Podcast Summary: Stooping an Aria with The Opera Next Door
Podcast: All Of It
Host: Alison Stewart (A)
Guests: Sasha Gutierrez (B), Zac O'Farrell (C) - Co-founders, The Opera Next Door
Release Date: September 8, 2025
Main Theme / Purpose
This episode delves into how The Opera Next Door, an unconventional opera company, brings professional opera performances directly to New York City neighborhoods by staging shows on stoops and in public spaces. Emerging during the pandemic out of necessity and creativity, the company seeks to break down barriers to opera, foster community engagement, and make high-level artistry accessible—and even spontaneous—for audiences that might not typically attend the opera.
Key Discussion Points and Insights
1. Origins During the Pandemic
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Accidental Beginnings: Sasha explains the company started unintentionally during the pandemic. Her partner Zac, a jazz drummer, and his friends would jam on the stoop. Sasha brought her opera arias to these impromptu sessions, which quickly evolved.
- Quote (Sasha, 01:13):
“I like to tell everyone that it was never in my plans to create an opera company, but it kind of happened because of the extraordinary circumstances we were in during the pandemic.”
- Quote (Sasha, 01:13):
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Initial Response: Their concerts became a regular neighborhood event, drawing people and stopping traffic.
- Quote (Zac, 01:54):
"Opera stopped traffic. Sasha would be singing ... and like cars would be stopped and people would be taking videos out the window. Bike riders would like bump into each other..."
- Quote (Zac, 01:54):
2. From Stoop Concerts to Full Operas
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Production Complexity: The duo distinguishes between their pop-up concerts (hour-long, curated, lower lift) and their full-scale opera productions (fully staged, require permits, funding, crew, and rehearsals).
- Quote (Sasha, 03:11):
“We show up, we do an hour concert, an hour program, and then we disappear. ... When it comes to the bigger productions... we gotta find funds... close the streets, talk to the police precinct, talk to your mayor’s office.”
- Quote (Sasha, 03:11):
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Artistic Ambition:
- Their take on “Don Giovanni” is trimmed to under two hours, but remains ambitious and immersive.
- Quote (Zac, 03:57):
"When we do the whole opera, it’s fully staged. We projected translation of super titles... it’s one piece."
3. Embracing the “New York City-ness”
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The Outdoor Challenge: Performing outside means coping with weather, traffic, and neighborhood noise—but these are viewed not as hindrances, but as part of the living set.
- Quote (Sasha, 06:12):
"...We have to understand that ... We will have Mr. Softy driving by, we will have an ambulance. ...We are creating art in a very special way that is not the traditional way, but we bring it out with full honesty..."
- Quote (Sasha, 06:12):
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Permits and Logistics:
- Securing street closure permits is a community effort, with praise for local officials.
- Quote (Zac, 07:14):
“Big thanks to council member Chiyo Sei’s office ... for helping hook that up with the street Activities Permit office. ...which acronyms very hilariously to SAPO, which Spanish speakers will find funny.”
4. Finding Stoop Spaces: Community Roots
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Host Stoops and Community Spirit: They rely on volunteers and fans to offer their stoops, building relationships across neighborhoods.
- Quote (Sasha, 08:03): "We are very lucky to sometimes get in touch with people who are interested in the project and offer their stoops. ...The whole magic of this is that we are creating this very unique moment ... all about community and teamwork. It doesn't work any other way."
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Neighborhood Champions: Michael, a local resident, is repeatedly celebrated for his support and community spirit.
- Quote (Zac, 09:40):
“...We can call him the mayor of the block. ...He is one of the most dedicated neighbors I’ve ever seen ... to keeping the block beautiful ... fostering community ...”
- Quote (Zac, 09:40):
5. Performance Excerpt: A Live Aria
- Memorable Moment (10:54-11:46):
- Sasha Gutierrez performs a fragment from Don Elvira's aria ("Mi tradi quell' alma ingrata"), showcasing the caliber of talent and the electric, immediate presence they bring to stoop opera.
6. Professionalism & Training of Singers
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Talent Pool: All performers are professional and often internationally trained opera singers.
- Quote (Sasha, 12:02):
“Everyone that performs with us are professional singers... from different parts of the country. The world actually... I’m from Colombia, so I have a bunch of fellows there that have come to join us... founding members of the company.”
- Quote (Sasha, 12:02):
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High Standards: Zac stresses that street opera does not mean lower artistic standards.
- Quote (Zac, 12:28):
“I don’t want anyone to think that just because this is opera performed on the street that the quality is less than you’ll find other places.”
- Quote (Zac, 12:28):
7. Audience Reactions and Breaking Down Barriers
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Audience Engagement: Audiences are enthusiastic, often surprised by how approachable and enjoyable opera can be.
- Quote (Zac, 14:27):
“...they were like, laughing out loud with the jokes. ...laughing out loud with Italian comedy from the 18th century. ...the problem... is not in the art form itself. ...it's more to do with how it's presented..."
- Quote (Zac, 14:27):
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Accessibility and Intimacy:
- The stoop setting brings performers literally and figuratively closer to the audience.
- Quote (Sasha, 15:15):
“...the very great things that I love about what we do...is that we call this place where opera meets people instead of the other way around.”
8. Upcoming Performances: Details & Community Invitation
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September 13th:
- Stoop-side performance on Willoughby Avenue in Bed Stuy, Brooklyn.
- Free, no RSVP needed. Bring your own chair/blanket/snacks/kids/pets.
- Street closure 4pm, Show 5–7/7:15pm.
- Donations encouraged.
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September 17th:
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Shapeshifter Lab, Park Slope (837 Union St), 6pm doors, 7pm show.
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Disco/salsa afterparty feel—dress up encouraged.
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$30 tickets (via Instagram or website).
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Quote (Zac, 16:20):
“...Bring your own chair, bring your own picnic blanket. Bring your kids, bring your dog, bring your friends, bring some snacks, bring some drinks, get ready to have a good time.”
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Memorable Quotes
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On the accidental founding of Opera Next Door:
- Sasha (01:13):
“...it was never in my plans to create an opera company, but it kind of happened because of the extraordinary circumstances we were in during the pandemic.”
- Sasha (01:13):
-
On outdoor performance surprises:
- Zac (01:54):
"Opera stopped traffic... Bike riders would like bump into each other because they were just like, what's this?"
- Zac (01:54):
-
On neighborhood collaboration:
- Sasha (08:03):
“The whole magic of this is that we are creating this very unique moment ... all about community and teamwork. It doesn't work any other way.”
- Sasha (08:03):
-
On challenging opera stereotypes:
- Zac (14:27):
"The problem ... is not in the art form itself. ...it's more to do with how it's presented and the effort or the lack thereof that is being made to go out of your way to share this art form with people."
- Zac (14:27):
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On closeness and accessibility:
- Sasha (15:15):
“We call this place where opera meets people instead of the other way around.”
- Sasha (15:15):
Timestamps for Key Segments
- [00:09] — Introduction & Story of Opera Next Door's Origins
- [03:11] — Difference between stoop concerts and full opera productions
- [05:02] — Navigating NYC logistics and the unpredictability of street performance
- [08:03] — How they choose stoops and build community partnerships
- [09:40] — Introduction to Michael, Bed-Stuy's neighborhood ‘mayor’
- [10:54] — Live performance excerpt: Sasha sings from Don Giovanni
- [12:02] — Opera Next Door's professional singer roster and high standards
- [13:32] — Audience reactions and breaking down opera’s “intimidation” factor
- [16:20] — Complete details for the upcoming performances and community invitation
Tone & Atmosphere
The conversation is lively and warm, with genuine camaraderie between the founders and deep gratitude toward both their fellow artists and the neighborhood residents who have embraced their project. There’s a sense of humor and humility (“it’s always too much work”), reverence for community, and a passionate belief in art as a public good that should meet people where they live.
Conclusion
The episode celebrates Opera Next Door’s unique contribution to the city’s cultural landscape—presenting world-class artistry right on the stoop, demystifying an often-intimidating art form, and building bridges between neighbors through music and shared experience. Listeners are invited not only to attend, but to truly participate—by bringing their own seats, their pets, their laughter, and, if possible, their stoops for future shows.
