Podcast Summary:
All Of It – "Kennedy Center Cancellations and Art in the Second Trump Administration"
Host: Alison Stewart, WNYC
Guest: Elizabeth Blair, NPR
Original Air Date: January 15, 2026
Overview
This episode of "All Of It" dives into the profound cultural upheaval at the heart of American arts institutions under President Donald Trump’s second administration. With a focus on the controversial renaming and governance shift at the Kennedy Center (now the Trump Kennedy Center), the episode explores cancellations by major artists, the political and cultural implications of these changes, parallels to historical censorship, and the ripple effects at other institutions like the Smithsonian. The conversation features reporting, analysis, and perspective from NPR’s Elizabeth Blair as well as insights from diverse listener call-ins.
Key Discussion Points & Insights
1. Trump’s Cultural Overhaul and the Kennedy Center Rebrand
- Background: Trump-appointed trustees voted to rename the Kennedy Center to the Trump Kennedy Center [00:35].
- Trump’s Rationale: President Trump stated, “I want to make sure it runs properly. We don't need woke at the Kennedy Center. Some of the shows were terrible. It's a disgrace that they were even put on. So I'll be there until such time as it gets to be running right?” [00:35]
- Reactions: Leading artists (including Issa Rae, Stephen Schwartz, Bella Fleck) canceled appearances in protest. The MLK event “Let Freedom Ring” relocated to the Howard Theater.
- Board Power Dynamics: Congresswoman Joyce Beatty, a board member, was muted during the renaming vote; she’s now suing Trump. Renaming in this manner is possibly illegal, as it would usually require an act of Congress [09:20].
2. Inside the Administrative Changes
- Leadership: Richard Grinnell, former Ambassador to Germany, is installed as president, but lacks deep arts-industry relationships [08:15].
- Program Overhaul: According to callers and Blair, programs are being “taken over” in a ham-handed fashion rather than replaced with coherent policies [07:41].
- Notable Caller Quote: “The taking over of certain programs is more ham handed… it's not informed. So when whole entire programs are being taken over, they're not being like replaced with some other like, agenda. They don't have an agenda. They just don't know what they're doing.” —Mac, caller [07:41]
- Physical Changes: Trump is directing renovations (including repainting pillars from gold to white), under the guise of addressing deferred maintenance, funded with $257 million staked in a new spending bill [10:13].
3. Artists’ Cancellations and Their Rationale
- Protest Reasoning: “They disagree with... the fact that he wants to eliminate DEI, diversity, equity and inclusion in cultural programming. A lot of artists disagree with that... there's a trust issue.” –Elizabeth Blair [13:26]
- Trust Issues: Uncertainty about contract enforcement, abrupt leadership changes, and instances of harassment (e.g., guitarist Yasmin Williams heckled by Log Cabin Republicans at the Center) contribute to the exodus [13:26].
4. Larger Historical and Ideological Context
- Comparisons to History: A caller draws parallels to the Weimar Republic’s vibrant arts scene and Hitler’s subsequent clampdown, arguing culture control is central to authoritarian shifts [11:22].
- Notable Quote: “The arts could be signified as the lie that tells the truth... What does Donald Trump want? He doesn’t want the truth. He wants lap dogs. That’s it.” —Frederick, caller [11:55]
- Recurring Conservative-Frustrations: A listener notes cultural battles are perennial, arguing the right has historically sought to legislate culture because “they can win elections, but they keep losing the culture” [16:08].
- Blair’s Response: This isn’t simply about refusing to perform for Republicans. “Hamilton performed a private concert for President George H.W. Bush… This is unusual that there’s this narrative saying, oh, they won’t perform for Republicans. That’s just not true.” —Elizabeth Blair [17:30]
5. Satire and Resistance
- Online Satire: A parody website, TrumpKennedyCenter.org, mocks the new branding and messaging; host and guest discuss whether satire can meaningfully challenge these political maneuvers [18:47].
- Memorable Satirical Line: “We invite you to experience culture as authority, pageantry as truth, and excellence as defined by those in power.” —From the parody site, read on-air [19:14]
- Response: Possible legal threats against the satirist; unclear as to efficacy or broader impact [19:41].
6. Smithsonian Pressured for ‘Western Values’
- Executive Order: Trump’s administration pressures the Smithsonian to turn over content records and align programming with “Western values,” tying compliance to continued federal funding [21:48].
- Leadership Strategy: Smithsonian leader Lonnie G. Bunch III’s public silence signals careful navigation—a “long game” perhaps, but guest can’t confirm [23:03].
- Tied to National Celebrations: This review and “patriotic” refocusing is linked to the impending 250th anniversary of the American Revolution [23:49].
- Blair: “Curators want to tell the full picture of American culture and history… there’s also much that shines a light on things that have been ignored in the past.” [23:49]
Notable Quotes & Memorable Moments (with Timestamps)
-
President Trump on the renaming:
“I want to make sure it runs properly. We don't need woke at the Kennedy Center… It's a disgrace that they were even put on.” [00:35]
-
On ‘Ham Handed’ Takeover:
“I thought it was going to be like more evil, like more, more like, you know, mustache twisty. But actually ... it’s kind of d dumb. It’s not, it’s not informed. So when whole entire programs are being taken over, they’re not being replaced with some other ... agenda. They don’t have an agenda. They just don’t know what they’re doing.”
—Mac, caller [07:41] -
Frederick on history and propaganda:
“The arts could be signified as the lie that tells the truth... What does Donald Trump want? He doesn’t want the truth. He wants lap dogs. That’s it.” [11:55]
-
Randy on the conservatism and culture:
“The conservative political class in America is just frustrated beyond their wits… they can keep winning elections, but they keep losing the culture.” —Randy, caller [16:08]
-
Blair, on performing for presidents:
“Hamilton performed a private concert for President George H.W. Bush… This is unusual that there’s this narrative saying, oh, they won’t perform for Republicans. That’s just not true.”
—Elizabeth Blair [17:30] -
Host reads from satirical website:
“We invite you to experience culture as authority, pageantry as truth and excellence as defined by those in power.” [19:14]
-
Blair, on the Smithsonian's pressured acquiescence:
“…the White House wants an extensive review of all wall, text and digital materials and educational materials… tie this to funding… the Smithsonian has said they will comply.” [21:48]
Timestamps for Major Segments
- 00:35 – Introduction: Trump’s renaming of the Kennedy Center, rationale, and initial reactions
- 03:14 – Why Trump is so invested in arts/culture control
- 04:00 – The MLK “Let Freedom Ring” event moves to Howard Theater
- 05:09 – The power of the arts and administration’s misunderstanding
- 08:15 – Changes in Kennedy Center leadership; impact on artist relationships
- 09:20 – Contested board vote, legality of the renaming
- 10:13 – Details on renovations and renovation spending
- 13:26 – Artists’ reasons for withdrawing, trust and safety concerns
- 15:01 – Callers on the complications of arts patronage and moral issues
- 16:08 – Historical perspective on conservative culture wars
- 17:30 – Blair refutes the ‘anti-Republican’ artist performance narrative
- 18:47 – Satirical resistance: the TrumpKennedyCenter.org website
- 21:48 – The Smithsonian: records, executive orders, and “Western values” compliance
- 23:49 – Smithsonian’s role in upcoming 250th anniversary, curatorial pressures
Episode Tone & Final Thoughts
The conversation balances reporting, analysis, and advocacy. The prevailing tone is serious, at times incredulous, with flashes of satire and the emotional resonance of call-in testimonies. Both host Alison Stewart and guest Elizabeth Blair focus on the unprecedented nature of political intervention in the arts, signal strength in artistic resistance, and warn of the long-term stakes for American cultural institutions.
For those concerned about the intersection of politics, arts, and identity, this episode is both a chronicle and a call to attention.
