Transcript
Alison Stewart (0:07)
This is all of it. I'm Alison Stewart live from the WNYC studios in soho. Thank you for spending a part of your day with us. I'm really grateful you're here. On today's show, Adrian Cassada performs live in studio. He's a songwriter, producer and one half of the band Black Pumas. He has a new solo album out. We'll hear some songs from it. We'll also kick off this month's full body about artist Paul Gauguin, the 19th century self taught French artist. We'll be speaking with Sue Prudho, the author of Wild A Life of Paul Gauguin. And we'll talk about some literary classics with Olivet producer Jordan Loff for our summer reading challenge. And we'll take your calls as well. That is the plan. So let's get this started with Son of Sam. On August 11, 1977, the people of New York City breathed easier the day before the Son of Sam killer was taken into custody. The New York Post had the headline that read Caught. In the late 1970s, New York City was gripped by fear. A gunman calling himself the Son of Sam was shooting young people seemingly at random and taunting police with bizarre threatening letters. For more than a year, the murders and the media frenzy around them held the city hostage. The break came when an eyewitness spotted a parking ticket on the killer's car the night of a shooting and kept insisting that the police located the ticket led police to David Berkowitz in Yonkers, and his arrest set off celebrations across the city. Filmmaker Joe Berlinger focuses on the Son of Sam case in his latest chapter in a career spent telling true crime stories that dig deeper into the headlines From Paradise Lost, the Ted Bundy Tapes, his new Netflix series, Conversations with a Killer, the Son of Sam Tapes features rarely heard 1980s interviews between Berkowitz and prison reporter Jack Jones, as well as Berlinger's own conversation with the killer. The series also revisits the fear that swept the city and the way that Berkowitz Berkowitz manipulated the press. Conversations with the Killer the Son of Sam Tapes is streaming now on Netflix and Joe joins me in studio. Nice to talk to you.
Joe Berlinger (2:34)
Nice to see you again, Alison. How are you?
Alison Stewart (2:35)
I'm doing well. You've covered some of the most infamous serial killers in history.
Joe Berlinger (2:41)
Yes.
Alison Stewart (2:41)
What is it that you wanted to understand about the Son of Sam Cape case?
Joe Berlinger (2:45)
This case I've wanted to do for a while. There's many things that are fascinating about it for me personally I was a teenager when this was all unfolding. I lived in the northern suburbs of Westchester county and somehow my parents allowed me to go into, into New York unaccompanied as a 13 or 14 year old back then. And people forget today, younger people just what a mess New York was. Financial crisis, blackout that summer, half the cops were laid off. And into this kind of hellscape comes a random shooter which gripped the city with fear. And so as a maker of true crime, by the way, it's a phrase I hate, associated with my work. We can talk about that later. But as a maker of crime documentaries, to me this case is a foundational case for why we're so obsessed with true crime today. So one reason is just personal interest. The other reason is just self reflexive looking at where we've come with crime. And the reason I say the Son of Sam case was one of these foundational cases with our fascination with crime is Berkowitz played the press beautifully. You know, most killers, Bundy, Gacy, they want to operate in the shadows and not be caught, not get attention. And David baited the press and famously Jimmy Breslin and others, but most notably Jimmy Breslin, you know, the reporter of the era, was happy to write back to him. They exchanged letters. Some say that Breslin, who I have great respect for, but he did kind of bait Berkowitz on the eve of the anniversary of the first killing. So this was just to me, you know, this kind of codependency of the public, fascinated about crime, obsessed with crime, intersecting with media, only too willing to comply. Look where we are today with people's obsession with true crime. I really do believe this was one of the foundational cases.
