Transcript
Alison Stewart (0:00)
Foreign.
Alison Stewart (0:08)
You're listening to all of it on wnyc. I'm Alison Stewart. A new book that came out in February explores the healing process of a long term breakup with words and some hilarious illustrations. It's called what to do when you get dumped, A guide to unbreaking your heart from author Susie Hopkins and illustrated by her daughter, Hallie Bateman. Zach, when you were working on this prep, you didn't know that this was a mother daughter duo until the day before?
Zach (0:38)
No idea.
Alison Stewart (0:39)
So how did that change the way you thought about the conversation?
Zach (0:42)
Well, I always love when we have people in who are creatives, who are part of a team of people and outside of that creative work, they also have a pre existing relationship because you get to see how that kind of pre existing intimacy can transform the creative process. And it's often in interesting ways with like these artifacts from that relationship. And I never would have imagined that a story about divorce and all this grief and loss and pain would would be able to be so effective coming from a mother daughter duo because like, I just have such respect. My parents are divorced and it was when I was an adult that they split up. And even so, like, you don't have to be a kid for that to be like a weird thing to have to process one parent's pain and also hold the other parent's story in your head. And that was the task that the daughter had to do for this, to be the illustrator. And so to be able to hear her talk about that process and sort of being there for her mom to sort of process the grief with her was really interesting and pretty impressive.
Alison Stewart (1:52)
I thought what was something interesting or cool about the book that you didn't really, we really couldn't get into the conversation.
Zach (2:00)
Yeah, and it's like a little bit sort of meta, I guess the way like when you have a piece of art, a piece of, you know, media or work, that the medium sort of speaks to the message. I really like that. I think that's a really, it had, it's really fertile ground for probing and sort of meaning, I guess. And with a graphic novel. I studied graphic novels in my freshman year for a little bit and the way that I looked at this particular one was that this is a story of a grief that you're stuck in that like this the authority didn't want to be there and she's stuck there in the same way that the character that we're seeing on the page is stuck in these boxes of a graphic novel. Like it happens in panels, right? And the only way, one of the themes of the book is the only way out right, is through. And as the reader, you are turning the pages, you are pacing that journey that she is taking us on. And so that sort of invites the reader to be a participant, more than just a consumer of this book in a way that I think is really important for works to draw people in.
