Loading summary
Becky Milligan
April 1942. Four months after the Japanese attack on Pearl Harbor. An old British ship slowly edges through the waters off the coast of modern day Sri Lanka.
Dougal Robertson
The SS Sagain, a decrepit old rust bucket eking out a living until the onset of the war, had bought her a reprieve.
Becky Milligan
Right up on the bridge of the ship with the best view of everything. Junior third officer, 18 year old Dougal Robertson. He's on lookout.
Dougal Robertson
All clear, Captain on board.
Becky Milligan
Precious cargo. His girlfriend Jesse and their toddler Duncan. They're on the main deck.
Dougal Robertson
I watched as Jesse appeared, carefully holding young Duncan, his golden curls crowning his smiling.
Becky Milligan
Families aren't usually allowed on board, but just this once the captain has turned a blind eye.
Dougal Robertson
Jessie's bright blue kimono flapped in the wind as she tried to control her long black hair in the blustery sea air. She helped her little boy wave at me. I waved back until they disappeared from.
Becky Milligan
View in the depths of the ship. More precious cargo.
Dougal Robertson
Fighter aircraft, ammunition, mines for the Allies.
Becky Milligan
And that makes them a target for the Japanese.
Dougal Robertson
We'd been forced close inshore in a deadly game of cat and mouse.
Becky Milligan
Then he spots something through the cloud.
Dougal Robertson
Bridge, starboard lookout. Zero fighter aircraft. My blood ran cold as I saw the unmistakable glint of metal in the sky.
Becky Milligan
Cover.
Dougal Robertson
Take cover. A second later, the sickening whine of Japanese aircraft.
Becky Milligan
Dougal is thrown to the deck. The front of the ship has been badly hit.
Dougal Robertson
I squinted into the sun just as the first of three aircraft banked sharply to the left and disappeared into the glare. They were coming back to bomb us again. They weren't finished. I had to find Jesse and Duncan. I jumped clear of the bridge as machine gun bullets tore into the ship all around me. The floor was tilting under my feet. I ran to the open decks where I last saw Jesse and Duncan. I crouched low. The planes passed over me, spitting fire with deadly accuracy. Another massive blast deep within the ship where all the explosives were stored. A choking, blinding fog rapidly covered the entire ship. Billowing black clouds of impenetrable, acrid, suffocating smoke. One last frantic dash brought me to the deck.
Becky Milligan
A scene of utter devastation.
Dougal Robertson
A tower of smoke reaching thousands of feet into the sky. Panic stricken crew poured onto the decks, some with strips of flesh torn from their arms and legs. I gulped the air in shallow, rapid gasps. My greatest fear suddenly a reality. Jessie lay face down. I dropped to my knees, slumping over her lifeless body. Don't leave me, my. I did not want to let her go. But for my sweetheart and the dearest mother of my son. It was already too late. Then my eyes caught sight of a bundle. My son. My son. His white face frozen in his moment of death. His blond curls turned black with blood. In the blink of an eye, my life had been changed forever. I turned my head towards the clouds. My heart full of hatred. I screamed at the heavens. I would never forgive the Japanese.
Becky Milligan
This is Adrift, an Apple original podcast produced by Blanchard House. I'm Becky Milligan. SA2 baptism of fire 30 years later, somewhere in the Pacific Ocean, Dougal sits in the life raft and thinks about those events half a lifetime ago, watching that ship go down. And now he's lost another love, another son. Lynn and Douglas are missing, probably dead. Dougal doesn't know if he can go on. I'm so cold.
Dougal Robertson
I'm so cold.
Becky Milligan
But he has to. For his other kids. The twins, Sandy and Neil. They need him now more than ever.
Dougal Robertson
It's gonna be all right, boys.
Becky Milligan
He holds them close. He feels their little bodies shaking and shivering. Dougal is shattered, traumatized. His desperate swim to the raft has taken every last ounce of his strength.
Dougal Robertson
It's all right, my boys. I struggled to bring myself under control. Wave after wave of sickening fear gripped my soul.
Sandy Robertson
My dad was in shock.
Douglas Robertson
He was lost for words.
Becky Milligan
Just sitting there, Dougal's thinking, what next? They're lost in the middle of the Pacific Ocean in a tiny life raft. Dougal also managed to salvage a three person fiberglass dinghy, which he attaches to the raft.
Dougal Robertson
My watch would tell us the time, but apart from that, we had no compass, no charts, no instruments of any kind.
Becky Milligan
He will have to rely on his skills as a master mariner, using the stars, the sun, the winds and the sea currents. That's all he has. Suddenly, out of the corner of his eye, Dougal sees something moving in the water. Dougal pulls the twins away from the edge of the raft.
Dougal Robertson
Finally, the whales had returned to finish us off.
Becky Milligan
But it's not the killer whales.
Dougal Robertson
Like a glorious miracle, Lyn suddenly burst through the surface of the water right in front of my eyes.
Becky Milligan
Dougal clutches his wife's hands.
Dougal Robertson
I was not going to risk losing her again.
Becky Milligan
He hauls Lyn into the raft, hugging.
Dougal Robertson
And kissing her, grateful beyond words that she was alone.
Becky Milligan
On Lynn's neck and chest. Cuts and terrible bruising. She was only wearing her nightie when they sank. Now it's torn to shreds. She looks around.
Lynn Robertson
Where's Douglas?
Becky Milligan
They don't know. And the wind is carrying the raft away from where the Lucet went down, carrying it further from where Douglas disappeared. Dougal is steeling himself to tell the twins that Douglas is gone. Douglas.
Dougal Robertson
Oh, my son. Oh, my son.
Becky Milligan
Dougal grabs hold of his arms and drags him into the raft.
Sandy Robertson
My mum was so pleased to see me. She said, dougie. Douglas, my boy. And she hugged me, my beautiful boy. I still got my legs. I hadn't been attacked by the killer whales. I was so grateful to be lying inside that raft.
Becky Milligan
He looks up at all the faces looking down at him.
Sandy Robertson
The twins are there. My dad's there. My mum's there. We're all alive, all looking at each other, scared, in shock. And there we were.
Becky Milligan
The first moment of calm since the horror of the attack. They've all survived for now.
Sandy Robertson
We started to recount our stories, trying to piece together what had happened.
Becky Milligan
Douglas tells them how he'd been waiting to be eaten by the killer whales. But when he saw the raft, he just swam for it. Swam for his life. Lynn, shivering, hugging the twins, says when her nightie got caught on part of the lucette, she was trapped, tethered to a sinking ship.
Sandy Robertson
She was going down with the boat.
Becky Milligan
She was dragged deeper and deeper under.
Sandy Robertson
The waves and she was holding her breath and holding her breath and holding her breath.
Becky Milligan
Lynn was frantic. She pulled again and again on her nighty and then it ripped.
Sandy Robertson
And she broke free.
Becky Milligan
But the joy of being alive, of being together, is short lived.
Sandy Robertson
You're cast adrift in a raft in the middle of the Pacific Ocean and you haven't got a chance in hell.
Becky Milligan
What's gonna happen to us, dad? Remember Neil crying Lynn stares at her husband, who is still barely able to speak.
Lynn Robertson
The burden of guilt, remorse and responsibility must have been unbearable for him. He looked gray and utterly exhausted.
Becky Milligan
Lynn is blaming herself too. She shouldn't have given in to Dougal's absurd dream.
Lynn Robertson
But I loved Dougal. That's why I was here. I put him before our children's lives, putting them at risk. And now I was gonna pay.
Becky Milligan
She holds Dougal's hand and says quietly.
Lynn Robertson
If we only do one thing, Dougal, we must get our boys back to land.
Becky Milligan
But Dougal knows the truth. The life raft is old and it's already leaking. A storm could flip it over in seconds.
Douglas Robertson
Remember how cold it was?
Becky Milligan
And beneath them, predators are circling.
Sandy Robertson
My mum said, dougal, tell us the truth.
Lynn Robertson
Are we going to die?
Becky Milligan
October 1970. A year and a half earlier.
Dougal Robertson
Sunday. Hand me the boat. Talk, Douglas. Don't just stand there. Go up and give me a Hand.
Douglas Robertson
Probably one of the saddest days of my life. To actually move away from the place.
Becky Milligan
You loved, that must have been really hard.
Sandy Robertson
It was.
Douglas Robertson
It was terrible because that was our life. There was no outside interference. That was our life.
Becky Milligan
The Robertsons have sold the farm and everything they own and they've had to give away their dog.
Sandy Robertson
That dog knew. And he wimped and howled. He knew. He knew.
Becky Milligan
11 year old Sandy watches from the back window of the car as his old life disappears. The Lucette, the family's new home, is anchored in Falmouth harbour in the southwest of England. It's an aging wooden boat. It feels tiny after the space and free freedom of Meadows farm. Douglas is 16.
Sandy Robertson
It was cramped.
Becky Milligan
And daughter Anne is 17.
Anne Robertson
It was bloody uncomfortable.
Sandy Robertson
You banged your head on the bloody doorway. We had to duck underneath the boom.
Anne Robertson
Tiny. Tiny.
Douglas Robertson
No escape.
Sandy Robertson
A completely different way of living. I was not impressed, I've gotta say.
Becky Milligan
But this is it. This. This is their new home. And they're going to have to get used to it. They're ready to go, but the only thing stopping them is the weather.
Sandy Robertson
October, November, December. Living on this boat.
Becky Milligan
And it's driving them crazy.
Sandy Robertson
We hadn't sailed an inch yet.
Becky Milligan
One day the Robertson children notice a large boat moored up from Iceland. And they spot some other kids the same ages. They start playing together. Come on over to our boat. Our boat's better than your boat. And they soon discovered they have something in common.
Douglas Robertson
We're going to sail around the world.
Sandy Robertson
Yeah.
Becky Milligan
Yeah.
Douglas Robertson
So are we. We're going around the world.
Becky Milligan
Let's play hide and seek.
Anne Robertson
Let's play hide and seek.
Sandy Robertson
Suddenly, here was another family as crazy as we were. We struck up a friendship. We were like one big family.
Becky Milligan
That's. Siggy gets on well with Dougal.
Sandy Robertson
Despite their differences, Siggy was a nice, kind man. Quite a contrast to my dad, who was a rough and ready, ferocious, fearsome man.
Dougal Robertson
You're liking our drum of whiskey here, pass me a.
Lynn Robertson
Boys don't eat all the potatoes.
Becky Milligan
And while they wait for better weather, the families spend long evenings over dinner swapping stories.
Dougal Robertson
Envy, Siggy. We just got into port in Hong Kong. What an amazing place. I loved it. That's where I met Lin.
Lynn Robertson
It was gorgeous. Then those were the days, eh?
Dougal Robertson
Alrighty.
Becky Milligan
Siggy and his wife Etta have noticed something the Lucette is missing. A crucial bit of kit. A life raft. As luck would have it, they have a spare one. So they offer it to Dougal, but he's adamant he doesn't need it.
Dougal Robertson
Dougal said the best lifeboat we've got is the Lucette itself. I mean, the boat's not gonna actually sink.
Sandy Robertson
Siggy says, I'm not giving it to you, Dougal. I'm giving it to your wife and children.
Becky Milligan
What did your dad say then?
Sandy Robertson
He had no choice. He had to take it.
Becky Milligan
What did your mum say?
Sandy Robertson
My mum was very grateful. I think my mum knew the frailty of life.
Becky Milligan
27Th of January, 1972. Finally, after months of waiting, the wind turned.
Anne Robertson
The tide was right.
Sandy Robertson
The wind was right and Dougal decided it was now or never.
Becky Milligan
They've got all their supplies and Dougal smuggles some luxury items on board.
Sandy Robertson
A couple of bottles of whiskey for medicinal purposes. We were told by Doug the moment of truth had arrived.
Dougal Robertson
Cast off.
Sandy Robertson
We'Re off.
Anne Robertson
Gone.
Sandy Robertson
And there was Dougal stamping on the deck, shouting and pumping the air with his fist. And I thought, so you did do it for yourself after all. The children were just an excuse, you know. This was Dougal's dream.
Becky Milligan
A few miles out in the Bay of Biscay, the winds pick up.
Sandy Robertson
Luceptic adept and the first wave came over the bow. The spray hit us. Cold, wet spray hits it in the face.
Becky Milligan
It's now blowing a gale and the sky darkens to an inky black.
Sandy Robertson
The wind in the rigging was shrill. It was scary just listening to that. These waves are getting big.
Douglas Robertson
Great white, snotty rollers blowing down on top of Lucette.
Sandy Robertson
Mountainous waves coming from the north. They weren't 20 foot. Now they were 30 foot, maybe even 40 foot. Oh, it was firing to us.
Becky Milligan
And Sandy doesn't feel prepared.
Douglas Robertson
Mom and dad never said anything about this.
Sandy Robertson
I remember my mother saying, we're in trouble here. I was terrified. This was a world I didn't know.
Becky Milligan
These rookie sailors have never seen anything like it. Water is seeping in through the cabin.
Douglas Robertson
Floors and suddenly I was feeling seasick.
Anne Robertson
Everyone was sick.
Sandy Robertson
Ah, I really felt.
Anne Robertson
Even my father was sick.
Becky Milligan
Below deck, it's a mess. Douglas, up on deck, Dougal is yelling at his kids, telling them what to do.
Dougal Robertson
Douglas.
Becky Milligan
Douglas, come and take the wheel. Douglas has never steered a boat in his life. Now he's expected to stay on course in the middle of a storm. The boat makes a sudden turn.
Sandy Robertson
And Dougal turns around to me, what you doing? And I said, I've got no idea what I'm doing. Dougal had this idea of learning on the job.
Douglas Robertson
We'd never done anything like how to.
Anne Robertson
Tie knots and how to stand up when the Boat's moving.
Becky Milligan
It may sound unbelievable, but all those months in Falmouth, not once did Dougal actually teach his children how to sail.
Sandy Robertson
We could have just sailed round the bay, couldn't we?
Douglas Robertson
We hadn't done a thing.
Sandy Robertson
Couldn't we have just put the sails up and steered the boat a little?
Becky Milligan
The storm rages for two days, two long days.
Sandy Robertson
The sheer misery of it.
Becky Milligan
Douglas has been at the wheel for hours. His sister Anne takes over and suddenly she shouts, There's a boat, a big French fishing ship, much bigger than the Lucette, heading straight for them. Less than 100 yards away and getting closer by the second. Dougal SOUNDS the horn. It's pointless. The blast is lost in the storm. It's going to be a head on collision. Then the fishing ship is somehow carried upwards on a huge freak wave. Incredibly, as the Lucette plunges down to the bottom of the wave, the other vessel sweeps over them on the top of the same wave.
Sandy Robertson
I don't know how we missed it.
Douglas Robertson
At last, all those big waves had gone, disappeared.
Sandy Robertson
The sun came out. The spell of misery had been broken.
Becky Milligan
Dougal has the map laid out on the table. Planning their journey. Their first port of call, Lisbon in Portugal. Then it's on to the Canary Islands, about 600 miles to the south. After that, the long trip across the Atlantic to the West Indies. For the first time, the family have a chance to take in the joy of the open seas.
Douglas Robertson
The water is so clear. Absolutely beautiful. This big swordfish came along. Oh, look at this. It's a prehistoric animal. This is something we'd never seen before. We used to cows and sheep and pigs and suddenly we got a glimpse of what this trip was really going to be like.
Becky Milligan
Can we stay on the loose set forever? 1971, late March. It's a smooth trip across the Atlantic. 32 days of mostly placid sea, clear blue waters and steady breezes. One afternoon, Anne's on deck as the sun is setting. The sky turning from blue to a pale, shimmering pink.
Anne Robertson
A narwhal came up out of the water. A whale, all white, with a very long horn.
Becky Milligan
They're called the unicorns of the sea.
Anne Robertson
And then it went down again and was gone. So, so magical. One of the most beautiful things.
Becky Milligan
Sandy is getting used to life on board Lucette very quickly.
Douglas Robertson
We're forgetting about Medis Farm. All that went disappeared and we were now focused on Lucett.
Becky Milligan
The trip is finally turning into the adventure the family had hoped for. Late April, they reach the Caribbean and Barbados. Crystal clear waters, swimming and snorkeling and exploring the island. They're reunited with their friends, the Icelanders, who've arrived ahead of them.
Sandy Robertson
Time seems to be suspended. You don't know even what month it is, never mind what day it is.
Anne Robertson
Sunrises and sunsets and night skies. It is a wonderful life to live.
Becky Milligan
May 1971. They head north to the island of Bequia and then cruise by St. Vincent Crescent, St. Lucia and Martinique to the lush volcanic island of Dominica.
Douglas Robertson
Such magical days. More magical than anything.
Becky Milligan
Then, in June, the Bahamas. Magical but hard work.
Douglas Robertson
Routine, routine, routine. Life at seas. Routine. Everybody had their job to do and.
Becky Milligan
Dougal runs a tight ship. If you step out of line or.
Douglas Robertson
Mess up, what do you think you're doing? Crack.
Becky Milligan
That's a whack round the ear from their dad.
Douglas Robertson
There's no warning. There's no warning. It was just crack.
Becky Milligan
The kids quickly learn. There was this one time back at the farm when Neil stole his dad's cigarettes and Dougal just lost it.
Douglas Robertson
He made Neil eat them. Eat this. Eat it. And oh, my God, did we get disciplined.
Becky Milligan
Then what happened?
Douglas Robertson
Took his slipper off, bent us over the chair and gave us six of the best.
Becky Milligan
Six of the best. Six hard whacks on the backside.
Sandy Robertson
We won't be doing that again.
Becky Milligan
But teenagers, they answer back. And Douglas.
Douglas Robertson
Douglas was a big lad.
Sandy Robertson
I was a farmer's son and very strong.
Douglas Robertson
He did all the work, pulling sails up and down and pulling the anchor up by hand. And he was a physical lad.
Sandy Robertson
Douglas was very physical.
Anne Robertson
He's growing up. Douglas was growing up. He's becoming a man and he had a very confined space to do it in.
Becky Milligan
And he's clashing with his dad.
Douglas Robertson
Douglas would lose his temper because Douglas had a temper and he'd lose his temper with my dad because that's the only person he could lose his temper with.
Becky Milligan
Dougal and Lynn are also arguing.
Dougal Robertson
What do you mean? Carry on the trip. You're joking, aren't you? We're broke, we've got nothing.
Lynn Robertson
But I could always find some work.
Dougal Robertson
Don't be stupid.
Lynn Robertson
Well, that's a bit uncalled for. I could do some nursing and Douglas could pick up some work. He's a strong lad.
Dougal Robertson
Forget it. We'll have to go home.
Lynn Robertson
Don't be ridiculous. You better be like a 3 year old.
Dougal Robertson
I'm not being ridiculous, I'm being bloody realistic, unlike you.
Becky Milligan
Calm down.
Dougal Robertson
Do tell me to calm down. And don't patronize.
Becky Milligan
It's Anne as the eldest who plays peacemaker.
Anne Robertson
I was always in the middle. I was the one relaying the message. I was always standing between them. I sort of got used to being in the middle.
Becky Milligan
So maybe it's a relief for all the family when they take a break from their trip and drop anchor. Somehow, a year and a half has slipped by, but now the money has run out and they're running very low on supplies. They sold everything to go on this family adventure. So if they want to continue, they've got to make some cash. July 1971. From the magical world of dolphins and swordfish, sunsets and storms to Miami, Florida.
Sandy Robertson
We were in a crazy world. Posh cars, big parties, piles of marijuana on the table. The crazy world.
Anne Robertson
Yeah, it was crazy.
Sandy Robertson
Me and Anne were just thinking, bloody.
Douglas Robertson
Hell, they were growing up.
Becky Milligan
Did your parents know what you were doing, all these parties?
Anne Robertson
No, of course they didn't know.
Douglas Robertson
Anne's got a new boyfriend.
Anne Robertson
I was 18, you know, my mind was elsewhere.
Becky Milligan
And Douglas is making new friends, too. A whole new life is opening up to them and it's hard to resist.
Douglas Robertson
It was kids, you know, growing up and leaving the parents and. And finding their own way and whether Mum and Dad like that or not, tough luck. It was happening.
Becky Milligan
And Anne is about to make a decision. Decision that will shock them all. The family dynamic is changing and Douglas continues to clash with his father. Very soon, his dad will present him with an impossible choice.
Sandy Robertson
We'll all die. If I do that, we're all going to die.
Becky Milligan
You've been listening to Adrift, an Apple original podcast produced by Blanchard House and hosted by me, Becky Milligan. Adrift is written and produced by Ben Crichton and me, Becky Milligan. The series is based on the book the Last Voyage of the Lucette by Douglas Robertson. Original score by Daniel Lloyd Evans, Louis Nankmanel and Toby Matimal. Sound design by Volkan Kiziltug and Daniel Lloyd Evans, with dialogue editing by Toby Matimal. The lead sound engineer is Volkan Kizletook. The part of Dougal Robertson is played by Mark Bonner and Lynn Robertson is played by Anne Marie Duff. Their words are adapted from Dougal and Lynn's own accounts of their story. The young Robertson twins are played by Rocco Hamill and Dexter Hutton. Other parts are played by Mark Gillis. The managing producer is Amica Shortino Nolan. The creative director of Blanchard House is Rosie Pye. The executive producer and head of content at Blanchard House is Lawrence Grisel Sa.
This episode of Adrift delves deep into the harrowing early journey and trauma of the Robertson family as they attempt to sail around the world in the 1970s—and the echoes from Dougal Robertson's traumatic past during WWII. Interwoven with flashbacks, the episode charts their initial optimism, the challenges of adapting to life at sea, and the abrupt shift into survival mode after disaster strikes. It’s a gripping tale of hope, loss, family tensions, and the raw human struggle against overwhelming odds.
"In the blink of an eye, my life had been changed forever. I turned my head towards the clouds. My heart full of hatred. I screamed at the heavens. I would never forgive the Japanese." (04:42)
"My dad was in shock." (07:38)
"We're all alive, all looking at each other, scared, in shock. And there we were." (10:30)
"I put him before our children's lives, putting them at risk. And now I was gonna pay." (12:29)
"If we only do one thing, Dougal, we must get our boys back to land." (12:46)
"That dog knew. And he wimped and howled. He knew. He knew." (14:13)
"Siggy says, I'm not giving it to you, Dougal. I'm giving it to your wife and children." (17:52)
"My mum was very grateful. I think my mum knew the frailty of life." (18:05)
"Dougal had this idea of learning on the job." (21:39)
"It may sound unbelievable, but all those months in Falmouth, not once did Dougal actually teach his children how to sail." (21:58)
Joy in travel:
Underlying tensions remain:
"There's no warning. There was just crack." (27:48)
Growing up and clashes:
"I was always in the middle." (29:46)
"It was kids, you know, growing up and leaving the parents and...finding their own way and whether Mum and Dad like that or not, tough luck. It was happening." (31:19)
On trauma and loss:
"My heart full of hatred. I screamed at the heavens. I would never forgive the Japanese."
— Dougal Robertson (04:42)
On gratitude and survival:
"We're all alive, all looking at each other, scared, in shock. And there we were."
— Sandy Robertson (10:30)
On facing reality:
"Are we going to die?"
— Lynn Robertson (13:18)
On hope and resolve:
"If we only do one thing, Dougal, we must get our boys back to land."
— Lynn Robertson (12:46)
On stubbornness vs. safety:
"Siggy says, I'm not giving it to you, Dougal. I'm giving it to your wife and children."
— Sandy Robertson (17:52)
On their lack of seamanship prep:
"It may sound unbelievable, but all those months in Falmouth, not once did Dougal actually teach his children how to sail."
— Anne Robertson (21:58)
On misadventurous discipline:
"He made Neil eat them. Eat this. Eat it. And oh, my God, did we get disciplined."
— Douglas Robertson (28:06)
On family growing up:
"It was kids, you know, growing up and leaving the parents and...finding their own way and whether Mum and Dad like that or not, tough luck. It was happening."
— Douglas Robertson (31:19)
The episode maintains a cinematic, immersive tone—blending first-person testimony, recollections, and acted scenes. The language is honest, sometimes raw and unfiltered, particularly around trauma and family tensions. The storytelling moves fluidly between moments of horror, wonder, humor, and family conflict, ensuring listeners feel every high and low.
This episode documents not just a voyage or a disaster, but a family’s attempt to chase a dream together, and the cracks—old and new—that emerge under extreme pressure. The closing lines hint at growing ruptures within the family, setting the stage for the emotional currents and survival drama yet to play out.