Lindsey Graham (6:37)
From Wondery I'm Lindsey Graham and this is American Scandal. By the summer of 1928, Georgia Tann had been in Memphis for four years. She had initially been employed as a fundraiser for the Tennessee Children's Home Society, but had quickly decided that was not enough for her. So she cultivated connections with local power brokers like Judge Camille Kelly and Edward Boss Crump and used them to seize total control over the Memphis branch of the charity. Tann didn't just want to help children who had lost their parents or been abandoned by them. Instead, she was convinced that America would be better off if the poor and undereducated gave up their children to richer families. Having taken charge of the TCHS in Memphis, she could put those beliefs into practice. But Tann could not do it alone. Back home in Hickory, Mississippi, she had taken two children from an impoverished widow and placed them in new homes with the help and protection of her judge father. Now that Tann was in a different city in a different state, she would need a new network of accomplices. This is episode 2 Supply and Demand It's a Sunday morning in late November 1929 on a suburban street in Memphis, Tennessee, 44 year old Aubrey Clapp unloads wooden crates full of milk bottles from the back of a truck. The sound of clinking glass echoes down the quiet street as Clapp carefully stacks the crates underneath a folding table he's positioned on the sidewalk. Once everything is in place, Clapp then hangs up a sign that reads Free Milk Then he waits. This is Clapp's second week running this stand, and he knows it won't take long, because once word gets out that he's here, people will rush over to get their hands on free milk. Memphis residents generally aren't wealthy anyway, but ever since the stock market took a turn in October, it seems like everyone in the city is worrying about money. And sure enough, it's not even 8 o' clock in the morning when people start approaching Clapp. He's only too happy to hand them a bottle of milk. But first, he takes down their information. In a ledger. He notes their name, address, occupation, and the ages of any children they have. No one seems to think twice about giving up their personal details in exchange for free milk. And Clapp doesn't either. He's just following the instructions he's received from Georgia Tann of the Tennessee Children's Home Society. She's the one who asked out to find out about people's children in particular. And when Clapp is done for the day, he'll file away his notes to deliver to Tann later in the week. Whether he knows it or not, Clapp is one of Tann's most useful early accomplices in Memphis. The information he collects helps her to identify children in need of her unique brand of help. But by 1929, Tann has no shortage of struggling families to choose from. October's stock market crash has unleashed a wave of economic devastation that's sweeping across America. The steep rise in unemployment at the beginning of what will be called the Great Depression leaves many families in Tennessee struggling to make ends meet. Desperate to put food on the table, increasing numbers of parents turned to charities for aid, and some even place their children in the temporary care of orphanages. But seeking help only exposes these families to a different threat. Tan has built a small army of spotters at local charities and orphanages. It's not just men like Aubrey Clapp. It's nurses, doctors, and social workers, too. They all know who to call when they come across a vulnerable child, because Tann seems to have a gift for finding these children new homes. But of all Tann's allies, Judge Camille Kelly is the one who's most important. Kelly has overseen the juvenile court in Memphis since 1920. She had no legal experience before being elected as a judge, but she insists what she lacks in formal training she makes up for in motherly instinct. She doesn't wear a judge's robe and instead prefers long silk dresses and fur coats. And her courtroom is always filled with a Large display of flowers. She says it's meant to reassure the children she deals with and make the legal system seem less intimidating. But in fact, it's more like a disguise. In private, Kelly shares Tan's belief that poor and uneducated parents have no business raising families. So she's happy to sign all the paperwork necessary to terminate their parental custody and transfer their children to the care of the TCHs. And with spotters spread across Memphis and a sympathetic judge at the local juvenile court, Tan has created a machine for seizing vulnerable children from their parents and granting herself power over their futures. But if anything, her methods are proving too effective. Soon, the 38 year old tan is responsible for more children than even she can manage. And with the boarding houses and orphanages she uses beginning to fill, it's a problem she has to solve fast. It's a little over a week before Christmas, 1929, in Georgia Tann's dimly lit office in downtown Memphis. The crowded room is dominated by a heavy oak desk piled high with stacks of papers, adoption records, letters and legal documents, all meticulously filed. Seated across from Tann, 23 year old Ada Gilke listens intently, her notebook resting on her lap. As one of the few female journalists at the Memphis Press Scimitar, she's used to being overlooked in the newsroom and is often dismissed as the little girl reporter. But Tan has always taken an interest in her career, and the two become friends. Well, I've asked you in, Ada, because, well, I wanted to talk with you and not one of your male colleagues. This is about children. And to be honest, we both know women understand these things better than men. Well, of course. What can I help you with? It's your readers help I really need. The TCH cares for the most vulnerable children in society, but we're running out of places to put them. Memphis orphanages are full to bursting, and the local boarding homes we partner with are starting to turn us away. Oh, that's awful, Georgia. And so close to Christmas. That's exactly it. Of course, we'd like to make the season special for the children, but I just don't see how we can under these circumstances. I'm sure you can imagine just how expensive it is to house, feed, clothe and educate so many. So the society is in need of donations? Well, yes, and I was hoping I could persuade you to write a little article about us, encouraging your readers to open their hearts and wallets for a good cause. The more support we receive, the more children we can help. And just look at these sweet Faces. Tan reaches into a drawer and pulls out a file of photographs. She hands it to Gilke, who flips through the black and white images of plump cheeked babies and wide eyed toddlers. Oh, they are darling. I just think they deserve a happy Christmas as much as any other child. Well, you know, what would you say to having these pictures in the paper? My editor is always looking for feel good stories this time of year, and I'm sure it would encourage donations to see exactly who would be benefiting. Maybe it'd even inspire a local couple to consider adoption. Wow, that would be wonderful. Obviously it wouldn't be the child in the photo that they'd adopt, but we could put a face on the idea, you know. Well, why couldn't it be the child in the picture? These little ones are all available for adoption? Well, I suppose so. If someone's drawn to a particular face, they could call you directly. But what if we made it a feature? We could showcase an especially attractive child. It could be like a sweepstakes, only instead of a Christmas ham, your readers could win a beautiful child. Oh, that's brilliant. I think our readers would love that. And I bet my editor will too. That afternoon, Gilke writes up an article announcing that the Tennessee Children's Home Society will give away 25 children to Lucky local families on Christmas Eve. The story is published the next day under the headline want a real live Christmas Present? Interested parties are instructed to write to the Press Scimitar adoption editor with their details. But some people aren't patient enough for that, and the paper's newsroom is soon inundated with telephone calls from would be parents. Realizing that the story has captured his reader's attention, Gilke's editor decides to ramp up the coverage. The very next day, the Press Scimitar publishes a photograph of a different child, calling her a living doll and urging people to put their order in early. Similar articles continue over the following week. And each day the list of hopeful new parents grows. By December 25, all the children in the giveaway are spoken for. As far as Tan is concerned, it's a Christmas miracle. Thanks to the success of the baby giveaway, Tan enters 1930 with a long list of people who are apparently eager to adopt a child. But as Tan tries to match them with the children in her care, it soon becomes clear that many of these hopeful parents aren't just interested in any child. They have requirements. Newborns are the most popular, of course, and girls are generally preferred to boys. But some people don't stop there. Some even specify certain hair colors or facial features. Tan wants to encourage interest in adoption, especially from the better off, so she tries her best to meet these requests. She starts spending long days at local orphanages and boarding homes, scouting and photographing children to present to these choosy prospective parents. And she's not above lying to make some of them seem more attractive either. The orphans are often described as the products of debutante mothers and pre med fathers who just aren't ready to become parents. The children become Jewish for Jewish parents or Catholic for Catholic parents, and Tan falsifies or alters birth records to make the children appear weeks, months, or even years younger than they are. But despite all her efforts, Tan soon sees that she can't meet the growing demand for perfect little babies with the children who are already in the system. If she's going to satisfy her new customer's demand, Tan will need to resort to more extreme tactics. It's spring, 1930, at a small farmhouse just outside Memphis. A young woman named Francie has just put her baby down for a nap and has come into the kitchen to put the kettle on the stove when a movement outside the window catches her eye. She pulls back the fraying curtain to see two cars pull up beside the house. The doors open and a group of people step out onto the lawn. Two men in shirt sleeves, two women in simple dresses, and a fifth figure who is clearly in charge. Broad shouldered and dressed in pants, this woman barely needs to speak a word before the others fall into formation around her. Unease settles in Francie's stomach. She calls out to her older kids to quiet down as she moves through the house to the front door. Then she steps out onto the porch, squinting against the morning sun, and asks the group how she can help. They all turn at once, their eyes settling on her. The woman wearing pants says something in a low voice to one of her companions and then dismisses them with a flick of her wrist. They split off, heading around the side of the house as the woman strides forward and introduces herself as Georgia Tann. She tells Francie that she's from the Tennessee Children's Home Society and she's come to take away Francie's children. Francie blinks because none of that makes sense, but Tan is insistent and seems to know all about Francie's family, how many children she has, how old the baby is, how tight their finances are with her husband out of state and looking for work from inside. The kettle begins to whistle, and the shrill sound rattles Francie's nerves. She steps back inside telling Tan that she can leave because her children are going nowhere. But as she reaches the stove, the she hears the creak of floorboards behind her. Turning, she sees Tan standing in her kitchen, uninvited. Tan pulls a paper from her purse and thrusts it forward. Francie takes it reluctantly. It's an order signed by someone named Judge Camille Kelly. Tan then tells Francie that because she provides such a poor home environment for her three children, the judge has authorized the tchs to remove them for their own safety. Suddenly, a loud scuffle erupts from the back of the house, crashing footsteps and panicked little cries. The unmistakable sound of her children screaming. Francie rushes toward the hallway, but Tan blocks her path. Since she hasn't surrendered them willingly, Tan says her associates are taking the children by force, and Francie's pulse begins to pound in her ears. She barely hears what Tan is saying as through the open doorway, she catches a glimpse of her children being carried out the back door, their tiny limbs flailing and their faces red with terror. Francie lunges forward, but Tan doesn't move. Francie can only watch helplessly as her children are bundled into the backseat of a car. Tan then tilts her head, watching Francie with curious detachment. Then, just before turning to leave, she offers Francie a cold smile and tells her to stop crying. This is all for the good of the children, and if she were a better mother, she'd understand that American scandal is sponsored by Selectquote. 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