Podcast Summary: All Of It with Alison Stewart – “The Search for the Real Mavis Beacon”
Air Date: August 26, 2024
Guests: Jasmine Renee Jones (Director), Olivia Michaela Ross (Producer)
Film Discussed: Seeking Mavis Beacon
Overview
This episode of All Of It explores the new documentary “Seeking Mavis Beacon,” which delves into the culture-defining typing software Mavis Beacon Teaches Typing and the enduring mystery of the woman who portrayed its fictional Black female face. Host Alison Stewart is joined by director Jasmine Renee Jones and producer Olivia Michaela Ross to discuss their investigative journey, the program’s cultural legacy, the mythology of Mavis Beacon, and questions around race, representation, and digital identity.
Key Discussion Points & Insights
The Power and Mystery of Mavis Beacon
- Origin Story & Cultural Memory
- The character Mavis Beacon originated in the early 1980s as part of a CD-ROM typing program, invented in a garage in Sherman Oaks, California. Despite being fictional, many people believed Mavis was a real person.
- Jasmine Renee Jones recalls: “Even the software developers… would go to tech conferences… people would come up and be like, oh, can't believe you got Mavis Beacon. We really tried to book her. Or… as a keynote speaker at different events.” (06:17)
- The character Mavis Beacon originated in the early 1980s as part of a CD-ROM typing program, invented in a garage in Sherman Oaks, California. Despite being fictional, many people believed Mavis was a real person.
- Mandela Effect and Parasocial Relationships
- Widespread false memories and emotional investment in Mavis Beacon’s identity highlight how digital mythologies are created.
- “People just had a really hard time coming to terms with the fact that this Black woman… was not a real person.” (06:17 - Jones)
- Widespread false memories and emotional investment in Mavis Beacon’s identity highlight how digital mythologies are created.
Representation & Impact
- Personal Meaning and Broader Questions
- Jasmine calls Mavis Beacon her “first Black teacher” and explores what that representation meant during her upbringing.
- “I had this software, and that is what allowed me to communicate with other people for better or for worse… Mavis Beacon was my first cyber doula.” (10:10 - Jones)
- Olivia introduces the concept of the “cyber doula,” someone who helps steward a healthy relationship with technology, with Mavis as an early example.
- Jasmine calls Mavis Beacon her “first Black teacher” and explores what that representation meant during her upbringing.
The Search for Renee, the Real “Face” of Mavis
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The Modeling Origin & Unreliable Narratives
- The software’s creators reportedly discovered the model, a Haitian woman named René, at a Saks Fifth Avenue perfume counter. But the details are murky and shift over time, reflecting the difficulty in tracing the real person.
- “There are a few articles that talk about how the length of her nails became a bit of an issue… That’s a detail that we were never able to confirm… things get much deeper and richer as we continue to unfold little nuggets.” (08:21 - Ross)
- The software’s creators reportedly discovered the model, a Haitian woman named René, at a Saks Fifth Avenue perfume counter. But the details are murky and shift over time, reflecting the difficulty in tracing the real person.
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Investigative Process & Multiple Truths
- Jasmine and Olivia detail tracking down developers and interrogating conflicting stories, reflecting on truth, memory, and myth.
- “We found their contact information online… I have been so grateful for how they have cooperated with the investigation… The film is about how truth gets made and how do you hold space for multiple truths.” (14:41 - Jones)
- “I’m a Gemini… always holding space for multiple truths: I don’t trust these developers and I also am having so much fun talking to them about my favorite character.” (15:32 - Jones)
- Jasmine and Olivia detail tracking down developers and interrogating conflicting stories, reflecting on truth, memory, and myth.
Self-Reflexivity and Documentary Form
- Filmmaker Narratives Interwoven
- The filmmakers' own stories—frustrations, personal milestones, and conflicts—are central, mirroring their evolving relationship to technology and identity. Scenes include arguments with landlords and discussions about creative direction.
- “The documentary would need to be self-reflexive… in order for the film to really be a kind of offering to the actress… we needed the documentary to stand on its own.” (16:26 - Ross)
- “It’s about the trials and tribulations that end up really connecting people in a deep way.” (16:37 - Ross)
- The filmmakers' own stories—frustrations, personal milestones, and conflicts—are central, mirroring their evolving relationship to technology and identity. Scenes include arguments with landlords and discussions about creative direction.
Aesthetic Choices
- Visual Style: Neon Noir
- Jasmine describes the film’s look as “neon noir”—a maximalist blend of true crime binge aesthetics and the kinetic color of internet culture, housed in a “dilapidated warehouse in West Oakland.”
- “Instead of playing with shadows, we're playing with color… The revolution will be irresistible. We're really trying to make these didactic conversations around cyber feminism seductive.” (17:56 - Jones)
- Jasmine describes the film’s look as “neon noir”—a maximalist blend of true crime binge aesthetics and the kinetic color of internet culture, housed in a “dilapidated warehouse in West Oakland.”
Notable Quotes & Memorable Moments
- On Representation:
- "Mavis Beacon was my first Black teacher... She was my cyber doula, and she is the reason that I feel comfortable even making movies the way that I do today." – Jasmine Renee Jones (10:10)
- On Cultural Mythmaking:
- “I love internet culture, meme culture. And I think this idea of the critical fabulation around this fictional character is a really rich jumping off point to talk about… representation online.” – Jasmine Renee Jones (06:17)
- On Documentary Philosophy:
- “We needed the documentary to be a holistic picture of who we were and who are the people that she [Rene] would be being in dialogue with if she chose to be a part of our project.” – Olivia Michaela Ross (17:44)
- On Filmmaking Aesthetic:
- “This film is birthed from the mind of somebody who is binge watching and kind of hate watching true crime documentaries while also doom scrolling on TikTok… I call this thing neon noir.” – Jasmine Renee Jones (17:56)
Listener Participation & Stories
- Brian, from Ardsley:
- Reminisces about learning to type with Mavis Beacon in fifth grade, which helped lead to a career as a computer programmer. (07:24)
- Claudia, from Maplewood:
- Recalls using Mavis Beacon to double her typing speed in two weeks to secure a temp job in London. (11:31)
- 72-year-old texter:
- Shared they used Mavis as an adult to teach themselves to type (13:00)
Timeline of Key Segments
- [01:31] Alison Stewart introduces the topic and guests
- [03:15] Jasmine describes personal introduction to Mavis Beacon
- [03:42] Realization of Mavis Beacon’s fictional nature
- [04:37] Olivia on discovering Mavis Beacon and joining the project
- [05:59] The myth and “sightings” of Mavis Beacon
- [06:17] Digital folklore and Black women’s representation online
- [08:21] The hunt for the real model, origin story (Rene)
- [10:10] Impact of representation—Mavis Beacon as a "cyber doula"
- [13:36] Recreation of timeline and investigation for Rene’s whereabouts (film clip)
- [14:41] Navigating different truths, the search for truth
- [16:22] The filmmakers’ personal journeys and inclusion in documentary
- [17:56] The visual and stylistic choices (“neon noir”)
Conclusion
This episode provides a deeply engaging look at the making of “Seeking Mavis Beacon,” interweaving cultural critique, personal reflection, and the mechanics of myth-building in digital culture. It’s an exploration not only of a mysterious digital icon but of the ways representation, truth, and memory intersect in technology and art. The guests, Jasmine Renee Jones and Olivia Michaela Ross, illuminate both the specificity and universality of their quest—and its resonance for anyone raised in the digital age.
