Warning: SPOILERS!

Our final look at Agatha Christie’s “The Murder at the Vicarage” comes from the 1970 TV version. The subtitles were created by AI, so we’ll find out if we can understand the plot.

“Agatha Christie, They Watch” reviews the adaptations of Agatha Christie’s novels in their order of publication.

Teresa Peschel, author of "Agatha Christie, She Watched" and the "International Agatha Christie, She Watched," hosts our livestream. Joining Teresa is her husband, technical adviser, and straight man, Bill Peschel. Together, they are Peschel Press, publisher of intriguing, intelligent, and idiosyncratic books (www.peschelpress.com).

HOW TO SEE THIS MOVIE:

On YouTube at https://youtu.be/PvDWswtzCRU

WHERE TO FIND US

Peschel Press: www.peschelpress.com

Instagram: https://www.instagram.com/peschel_press/

NEXT WEEK:

“Black Coffee” (“Le coffret de laque”), the Christie-penned play with Hercule Poirot. This 1932 version (with AI-translated titles) looks really rough. Like the silent “Secret Adversary” rough. See for yourself on YouTube at https://youtu.be/-f6M3PJqxq8

LOOK UP OUR BOOKS

“Agatha Christie, She Watched” is our coffee-table sized book and not coffee-table sized ebook collection of Teresa's reviews of Christie's movie and TV adaptations.

Agatha Christie, She Watched: https://peschelpress.com/agatha-christie-she-watched/

International Agatha Christie, She Watched: https://peschelpress.com/international-agatha-christie-she-watched/

DISCLAIMER: FAIR USE. Title 17, US Code (Sections 107-118 of the copyright law) All media in this video is used for the purpose of review and commentary under the terms of fair use. All footage, music and images used belong to their respective owners.

Theme music: "Deadly Roulette" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/