آلبوم پنجاه و چهارم: این رسم خداحافظی نیست - لئونارد کوهن | سه

Summary

Podcast Summary:

Album | آلبوم – Episode 54: "این رسم خداحافظی نیست - لئونارد کوهن | سه"
Host: Bardia Barj
Date: July 19, 2026

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Overview

This episode of the "Album" podcast continues an in-depth exploration of Leonard Cohen’s musical legacy, diving into his storytelling, poetic lyricism, artistic influences, and the resonance of his iconic albums, especially in the context of Iranian and global listeners. Through narration, lyric readings, and analysis, the episode paints a portrait of Cohen’s artistry, emotional depth, and the stories behind some of his most unforgettable songs.

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Key Discussion Points & Insights

1. Leonard Cohen's Poetic Voice and Narrative Craft

• The episode weaves Cohen’s lyrics, both in English and Farsi, with the narrative voiceover to highlight the poetic and melancholic qualities that define his songs.
• Recitations include iconic lyrics from "Suzanne," "So Long, Marianne," "Bird on the Wire," and "Famous Blue Raincoat," emphasizing the blend of autobiography, romantic longing, and spiritual searching in Cohen's work.

“Ring the bell that still can ring / Forget your perfect offering / There is a crack, a crack in everything / That's how the light gets in.”
— (Lyric reading, 07:03)

2. Personal and Historical Context in Cohen's Songs

• The discussion draws connections between Leonard Cohen’s personal relationships (notably with Marianne Ihlen and Janis Joplin) and their influence on his songwriting.
• References to legendary hotels, music venues, and other musicians ground Cohen’s lyrics in real settings and cultural histories.

“Suzanne takes you down to her place near the river. You can hear the boats go by. You can spend the night beside her. And you know that she's half crazy, but that's why you wanna be there.”
— Hannah Berner (quoting lyrics, 07:03)

3. Cohen’s Influence and the Broader Musical Landscape

• Cohen’s interaction with contemporaries (Judy Collins, Jimi Hendrix, Joni Mitchell, Janis Joplin, Velvet Underground) is mentioned, situating him within the wider 60s-70s music scene.
• The pivotal role of producers (notably at Columbia Records) and the effect of musical collaborations are acknowledged.

“Leonard … hotel chelsea joy mo sherrat bo Johnny Michello Janice Joplino Nicoye Velvet Underground...”
— (Narration, 29:17)

4. Intimacy, Vulnerability, and Spirituality

• Cohen’s ability to turn deeply personal moments into universal anthems is a recurring theme. Songs like “So Long, Marianne” and “Famous Blue Raincoat” are dissected lyrically and emotionally.
• The spiritual undertones and recurring themes of redemption, loss, and hope are foregrounded.

“It's four in the morning, the end of December / I'm writing it now just to see if you're better / New York is cold, but I like where I'm living there / Music on Clinton street all through the evening...”
— (Lyric recitation, 67:22)

5. Memorable Anecdotes and Symbolic Moments

• A touching story is recounted about lighting matches in a circus, used as a metaphor for connection and recognition among people, echoing Cohen's search for intimacy in a crowd.

“Could I ask you, each person to light a match so that I could see where you all are? Could each of you light a match so that you'll sparkle like fireflies, each at your different heights? I would love to see those matches flare.”
— Hannah Berner (60:10)

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Notable Quotes & Timestamps

• “Ring the bell that still can ring / Forget your perfect offering / There is a crack, a crack in everything / That's how the light gets in.”
  — Leonard Cohen lyric reading, 07:03

• “Suzanne takes you down to her place near the river…”
  — Lyric recitation, 07:03

• “It's four in the morning, the end of December…”
  — Famous Blue Raincoat lyric, 67:22

• “Could I ask you, each person to light a match so that I could see where you all are?...”
  — Anecdote, Hannah Berner, 60:10

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Timeline of Important Segments

• [05:25–07:03] – Iconic lyric recitation; “Ring the bell that still can ring…”
• [07:03–07:45] – "So Long, Marianne" and "Suzanne" explored
• [29:17] – Cohen’s association with fellow artists, Hotel Chelsea, and NYC music scene
• [42:21–46:09] – "Bird on the Wire" deeply examined
• [60:10] – Story of matches at the circus illuminating Cohen's metaphor for human connection
• [66:27–68:49] – “Famous Blue Raincoat” read and discussed in length
• [71:09–74:13] – "Joan of Arc" lyrics and gendered dialogues

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Memorable Moments

• The host's emotive readings of Cohen’s lyrics interspersed with Farsi commentary, bridging cultural and linguistic divides.
• The match-lighting anecdote offers a vivid metaphor for Cohen’s vision of empathy and unity.
• Extended passages analyze Cohen’s uniquely “intimate universality,” his ability to be simultaneously confessional and mythic.

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Tone and Style

The episode carries a reverent, literary tone, blending somber respect for Leonard Cohen’s legacy with the warmth and curiosity of a devoted fan or thoughtful critic. Persian and English languages mingle throughout, reflecting both Cohen’s global reach and the host's intent to introduce his artistry more deeply to an Iranian-speaking audience.

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For listeners and music lovers unfamiliar with Leonard Cohen or seeking a richer understanding of his work, this episode serves as a heartfelt, poetic guide through the emotional and historical layers of one of music’s greatest storytellers.

Transcript

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[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

salon in Hanjo, Chorum in Holborn. Mambardio barges and.

[Hannah Berner]

Start again I heard them say don't dwell on what has passed away or what is yet to be

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

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[Hannah Berner]

Ring the bell that still can ring Forget your perfect offering There is a crack, a crack in everything that's how the light gets in. I'd like to try to read your poem I used to think I was some kind of gypsy boy before I let you take me home now so long Mel. Cold as a new razor blade. You left when I told you I was curious I never said that I was brave oh so long Marianne it's time we began to laugh and cry and cry and laugh. Suzanne, Suzanne takes you down to her place near the river. You can hear the boats go by. You can spend the night beside her. And you know that she's half crazy, but that's why you wanna be there. And she feeds you tea and oranges that come all the way from China. And just when you mean to tell her that you have no love to give her that.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Parasites of heaven Chopshodu should have. Valina Sarishka. Non separate.

[Jesse Brown]

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[Hannah Berner]

Oh yeah, it's swell, mate. Proper comfy.

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[Hannah Berner]

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[Jesse Brown]

New air intake filter, quick shifter and a beefy muffler.

[Hannah Berner]

Well, that's why you ride with Geico motorcycle insurance. So you can cover your custom parts and equipment. Now let's hear that muffler purr.

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[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

You want to travel with her? You want to travel with him. As Brandeis Salvation army.

[Hannah Berner]

For the.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Joda azin kya album songs of leonard coen robekaterin khatar kibe jaydid yas sheyruda. Indigenous. Leonard hanust marian biotunja leonard hotel chelsea joy mo sherrat bo johnny michello janice joplino nicoye velvet underground boot joy ketush cohen digimarde javune jazir nabudo artisti boot.

[Hannah Berner]

Green stockings and she slept with everyone. She never said she'd wait for us, although she was alone. I think she fell in love for us in night.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Songs from a room. Umud's songs of leonard cohen inshore songs from a room.

[Hannah Berner]

Much smaller the Lake Ladies Mirror we stopped to drink some wine Then he threw the bottle over Broke a minute later and he put his hand on mine Thought I saw an eagle but it might have been a vulture I never could decide when my father built an altar he looked once behind his shoulder he knew I would not hide

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[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Bird on the wire.

[Hannah Berner]

Like a drunken in Midnight choir I have tried in my way to be free. Like a worm on a hook Like a night from some old fashioned book I have saved all my ribbons for thee.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Judy collins.

[Hannah Berner]

And just let it go by. If I if I have been untrue. I hope you know it was never

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

as Khodeshkashanidin.

[Hannah Berner]

Drown in Midnight choir I have tried

[Paige Desorbo]

in my way

[Hannah Berner]

to be free

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

the party's on.

[Hannah Berner]

When they poured across the board I was cautioned to surrender. This I could not do. I took my gun and vanished. I have changed my name so often I've lost my wife and children but I have many friends. Sa.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Johnston of halle omod esuber leonard of kojo johnstone of paris johnstone. Halle. Leonardo suzanne. Colombia records. Topia bishop manager in kojobut haror manager jedi detective to parentes begum ham korea leonard bon konu mikhe harrodobaros jul kar the boud marry martin manager jd martin machet vakilbudichi masalembud. Leonard bahamon as peridru stage nazikbud stage festival I love white to english.

[Hannah Berner]

When I was seven years old, my father used to take me to the circus. He had a black mustache and a great vest and a pansy in his lapel. And he liked the circus better than I did. But there was one moment when a man would stand up and he would say, would everybody light a match so we can locate one another? And could I ask you, each person to light a match so that I could see where you all are? Could each of you light a match so that you'll sparkle like fireflies, each at your different heights? I would love to see those matches flare.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Badass marque jimi hendrix. It's a Valuke angel of Thought. Songs of Love and hate. Jahon hukumat konat. Songs of love and hate.

[Hannah Berner]

The rain falls down on last year's

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

man

[Hannah Berner]

that's a Jew's hop on the table that's a crayon in his hand and the corners of the blueprint are ruined since they rolled far past the stems of thumbtacks that still throw shadows on the wood.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Famous Blue Raincoat

[Hannah Berner]

it's four in the morning the end of December I'm writing it now just to see if you're better New York is cold but I like where I'm living there Music on Clinton street all through the evening I hear that you're building your little house deep in the desert you're living for nothing now I hope you're keeping some kind.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

It's four in the morning the end of December. It's four in the morning the end of December. That night that you plan to get clear.

[Hannah Berner]

She said that you gave it to her that night the day your plan to go clear. Sincerely, elkhorn.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Joan of Arc Jean d' Arc.

[Hannah Berner]

Well, I'm glad to hear you talk this way. You know, I've watched you riding every day and something in me yearns to win such a cold and lonesome heroine. And who are you? She sternly spoke to the one beneath the smoke. La.

[Leonard Cohen (or a narrator reading Leonard Cohen lyrics)]

Damie Tunam Garm Mamna's sponsor Ingressmat brand the Roast Panjo Chorumin album Tamungshud the

[Hannah Berner]

woman in blue she's asking for revenge. The man in white, that's you says he has no friends the river is swollen up with rusty cans and the trees are burning in your promised land and there are no letters in the mailbox and there are no grapes upon the vine.

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[Hannah Berner]

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