it has. It might have something to do with me having some brains.

[Adam Carolla]

I think it helps, but don't answer this yet. So I got to do a spot. But I. I do know in the film it was your babysitter who sort of brought her boyfriend or something.

[Brian Cranston]

Her mother's boyfriend.

[Adam Carolla]

Her mother's boyfriend over. I want to know if you're ever able to run down the babysitter and the father boyfriend of the mother and that kind of stuff. And then I also want to know something to get covered. In the film, we're talking about this affecting your own sexuality and proclivities as you get older. I didn't see you. You're not gay. At least in the movie. It's not on screen. But also, I didn't see anything about ex wives or wives or siblings. I mean, not siblings, but kids and things like that. So I want to talk about that for a second as well. But first, illegal Zoom Man. National Make a Wilma Month. We'll find out if Barry has anyone to leave anything to in a few minutes. Well, we don't know. Listen, give it to Bobcat.

[Giovanni Ribisi]

That's a tease.

[Adam Carolla]

Making good. She's making good product. Doesn't it go to Katherine Bach or something, as we discussed earlier? You don't get your will in order, your affairs in order, or no, it's the person you hate the most. That's what I figured out. That's California law. So you got to get it together. Check out the last will and living trust bundles. You put them together, and you put them together, and you save. You're confused about options. That's all right. You go online, and they have the resources. They have the estate planning tool. Or you can get more specific guidance from Legal Zoom's network of independent attorneys in most states, since they're not a law firm, but they'll put you together with an attorney. They're legalzoom. Dawson, don't procrastinate when it comes to protecting your family. Get legal help you can count [e-mail] today. Don't forget to enter Adam in the referral box at checkout to save even [e-mail] so the documentary, Call Me Lucky, I will say this.

[Bobcat Goldthwait]

Holy crap, that was live.

[Adam Carolla]

I know.

[Bobcat Goldthwait]

That's very.

[Adam Carolla]

Sam, Call Me Lucky is an important documentary. I rarely talk about documentaries that way, but this is an important documentary. And the thing that's nice is most of them, you know, the important ones are like, great Mama Rwanda. This is a bitch. You know what I mean? Nine kids, no dad, she stepped on a landmine, you know? But this is a comedian talking about that then morphs into this really important subject. So you have all this entertainment, all this great footage of Barry up and down the stage, always a beer in the hand. See, I tell you, the greats, when they're on stage, they got a beer.

[Giovanni Ribisi]

They got something in common.

[Brian Cranston]

I have on a campaign for years to put alcohol back in the dressing room where it belongs.

[Adam Carolla]

Yeah.

[Brian Cranston]

Giving it to those people out there. I don't know.

[Adam Carolla]

So, Barry. Yeah. In. In the movie I. We never did it. Never discusses whether you track down the old babysitter or the old.

[Brian Cranston]

Well, I wrote a piece in the Boston Phoenix and then got picked up and run the Syracuse New Times. And a social worker from Syracuse who was about to retire. So it's like, you know, Robert Duvall, detective move, you know? You know, in her last week of work, she calls me up and goes, I helped put this guy away three years ago. He was here. Blah, blah, blah. Long story short, 99.9% chance this was the guy. You know, the name clicked, rang a bell with my mother and my sister, and he died in prison serving his third term for. For, you know, raping kids.

[Adam Carolla]

Oh, by the way, that Was in the. I think that was discussed in the movie. It wasn't. Not in great detail, but yes, he died in prison. But you didn't seek him out. Well, you were told later, well, I.

[Brian Cranston]

Would have, I mean, I, I would have gone and talked to the guy for, among other things, to just show him I didn't become a monster like, like him, you know, and I wasn't, you know, and he had a bad life and, you know, but. But he did. Horror.

[Bobcat Goldthwait]

This was part of me wanting to make the movie was when, when Barry told me, he said that he had found the guy and that he just found out that the guy died. And he said, well, that made me. I go, how does that make you feel? He goes, if it makes me sad, I go, because you don't have any closure. You don't get to confront him. And he said, he says, no, he died alone. And, you know, here's Barry, who's famous, he's had a bad life, rage and stuff. But Barry just revealed to me something that. And then the next day I called him up again, no, wait, seriously though, now I found the guy and, yeah, so, I mean, that's an example of your healing.

[Brian Cranston]

But I mean, he was through foster system and he had been, you know, know, abused a lot and, you know, I wasn't. And the thing I also learned from being in those chat rooms is those people don't even see kids as human beings or, or whatever. When I tell people who are victimized and put in child pornography, they go, they'll cough. I've had 50 year old men call me up, weeping, going like, did you see this baby? I go, like, if I saw the picture, I saw your face and your eyes and I cared about you and I wanted you to be okay. And the. In the. And the shithead that are looking at it for other reasons don't even see a human being there. So you don't, don't worry about that part of it. Anyone decent who saw what happened to you has no judgment on you. You weren't complicit in this. You were helpless. And that's an awful thing that was done to you. And any civilized person who had to see what I saw to do that investigation has only love for you and only compassion for you, period. And the monsters only see what they're fixated on.

[Adam Carolla]

I used to talk about this on Loveline all the time because I used to say, this is the gift that keeps giving and that's why these guys need to be done. I mean, in terms Of, I don't know. If somebody robs a liquor store, I feel like, I don't know, maybe they're gonna buy some crack or a used pickup truck or something. But I'm not that worried about it. I'm more worried about this because you create more of these monsters. And so when somebody's abused at a young age, that person then oftentimes will abuse somebody else, oftentimes at a young age. And then that person goes off and it's this exponential growth. And then you. Before you know it, it's these sort of. It's not only the gift that keeps giving, but psychologically the person who's the victim of this. Unlike having your car stolen or your house burglarized or even many other forms of crime, this is the one that stays with the victim the longest, and it's the one that creates more victims. And nobody gets their house robbed and then goes, I'm gonna rob someone else's house and even the score, or, now it's in my blood, or any of that. But this is that. And that's why it should have more tension given to it as a society. And just from a pure criminality standpoint, like, if you'd like, this is the one. It's the Ponzi scheme. It's a pyramid. It's the only crime that most of the time, when you're a victim of crime, 99.9% of the crime, you being the victim of crime doesn't mean you go out and victimize somebody else, save maybe drug dealers.

[Brian Cranston]

But there's sometimes when people think they're licensed, you know, to become what they resist, or there's a lot of movies and stuff where it's like suddenly you don't. You go out and kill to get even. And it's people sort of. There's some thought, you know, that it's okay to become what you resist. To me, that's not the civilized answer. And you're walking. I mean. And now you've become part of the problem as far as this other stuff is concerned. I mean, really, I'm. All I can say is. And it's tough for me, because I think we have to. This horrid, draconian, brutal prison system that's full of rape. Prisons should be lawful places. They're the least lawful places in our society. Just about. Or they're as unlawful as just about anywhere you can imagine. Rape goes on. You know, we should. When someone goes to prison, they should be taught that even in prison, the laws are also there to protect you. You're not going to get raped if you're in prison. That's one thing we promise you will not. There's not going to be rape, you know, but, you know, it's so prevalent in prison, it's ridiculous. But I think these guys belong segregated from society forever because that's that.

[Adam Carolla]

Well, maybe I should now. Maybe now's the time to pitch a pedophile.

[Giovanni Ribisi]

No, this is not the time. This is not the time. My island at your own peril.

[Adam Carolla]

French, Ghana, Devil's Island.

[Brian Cranston]

I mean, I could almost, you know, a version of it. I might help, you know, get that.

[Adam Carolla]

Island spot from a purely sick cinematic standpoint. Cub Scout plane goes down about a mile. And now. Well, I'm just. I'm just pitching here, but I'm ready.

[Brian Cranston]

To wear the hat, Adam. Now it's over.

[Adam Carolla]

I'm talking at Bobcat, the movie maker.

[Dawson]

I can't even look at you right now.

[Adam Carolla]

The world saver and the award winning director.

[Bobcat Goldthwait]

Award winning director. And they have to get off the island, obviously.

[Adam Carolla]

Yeah.

[Bobcat Goldthwait]

With their wits and their merit badges.

[Adam Carolla]

Yes. Yeah. So I got a whole backstory I.

[Brian Cranston]

Can sell you to figure out what I do in my personal life. I as an adult.

[Adam Carolla]

So, Bob, you and this movie, again, call me lucky. Is important documentary out in select cities August 7th. I'll give a little love to Maza and I'm going to ask you about projects, but you're doing some standup and Barry does a little bit of stand up. We all do a little bit of stand up. But you're a movie maker now and you got other, I'm guessing, irons in the fire.

[Bobcat Goldthwait]

Yeah, I'm always, you know, onto the next.

[Adam Carolla]

Have you been. Don't answer. But I want to know if you've been bit by the doc bug. Cause I made a documentary and it's a much sort of easier, not easier, but it's a. It's a. I don't know, it's a more livable schedule or something. We'll talk about it. Mazda, baby. Does driving matter to you? It matters to me. I'm going out to Mazda Raceway, going to drive one of Paul Newman's race cars. And I'm doing the that real soon. And they'll be out there. Maz will be out there running with the GTP cars. And Mazda is bringing, I think three of them. We figured out Gary is going to be in my race. 3 or 4. They haul ass anyway. Do you love driving? Do you love the smell of a cardboard pine tree? And fresh asphalt. You're going to love Mazda. Mazda. They love it, baby. Mazda builds cars for you because driving matters. It's Mazda. So to me, the schedule of a documentary was nicer. Like you could. You, you could do it a little bit on your own terms and a little less. We got 19 days.

[Bobcat Goldthwait]

Well, but, but this was done pretty crazy, so. Yeah, but still, I don't know if I, I don't have the doc bug. No.

[Brian Cranston]

I think this one might have cared at anybody.

[Bobcat Goldthwait]

Yeah. Yeah. But I scared straight. I. You know, the genesis of the movie was after. After Barry had appeared on the Senate floor with that judiciary hearing. I. He wrote a really funny and well written article in the Boston Phoenix. And I wanted to make the movie then. And then I took a stab at a script. I asked him to write a script, maybe two.

[Brian Cranston]

Oh, yeah, yeah. Well, I'm, you know, and I'm a little miffed because he only read the first 307 pages of it.

[Bobcat Goldthwait]

So the idea was to have some short.

[Brian Cranston]

Yeah, that's right.

[Bobcat Goldthwait]

So the idea was to have someone playing Barry and a narrative.

[Brian Cranston]

Vic Daybeck was gone, though, and that.

[Bobcat Goldthwait]

That screwed up things. So then, you know, Robin Williams was my friend and then he knew, he was a fan of Barry's. He knew Barry's story and he knew that I really wanted to make this movie. And it was just last February 2014 where, where, you know, he suggested make it as a documentary.

[Adam Carolla]

Wow.

[Bobcat Goldthwait]

And then he gave me the, the initial money. He didn't finance the movie, but he gave the initial Robin. Yeah. That's how I pulled the trigger on the movie and started filming.

[Adam Carolla]

So what is.

[Bobcat Goldthwait]

So the schedule was crazy. We started filming and then the movie got into Sundance, so.

[Adam Carolla]

So you had to hurry.

[Bobcat Goldthwait]

It was like I was sitting there at this party at Sundance and these guys. We started seven years ago and our documentary, we started three years ago. And I'm like, I started in February and they didn't go, hey, hey, high five. They're like, I hope it's good. You know what I mean?

[Adam Carolla]

I've kind of found with documentaries there's an over under. But it's like someone saying, well, when someone said, I started this lasagna in 2007, it's like, I'm pretty sure it's not going to be a great lasagna. You can get it done. So again, how many cities are we launching in originally, initially. And then what are we looking to expand than usual?

[Bobcat Goldthwait]

I think it's about 20 cities. It's in New York and LA on the 7th. And then it keeps rolling out. The website is callmeluckymovie.com and on that it has all the cities and the trailer and stuff like that.

[Adam Carolla]

And is. Let's see. And then. So for you. Scripted. We move on to our next.

[Bobcat Goldthwait]

I'm thinking it's like. I'm really close. Yeah. I'm gonna. I don't know, a talking duck movie or something. I need something.

[Adam Carolla]

Anything.

[Bobcat Goldthwait]

No, no, not anything, but I need something light, you know.

[Adam Carolla]

Right.

[Bobcat Goldthwait]

But you know, I. You know, we might do a sequel.

[Brian Cranston]

Call me greedy.

[Dawson]

I.

[Bobcat Goldthwait]

You know, I'm always writing a screenplay. I always have a bunch. There's two that I have a feeling that. That I'll go make soon.

[Adam Carolla]

But for now it's. Call me lucky.

[Bobcat Goldthwait]

Well, one of them is. Is. Is kind of heavy. And then the other one's about. It's a. My take on Preston Sturges. All hail the conquering hero. And it's about this junkie who goes home and. To a small town and he just lies and said he's been in the black ops in Afghanistan, so. See, the jokes. Wrecked himself. So. So it's.

[Brian Cranston]

Hey, is anyone still interested in my love life or can I. Oh, yeah, yeah.

[Adam Carolla]

I'm sorry, no, I. I got the heterosexual sexual part, but I didn't get the part about married or ex wives or children or any of that.

[Brian Cranston]

Well, actually I'm widowed. My wife. But I was separated from her for many, many years and. I don't know, we were close though. We remained close always. And she died in July, so I'm eligible bachelor for the first time in a long time. But there were. You know, that didn't keep me from. We couldn't. You know, there just. There wasn't the budget.

[Adam Carolla]

Budget to reanimator.

[Brian Cranston]

No, no, no, no, no, no, please.

[Adam Carolla]

I didn't want to say that.

[Brian Cranston]

No, I know you didn't.

[Adam Carolla]

You know, but look, you're comedian, so.

[Brian Cranston]

Am I. I know, I know.

[Dawson]

So.

[Brian Cranston]

But anyway, there was a. You know, that I've. I've been very fortunate to have a lot of nice women in my life and I just never. I figured like with the one I've done, I've exposed enough of myself, you know, I gave you enough and like, I don't need to drag anybody else into the.

[Adam Carolla]

But in terms. In terms of getting laid from this day forth. The widower. Yeah. And broken child. You're gonna get a ton of pussy. You can ride that pussy wagon all the way to the bank. Widower meets broken Inside. Yeah, it's fucking awesome. In terms of new pussy.

[Brian Cranston]

Well, you know, I mean, I think.

[Adam Carolla]

Chicks like more than that. We'd like to fix you vaginal.

[Bobcat Goldthwait]

What are you planning about not, mate.

[Brian Cranston]

That's right. I'm not made of clay. I'm, you know, that's. Whatever. If that's my lot in life, I'll, you know, limp along. Yeah, but you know, I. I really like women. That's always really been.

[Adam Carolla]

Well good. This will be your. Your salad days coming. Coming up.

[Brian Cranston]

I've had a couple other courses too. Maybe not.

[Adam Carolla]

Bobcat Goldthwaite. Barry Crimmins. Call Me Lucky is the name of the documentary and again you go to Call me Lucky Movie.com if you want to see it. Again, incredible effort and one of those documentaries that just shifted gears right in the middle of the whole thing and just planted you in your seat. Just really well done, Bob. And again, from just a pure craft standpoint, just beautifully shot, really well made documentary. So mazel tov to you. Yes.

[Giovanni Ribisi]

Bob, did you see Clean Flicks, the documentary? No, it's. It's a similar subject matter. Takes a left turn in the middle. I'd recommend it to everyone. It reminds me of it. I don't know if you had seen it or not.

[Bobcat Goldthwait]

No, no.

[Giovanni Ribisi]

Takes a left turn.

[Adam Carolla]

Sleeping Dog's Light was incredible.

[Bobcat Goldthwait]

Oh, well, thanks.

[Adam Carolla]

So until next time, Sam Kroll for Bobcat and Barry and Gina and bald Sam. Mahalo.

[Brian Cranston]

Is anyone still interested in my love life?

[Giovanni Ribisi]

All right, that was adam Cole Show 1631 with the late great Barry Crimmins along with his pal Bob Gag. Hopewait and documentarian, I guess. Hope you guys enjoyed that one. Coming up for our final clip today is adam Cole Show 1636. Adam and Bryan Cranston, one on one. Hope you guys enjoy.

[Adam Carolla]

Welcome back to the studio, Bryan Cranston.

[Dawson]

Hey, good to be back, my friend. How are you?

[Adam Carolla]

I have such a great affection for Bryan Cranston. Oh, I was thinking Brian's got a Amazon show, Sneaky Pete. By the way, Giovanni. Giovanni Ribisi is the artist in the show. And this is. This is now. Are you producing?

[Dawson]

I'm producing it, yeah. This, I co wrote the story too.

[Adam Carolla]

And you can download the pilot for free today on Amazon. So you go to Amazon Video and you can take a look at the pilot and then we'll go into the series.

[Dawson]

Well, yeah, I mean if everybody likes it well enough, which I hope, of course.

[Adam Carolla]

Sure.

[Dawson]

But they have this really unique way of testing their pilots by putting it out to the People who would actually want to watch it or not, and they trust the opinions, which is a really refreshing thing, which is so adverse to what the normal networks do, and just kind of keep it insulated. And this is what we. Like, this is what we want, or this is what we think people are going to.

[Adam Carolla]

Well, it's insane when you see, like, you know, the Amazon and Netflix and all the, you know, the Emmy nomination starts coming out and Netflix gets 23 or whatever. Whatever. Whatever it is. You know, radio shack gets 44 Emmy nominations this year. And it's like your mind is blown because, like, at first it was HBO and you're kind of going, well, that doesn't sound like NBC, but all right, maybe they're doing some programming over there. All right, hbo and it's like a Showtime and then, okay, friend, New World, TNT or something. And now it's just wide open.

[Dawson]

It's wide open. Everything that we knew about the television business model when we were coming up is completely changed.

[Adam Carolla]

Well, can I liken it to this? And you tell me if you think this an apt analogy. For a million years, there was the big three. It was just, you know, GM and Ford and Chevy and that. That was about it. And they sort of. Honda started poking around with their little.

[Dawson]

Little.

[Adam Carolla]

The engine. You know, the tires were the size of shopping cart wheels and they had motorcycle engines in them. And the big three were just laughing. They're like, make a Buick Riviera.

[Dawson]

Yeah, beat that.

[Adam Carolla]

Beat. We don't need your little four bangers. With your fuel economy, it's 49 cents a gallon. Get the fuck out of here. They were getting laid in that car, and they just laughed and laughed and laughed. And the next thing you know, they sort of looked around and went, everyone's driving a Toyota. Everyone's driving a Honda. Wait a minute. The fuel prices are through the roof. I sort of feel like that way with the big three networks. It's ironic that there's the big three and the big three automotive and Detroit, the big three networks. But they sort of sat around and went, come on, show, Netflix. What are you going to do? Make a movie.

[Dawson]

Yeah, I mean, I guess you'd have to include Fox. You have to include Fox. So the big four. But it has some parallels to it, doesn't it? And now you're looking at a whole new dynamic. Part of the. The hesitation I had initially and signing on to do Breaking Bad was the fact that it was going to be on American movie classics, right?

[Adam Carolla]

What?

[Dawson]

They showed old movies on that channel sure. Would I? Are you sure? What?

[Adam Carolla]

Right.

[Dawson]

And then I saw the pilot to Mad Men. That was before it had aired.

[Adam Carolla]

Right?

[Dawson]

Saw the pilot and I thought, oh my God, if this is what they're doing, then I. They're serious.

[Adam Carolla]

Well, and now the great news is just like there used to be a stigma between toggling back and forth from doing features to doing television. Like, you know, hey, Brian, you're a feature guy. You can't be doing, you can't be slumming it on tv. You're gonna get cast, typecast, pardon the pun, into just a TV guy. I like the just Wild west of everyone gets to do everything. But. But the caveat is it's got to perform. You got to bring it.

[Dawson]

Yeah.

[Adam Carolla]

You, you have to do a show like Breaking Bad or Mad Men. It's gotta be good. That's, that's, there's one. That's that sort of thing where it's like, I wanna say to every 17 year old kid who goes, I can make my own album, I can have my own CDs, I can have my own YouTube channel. I always wanna stop them before they leave and go, hold on, not so fast. It's gotta be really good.

[Dawson]

Yeah, that's, that's right. And that's the same thing in the auto business. When, when those cars first came out, they said, okay, well, they're tin cans. Let, let. They'll have that market. We don't want to be in that market anyway. And then they started making better cars. And now you look at Toyota and you look at, you know, Nissan and they're, they're really terrific cars.

[Adam Carolla]

They are. And they forced Ford to up their game, which means AMC is going to force ABC to up their game as well.

[Dawson]

I think that's what's happening.

[Adam Carolla]

And ultimately it's the consumer that's gonna win because there's 30 different makes and models of cars and they're all great. And now I would grow up and I was watching Dukes of Hazzard, followed by Fantasy Island.

[Dawson]

Yeah, just.

[Adam Carolla]

And there's this poor thing. Oh, God. I would watch Family Affair and be like, is eight too young to kill yourself? I don't feel like there's a lot left to accomplish.

[Dawson]

Duke's a hazard. All you wanted to see, give me a decent chase and let me see the Daisy Dukes. Let me see maybe a little ass cheek hanging out of the Daisy Dukes.

[Adam Carolla]

He's a little ass.

[Dawson]

Just a little something.

[Adam Carolla]

So I was thinking about you as.

[Dawson]

I was thinking about this, when I mentioned Ass cheek. Did you.

[Adam Carolla]

That made me think about you.

[Dawson]

I thought so.

[Adam Carolla]

I thought, I love Krantz. He's such a good guy, such a humble guy, such a guy's guy. And then I thought, I think I'm gonna chalk it up to you having success at a later part of your career. Not too early, not too often. No head case, boy band, child star syndrome. Do you feel like Bryan Cranston's psyche was sort of. The cement was dry on your psyche and then you became immensely successful and popular?

[Dawson]

I think that's. I mean, if you could write a story on how you'd like to become successful, that's the. That's the model. There is a saying in China that wishes you early, huge success in your life. And it's meant as a curse because it's meant to say, you cannot handle that. Look at. We see examples over and over again in the, you know, in the sports world or in young rap artists or singing sensations or whatever. And they. They don't have the life experience to realize that, hey, this is a wave. Ride the wave for as long as you can, and then it's going to end and be prepared when it's over.

[Adam Carolla]

And so. And also, I was thinking. I don't know, I always. I was watching Godzilla the other night, and, you know, it's a big monster movie, Gozera. But Cranston was so good in it that that scene where you'd locked your wife out of the vapor lock door and she couldn't come through it, and you're looking at her through the triple thick bulletproof glass was so moving. And I thought, well, if you're a good actor, you can apply it to any genre. I mean, here we are watching. Incredible, incredible moment. An incredible scene in Godzilla, which I like.

[Dawson]

Thank you.

[Adam Carolla]

But I just thought there was so much like humanity just kind of pouring through your face at that moment in that scene. And I thought, is that a skill that is learned, or is it something that's honed, that somehow exists, but it needs to be watered and sort of nurtured and fostered?

[Dawson]

Being authentic and truthful.

[Adam Carolla]

Yeah, yeah. I mean, the face, the tears, that's the inflection. I mean, you could have gone 13 different. We could have screamed up at the heavens as loud as you possibly could have and sort of done it that way. But what you did in that one moment was just so insanely authentic.

[Dawson]

I fake authenticity on a regular basis.

[Adam Carolla]

But it's completely believable. There's no reason for you to ever get a Ticket again in your life, like every cop should believe that you're pregnant. I think you could let, you could say I'm rushing myself to the hospital. Caitlyn Chin dinner got me pregnant.

[Dawson]

I need, I'm dropping any moment now. I've already busted my water.

[Adam Carolla]

You spill your beer out between your legs and go, that's my water. It just broke. Don't the malt liquor scent. Let's not pay attention to that.

[Dawson]

You know, truth be told, I, I, I did get pulled over in New Mexico a couple times for speeding. And I did take off my sunglasses and my hat. Hat and take, get give the officer a direct look, right, to see if there's a chance. And I thought for the first time this is what it must be to be a good looking woman to say, okay, here it is. Maybe unbutton a little one. Just a little peekaboo. And I looked at them and I said, I'm sorry, officer. You know, and trying to drop my voice the way Walter White and, and I got out of both tickets, they went, oh, dude. And it's yes, yes.

[Adam Carolla]

No, I tell people, yes. I've said being a hot chick is the ultimate celebrity, number one. And then number two, if somebody says, you know, what's it like having celebrity? I say, you know, it's not like you get a bunch of shit for free. It's like you went to high school with everybody. And if a guy you went to high school with pulled you over, they go, oh, hey, Brian. Hey, man. And you go, what have you been up to? Well, I'm a cop, you know, you go, what are you up to? And you go, I sell aluminum siding. And go, oh, all right, well, slow it down, man, and I'll see you at the reunion. He doesn't get out and give you a blow job and he doesn't put a coat of carnauba wax on your car. But he's like a guy you went to high school with. Or like when you go to a club and there's a guy standing at the door going, nah, slow your roll. And then you go, oh, hey, Brian Crave. Yeah, come in. He's not massaging your balls and buying you drinks. It's just, he kind of goes, it's like going to high school.

[Dawson]

You're hanging out with the wrong people because I get my balls massaged.

[Adam Carolla]

Oh, yeah, you were the class president. The class clown. So Cranston, I just another, I don't know, semi loaded question here, but is there pressure being a good guy because you are a Good guy. And three times a year when I email you, you email me back with something nice almost immediately. And you're probably thinking, oh fuck, the douche with the Jew fro wants something. Why did I ever give my fucking email address? But you always write something positive or friendly.

[Dawson]

Well, what's I, I don't understand the alternative.

[Adam Carolla]

That's good.

[Dawson]

It's foreign to me.

[Adam Carolla]

Well, it's not foreign to a lot of people is what I'm saying. Really?

[Dawson]

Well, I mean, so you write someone you wrote. If you wrote someone that you knew or someone in show business and they either don't write you back or they write, what do you want?

[Adam Carolla]

Well, well, I mean, there's a hierarchy, I think in this town. There are people who sort of rely on that sort of pecking order of what am I doing? What are you doing? Where am I at, where are you at? So on and so forth. And it's not that they don't, it's not that they're rude about it, but it's a sort of a quiet understood sort of thing. And you don't possess that. You possess a very regular, down earth friendly gene. But I guess what I'm saying is do you ever feel like there's pressure because you're known as such a jovial, easy, friendly guy and I'm using myself as an example. Stupid. But I just mean when you walk in and people want to say hi, people want to take a picture and people want to compliment you or pat you on the back or whatever it is, sometimes your personal space gets in invaded a little bit or you're out to dinner with your wife and at the third person has come to the table.

[Dawson]

Well, that's funny you mentioned that because that's what I try to do is set up a boundary so that I don't sign anything or take any pictures with someone who approaches me at a table when I'm with family or friends. So I try to set that up and I say it politely and I'd say, hey, you know, if you, afterward I'll catch you outside, we'll take a picture or something. And most people are cool with that and they get it.

[Adam Carolla]

But in your life it's just your wiring is of a good natured, jovial person.

[Dawson]

Hey, you and I have very similar backgrounds in the sense of where we were raised and the economic status that we didn't have growing up. And you kind of find a way to survive and you had some shit jobs to do when you were coming up and so did I. Really, really hard ass jobs.

[Adam Carolla]

Brian was in the San Fernando Valley and he was deep into the San Fernando Valley, like, you know, when Manson was hanging out. And it wasn't really developed. And I know because I went out to Chatsworth in the mid or later 80s to go to work in a cabinet shop in a construction firm. And back in the later 80s, mid, later 80s, there wasn't much going on. There was a lot of dirt lots.

[Dawson]

Out there and porn.

[Adam Carolla]

Porn and industrial parks and things, things of that nature. So you grew up in a pretty sparse area, the San Fernando Valley. I remember you telling me about your mom packing up the Cadillac and going over the hill to go to the swap meet and that kind of sell the stuff out on the lawn and that kind of stuff. So you appreciate it.

[Dawson]

How can you not if you go through that kind of background and. And literally went week to week with a cash business selling wares, selling anything you can at swap meets to try to stave off the wolves at the door, and eventually succumbing to it because we got foreclosed on, we got kicked out of our house. Our family split up, and it was traumatic. But because of that, you know, you try to find a silver lining out of that. What did I learn from that? And it's. You can't take anything for granted. Nobody owes you a thing, and the only thing that you can do is work harder than anybody else.

[Adam Carolla]

Do you feel. And I've said this, and I feel like it's going away. There used to be this division. Well, he does serious acting and then he does comedy acting. And now I see many examples. You're definitely one of them where you go, oh, this guy can do a sitcom and then he can go play Walter White, and then he can go do Godzilla, and then he can go on stage and be FDR or, sorry, Lyndon. Lyndon B. Johnson. And I think, oh, that's right, he's talented. He gets to do what he wants. He's not any of these people. He's just talented and he gets to do what he wants.

[Dawson]

I'm very, very lucky. No, no, no, no. I am. I am extremely lucky.

[Adam Carolla]

Well, I will say this. You got good bones.

[Dawson]

Yeah.

[Adam Carolla]

Okay, that's lucky.

[Dawson]

I don't mean to say that to have false modesty and say I'm not. I do feel I have very confidence in my talent to perform, but that's not enough. In order to be successful in the arts, you have to be talented, have patience, be persistent, have a good working work ethic. And you have to Be lucky. You will not be successful without a healthy dose of luck. If you went back and asked everybody that you interview, where was your breaks? What happened? What were the circumstances? Circumstances? You'll find out. Oh, this guy dropped out and I was standing there and all of a sudden the guy waved me to come in and there it was.

[Adam Carolla]

Well, here's the way I feel about luck. I'm trying to convince my nine year old twins that they're unlucky. Not only do they have me for a dad, but I don't want them to think they're lucky because I want them to think when it comes down to it, if it's going to be a coin toss, you're going to lose every time. I want you to out hustle, outwork and outshine the next guys applying for job.

[Dawson]

Yeah, that's right.

[Adam Carolla]

And then you will win that job, meaning win by knockout. Don't leave it up to the hometown judges. But obviously everyone has that moment that you're calling luck. But you were prepared for that moment when it came about. I don't know. Do you have a specific moment that you can look at for you and call it lucky?

[Dawson]

Several moments.

[Adam Carolla]

What would be your top three?

[Dawson]

Well, let's say that how I got Breaking Bad, I was. I wrote and directed and raised the money myself a little movie called Last Chance, Little romantic drama. It's really sweet. And we went out to the desert to shoot it and I was back four days in LA and I got this call to do an audition for a kind of a ne' er do well kind of guy on X Files. I had pushed that movie four times and I could have easily have pushed it again and not been available for that audition.

[Adam Carolla]

Right?

[Dawson]

I was, I got that job. Vince Gilligan was the writer of that episode and he wrote this character that was despicable. He was an. And yet there was something sympathetic about him. Ten years later, later he writes Breaking Bad and he feels that Walter White had to be someone who, despite his actions, you still felt sympathy for. And he couldn't get me out of his mind. And he calls me in and we were supposed to have a 20 minute meeting and we ended up having an hour and a half meeting. And out of that he says, you're my guy. And he tells AMC and Sony, our studio, yeah, I want Bryan Cranston to do this. And they said, the goofy dad from Malcolm and the Met, he said, no, no, he's an actor. That's what they do. And he, we should test this. We should bring it and there was. Steve Zahn was mentioned, Matthew Broderick was mentioned. A lot of other people were mentioned to come in to test. And I was going to test. And then another lucky break happened. I got a call from then head of Fox, Peter Liguri. Nice guy. And Peter says, so I want you to do a pilot for Fox. And I read the script. It was a thing called Nurses where I played the head of a nursing head of a hospital. And I wasn't that interested in it, but it was nice to have the offer. We floated that out there in the circles, in the gossip circles that I had this offer. So Sony and AMC heard about it and called me and called the agency and said, okay, we're not going to test. If Brian wants the role of Walter.

[Adam Carolla]

White, it's his right, because they didn't want to lose you.

[Dawson]

So all these kind of things happen that are.

[Adam Carolla]

Well, yeah, I mean, but that. I think that's prevalent in almost everyone's life in every career.

[Dawson]

Those lucky breaks.

[Adam Carolla]

Yeah. Or just opportunities, moments, things where things align. I mean, it's kind of hard. We have to sort of stand back because we are sort of wired to kind of go, how come every time the cable guy's supposed to come out between noon and three and I wait for him all day and then he shows, then I go to the supermarket at 3:15 thinking he's not gonna. Then that asshole shows every time, every time, every time. But no, it's not every time. There are times when he shows up right at noon, but you don't count it. You know, you don't take. You don't take note of it or make a note of. Of it. And I think in everyone's life and everyone's career, there's a moment where you met someone who did something for you or there was some happenstance or circumstance or something worked out, it happens to be. When it comes to acting, it's on a much grander scale because it's a bigger payday than roofing or running a pool cleaning operation. Or as my carpet cleaning boss, art form Fuss, told me the future was in aquarium cleaning. That's what I needed to get into. I needed to make the big bucks and transition into cleaning aquariums.

[Dawson]

But you've made a huge mistake.

[Adam Carolla]

I do think that that exists in life. And it's just the stakes are much higher because you end up getting a series and a paycheck and many, many opportunities. But when I think of Brian Cranston, I just think of a great work ethic, a A. A better person and a. An immense talent, but. But an immense talent that has been honed very nicely over the years.

[Dawson]

And a guy who's burdened with a huge girth wise.

[Adam Carolla]

Yes. Not length.

[Dawson]

No. Yeah, that.

[Adam Carolla]

That's why I wear condoms that have horizontal stripes on them. It makes you look thinner and it makes the sharks think it's a sea snake and they stay white from it.

[Dawson]

Like the boner you had in Roadheart.

[Adam Carolla]

That's right. Oh, God bless. Being a part of that.

[Dawson]

That movie was really good. Oh, my God. And the, the mark of. Of. For me. I can appreciate that because I'm a guy and I could relate. My wife loved that movie. Oh, we sat and watched that movie months ago and it was. It was terrific. Really, really terrific. I have one. One problem with it.

[Adam Carolla]

Yes.

[Dawson]

This idea that you wouldn't bone that hot drunk chick just because you were going to lose $250.

[Adam Carolla]

Yes. With the, with smoking in my bathroom. Yeah.

[Dawson]

I just. I don't know. I think, I think that's bullshit. I think you're right.

[Adam Carolla]

I would have. I would have paid the cleaning fee.

[Dawson]

Yeah, I think so.

[Adam Carolla]

Yeah. You know, I. I think my character had been so traumatized by the $250 cleaning fee from like act one. Yeah, he. He fixated a little too hard on it, but would have.

[Dawson]

Little hard on it. Very good. Play it.

[Adam Carolla]

Chick was great, by the way.

[Dawson]

She was terrific.

[Adam Carolla]

She was a great. She said, by the way, you know, when you write movies and, And Brian will. I'll be curious. You tell me. But there's always a joke where everyone laughs, where they're not really supposed to laugh or they don't. You never care. You didn't write it that way. And then there's always ones where nobody laughs. And it was supposed. It's supposed to. I mean, you're supposed to get the laugh, but you never get it. I think at some point she said, who are you, the surgeon Admiral? And it always. I was.

[Dawson]

I always thought it was funny.

[Adam Carolla]

I thought that was funny too. But I don't think anyone ever laughed when they saw it.

[Dawson]

I did.

[Adam Carolla]

Well, thank you, Bryan Cranston now.

[Dawson]

And being the star of the Submarine show, the sitcom that you.

[Adam Carolla]

Close quarters.

[Dawson]

Close quarters. I still haven't seen a nickel of residual money from that show.

[Adam Carolla]

Can I. Can I tell you how pumped my kids are to be on a fake poster with Bryan Cranston, who was in Poor Brian? All he gets does is get hit up for fucking favors by me. But that's why by the way, I'm going to tell you guys to watch Sneaky Pete. Sneaky Pete and go to Amazon and you should. Should give it a lovely review. That's what I'm saying. I'm not saying lie, but it'll be good. You can download the pilot for free today on Amazon Video. And now it's not.

[Dawson]

It's not. It's not Breaking Bad Dark. In fact, it's kind of fun. It is a lot of fun, actually.

[Adam Carolla]

I kind of have this question for you. How much of your writing has improved by all the great words other people have put in your mind? Mouth the way you put that.

[Dawson]

It sounds dirty.

[Adam Carolla]

It's girthy. Yeah. Quite a bit, I would imagine. I would imagine that being exposed to oodles of great dialogue.

[Dawson]

That's the technical term, oodles. Yeah.

[Adam Carolla]

It's gonna sound bad again, but reams, Gilligan, just reaming all reams of great, great Dominic just over again, just pounding in the back of your throat, pulsating, thrusting word after word after word, gushing with verbiage all over your face. How much of it?

[Dawson]

Until I spew a performance.

[Adam Carolla]

That's what I'm saying. How much of that has affected your rhyming? I couldn't hurt it. But is there. There's two ways you can do it. One is you can kind of like absorb it and kind of go, I'm better for being exposed to this. There's another part that can go like, oh, I could never rise to this level. How?

[Dawson]

I don't. I don't look at it like trying to compete with Vince. He's brilliant. And I've never thought that my writing would be in competition with his. I do what I do. However, he raised the bar, my sensibility and my demand on my own work, and therefore the other people that I work with has risen.

[Adam Carolla]

Well, do. Do you. When you're doing. Now, obviously when you're doing a movie like Argo, it's like, all right, everything's great. Everyone is great. But then there are movies where, hey, I needed. It's a nice payday. I'm gonna play part in a movie. Maybe the script isn't spectacular, but I want my stuff to be the way I'd like it to be.

[Dawson]

Yeah, but no, it doesn't.

[Adam Carolla]

Is there any of that?

[Dawson]

No, the. The thing is, is that one you get to. If you get lucky enough to get in this position, you really shouldn't do anything where the script is not good, because it will. It won't make you look good. It's almost like if you're a good tennis player, it doesn't do you any good to play tennis with someone who's terrible, right? Oh, yeah. People looking might go, God, that guy's good and that guy's terrible. Well, what does that do for you? It doesn't improve your game. Game. People don't want to watch the tennis match. They want to see something that is. That is compelling. And so if you're surround yourself with people who are terrific, a script that's great and a director that has a clear, interesting vision, it could still fuck up. It could still all go south. It's such a delicate recipe.

[Adam Carolla]

No, it's so funny that you said recipe, because I. I was thinking as you were describing this, that sense of angst when you're making a movie. I did it with Roadheart and then the Hammer as well, and I did this Paul Newman documentary that you don't quite have that sense when you're doing a documentary or that same pressure because you didn't write the script. This is someone else's life. You're just sort of telling it. But I always tell people and they go like, you know, how's it going? How's the movie going? Or how's it going? How's it coming together? How's the shooting going? I go, look, it's sort of a stew. And I always say you can take all the best ingredients and all the ingredients you love the most. You just love that veal shank and you love the potatoes and you love the big chunks of carrot, like you love the little paprika, like you love everything. You put it in the stew and you let it steep and simmer and you put the lid on it and everything. And at a certain point, it's time to drop the ladle in and take just a little off the ladle. And even with all your favorite ingredients and all the best, highest quality ingredients, you can just kind of look up and go, it's not bad.

[Dawson]

It didn't come together.

[Adam Carolla]

It didn't come. Considering everything that's in this pot, as all stuff I love the best and chose and so on and so forth. I just took a hit off that ladle and it's like, it's the worst moment in the world where it's like, just didn't work.

[Dawson]

It's true. Well, that's what you were saying earlier about someone. I guess I'll go do this. Well, you have to do it really well or else it doesn't make any. What difference does it make?

[Adam Carolla]

Yeah.

[Dawson]

So a lot of people say they're going to go out and make a movie and people think that it should be easy and audiences shouldn't know how difficult it is to. To put together a film. And the frustrations and the artistic disagreements and arguments and failures, quite frankly, that happens the second choices. Someone dropped out at the last minute, you get a replacement. Nobody knows what's going on behind the curtain. And it is like a magic trick. So you shouldn't pull the curtain back and say, this is how tough it was. It either works or it doesn't. And audiences shouldn't care about the problems that you had putting together a movie.

[Adam Carolla]

But when you're in the middle of it, you just don't know. Which is weird because if you're playing in a jazz quartet and you're in the middle of tangerine and you're jamming away, you know, you know what's going on. And when you're up on stage and there's a microphone in your hand and you're doing some stand up comedy and it's kicking ass or you're balls deep and a ha ha chick, bring it to the section. You know, in the moment. You know in the moment when I'm driving one of Paul Newman's race cars and it's going nicely, I'm aware of it right down to the millisecond. But the movie is weird because you're like, well, in nine months we're gonna get a rough cut.

[Dawson]

Yeah.

[Adam Carolla]

And we'll get some idea.

[Dawson]

It is like pregnancy in that sense. Really? You think, well, we did everything right. And my wife is eating well and she's not smoking and drinking and then stopped all that.

[Adam Carolla]

Four years later, you're looking at a kid and he's eating a candle and you're going, I guess it just didn't work out that well. All right, let me give a little love because I can keep going with Cranston. I got some of your social media questions here, by the way.

[Dawson]

Okay.

[Adam Carolla]

DraftKings. Ah, golf's final major starts next week. @draftkings.com they're giving out 3.3 million bucks in prizes. They're crowning this year. Years fantasy golf millionaire. This is why the terrorists hate us. We have fantasy golf millionaires.

[Dawson]

That's amazing.

[Adam Carolla]

They're not even actual golf millionaires.

[Dawson]

I thought. Are you in the middle of a commercial?

[Adam Carolla]

I am.

[Dawson]

Okay, I should not interject.

[Adam Carolla]

You can.

[Dawson]

So what is it? DraftKings. Is that legal now? Again, yes. I didn't know that they made that legal again.

[Adam Carolla]

It's not only that. It's mandatory. Mandatory. Mandatory. Must participate.

[Dawson]

I think it's pretty awesome.

[Adam Carolla]

Yes. We're living in a great country. Just pick six golfers, pile up the points, and pick up your cash. And even, by the way, the event begins with the tournament. So choose your golfers before the upcoming Thursday's tee off and you'll be in. It is your Last chance. It's DraftKings DraftKings.com Dawson, hurry to DraftKings.com now and use promo code Adam to play for free for a shot to become a millionaire. Enter adam [e-mail] draftkings.com that's draftkings.com so what's coming up there, Cranny? I know you can't talk about everything, and I know Sneaky Pete is the show du jour, but obviously there's some movies come in, some movies in the can, some people you're working with, some things going on.

[Dawson]

Yeah, well, Sneaky Pete is a great series. It's a pilot series. It's about a guy who is a connoisseur artist who takes on the identity of a cellmate and tries to hide out from the mob that he owns, owes money to. And while he's trying to raise the money to pay the mob back, he takes a job with this new assumed family as a skip tracer, which is a guy who finds people who bailed out, right. They skipped out on their bail. They're not showing up to, to court. So the family that he's is infiltrated, basically is. Owns a bail bonds company. And so we call it Sneaky Pete.

[Adam Carolla]

And you're writing, producing, but not in his talent, or are you?

[Dawson]

I might make an appearance.

[Adam Carolla]

Well, that's what we all, we all thirst for.

[Dawson]

It's, it's a lot of, of fun.

[Adam Carolla]

So. And again, easy. You just go to go on Amazon Video and you can download the pilot for free. All right. Some folks from social media have some questions for you. Are you in regular contact with Aaron Paul?

[Dawson]

Yes.

[Adam Carolla]

All right.

[Dawson]

We're buds, so yeah, absolutely. We're in contact with each other a lot.

[Adam Carolla]

How about a Walter White cameo on Better Calls? Saul?

[Dawson]

Possible, possible, possible.

[Adam Carolla]

Been discussed.

[Dawson]

It has been discussed. I think there are people who would like to see that. But knowing Vince Gilligan and Peter Gould who run the show, they wouldn't do anything that, that jeopardizes the. The verisimilitude of the show, shall we say? Yeah, you know, so if it's Logical in the story sense and character sense, that somehow. How, before Walter's final two years of his life, if he runs into Saul at some point or has some other kind of connection, I would do it in a second because I miss those people. And it would be fun to jump back into that guy.

[Adam Carolla]

Do you feel a sense of gratitude for Vince?

[Dawson]

Undying gratitude.

[Adam Carolla]

Like, not that you're going to, but you should give him 10% of everything you make from this guy.

[Dawson]

Let's not go that far.

[Adam Carolla]

But I'm saying.

[Dawson]

Saying, yeah, I'll give him a handy. I'll give him a handy. I'll go on.

[Adam Carolla]

I think he'd probably prefer the 10% unless he could film the handy and have the handy go viral. It's funny, I was looking at one of these questions here about you and that thing you do and playing Buzz Aldrin and all that stuff, but one of the things I really enjoy. I really enjoyed that movie, number one, that thing you do. I just thought it was fun. It was really fun, nice movie. And it was exactly what it presented itself as being. And it had a pop song that could. Was actually a good pop song.

[Dawson]

Yeah.

[Adam Carolla]

And when I was watching you in a very small role. Very small, but it was funny because it's sort of more interesting to watch really good actors and really small roles sometimes than. Than just chew up the scenery. Because you. They only have that. It's sort of. It's like one of those celebrity softball games where you only get one trip to the plate. And, you know, anyone's capable of popping out or grounding out or hitting a comebacker to the pitcher and dribbling it back there. I mean, I played a game where Wade Boggs, like, popped out twice. You know what I mean? The guy had the batting ground for five years in softball. He popped out to the third baseman twice. But the point is this, the little role. When I saw you as Buzz Aldrin in that movie, it's during when they're doing this sort of, I guess called the sort of Ed Sullivan show type type show.

[Dawson]

I was actually Gus Grissom.

[Adam Carolla]

Oh, you're Gus Grissom. I'm sorry, Apollo 1, when you said it's like Gina, Lola, Bridget is body or something, it's out of this world. You did it in a way an astronaut would have done it. Like, you did not nail the joke very well at all. Like, you did a really. So it was fun to watch a really good actor do a really shitty job at landing a joke on a.

[Dawson]

Shot show yeah, it was actually tough because your instinct is saying no, that doesn't sound good. So your instinct is to try to land it. And then you. And then I had to just tweak it. Right. It was fun to do.

[Adam Carolla]

But it's funny watching a good actor be a bad actor for a few seconds because he's an astronaut attempting to read off cue cards and deliver a joke.

[Dawson]

You know, that's. That's someone who talks me a lot. Tom Hanks.

[Adam Carolla]

Tom Hanks, yeah.

[Dawson]

He taught me.

[Adam Carolla]

What he teach you?

[Dawson]

Well, he. He taught me a lot of. About how to behave, how to accept, how to con. Conduct yourself in public and, you know, before the press and how to be congenial without sacrificing your personal freedoms. He was a. He's a master at it. And. And. And that's why he has that reputation of being a good guy. He is a good guy. I've known him personally for many years now.

[Adam Carolla]

Well, I've seen him. I would go to the Shakespeare Festival thing that he would do to raise the money every year and get all the folks to come out and go do that and everything. And he just has such a great sense of humor about himself. He seems like. We open the show by sort of talking about you and talking about your sensibility and having that sense of. I guess I think of what it is, is a comfort in your own skin, where you don't feel like you have to dance or you don't have to feel like you have to put up a front or some bravado or now you have to do your impression of a celebrity when he goes out to dinner or whatever. It is a comfort in your own skin, which I'm guessing aids in the acting quite a bit because it's not good to get up in your head.

[Dawson]

No.

[Adam Carolla]

When you're acting. And it also comes back to being a civilian for so many years that when it came time to be a celebrity, the civilian part of your brain was dominant.

[Dawson]

Yes. And I'm still getting used to that because it is an abnormal way of life to have everyone. Not everyone, but nearly everyone, you that sees you in public makes some sort of recognizable move, either, sure. Verbally or physically, or they want to meet you or talk to you, take a picture. And. And the thing is, is now. Now everyone is a photographer with their. With their iPhone, and everyone wants a picture and the things like that. And. And it's going to immediately be around the world, that little picture off the cuff picture that you didn't quite open your eyes To Is going to be around the world. So that's.

[Adam Carolla]

I'm starting to smile because I've done it a million times where the drunken chick says, oh, one more, last one, last one. One more, last one. And I always say, it's not the last one for you exactly right. Not me. There's other people here that are gonna take more. And I don't have to do it like you have to do it. I could only imagine that. But I think. And I think it's fun. And I don't know if you're this way, but every once in a while, for fun, if somebody comes up and says, my friend over there is a huge fan, but she's really nervous, or he's really nervous and he doesn't want to say anything, but it would really make his day and blah, blah, blah, blah. I think it's fun to go over that person and hug them. Like, just hug them hard, just almost to. With them. But just because you can. Just because it's. Why not just. Why not blow that person's mind?

[Dawson]

I do that a lot just for my own entertainment.

[Bobcat Goldthwait]

Yeah.

[Dawson]

Like, so you'll be signing some autographs and taking pictures with people, and then one guy will say, can I have a picture? And I'll go, no. And he'll look at me. I'll go, no, I have to draw a line. So somewhere. No. And then I'll start to walk away or something's like, oh, my God. And then come back.

[Adam Carolla]

And, you know, I must say, my. My Cranston is such a fine actor that my dad isn't what you would call a fan of mine. I'm not, but he's not a fan.

[Dawson]

He's not a fan of yours?

[Adam Carolla]

Not a fan. I mean, not. He doesn't have anything against me. He just. He's a quiet man who doesn't exactly know what I do. I do not believe still to this.

[Dawson]

Day he's like, so you talk on radio, but it's not radio.

[Adam Carolla]

Yeah.

[Dawson]

So what do you do?

[Adam Carolla]

He really doesn't know. And he doesn't read the books or see the movies or do any of that, but he's very proud. He's a proud man. And I had him at my house and I said, you know what I think would get some traction with him? Because I think my stepmom was talking about. About Breaking Bad and how much he loved you. I said, well, you know, I did a video to raise money for roadheart and Cranston. I said, I'll show it to you. It was the kind of thing they would never see. And then I said, the problem with doing something like this with Bryan Cranston is he's such a good actor. And it was reminding me, as you were telling that person in Jess, you weren't gonna take a picture of them. I was believing you. I thought I just asked to take a picture, and you were denying me. And I was crushed. My soul was momentarily crush. But I said, now, the problem with the video is Cranston is so goddamn good that he gets all the credit for all the jokes. I said, I wrote all the jokes. Those are my jokes. When he says podcart, that's my joke. And I said, so going into it, understand stepmom and dad, you're gonna see Cranston be super funny, but understand those are my jokes.

[Dawson]

Boy, that's just sad of you, just screaming for attention. Yeah, no wonder he doesn't like you screaming.

[Adam Carolla]

And I said, oh, again, look, it's not that he doesn't like me. I think. I think the jury's out is the way he's looking at it. He doesn't want to commit.

[Dawson]

Oh, well, I like you.

[Adam Carolla]

I thank you. And I, I. I appreciate that appreciation.

[Dawson]

Hey, I brought you something.

[Adam Carolla]

Oh, he brought me that. Well, can I. Can I say this? Well, just finish. They watched it.

[Dawson]

Yes.

[Adam Carolla]

My dad said that was the greatest, funniest thing he'd ever seen me do or involve with. Not that he had much to choose from. He didn't see many episodes of the man show, but he watched it. And then he stopped when we were done, and he said, did Brian just come up with all that stuff just off the cuff? And I said, first off, I told you four minutes ago, no, but it was so convincing that you actually. That was actually the thought, and I guess that's, you know, job done as an actor. Now, what did you bring me?

[Dawson]

I brought. I brought you a bottle of alcohol.

[Adam Carolla]

What? How did you know?

[Dawson]

Well, here, take a look.

[Adam Carolla]

Brian is handing it to me. Ah, Heisenberg. It is the one who knocks. It's blue ice. It's handcrafted. Oh, it's American vodka. Yes. Oh, that is nice.

[Dawson]

A little blue tint to it.

[Adam Carolla]

It's sweet. When.

[Dawson]

Heisenberg Vodka.

[Adam Carolla]

When did this. It's a limited edition. Yeah, I brought some Mangria over to your place. So now turnabout. Turnabout is fair play.

[Dawson]

I love the Mangria.

[Adam Carolla]

When. When did this come about?

[Dawson]

This came out earlier this year, and it's. It's hard to find now because they're. They're. They're flying off the shelf. So I expect you to just put that up on ebay so you can buy a, you know, a water cooler or something here for the.

[Adam Carolla]

No. Well, I'll drink it first. I'll need you to autograph it, obviously, so I can fetch.

[Dawson]

So you see can sell it.

[Adam Carolla]

Well, yeah, it's going. It's getting sold.

[Dawson]

It's just.

[Adam Carolla]

What's it getting sold for?

[Dawson]

Need the honesty. That's all I crave.

[Adam Carolla]

Wow. I love it. I love. Had a little vodka last night. So I will. I will definitely. And it will not be re gifted or sit on a shelf. I will definitely drink it. So where do we find it, by the way? As long as we're.

[Dawson]

I think you have to go online to find Heisenberg vodka. I don't. I don't actually think it's. It's made it to the store. I think you have to order it. I honestly don't know where you find it. But I'm sure there are people who know your regular puff daddy over here.

[Adam Carolla]

With your pitch session. Blueicevodka.com Blueicevodka.com Is that right? That's where you go.

[Dawson]

It's great how Adam sacrificed his lungs and chain smokes just so he can maintain that gravelly voice.

[Adam Carolla]

Yeah, it's magical because a lot of people think that's Dawson in another room. They don't see me just slide right into that gravelly announcer voice. Unbelievable.

[Dawson]

I meant Dawson. What did I say?

[Adam Carolla]

I said.

[Dawson]

I said Adam.

[Adam Carolla]

Yeah, that's all right. I listen. I went to the Groundlings. I just jumped right in behind you.

[Dawson]

You did. You didn't deny?

[Adam Carolla]

I did not deny, yes. And not only that, but I wish someone. That should be your next series. It's called first year at the Groundlings. And yeah, they go lights down and somebody starts a physical activity and they grab one knee and they're down futzing with somebody. And the one guy enters from off stage and he says, how's that fire going? And the other guy goes, fire. I'm changing a flat. And then Cynthia Sagetti yells from the back, stop. Enter again. He's starting a fire.

[Dawson]

Wow. You did it too. Yeah, yeah.

[Adam Carolla]

Did you go.

[Dawson]

I went to Groundlings. Yeah.

[Adam Carolla]

What was your.

[Dawson]

Cynthia Segetti?

[Adam Carolla]

Wow.

[Dawson]

Was one of my teachers Mindy Sterling?

[Adam Carolla]

Sure.

[Dawson]

Fine actress. She's one teacher.

[Adam Carolla]

You guys will know her from Austin Power.

[Dawson]

Austin Power. She's the woman in black.

[Adam Carolla]

Yeah.

[Brian Cranston]

Scott.

[Adam Carolla]

Yeah, she. Cynthia Sagetty was Such a ball buster. My God. That was one of those things.

[Dawson]

She was right.

[Adam Carolla]

Oh, she was right. Yeah, she loved me. But that was probably a problem because I was, like, on her radar. And I remember once during a very. You talk about your moments of luck. I'll just tell you about bottoming out. I had a girlfriend. She went to USC or she'd graduated usc. I was driving a pickup truck that I didn't have window cranks on it. Had to use vice grips to open and close the window. So I just kind of kept them in the middle. There's no air conditioning. Had eight ball shift knob on. It was a Mazda. Long bed. Had. It was so funny. The guy bought it from. Took out the bench seats and put in dinette seats. And I was sitting in these dinette seats in this piece of shit. I was taking this groundling class. But I didn't know theater. I didn't know they'd yell upstage, backstage, stage right, stage.

[Dawson]

I didn't know what to do.

[Adam Carolla]

I didn't know how to act. I couldn't do anything. And my girlfriend dumped me, and I had a horrible job. I was digging ditches for eight bucks an hour. I just bottomed out. And I called my girlfriend during the break on the payphone on Melrose, and she's just like, look, don't call anymore. It's just not worth it. It's not. The answer is no, it's not happening. Now hang up. And I hung up the phone and I said we were on break. I said to Cynthia Sagetti, I said, I can't go back in there. I can't be funny. I can't go on stage. I'm a mess. I have kittens in my stomach. You know, Remember that thing when you're 24 and you're crushed, just crushed, and, yeah, she's sleeping with some other dude. And it's like, oh, the pain and the angst.

[Dawson]

Oh, just imagine we were just picturing that, right? You just picture that guy just.

[Adam Carolla]

God, that. No one knows what it's quite like to be that sort of male who's. And especially you're 20, I don't know, 24. I got a $9 an hour gig. I got three roommates and no insurance. I there. I got nothing. I got no game. I have nothing going on. And, you know, once in a while, like, I'll talk to my wife and she'll go, yeah, well, when I was 24, I just. I didn't make it. I go, yeah, but you were hot. Yeah. You had that going for you?

[Dawson]

That's a trump card.

[Adam Carolla]

Yes.

[Dawson]

You can't throw that.

[Adam Carolla]

You could. You think I could? Producers. No. So I was like. I was. I just bought him out. And I said to Cynthia, I said, listen, when we go back, like, I'm just gonna kind of excuse myself, and I'll say, I don't feel well or something. And just. If you could just let me slide out of the theater so I could just go weep in my truck, that would be awesome, because I really. I can't even speak now. I can't form a sentence. So we, like, got back to the theater, and we sat there and was like, all right, now we're gonna do a herald. And I said, I'm gonna excuse myself. I'm not feeling quite right. Cynthia, I'll see you on Wednesday's class. And she said, well, I don't know if you guys heard, but Mr. Carolla just got dumped by his girlfriend, and he's not feeling particularly funny right now. And, I mean, she just lit me up like a Roman candle and basically said, but his ass will be getting out on stage with all of us while we do our next improvised exercise. And I was like, wow.

[Dawson]

She connected with a jab.

[Adam Carolla]

Oh. And followed up with a straight. Right. Wow. Yeah. So how far through the Groundlings did you go?

[Dawson]

I went about a year and a half or so.

[Adam Carolla]

So you went.

[Dawson]

I was starting.

[Adam Carolla]

Beginning.

[Dawson]

Yeah. Beginning.

[Adam Carolla]

Then intermediate.

[Dawson]

Intermediate writers lab. Yeah. No, I didn't make it as far as the writers.

[Adam Carolla]

So you made getting an interview.

[Dawson]

You got a job doing a sitcom. So I went and did that instead.

[Adam Carolla]

You got a real job?

[Dawson]

I got a real job.

[Adam Carolla]

The thing that was always incredible to me is how years later, I went back to host A Night at the Groundlings when it was on tv. And even though I was only asked to bring. To come back because I had a successful TV show, maybe Loveline or the man show or something like. Like that. I still looked at the guys who made it into the Groundlings.

[Dawson]

Yeah.

[Adam Carolla]

Wow, you've arrived. Yeah, yeah, yeah. I'm taking the bus back to Van Nuys. And I'm like, yeah, but no, no, you don't get it.

[Dawson]

It was like.

[Adam Carolla]

It's so weird how it gets.

[Dawson]

It's like going back to high school. Yeah.

[Adam Carolla]

Yeah. So what. What series did you get at that point?

[Dawson]

1988 was a series called Raising Miranda for CBS.

[Adam Carolla]

That sounds sort of familiar.

[Dawson]

I played, and I was doing a show in Hollywood, and I just basically mimicked the director of the show, Fax Barr, who actually is a friend of mine and a good writer, and he had a speech pattern that was like this. And his lips were pursed like this. So every time he said something, he would have the syllable s and it would sound sort of interrupted. And so when he was giving notes, I would be just staring at his lips and mimicking his lips. It was the weirdest thing. I wouldn't hear a thing he was saying. And so I had this audition, and I just went in and I looked at the thing and I just started talking like, this. Is it okay if I get an orange out of your refrigerator? You know, and it just was odd and it was kind of funny, and you stood out. Yeah. Can I sleep in your driveway?

[Adam Carolla]

I don't think that's luck, Bryan Cranston. I think that's a choice.

[Dawson]

Sorry, it's a choice.

[Adam Carolla]

It is.

[Dawson]

It's a choice.

[Adam Carolla]

Can I ask you this? So I. I saw you on, I don't know, TMZ or whatever, doing a whole thing at Comic Con with the kid restaurant. You did the mom and the mic drop. And I. I laughed my ass off because I just thought that was so Cranston. But you never did answer the question. I think he wanted to know if you had a place you like to go to in Albuquerque.

[Dawson]

I answered it.

[Adam Carolla]

Oh, did you see? You're good actor. I.

[Dawson]

You know, here's the thing. This was Zach Levi. You know Zach?

[Adam Carolla]

Yeah, I do know Zach Levi.

[Dawson]

Good guy.

[Adam Carolla]

I love Zach.

[Dawson]

He's a good guy. And he. He does this for charity. And so he charges like 20 bucks a piece, and they pack this place and there's like 200 people.

[Adam Carolla]

Nerd.

[Dawson]

Nerd HQ. You should totally do that.

[Adam Carolla]

I love. I love that dude. I did the celebrity Grand Prix or something. Toyota with him. And he's a car guy. Just a good dude. Yeah.

[Dawson]

So they're asking a lot of questions, and we're there to pimp a show. We have a show coming out in October, an animated show called Super Mansion, which is really funny, by the way.

[Adam Carolla]

Now, what's coming out on Crackle?

[Dawson]

Don Crackle. Super Mansion. It's. And I play this guy, Titanium Rex, who is a superhero who is just a little bit past his prime. And he lives in the same house with a bunch of other superheroes who are a little off. They're not. They're not mainstream. They're. They're not as effective as they used to be and that kind of thing.

[Adam Carolla]

Yeah, I've seen a spot for. But I'm trying to think Where I saw the spot for it, but it. I know what you're saying.

[Dawson]

But anyway, Superman. So we're down there with Seth Green and those guys from Robot Chicken, right? So we're doing that, and there's a lot of questions about that and some questions about Breaking Bad, but we're trying to keep it on point. And, you know, it's also being simulcast and you're on a panel show, so you want to be somewhat entertaining. And.

[Adam Carolla]

Yes.

[Dawson]

And this guy gets up and he was. He was cute. He was. You know, I'm from Albuquerque, and just kind of, because I'm from there, I thought maybe I'd like to find out. And I thought, well, well, okay. He's the only person who would be interested in this answer, right? So whatever my answer is going to be, it's going to be really quick, right. So that we can get back to the thing. So that was the only thing I was thinking of.

[Adam Carolla]

Right. And then when he kept going, you said, emma's Tavern. No one would really know because you have to be in Albuquerque. And then, by the way, you get the follow up, the one that people do where they don't know where they are. They go, is that off Haynes?

[Dawson]

Yeah.

[Adam Carolla]

And then you go, no, it's off Central. Daddy, corner to. No, there's a coin op. No, the coin ops on Hanes. This is Central and Haynes. No, there is. No, there's Haynes Road and then there's Haynes Avenue. You're thinking of Haynes Road. And then you realize you've embarked in this conversation so deep. And you. There's 300 people in the room all reading the back of their eyelids because they're texting because you went off down this rabbit hole, right?

[Dawson]

So it's got to be fast. And then he. I don't know. I don't know why I said it. I don't know what came over me. But he said, you know, was there any place you like to visit? Any place that you remember? Because I'm from Albuquerque. He said again? And I just said, well, I. I visited your mom from time to time. And he just. The, the crowd went crazy. It was a pop. And he burst out laughing, which is some. Some people told me, some friends said, well, you're getting kind of hit because you said that thing to that kid. And I said, really? He said, yeah. Some people thought it was kind of cruel. And I thought, I think it would have been cruel if I used an expletive or something. And I said, you know, and said it cruelly. But anyway, but by the way, this.

[Adam Carolla]

Is sort of like Muhammad Ali punching you in the arm in the sense that, yeah, it stings a little bit, but you get to say muhammad Ali punched me in the arm. You know, like, there are certain things in life that have a little sting to them, but they're sort of a badge of honor at a certain point.

[Dawson]

You know, he had a, if the camera stayed on him, they would have seen that he was laughing and then cringing, thinking of Walter White banging his mother. That was just, you know, any, anybody banging your mother is a cringe worthy moment.

[Adam Carolla]

I, I don't know how much social media you do, but the folks that have to come out of the woodwork and do the by the way, you know, I was calling you a douchebag, right? And you go, exactly. No, I was not formally aware I was actually enjoying this sandwich. But what? Oh yeah.

[Dawson]

Oh yeah. John from Dayton, Ohio called you.

[Adam Carolla]

You're like, shall I put my sandwich down in a dress? And by the way, how important is this to you that John from Dayton, that I be aware that John Dayton has called me a douchebag?

[Dawson]

Yeah. You don't mind then, or I will.

[Adam Carolla]

I would like to not be aware of it. That's what I would like to be.

[Dawson]

I'm not going to tell you about Sally from, you know, Wisconsin. Then she really.

[Adam Carolla]

Who are these people that feel it's their job to make you aware of every person or every person who has a blog or now since anyone can be a publisher or whatever who decided to call your performance subpar or say.

[Dawson]

That, I'll tell you whatever theory on this. I think human beings love to give good or bad news.

[Adam Carolla]

Huh?

[Dawson]

So in other words, if someone really big dumb and I was the one to tell you, and I see the shock value in it, right? There's a power to that. And I think people see, I would stop short of saying enjoy it. But they feel empowered by having information that is going to affect someone else, good or bad.

[Adam Carolla]

I agree. I think it transcends the word enjoy. It's people who do this and it drives me nuts. But people will do this thing where they'll go like, hey, listen, when we're done here, we need to talk and your mind starts racing like, what the fuck did I do? How did I piss them off? Or what do they know? Or they've been going through my phone or whatever it is. And then you talk to them and they're like, I was thinking of going with either vertical blinds or curtains, but I'm not Sure. What's your opinion? And you go, why did you. Why did you couch it that way? Why'd you. I mean, I had kittens in my stomach for the last two hours until we had to talk. And I realized, oh, you know what they're doing? They are taking control of you for this moment. I don't know if this happens to you. It's happened to me. And tell me if this. And I've sort of researched this a little. The guy at the event, usually the business guy, and he's at the event, and you're at the event, and he comes up to you, and he goes, hey, I'm a big fan. And you go, good. You doing? And he goes, you don't remember me, do you?

[Dawson]

Yeah.

[Adam Carolla]

And you go, no. You look familiar. I look familiar? Yeah. Well, yeah. I mean, yeah, I'm sure I met you, but I just. The name isn't coming. Do you remember my name? Well, I know it's. I mean, I meet a lot of people. So you don't remember my name? And you're like. For that one moment, for that little snapshot in time, big star, the man who carried Argo, Bryan Cranston, the one that won the Best Picture out of all the pictures, Bryan Cranston is on his heels, and that guy's in charge. That guy's in charge of the dialogue. He's in charge of the cadence. He's in charge of you emotionally for this one moment as you. Not Bryan Cranston the celebrity, but Bryan Cranston the human being.

[Dawson]

Yeah. Yeah.

[Adam Carolla]

The poor.

[Dawson]

Good point.

[Adam Carolla]

Scared child from Chatsworth.

[Dawson]

He's a bit of a puppet master.

[Adam Carolla]

At that moment, on his heels for a minute, going, yeah, And. And then at some point, you come back to your senses and go, look, you. I don't know who you are. I don't give a. But for that one moment, you try.

[Dawson]

To be nice and you try to be real and honest and say, yeah, I kind of recognize it, but you don't know.

[Adam Carolla]

But I think it's an emotional. I am in charge, controlling this exchange for this moment. Now, you'll have all the other moments. Yeah, you'll have all the red carpets and the Emmys and the Oscars and all the other shit, but for this one little.

[Dawson]

I've got this.

[Adam Carolla]

This one moment, I.

[Dawson]

You know what else? You know what else? I hate when you're on the phone and someone says, okay, I'm gonna let you go. It's like, you're gonna let me go? Yeah, I'm gonna Let you go. I'm saying that this phone call is over. Over, and I'm letting you go.

[Adam Carolla]

I love it. I have this app that I gotta get going because I got it from sitting next to Dr. Drew too many times, which is his wife is thick as a brick, and when he talks to her, you know that thing where you're sitting next to the person who's clearly trying to get off the phone, but the other person's not having anything to do with it? I always said about the fifth time, the guy says, we'll do. All right, we'll do. Then about the fifth time, you hear will do. The phone. There should be an app where the phone just hangs up. It goes to static and hangs up because I'll hear Drew just going, okay, well, then I'll. That's right. Okay, we're back Monday. Then I'll see you then. We'll do. Okay, will do. Okay. Okay. Yeah, that Will do. All right. Will do. Will do. And then there's. There's a weird reboot. There's a weird reboot. It's funny because you can go like, okay, well, then I'll see you then. All right, we'll do. Now I don't know where Amy's retainer is now. He's been rebooted. Yeah.

[Dawson]

I gotta go back to the Wilders again.

[Adam Carolla]

No, I wasn't at the. Well, no, that's the den, not the. Oh, well, there's a difference between the family room and the den. Now he's back in. Then you'll see him slide back into. Okay, then. Well, then we'll. Okay, we'll do that. We'll do. I've literally. I've literally grabbed the phone from him and yelled at one of his patients. I did. It was an old woman, and we were in the back of a Town Car, and he was saying, no, you have to go into the hospital. Then if those are your symptoms, you need to go. Well, no, I wouldn't say it if I didn't. I understand, but I would not tell you. No, no. It is my professional opinion. No, you can't ride it out at home. You have to go in. If you're experiencing these palpitations you have. Well, no, it's. Only in a hospital. Can they. And I. There's like, 20 minutes. And I fucking grabbed the phone. I just went, go to the hospital. And I threw the phone back it drew. Because I couldn't fucking take it anymore.

[Dawson]

No.

[Adam Carolla]

Everyone is so thick. All right, hold your jets. I'll ask you one More question and then we'll go look at some cool Newman cars. I'll be fast about it. Yes. Zip recruiter man, business owners. Ah, summer's a great time to hire competitors. They're all soft. They're all drinking them coconut based drinks with the rum. Got a little of the Heisenberg vodka dumped in there. The blue ice. That's right. Look out for the blue ice man. Posting jobs in one place, not enough. Can't find the quality candidates that way. ZipRecruiter posts to over 100 job sites with one click. 24 hours and you can just watch the candidates come rolling in. Used by over 400,000 business businesses. Stephanie says two things. She says ZipRecruiter is affordable and easy to use. And she also pointed out to Cranston that there's some guy in Missouri that's calling him a douchebag on the Internet. Son of a. Yeah, everyone's getting into the act. That's just Stephanie. Try ZipRecruiter today. Do it today. Try it for free. Go to ZipRecruiter.com Adam ZipRecruiter.com Adam and try. Try it out for free. That's ZipRecruiter.com Adam. All right, let's see. One more question for Cranston. I got this from the social media. Gary, you have a question that you like, that you've gathered these questions up. Do you have one that you think the people would like the great Brian Cranston to answer for the people? There were a lot on there that are really great, but I guess the one I'll pick is it's been. Been a good six or seven years now since you have not been in the running for an Emmy. Of the, of the candidates that are up for the Emmys, and if you don't know them, I think Adam may have them on the sheet there. Do you have a favorite? Is there someone you, you would like to see win or you think is a front runner?

[Dawson]

Oh, that's all. That's always a tough question because if you leave someone out or you show favoritism.

[Adam Carolla]

Yeah, I get it. But you can say, you know, hey.

[Dawson]

I like Jon Hamm's work. I really do. I think he's. He's. He's done a really good, wonderful, steady job on a very difficult role on a great show for a long time. And if my money was up, if I was. If DraftKings said we're doing an Emmy thing, can I, can I bet on that? I would throw my money onto onto Him.

[Adam Carolla]

I just read a tweet from Trudy from Cherry Hill, New Jersey, calling you a douchebag for not backing Bob Odenkirk.

[Dawson]

Son of a bitch.

[Adam Carolla]

Sorry, but the Internet, really?

[Dawson]

Bob Odenkirk is my tenant.

[Adam Carolla]

Really? Comes fast. Really?

[Dawson]

Yeah. I own a place in Albuquerque where I live, and he rents my place. He's doing a fantastic job. Better call Saul.

[Adam Carolla]

All right. Wait. Who's someone else going? You got one? Can I ask one last one? Yes. I didn't want to. I felt bad putting you on the spot there.

[Dawson]

Okay.

[Adam Carolla]

Is there an episode that stands out as the most fun to shoot in.

[Giovanni Ribisi]

The Breaking Bad series?

[Dawson]

Most fun to shoot. You know, it's funny you mentioned that, because I hearken back to this guy when he would do in the dance.

[Adam Carolla]

Show Dancing with the Stars, and they.

[Dawson]

Say to you, hey, go out and have fun. Have some fun.

[Adam Carolla]

I fucking want to kill everyone.

[Dawson]

Have some fun.

[Adam Carolla]

Having fun out there.

[Dawson]

And they're, like, so super focused. And you're like, man, I got a job to do right now. And I'm. This is. I'm out of my element element.

[Adam Carolla]

Right.

[Dawson]

You know, and I get it. I get that. It was fun to hear that. So there's your answer. Fun to shoot would have to be something that was actually, well, favorite or important. Well, see, that's different from fun.

[Adam Carolla]

Well, Gary's an for saying fun because everyone, you know, we gave him two.

[Dawson]

Shots at a question, and he just.

[Adam Carolla]

Somebody else's question. Well, no, with Brad, Brian is. I agree. I understand what you're saying. Brian is saying is when I did Dancing with the Stars, and I was talking to whoever chick, she was a mess. She was a bundle of nerves. And everyone just comes up and goes, have fun out there. And it's like anyone shouting at you, have fun, never works. It's right up there with Find me Attractive. It's like, it's literally impossible. And it's getting worse. I said, you're not gonna have fun. You're gonna have an experience. Yeah. And that transcends fun. Cause you can go to Knott's Berry Farm and have fun, but you can't have an experience. And you're. You're gonna have a fucking experience of.

[Dawson]

Enjoying that you'll never forget. And I'll bet she relaxed somewhat.

[Adam Carolla]

She relaxed.

[Dawson]

Because once you accept, you go, finally, someone telling me the truth. And it's like, okay, so fun. I'm supposed to have fun. I'm supposed to have fun, and I'm a nervous wreck. No, let that go. And just accept that and embrace the unknown. Whatever this experience is gonna be, I'm gonna be in it and I'm gonna remember this.

[Adam Carolla]

What do you recall as one of your biggest or most powerful experiences as it pertains to Breaking Bad?

[Dawson]

I think, you know, doing the Fly episode was. Was really interesting because it was like a two character play. And that was. That was fun. I enjoyed the. When we robbed the train of methylamine. That was amazing because this train is a train, and once it moves, you can't remove it. You know, it takes an hour and a half to reset the train to do take two. So there was a certain amount of nervous energy, like, okay, everybody really know what you're doing. Double triple check everything. Because if we don't do this right, we have to wait an hour and a half to try it again.

[Adam Carolla]

Right.

[Dawson]

So there was some kind of nervous energy to that. That was fun.

[Adam Carolla]

Yeah. Like no takeies, no retakes, no retail tags. Right.

[Dawson]

I drove. I. I crashed the. The Aztec once. That was kind of fun.

[Adam Carolla]

Yeah, it's such a beautiful p. Machinery.

[Dawson]

Boy, that was. Someone just fell asleep when they were designing that.

[Adam Carolla]

You done with that?

[Dawson]

Yeah. You done with the Pontiac Acid?

[Adam Carolla]

Yeah, yeah.

[Dawson]

It's here. It's ready. It's done.

[Adam Carolla]

I take it I said to somebody the other day that now when you were the laughing stock back in the day, if you had a Gremlin or Pacer or something like that, I predict that the Pontiac Aztec is going to be the hipster ironic mobile when my children are in high school. So about eight, ten years from now, it will ironically be the cool hipster car. Yeah, they do. It happens with fashion. Oh, well, it's like now if you're driving around an AMC Pacer, look at that car. Yeah. You're hipley ironic. Yeah. All right. Bryan Cranston, the show. It's so funny because I'm even scared to call. It's on Amazon. Is it a show?

[Dawson]

It's a show. It's a pilot.

[Adam Carolla]

Yeah, you can download the pilot for free.

[Dawson]

Do it today.

[Adam Carolla]

Do it today. Amazon video. You can shoot Brian a tweet at Brian with a Y. Cranston and what else?

[Dawson]

It's called Sneaky Pete.

[Adam Carolla]

Sneaky Pete is what you want to do. And Cranston may or may not be in there. Why don't you go check out the pilot and tell me and tell him and tell Amazon just how much you enjoy it. Brian, always a GD Pleasure to sit with you.

[Dawson]

Thanks, bud.

[Adam Carolla]

My friend, I really appreciate you carving out some time for us. And us. I'm doing live shows all over the place. I also Amazon, Lord of the Jungle. You got that Road Hard. That's available on itunes. Cranston gives it his seal of approval with his wife. He watched it.

[Dawson]

I give it a big hard on.

[Adam Carolla]

Good. Yeah. I should get you the hammer. I don't know if I've ever gotten you that one.

[Dawson]

Never. I never got the hammer.

[Adam Carolla]

But I shall give you the hammer. Go get a copy of the hammer for Mr. Cranson. And until next time, it's Adam Carolla for Brian Cranston saying mahalo. All right.

[Giovanni Ribisi]

That is this weekend's pearl of classics. Until next weekend, model and get it on.