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Bianna Golodriguez
Grainger knows when you're a procurement manager for an office park, you're not managing one building, you're managing all of them. And to stay ahead, you need to see through walls and around corners. Lights about to fail, filters ready to clog H Vac on its last leg. If you wait until something breaks, you're already behind. Count on Grainger for quality products, easy reordering and 24.
Michelle Martin
7 support.
Bianna Golodriguez
Call 1-800-GRAINGER click grainger.com or just stop by Grainger for the ones who get it done. Hello, everyone, and welcome to Amanpour. Here's what's coming up.
Carl Skau
Some 45 million additional people would be pushed into extreme hunger if the situation continues. And that is what we now see
Bianna Golodriguez
unfolding as war disrupts the world's critical shipping routes. Aid agencies warn that millions more could be pushed toward hunger. I speak to Carl Scow, acting executive director of the World Food Program, about the challenges of delivering aid in the world's biggest crises.
Colson Whitehead
Then it's beautiful and also tragic. It'll chew you up, but also lift you up. And that churn, that energy of the city is what I love about it.
Bianna Golodriguez
Two time Pulitzer Prize winner Colson Whitehead joins me to discuss his new novel Cool Machine and how fiction can illuminate the moral questions of our time. Also ahead, this is a sea change
Michelle Martin
in American lives, and it did not come about because American people changed their minds. Right.
Bianna Golodriguez
Michelle Martin speaks to Peter Kanellis, veteran legal journalist and author of revenge for the 60s, about how the conservative legal movement reshaped America's Supreme Court. Welcome to the program, everyone. I'm Bianna Golodriguez, sitting for Christian Amanpour. As the Iran war escalates, the world's most vital choke points are coming under increasing threat. Iran's disruption of shipping through the Strait of Hormuz has already rattled global energy markets. Now the Houthis could obstruct things further, launching a blockade on Saudi shipping in the Red Sea and threatening to close the Bab El Mandeb Strait. The two narrow waterways carry not only oil and gas, but also vast quantities of food and and humanitarian supplies. Aid agencies warn that if these lifelines are shut down, the consequences could be catastrophic, pushing millions more people towards hunger. And yet, amid all of this, there is one encouraging sign. New UN Figures show global hunger declined for a third consecutive year in 2025. But that progress remains fragile. Nearly 645 million people still go hungry, and 1 in 3 people worldwide cannot afford a healthy diet. My first guest has traveled to many of the world's worst humanitarian hotspots, from Gaza to Ukraine, Sudan and beyond, witnessing both the scale of the suffering and the difficulties of delivering aid. Carl Skau is acting executive Director of the U.N. s World Food Program and joins me from New York. Carl, welcome to the program. So let's start with this optimistic report. The UN Releasing its report on the state of food security and it is showing that global hunger declined for a third straight year. But these gains are fragile. They're slow and uneven. And I know you've described this moment as a perfect storm where you have record high levels of acute hunger colliding with historic drops in funding. So talk about your concerns that when you look at just that base headline that global hunger has dropped, that interest perhaps in donating money also drops.
Carl Skau
I think it's important to distinguish because what this report speaks to is the chronic hunger, which includes big developing countries. I think the improvements are mainly driven by improvements in India and a few other contexts. But on the other hand, when it comes to acute food insecurity, which is driven by shocks, conflict or extreme weather events or earthquakes, those numbers are going up. We see some 300 million people acutely food insecure. That's tripling from only the past five years. And so in that regard, we are seeing the situation worsen. It's driven by conflict mainly, but it's also driven by extreme weather events. And as you said, I've traveled to some of these frontlines over the past few weeks. And I think what gets lost is often that human dimension, the human tragedies across all these conflicts and how families really are disrupted and how people are not. And we're talking about millions of people here don't know where their next meal is going to come from.
Bianna Golodriguez
And let's talk about some of these front lines. Arguably the most devastating is Sudan. That's the world's largest displacement crisis right now. About 20 million people face crisis level hunger. The World Food Program has resources to help just 3 to 5 million of those vulnerable. In June, you described visiting a camp of 700,000 siege Surv and you say, quote, it's an ocean of grass hunts to the horizon where food convoys come maybe every other month and the food lasts just two to three weeks. This is a very difficult question and challenge for you. How do you decide who gets the food?
Carl Skau
I mean, number one on Sudan. Just to say that our focus in the last few weeks has really been on the situation in Cordovan where fighting has escalated and we see huge risks to the city of El Obeid. We have been focusing on that to pre position to support these newly displaced people. And you know, there has been some progress, but I want to really give attention to that situation. There needs to be an international mobilization to avoid further atrocities in the Cordoban. What you refer to is the situation in the Darfurs where there are massive displacements since last year and where people are now stuck, displaced in huge camps and assistance are just not enough. I mean, we see security and access challenges around Sudan, but right now what we also see is a funding crisis. And so this has moved from being an access crisis and a security crisis to one which is both access and funding. We used to be able to support some 5 million people in Sudan. We're now down to 3.5. And we are worried that we will need to cut even further. And how this looks like, I mean, we have already targeted the absolute most needy people who are at risk of famine. And so, you know, these are women, women headed households, widowed women with many children who have nowhere else to turn. And we are now cutting, you know, we have gone from cutting from full rations to 70% of the rations, down to 50%. And now we're going to have to also cut off some areas totally.
Bianna Golodriguez
So if access is not the biggest impediment right now, but funding, how do you get that funding? Funding, who is it? The United States? Which country is the dominant supplier? And we've spent so much time talking about Sudan and how it's become more of a forgotten crisis. That's another challenge that you're facing.
Carl Skau
I mean, the cuts we see, frankly, is across the board from our traditional donors. And I think, you know, what we really need is a political commitment. I think everyone agrees that we shouldn't let children die of starvation, no child should go to bed hungry. But we need now to turn that kind of overall agreement into action. And that has to be done on several fronts. Number one, of course, to try to bring an end to some of these conflicts. I mean, in Sudan what we really need is a ceasefire. We need a humanitarian pause so that we can operate and reach everyone in need. Secondly, we need the kind of funding that helps us work flexibly to, if possible, act in advance right now, when we see risks in Cordovan, for example, that we can pre position food, bring in food to the areas where we have access so that they are well maintained should the fighting cut off our supply lines. And thirdly, of course, the volume of funding. So this is really, you know, it needs diplomatic efforts, it needs funding it needs the kind of funding that helps us be agile enough to find ways to get to people. But really at the bottom of this is to kind of turn that consensus, that agreement that children should not go to bed hungry into political action.
Bianna Golodriguez
Let's talk about another crisis. And that is what's developing and what has been ongoing in the Middle East. We'll get to Iran in a moment, but obviously the war in Gaza. You have been to Gaza repeatedly since 2023. After your fourth visit, you called it the worst that you had seen. And now that this tentative cease fire has been in place, the World Food Program has reached over 1 million Palestinians a month. But I know conditions still remain fragile. Is food actually able to get to the people in Gaza who need it most?
Carl Skau
I mean, since the ceasefire, WFP have been able to deliver. We reached almost entire population every month. And thanks to those humanitarian efforts, we have been able to to make progress and somewhat stabilize the food security situation. But I think at the same time, it's important to say that that progress is fragile because it is thanks to that humanitarian effort. And should that for some reason be cut off? Well, we would quickly return to situations we saw about a year ago. And I think it's also important to point to other sectors like water and sanitation and shelter, where we have not seen that same progress. And I think further, you know, we would like to go beyond. Of course, what we really hope for is that there is progress on the political front, but more importantly, that we can begin to support recovery efforts on the food side, that we can get more commercial sector food in so we can extend our programs to give cash to people so that we begin rebuilding some kind of domestic food system. That's really what we're pushing for on the food side. But it's important also to recognize that we have swfp and on the food side, we have been able to make progress.
Bianna Golodriguez
And that is very encouraging to hear. Obviously, the ultimate goal is lasting peace so that the rebuilding process can begin in earnest and there can be consistent supplies of food, medical supplies, et cetera. After a recent visit to Jerusalem, you said Gaza, while it remains brutal, the west bank is deteriorating as well. We've been spending a lot of time covering the west bank there and the settlements and violence there from settlers and increased violence we've seen. But I'm not sure many people, when they think of the west bank, think of food insecurity as well. Just explain what you've picked up on.
Carl Skau
I mean, this is mainly a political protection, human rights crisis, of course, but there are also, you know, humanitarian and food impact when people are displaced, when their livelihoods are disrupted. And so we are providing support to kind of alleviate some of that suffering that is a result of what's going on there. But mainly what needs to happen here is that there is political action taken to reverse some of these situations. But in the meantime, we play our role to try to alleviate the suffering and to make sure that families have to provide for themselves, at least when it comes to food.
Bianna Golodriguez
Carl, as we're traveling the world with all of these hotspots and ongoing wars, the war in Ukraine is something we need to talk about as well. Now entering its fifth year, you've spent time with the World Food Program distribution teams near the front lines in Ukraine. Last Friday, your warehouse in Dnipro was hit by Russian drones four times in a single day. That was the seventh strike on clearly marked WFP facilities in three months. At this point, given that these facilities are clearly marked as humanitarian, do you believe your teams are being deliberately targeted?
Carl Skau
Well, I think what's important to point out first is that the people living on the front lines of every conflict, but certainly also in Ukraine, are really suffering. And I feel sometimes that human dimension, that humanitarian and human suffering is lost in the overall discussions on the politics, on the military strategy, on the weapons systems. And so, you know, I think more attention needs to be put on those hundreds of thousands suffering from these conflicts. And now in Ukraine with these intensified drone attacks that are happening daily. I mean, secondly, yes, the humanitarian workers are at increased risk, and that includes Ukraine. We have seen more incidents this year in Ukraine than we have for the entire year last year. And that was a record year in this long war. And so, certainly with this intensified fighting, our colleagues are also at more risk. And the fact that our warehouses are being hit is just absolutely unacceptable. I think what I'm worried about also now is the increasing activity in the Black Sea. I mean, we see now, you know, both the Hormutz Strait of Hormuz, the coastlines outside Yemen, and in the Black Sea. The freedom of navigation is a threat, and that is also driving up food insecurity and disrupting supply chains across the world. So, you know, what we see in Ukraine represents also a broader issue where people are suffering, humanitarians are at risk. And these wars are also driving up global food insecurity, having implications far beyond, including in southern Africa and other faraway places.
Bianna Golodriguez
Well, let's connect those two. I'm glad you mentioned the Black Sea. The Odessa port has been a vital passageway it's always been viewed as the breadbasket to much of Europe and the world. You have that being at risk of being closed down at the same time, as we've talked about with the war in Iran, the Strait of Hormuz now perhaps threats on another Saudi passageway as well. How concerned are you about the impact that that could have on so many countries in desperate need of food that are facing insecurities, food insecurities daily. If now you have both the Black Sea port and the Strait of Hormuz, and possibly Bandar Alba also closed as
Carl Skau
well, I mean, we're extremely, extremely worried about this. We saw what happened when the war in Ukraine started, how that sent shockwaves across the globe in terms of access, the fertilizer, the price of food. We saw similar developments when the war in the Gulf started. And, you know, that is, we are really worried that the ceasefire is not holding and that this will continue. We had estimated that some 45 million additional people would be pushed into extreme hunger if this situation continues. And that is what we now see unfolding. We have already registered some 20 additional million people, acutely food insecure. So extremely worried. And in a place like Sudan, where I just visited, you see this playing out. You have on one hand the tight correlation between price of energy and food. So food prices are going up 30, 40%, and people who have nothing really eat 30, 40% less and hence are walking hungry. But in addition to that, all the fertilizer in Sudan came from the Gulf that is now off, and planting season has started. And we are really worried that production will come down in the next three to six months. And on top of that, fuel prices, when they shoot up in that way, have all kinds of implications. The agriculture in Sudan is driven by irrigation. That irrigation is pumped by diesel. And when the price come up, the farmers don't afford it, and frankly, they lose their crop. So, you know, this crisis of increased energy prices, of disrupted supply chains and the lack of fertilizer is going to have a heavy impact on food security around the globe. And that is happening at a time when we also see El Nino building up this weather phenomena, caused also by climate change, that is going to impact across the globe. I was just in Central America, Guatemala and El Salvador, where in the dry corridor of Central America, they are already feeling the hit of El Nino, the drought, where farmers told me they've lost their crops already. And so, you know, these are layers here of crisis that are building up and the world needs to pay attention because ultimately food security is also about stability. And so we need to attend to this from a humanitarian imperative, but also from a security imperative and climate change,
Bianna Golodriguez
a big angle here as well. Let's try to end on some optimistic if possible. And that seems to be coming from Latin America now as a good news story. Hunger is down for a third since 2020. That's faster than anywhere on the earth, on earth that we've seen. What are they getting right there and can it be replicated?
Carl Skau
I think there is a lot to learn from Latin America. I think there are still big challenges, though, including the affordability of healthy diets. I was just now, as I mentioned, in Guatemala and El Salvador, and there they now talk about a double burden. On one hand, they are still working on malnutrition among children, but also they are now increasingly having to address obesity. And in some instances it's happening at the same time. And so I think, yes, there has been improvements to access of food, but we now are entering into new challenges in terms of what kind of food people are affording to eat. So the nutrition issue in Latin America remains a big challenge. But let me, you know, and on a more positive note, and that is what I'm seeing also across where the issue of bringing school meals, having meals in schools is something that is really picking up across the world.
Bianna Golodriguez
That is encouraging to hear and hopefully that can be replicated around the world. Carl Scow, thank you for the time. Thank you for all that you do.
Carl Skau
Thank you very much.
Bianna Golodriguez
And stay with cnn. We'll be right back after the break. Now to a literary giant, from the Underground Railroad to the Nickel Boys, two time Pulitzer Prize winning author Colson Whitehead has established himself as one of the world's most original and thoughtful writers with his ability to subvert genre, examine America's past and present and humanize the black experience with humor and irony. And now the conclusion of his celebrated Harlem crime trilogy has hit shelves and to rave reviews. In Coal Machine, aging protagonist and furniture salesman Ray Carney decides to undertake one last heist navigating crime and business in 1980s New York. Colson Whitehead joined me here in New York to discuss how he uses fiction to explore the moral and political questions of our time. Colson Whitehead, welcome back to the program. I feel like we've been together through the inception of this trilogy. Here. Christiane interviewed after you after Harlem Shuffle. I interviewed you with Crook Manifesto and now here we are with Cool Machine.
Colson Whitehead
Yeah, the last one is done. I mean, if I had hobbies, I would do something else, but I just
Bianna Golodriguez
like working well, it's understandable given the character here and Ray Carney in particular. What is it that three books can tell about his storyline that one book couldn't?
Colson Whitehead
Well, it becomes bigger than him, becomes the supporting cast, steps up, the city, becomes the character, and we get this real sort of panorama of the city. And so over the 30 years of his life, we follow him in the 60s, 70s and 80s, we really get to see that evolution of his character and the other characters as well.
Bianna Golodriguez
You have been known for switching up genres throughout your book. Serious novels, comic novels, fiction, nonfiction. But you've really stuck with the Harlem trilogy here since the Nickel Boys. Did you think you would be investing so much time in this story?
Colson Whitehead
Definitely. When you write a trilogy, there are a lot of words, like a lot of words in one book. And if you write a trilogy, literally three times as many words, a thousand plus pages. Yeah. So I didn't know what I was getting into. But I love the character and the world and definitely people sort of stepped up and became more important and I gave them their space and so it evolved in a very lovely way. It's been a challenging but also very fulfilling project.
Bianna Golodriguez
And the books are thrillers, crime capers, fun reads, a little bit of humor in them as well. You depict Harlem in an extraordinary way, though. I mean, Harlem itself is its own character through a number of generations here in the 60s, 70s, 80s. You were born in the 60s. I know you drew a lot of inspiration from research, but also your own parents just talk about you having to maybe reflect to your own childhood now in writing about what the 80s in New York was like.
Colson Whitehead
Yeah, I was born in 69 and so the last part of Crook manifesto, bicentennial year, 1976. I have vague memories. I'm definitely more connected to the 80s. That's when I came of age, culturally. I was a teenager. I was living uptown. I would go down to the village to buy Susie Nabanshe T shirts and records. And it was a great time of discovery. And so I had more to draw on from my personal experience. I give shout outs to various record stores and bars I used to go to when in college. And so it's less archaeology and more preserving in a more active way the New York of the 80s.
Bianna Golodriguez
And were there reflections from your own childhood that you realized again in writing this book? Obviously it's not telling your life story, but it's in a city where you grew up.
Colson Whitehead
Yeah, I mean, I've always keep coming back to New York City in different ways. Sometimes my first Book the Intuitionist, about elevator inspectors, for some reason is more of an allegorical take on New York. And I really wanted to get a realistic depiction. And so I'm drawing from vague memories of the early 70s, so it's very dirty. New York was not in a good place. But also narrating New York in the 80s, the fiscal crisis is over, Wall Street's coming back. There's a lot of development and money floating around. And so I was very young, but I felt the different. The change in energies over the years.
Bianna Golodriguez
And how did your research for this book differ from the previous two?
Colson Whitehead
I did a lot of walking around for the first two books. I live in Harlem when I was very little, and so I would location scouts. You know, this is Carney's office. Maybe this block looks depressing. Maybe that's where he grew up. Where do you dump a body? You know, I was often preoccupied with where would I dump a body if I was Carney or Pepper, things like that.
Bianna Golodriguez
And Carney really has achieved such a pinnacle professionally here. He's a business owner now. Successful business owner and yet still a master fence. You can't get the fence out of him. Why?
Colson Whitehead
Well, he's. He's settled. His, his real business, he sells furniture, is, you know, going fine, wins awards. He wins awards. He's Northwest regional dealer of the year. He's very proud of that. And. And his fencing sideline is sort of quiet and he keeps it up, but there's an emptiness. He's an empty nester. His kids have gone to college, his footsteps echo into brownstone. And so really this is a question about what's next. He's middle aged, he's achieved a certain amount of success. And now what?
Bianna Golodriguez
And here we are. And you talk about the evolution of these three books from the 60s and Harlem Shuffle, the 70s Crook Manifesto, Cool Machine ends in the late 80s. You were out and about in the city and the nightclubs tell us about nightlife in the 1980s New York.
Colson Whitehead
Well, it centers on in this book, 1983, Lower east side, East Village. And there's great cross pollinization between musicians, no wave and post punk musicians like esg, Liquid Liquid, kind of obscure, very great. And filmmakers and an artist like Basquiat. And they're all hanging out in the same place. They're listening to the same music, going to same clubs, dating the same people. Basquiat went out with Madonna. And so I was a bit young. I started going downtown later. But it really was such a wonderful time to be in the city. And soak up all this culture.
Bianna Golodriguez
And so much of your work had focused on Harlem. But explain to those that are not New Yorkers of what a different world one finds when they venture just a mile or two downtown and what that experience is like to get on your first subway ride to go to the Lower east side.
Colson Whitehead
It was a great adventure. And I think if you look at pictures now of the Lower east side in the 80s compared to now, of course, there's a lot of condos, the vacant lots are gone. But it really was apocalyptic in those days. And one of the things I'm trying to narrate is that changing city things are always being destroyed, torn down, and something new comes in its place. And that's buildings and blocks, but also, you know, people's lives. We're all going through our own metamorphosis or changes in our life circumstance. And if you follow character for 30 years, you can really take in that.
Bianna Golodriguez
Take in that view and wow, what a change in circumstance. What a confluence of so many events at the same time. In the 1980s, you had the Reagan years, time of yuppies. You had shiny new skyscrapers going up. You had an economic crisis. You had crime on the rise here in New York as well. The AIDS epidemic. How important was telling that part of this story?
Colson Whitehead
I want to be truthful to the city and the life of the city. And so there's a lot of money sloshing around in the early 80s, but also it's the rise of the homelessness problem. At the end of the 80s, there is the crack epidemic, the height of the AIDS epidemic. So even when we're on an upswing, you know, it's New York. So we're going to come down. And capturing that is really important to me.
Bianna Golodriguez
You start the book with a vivid description of New York in 1981. The pivot from the Bronx is burning in the 70s to Reagan 80s. How am I doing? Ray Koch. And it actually reminded me a little bit of the book Gods of New York from last year and sort of what New York was like at that time. Can you read a section of the book from that?
Colson Whitehead
New York City in 1981. The city that year was true to its personality as malformed across the centuries. A monstrous entity powered by innate miseries, operated by brute will and held together by pluck, fury and rebar. It had been flat broke and now clambered from the crater of debt one mucky handhold at a time. Crime and its ingenuity devised new permutations daily making Every citizen a victim or a witness. It was dirty and sick and plain spoken in its threats. How am I doing? The mayor asked on his rounds, barking like one of the mangy seals installed at the decrepit and neglected Central Park Zoo. A real dump. It was his trademark. Everybody needs a gimmick. How am I doing? The same as everyone else. Tired, banged up, but staggering forth somehow.
Bianna Golodriguez
So how does that passage set up the rest of the story?
Colson Whitehead
It's a time of survivors. You know, we're all sort of beaten up by circumstances and life sometimes, and we're clambering, you know, handhold by handhold, out of the pit. And so that's where we find Carney entering into this new stage.
Bianna Golodriguez
And one last heist as well, for Carney at the Waldorf Astoria, of all places. What made you want to knock off Wanda of the grandest hotels?
Colson Whitehead
The crimes in the first two books are very sort of low technology, very sweaty guys. They're hunched over the safe. And it's the last book, it's the 80s. And so I was talking to my friend, and he said, you know, you gotta go big. And so the crimes are bigger. There's a bigger scale, bigger stakes. And I really wanted to, you know, wrapped up the story properly.
Bianna Golodriguez
And as we talked about the second act, you head downtown to the Lower east side. Your character, Pepper, is a veteran Harlem criminal, lands in the East Village club scene in 1983. Why leave the neighborhood of Harlem?
Colson Whitehead
I mean, it's a Harlem trilogy, but if I could have called it the New York trilogy, I would have, but Paul Auster took that. So it's about cities in general, and I think there's a way of the way we feel about big cities. And you can be in Paris or Sao Paulo or Stockholm. And I think I'm evoking that same sort of. Same sort of thing. So we pull back and get a bigger idea of the scale of corruption and the crimes. And we're not just confined to Harlem
Bianna Golodriguez
and obviously a novel, but landmark. Real fixtures, from hotels to restaurants to Ukrainian diners, are mentioned in this book. Second Avenue, Kyiv versus Vasilka. Vasilka is still around. Kyiv is not. If it would be. Probably would be a different spelling now that it's an independent country. You've long confessed that you're more of a Kyiv guy.
Colson Whitehead
Yeah. I worked at the Village Voice and newspaper, and it was just a few blocks away, so I remember they had a great mushroom barley soup on my lunch break.
Bianna Golodriguez
Better than vesicles.
Colson Whitehead
Yes. Yeah, yeah.
Bianna Golodriguez
Let's Talk about Pepper. To some, he is a stone cold sociopath. Others, he's a top thief with questionable people skill. He's a little bit older now, so relying a little bit on some Pepto Bismol throughout his storyline. Now on a macrobiotic diet as well. Carney, obviously is a protagonist here, but there is a special affection that a reader develops for Pepper. Tell us more about Pepper.
Colson Whitehead
He's a great foil for Ray and he demanded his own space and so I gave that to him over the three books. Carney's a family man. Pepper is an isolated person. He has a different idea of being a person in the world, different idea of crime. And so between the two of them, we get a really much broader view of some of the themes in the book. He's a sociopath, but, you know, he's a nice sociopath. He's growing as a person over 30 years. He doesn't take a beating as well as he used to, but who does?
Bianna Golodriguez
And he holds a special place in Elizabeth's heart, clearly as well. Ray's wife and his longtime partner, who he's been supporting for so many years. And this, at least for him, is the excuse that he goes back into fencing to help his wife. How much does she actually know about his alternate life here? Because she's away. She goes on business trips. But how is she not aware that this is what's happening?
Colson Whitehead
Well, you know, she'll go away for business and come back and he's been beaten up and you can only say, you've been mugged so many times. And so, you know, she sort of looks the other, looks the other way. She understands his, you know, his real character and gives him some leeway. I've committed to writing about 30 years into someone's life, and that means they're their spouse and their kids as well. And so Elizabeth starts off working in a travel agency, a green book type travel agency, takes her own business on as a female entrepreneur in the late 70s, early 80s, can't get loans. And so I'm trying to bring in her sort of feminist struggle and depict that too. That was going on at the same time as all this other stuff in
Bianna Golodriguez
the book and their two children, John and May. John's in college and May spending time overseas in Europe. As a father yourself, I'm wondering how much you reflect on how your kids see New York today versus the New York that you grew up in. And how do we see that through the lens of May and John's relationship in the city.
Colson Whitehead
Well, I think they're eager New Yorkers, you know, it's a very special place to grow up. And I'm glad that they had that experience. I was more free range in the 70s. You know, we don't just let them loosen Central park like. Like we used to. But, you know, I definitely use some of my own empty nest feelings to animate Ray Carney. My oldest, went to college, and definitely the house is a little more empty. And you have to face, you know, the fact that things are changing and you're getting older and your kids are
Bianna Golodriguez
moving on the book in terms of the reviews, which have been phenomenal. So congratulations on that. But they tend to call your Harlem books nostalgic. You tell it all, though. The rats, the sewers, the garbage, the crime. Is nostalgia the right word here? Because on the one hand, it does seem to be a love story to a city that is like no other. But you don't hold back either.
Colson Whitehead
No, I'm trying to be truthful. It's a valentine, but also with a body count. And so I'm not shying away.
Bianna Golodriguez
I love that line.
Colson Whitehead
I'm not shying away from how the city actually is. It's beautiful and also tragic. It'll chew you up, but also lift you up. And that churn, that energy of the city is what I love about it. And if I can depict it, I'm doing my job.
Bianna Golodriguez
You write justice. Carney has never seen the thing in his whole life and didn't know what it looked like. Revenge, plenty. But justice? Not once in all three books. Carney has never seen justice, only revenge. Is that Carney's conclusion? Is it yours?
Colson Whitehead
Well, you know, I'm sort of. I'm a glass half empty kind of guy. I have to adopt different philosophies depending on who I'm seeing the world through, whether it's Carney or Pepper. Definitely Ray has a different idea of justice. To answer your question. Yeah, I think so. I think so.
Bianna Golodriguez
Well, the trilogy ends where it begins, with Freddie. The cousin that Carney couldn't save, is rescuing Robert. Carney's shot at redemption here.
Colson Whitehead
Robert is Freddy's son, Carney's nephew, and he failed to save his cousin in the Harlem Shuffle. Thirty years later, he's faced with the same situation. Robert has gotten himself into trouble. And the question is, yes, can he right this wrong? Is he responsible? How much is Robert in control of his fate? And so that's where we find Ray again at the end of this trilogy, reenacting some of the primal questions from the first book.
Bianna Golodriguez
And throughout the book, Ray Carney keeps staring at a poster for Escape from New York. And this is the 1981 dystopia thriller about a lawless future city. Does Carney actually want out of New York or is this always going to be where he stays?
Colson Whitehead
He's always walking through the city and seeing ads and posters and ruminating. And so when he sees the poster for Escape From New York, 1981, you know, he's a die hard New Yorker. So he's like, how could you escape from New York and where would you go? Like, you know, he's perplexed. And so we keep coming back to this question, can you escape yourself? Can you escape your hometown, who you are? And he's trying to figure that out.
Bianna Golodriguez
So you've written about the 60s, 70s, 80s. So much happened in the city in the 90s as well, in the early aughts in particular. Any more? Any more books coming about New York in particular in those eras?
Colson Whitehead
I have an idea now for something that takes place in the early 20th century. So going back again, the closer I get to the present, you know, I feel like I've done that in my earlier books. And so going back into the past and writing historical novels has been really rejuvenating for me. I can't rely on my rhetorical props or my ideas of how we live now. So writing about the past really pushes me to get out of my comfort zone.
Bianna Golodriguez
Well, keep writing, keep writing. It makes us happy to read your work. It some are calling this the book of the year. So congratulations. It has been quite a journey to follow you and to follow Ray Carney and his story as well.
Colson Whitehead
It's been a lot of fun.
Bianna Golodriguez
Thank you so much for joining us and stay with cnn. We'll be right back after the break. The U.S. supreme Court has become one of the most powerful and polarizing institutions in American life. From abortion and presidential power to guns, its decisions have reshaped the country. But today's conservative majority did not emerge overnight. According to veteran legal journalist Peter Kanellis, it is the culmination of a decades long movement that transformed the federal judiciary. Michel Martin spoke with Kanellis about his new book revenge for the 60s, and what this year's Supreme Court term reveals about the court today.
Peter Kanellis
Thanks, Biana. Peter Kanellis, thank you so much for talking with us.
Michelle Martin
Thank you, Michelle.
Peter Kanellis
The Supreme Court just wrapped up another consequential term, your new book, revenge for the 60s. Revenge for the 60s, that's important. Sam Alito and the Triumph of the Conservative legal Movement examines the forces that shaped today's courts. Before we get into the book, how would you sum up this term? Was there a through line for you as a person who's been watching the court for a long time?
Michelle Martin
Well, this was the term where we were going to find out if the conservative justices were going to truly be a bulwark against President Trump's desires to stretch his executive authority. I think it's fine to say his dictatorial ambitions. He's used that term himself. And it's always been a question, would the conservatives justices who came from a very different place, they are a conservative influence under society, but they're not the same as maga. Would they rein in Trump? And I think the answer was a partial yes on the birthright citizenship case, on tariffs. In a few instances they did, but Sam Alito did not. And Sam Alito kind of led a dissenting opposition on that score. That sets him up as kind of the pro maga justice in a way. So I feel like we got an indication that the conservative justices are willing to be tough on Trump, but it's sort of going to be deferred, I think, until the next term and perhaps even the term after that to see just how much of a bulwark against Trump they will be.
Peter Kanellis
You know, your book is so interesting because it's not a conventional biography. Most biographies kind of weave in the significant events of the person being profiled, life, but the person is foregrounded. Your book is kind of the opposite because you use the life and career of Justice Alito to tell the story of the movement that shaped him, which is fascinating. You actually start out with the legal theory that Sam Alito is most identified with, which is originalism. You say he wasn't the first self described originalist to join the Supreme Court, but he was the most emblematic. First of all, what is originalism? And then, of course, I'm going to ask you to tell me why Is he the one that helps us understand what it means?
Michelle Martin
Yeah, well, I think that your question is generated because my impetus for writing the book was to write about the rise of the conservative legal movement. The conservative legal movement in 40 years has really taken over our justice system. There's a 6 to 3 majority on the Supreme Court. There's close to a majority among all federal judges. When you think of all of the landmark changes of the last few years in affirmative action, in voting rights, in abortion, you know, EPA and the ability of independent agencies to regulate the economy, this is a sea change in American lives. And it did not come about because the American people changed their minds. Right. The poll numbers are almost the same as they were 40 years ago on all of those issues. It's the port that's changed. And this has been a very successful, very disciplined movement that has succeeded in doing something we've never seen before in our history, to have an actual movement come in and take over. So the reason that I, San Belito was not the first originalist, but he's the first to come out of this pipeline is that 40 and 50 years ago, as this movement was getting started, one of the goals was to create a sort of regular pipeline of reliable conservatives. You may remember that a lot of the Republican appointees had been accused of sort of going native in Washington and becoming liberals and things like that. And so the goal of this movement, whether it came through the Federalist Society, but also through Ed Mises term as Attorney general and many of the leaders, Leonard Leo, who has driven this movement, the goal was to take people when they are young, as far as young as law students, have them become believers in a sort of originalist philosophy which has an intellectual appeal and came out of it, and then qualify them at a very early age and put them on a path that can lead them to the Supreme Court.
Peter Kanellis
So let's go back to this whole question of originalism. How did originalism start?
Michelle Martin
Yeah, well, I think, I mean, one aspect of the revenge for the 60s was conservative anger at the Warren Court. Now the Warren Court was not a group of all self described liberals who were part of a movement who were appointed to bring about a certain result. They were white men until Thurgood Marshall joined and they had come up to court, majority of them Republican appointees from all these different walks of life. But they sort of coalesced at a moment of great social change and they liberalized the law in a lot of ways, starting with Brown versus Board of Education, the desegregation case in 1954. And even though Chief Justice Warren had retired by that time, it sort of ended in 1973 with Roe v. Wade. But during that 19 year period there were tremendous liberalizations in things like freedom from intrusive police searches and the Miranda warnings and separation of church and state. All of these things move to the left. And many conservatives felt with some degree of conviction that the court was taking on this central role in American life and these unelected judges were pushing things to the left. So part of their movement was we need to set some boundaries around the court and the law and that's when originalism came in. It's like we should not be looking at the Constitution as a living document the way some liberals do. And we should not be looking at these open ended provisions in the Constitution like the liberty language of the 14th Amendment, which was where Roe v. Wade was sort of found. We should be thinking more about the original intent or the original meaning of the Constitution and setting some real boundaries in terms of reading the text of the Constitution and being rigorous about what these provisions were meant to say and what they were not meant to say. That's where originalism came out.
Peter Kanellis
So tell me about Sam Alito. Tell us a little bit about his background and why was he attracted to originalism?
Michelle Martin
Well, I think that San Alito is emblematic of the larger group of people that have been driving the conservative legal movement. And when you trace it all back, a disproportionate number of them come from the great wave of European immigration that occurred in the 20th century. These were not rich people generally. They were people who went to public school education. They were taught the sort of greatness of the Declaration of Independence, the greatness of the Constitution. If you're a kid like San Alito, whose parents were and grandparents were Italian immigrants and had faced a fair amount of discrimination and poverty and deprivation, but told him they did it all for him so that he would have a be able to live up to his full potential as an American. And then you have the. Add to that the patriotism of the Cold Warrior. Add to that the regular churchgoing moral values of the Catholic Church. And it became in his mind this kind of American tradition that he honors and that he wants to see enforced under the law. When he was 18, he was the valedictorian of his high school. He was the head of the student council. He was the leader of the. The editor of the college newspaper, the student or the high school newspaper. But everything started to change right at that moment. That's when you had the Martin Luther King riots in Trenton, a particularly violent set of riots right after the assassination of Dr. King, in which a whole swath of Trenton was destroyed, in which a young activist, actually a peacemaking activist, was, was killed by police. It was a very dramatic, traumatic kind of event. And you see in the very last issue that he was the editor of the college newspaper, a sort of cry from the heart editorial decrying the anarchy. Going to Princeton, he felt very successful. But it was a time of great turbulence, right? He was the last all male class to enter Princeton. And by sophomore year when women arrived, it was the social life of campus changing. Conversations were about things like, like contraception, abortion, you know, couples of premarital sex. And he was forced to defend in these sort of dorm room bull sessions, you know, his conservative values, his, his Catholic based conservative values. And you know, people say that was, that was discomforting for him. His classmates say that in addition, he was in ROTC. He was one of 27 students in the Army ROTC at a time when the Nixon administration invaded Cambodia. And this was a dramatic escalation, seen as an escalation of the fighting in Viet Vietnam. There was a massive student demonstration, massive student strike. Exams were canceled. And for the first time people said they saw Alito offering political opinions and he was upset, he felt injured that exams were canceled because he had studied up and he was going to get straight A's in his mind and that's what he needed to do to get ahead. And here are the faculty and students canceling and saying there's a larger issue here. So I think some sense of needing to rein in these forces of social change came out of that era. I also think for Alito and for other people, you know, keep in mind these are the meritocrats. These are the people carrying with them the hopes and dreams of their parents and grandparents. And they saw, I think for the first time that they were at odds with their generation.
Peter Kanellis
So one of the ways that people may associate Sam Alito with this conservative legal movement is his opinion in the Dobbs case. This wasn't just a decision of one case. This was, as you argue it, the culmination of this 50 year project. So could you just talk about that decision and talk about how it, why it's so important to the argument you're making about the sort of the trajectory of the conservative legal movement?
Michelle Martin
Yes.
Peter Kanellis
Yeah.
Michelle Martin
So when you look at the Dobbs decision, the first third of the Dobbs decision is him talking about the great moral divide of abortion and portraying it as a moral issue and things like that. I think that that was aimed at separating abortion from some things that maybe one of those justices keep in mind it was a 5 to 4 decision because Roberts was not on board with that. Maybe one of those conservatives was saying to him, look, we don't want to set a precedent that's going to get like contraception overturned or interracial marriages overturned or we're going to get the same sex marriage case overturned. And Alito was saying, no, we can make a moralistic case that abortion is unique, abortion stands alone. As this great divide. When Roe v. Wade came down, he was a first year student and he says from day one, Roe v. Wade was an offense to the Constitution. It was wrong, wrong, wrong right from the start. And that obviously was aimed at another one of the conservative justices probably, who was saying, well, I listened to Chief Justice Roberts here, and Chief Justice Roberts says we shouldn't be overturning a 50 year precedent just because we think it's wrong. We decided, you know, the proper posture is to stand by the decision if it's now become sort of ingrained in society and kind of move on. And Alita was like, no, we can overturn this if it was absolutely wrong from the start. As people would say, maybe Plessy Ferguson was wrong from the start. So that's what the middle part of that decision is. So when you say it's a culmination, and I say that it's a culmination of a 50 year project, I think that there was a time, particularly right after the Robert Bork defeat in 1987, when there was a fusion between the legal critics of Roe v. Wade and the moral critics of abortion. You know, the religious right, the pro life movement. They, they cottoned onto the idea that the conservative jurists were skeptical of Roe v. Wade. And they provided a lot of the political impetus that KE Republican presidents like George W. Bush dedicated to appointing these proven conservatives onto the bench. And to some extent, I mean, we all lived through that period, right? Proven conservative tended to mean skeptic of Roe v. Wade. It was never absolutely clear that they were going to be able to overturn Roe v. Wade. But Alito carried the day he wrote the opinion. It was a landmark opinion. It shows in my mind first how influential San Alito is in our lives and how central he is to. To our lives right now. You think of how influential that that case was.
Peter Kanellis
Did your view of Justice Alito change over the course of reporting this book?
Michelle Martin
It did, and it changed in two separate ways, one positive and one negative. The, the positive one was when you go back and you read, learn about him and his upbringing and think, you know, things do make sense. There was an earnest young man in there somewhere. There was somebody who was polite and kind of played by the rules as they saw the rules. Somebody who's loyal to his family, somebody who believes in his own ethnic group and feels their injuries very closely after he got on the Supreme Court, after the confirmation hearing. And it was a confirmation hearing at which Alito himself repeatedly emphasized the importance of a judge not having an agenda. There's a quote on the wall of the George W. Bush Presidential Library from Alito saying a judge cannot have an agenda. The judge's responsibility, and it is a solemn responsibility, is rule of law and to coming up with a correct outcome. That is all a judge to do. I mean, Alito repeatedly made those kinds of statements during his confirmation process and then has emerged as a very controversial justice, sometimes expressing anger, sometimes going outside of the courtroom to offer opinions at his federal society speeches, sometimes taking on his colleagues on the bench and others. He's become an actor, and there's a contradiction there. And we can spin it out in many different ways. There are legalistic ways to describe it. There are political ways to describe it. But he has become an actor on the American stage. And he started off by temperament, by personality and by his own statements as saying he would not do that. So in that way, my opinion from him has become more critical in terms of looking at where he came from and the sincerity of his early years. It became more positive.
Peter Kanellis
Peter Knos, thank you so much for talking with me.
Michelle Martin
Thank you so much, Michelle. It was a pleasure.
Bianna Golodriguez
And that's it for now. Thanks so much for watching. And goodbye from New York.
Michelle Martin
Go inside the sports moments that brought
Colson Whitehead
us together and made history, from the
Michelle Martin
underdogs to the rivalries and the miracles. The new CNN original series, decades in Sports Watch back to back, premieres August 2nd on CNN. And next day on the CNN App.
This episode of Amanpour, hosted by Bianna Golodriguez (sitting in for Christiane Amanpour), explores the interlinked global crises of hunger, conflict, and humanitarian aid with Carl Skau of the World Food Programme; dives into the living memory and literary vision of New York with Pulitzer Prize-winning author Colson Whitehead; and examines how the conservative legal movement reshaped the U.S. Supreme Court, with legal journalist Peter Kanellis (interviewed by Michelle Martin). The discussions are wide-ranging, passionate, and urgent, covering how global strife and shifting legal doctrines have reshaped lives everywhere.
Main Theme:
A tense discussion on declining hunger statistics masking an acute crisis fueled by conflict, dwindling resources, and war-driven disruptions of vital global shipping.
Progress is Uneven and Fragile ([03:59]):
Sudan: Modern Catastrophe of Displacement and Scarcity ([04:58]):
Global Donor Fatigue and The Need for Political Action ([07:29]):
Gaza and the Middle East: Humanitarian Progress Amid Precarious Ceasefire ([09:17]):
West Bank: Overlooked Food Crisis Amid Political Turmoil ([11:07]):
Ukraine: Humanitarian Workers Targeted, Supply Disruption Spreading ([11:48]):
Shipping Choke Points: Red Sea, Black Sea, and the Strait of Hormuz ([14:03]):
Climate Change: El Niño and Multilayered Agricultural Crisis ([16:23]):
Silver Linings: Latin America’s Progress and School Meals ([17:08]):
Main Theme:
Celebrating and interrogating the soul of New York through crime fiction, Colson Whitehead closes his Harlem trilogy with “Cool Machine”—a sweeping portrait of metamorphosis, ambition, and moral ambiguity.
Why a Trilogy? Scale, Evolution, and the City as Character ([19:49]):
Personal Reflection and Research ([21:30]):
Complex Protagonists: Carney and Pepper ([23:39], [30:49]):
Changing New York: The City’s Metamorphosis ([24:31], [25:33]):
Nostalgia vs Reality ([33:25], [33:51]):
Justice, Revenge, and Redemption ([34:14]):
Escape and Belonging ([35:31]):
Looking to the Past and Future ([36:20]):
“New York City in 1981. The city that year was true to its personality as malformed across the centuries. ... It was dirty and sick and plain spoken in its threats. ... How am I doing? The same as everyone else. Tired, banged up, but staggering forth somehow.”
Main Theme:
Exploring how decades of ideology, organization, and reaction to the 1960s shifted the Supreme Court to the right, culminating with the Dobbs decision and the role of Justice Samuel Alito.
Supreme Court as a Seat of Power and Contestation ([37:09]):
Recent Court terms reshaped the country on abortion, executive power, and more; this conservative dominance is the result of a long project.
The Book: ‘Revenge for the 60s’ ([37:59]):
Originalism: Ideology and Reaction to the Warren Court ([42:13]):
Justice Samuel Alito: Personifying the Movement ([44:12]):
The Dobbs Decision: Culmination of Decades of Planning ([47:41]):
Kanellis’ Perspective Change on Alito ([50:47]):
Sea Change Not from the Public, but the Bench ([41:42]):
This episode connects the fragility of global humanitarian progress with the forces—political, economic, legal, and cultural—that shape both suffering and hope. Across continents and through decades, from the distribution of food to the fate of nations’ laws and the spirit of cities, Amanpour reveals the intertwined destinies of millions and the individuals—aid workers, writers, jurists—whose choices carry immense consequence.