All in the Family with Mireille Enos... (S2 E15 "Shortcomings")

Summary

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Are You A Charlotte? – S2 E15 “All in the Family with Mireille Enos”

Podcast: Are You A Charlotte?
Host: Kristin Davis
Guest: Mireille Enos
Episode: S2 E15 "Shortcomings"
Release: September 22, 2025

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Episode Overview

This episode of "Are You a Charlotte?" reunites Kristin Davis (Charlotte York from Sex and the City) with actress Mireille Enos, who appeared in the show's second season. They reflect on the episode "Shortcomings" (S2 E15), sharing behind-the-scenes memories, the impact of early roles, and the perennial themes of family—both biological and chosen—in Sex and the City and beyond. Their conversation weaves in the interconnectedness of the acting world, friendship, self-expectations, and the show’s legacy.

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Key Discussion Points & Insights

1. Mireille Enos’ First TV Gig

• Mireille’s Start

  • Mireille recounts her humble start in New York City, waitressing and working as an art model before landing her very first paying job: a one-line role in Sex and the City (04:58).
  • Quote: "The first audition [my agent] sent me out on was this... Sex and the City one line. And I booked it and it was my first paying job in New York City!" — Mireille Enos (05:36)

• Getting a SAG Card

  • Mireille had to scramble to pay her union dues, borrowing money from her parents to join SAG and accept the role (05:44).

• Impactful Day on Set

  • She describes the set as welcoming and positive for a newcomer (06:37).

2. Rewatching “Shortcomings” — Episode Breakdown

• Valerie Harper’s Guest Star Role

  • Both discuss being starstruck by the presence of Valerie Harper, who was so important to previous generations as Rhoda (07:07).
  • Quote: "In some ways kind of almost a blueprint for Sex and the City in a certain way at a different time... It meant so much to us to get Valerie Harper." — Kristin Davis (07:25)

• Justin Theroux’s Double Appearance

  • Kristin marvels that Justin Theroux played different similar “writer” roles in both seasons one and two (08:11, 14:35).
  • Quote: "I had vaguely, vaguely remembered that, but I’m not working with him. But I know him. He’s such a lovely guy. And I had completely forgotten about their rather embarrassing storyline." — Kristin Davis (07:51)

• Indie Film Directors’ Influence

  • The episode was directed by Daniel Algrant, part of a period when indie and Sopranos directors mixed into the show’s creative team (08:33).

• Behind the Scenes: Remembering Cameos

  • Kristin did not recall Mireille’s appearance until her producer pointed it out—emphasizing how massive the show became and how little the actors saw of scenes they hadn’t filmed (09:35).

3. Six Degrees: Interconnected Lives

• Alan Ruck & Matthew Broderick Connection

  • Mireille’s husband, Alan Ruck (Cameron from Ferris Bueller’s Day Off), has worked with Matthew Broderick (Sarah Jessica Parker’s husband), highlighting the tight-knit circles actors move in (11:19).
  • Quote: "So they were already friends when they shot that film. And I feel like you can really feel that in the chemistry..." — Mireille Enos (12:06)
  • Quote: "I love the interconnectedness of all of us over time. And... the HBO of it all is hysterical." — Kristin Davis (12:49)

• On Long-Term Friendship

  • They discuss how rare and cherished it is for actors to build relationships that last through decades of work together (13:15).

4. Themes of Chosen Family

• Sex and the City’s Innovations

  • Kristin highlights how early the show foregrounded “chosen family,” with friends standing in for biological family—something revealed in this episode’s focus (18:27).
  • Quote: "The theme of this episode... is family is difficult, and family is also your chosen family. Chosen to be your family, which I love so much." — Kristin Davis (27:13)

• Charlotte’s Storyline

  • Charlotte’s brother's divorce acts as a plot device to examine familial obligations, the awkwardness of mixing family and friends, and Charlotte’s commitment to marriage as an ideal (25:00).

• Friendship Tension

  • The uncomfortable moment when Samantha sleeps with Charlotte’s brother, and Charlotte’s uncharacteristically harsh rebuke, is discussed as an early example of the risks inherent in close female friendships (26:14–27:13).
  • Quote: "It's so incredibly risky to say something to your girlfriend... That can be the end of a friendship." — Mireille Enos (28:46)

5. Female Friendship — Past and Present

• Evolution of On-Screen Female Bonds

  • The hosts reflect on how Sex and the City helped normalize and celebrate female friendship, arguing that it’s more openly discussed and respected now (27:54).

• Vulnerability Among Women

  • They consider the difficulty, and necessity, of honesty in women’s friendships, especially at the risk of conflict or loss (28:45).

• Quote: "Female relationships can be really tricky... As you go through the different stages, it's not so easy." — Kristin Davis (29:23)

6. Miranda’s “Shortcomings” Plot: Divorce, Dating, and Parenting

• Miranda’s Gym Romance

  • The depiction of Miranda dating a single father, complete with the absurdity of bringing a child on a first date, is both funny and telling of the times (31:36–34:02).

• Reflections on Outdated Dialogue

  • The hosts cringe-laugh at the episode's now-dated references (e.g., single parents being “used”), acknowledging how perspectives have changed (35:44–36:41).
  • Quote: "Just because somebody has been married... anyone who has been in a long term relationship—is used? There’d be no one left!" — Kristin Davis (36:16)

• Miranda as Foreshadowing

  • Mireille points out that this “crumb” of a storyline foreshadows Miranda eventually becoming a single mom herself (45:09).

7. Expectations, Aging, and Growth

• The Pressure of Expectations

  • Both share personal reflections on how their expectations—in their 20s, 30s, and now—parallel the journeys of SATC characters, and how letting go of rigid definitions of happiness leads to growth (47:45–49:22).

• Character Arcs and Life Lessons

  • Charlotte’s evolution from clinging to ideals to finding happiness in unexpected ways illustrates the show’s depth and realism (49:36).
  • Quote: "Her ability to roll with it, you know, brings her depth and wisdom and changes her focus." — Kristin Davis (49:22)

• On Endings and Fan Reception

  • They discuss fan reactions to the endings of both series, and how cultural context shapes what viewers want or notice (49:45–51:00).

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Notable Quotes

| Timestamp | Speaker | Quote | |-----------|----------------|----------------------------------------------------------------------------------------------------------------| | 05:36 | Mireille Enos | "The first audition he sent me out on was this... Sex and the City one line. And I booked it and it was my first paying job in New York City!" | | 07:25 | Kristin Davis | "In some ways kind of almost a blueprint for Sex and the City in a certain way at a different time... It meant so much to us to get Valerie Harper." | | 12:06 | Mireille Enos | "So they were already friends when they shot that film. And I feel like you can really feel that in the chemistry..." | | 13:15 | Kristin Davis | "That is, I think, one of the joys of our job. When you're in a career long time, that just happens... you work with each other's spouses." | | 27:13 | Kristin Davis | "The theme of this episode... is family is difficult, and family is also your chosen family. Chosen to be your family, which I love so much." | | 28:46 | Mireille Enos | "It's so incredibly risky to say something to your girlfriend... That can be the end of a friendship." | | 29:23 | Kristin Davis | "Female relationships can be really tricky... As you go through the different stages, it's not so easy." | | 36:16 | Kristin Davis | "Just because somebody has been married... anyone who has been in a long term relationship—is used? There’d be no one left!" | | 49:22 | Kristin Davis | "Her ability to roll with it, you know, brings her depth and wisdom and changes her focus." |

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Timestamps for Important Segments

• 04:21 – Mireille Enos joins and discusses her role as a “one-liner” in SATC
• 06:47–07:49 – The excitement of working with Valerie Harper and industry icons
• 09:54 – Kristin recalls first recognizing Mireille in “The Killing”
• 11:19–12:49 – Matthew Broderick, Alan Ruck, and the “six degrees” of Hollywood
• 13:29–14:18 – The ongoing joys and surprises of working long-term in TV
• 18:27–19:50 – “Family” as a central theme in “Shortcomings”
• 25:00–27:13 – Charlotte’s brother storyline and female friendship friction
• 31:29–37:08 – Miranda’s date with a single dad, parenting foibles, and dating in the city
• 47:45–51:00 – Reflections on expectations, aging, and the arc of personal growth

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Memorable Moments

• Mireille’s SAG story: Her frantic scramble to join the union for her first job, making the role unexpectedly momentous.
• Charlotte’s harshness: Kristin’s self-aware analysis of Charlotte’s “harsh” moment with Samantha—breaking out of Charlotte’s typical genteel boundaries.
• Dating and parenting chaos: The hosts' delight at the chaotic date storyline, with Miranda enduring the comedic perils of dating a single, clueless dad.
• Cultural changes: Both hosts marvel at how much relationship norms, perceptions of single parenthood, and the value of female friendship have changed since the show originally aired.
• Generational shift: Touching reflections on living out expectations versus adapting to life’s realities and the blessing of aging without the anxiety of youth (47:45).

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Tone & Style

• The entire episode is light, humorous, and deeply nostalgic—filled with honest, often self-deprecating industry anecdotes.
• The conversational style mirrors the warmth and wit for which Sex and the City is known, with Kristin Davis acting as both insightful host and affectionate storyteller.

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Conclusion:
This episode brings together deep personal stories, TV history, and cultural analysis, offering a window into Sex and the City’s enduring impact. Through charismatic banter and thoughtful reflection, Kristin Davis and Mireille Enos celebrate the show’s legacy of female friendship, the realities of family, and the unpredictable joy of life’s interconnected paths.

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Transcript

[Mireille Enos]

This is an iHeart podcast.

[Kristin Davis]

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[Kristin Davis]

Hi, I'm Kristen Davis and I want to know, are you a Charlotte? Hello. Hello. We are back with Are youe with Charlotte. We have a fantastic guest today. Her name is Enos. I think you will recognize her the, the fact that she was actually on Sex and the City is crazy.

[Mireille Enos]

A million years ago.

[Kristin Davis]

Yeah. It's so special and amazing and you know, it's fun for me because when they told me that, that you. Because they went, they looked at all the list of the names of everyone who was in the show and they were like, Miray, Enos. I was like, I, I, I, I, I guess, I mean, for me, I wasn't in that scene, right?

[Mireille Enos]

No. Yeah. Valerie Harper, Justin Theroux. I mean, it was such an incredible scene to be. This was actually a big moment in my life. So I had recently moved to New York. I was like waiting tables and being an art model and hustling. And I had recently there was an agent named Jim Flynn, who I hadn't even met Jim. I had met his assistant who had come to see a showcase and he had recently been given permission to sign for like actors for commercials or like three and under lines, whatever.

[Kristin Davis]

Right.

[Mireille Enos]

And, and so the first audition he sent me out on was this.

[Kristin Davis]

No.

[Mireille Enos]

Yes. Sex and the City one line.

[Kristin Davis]

Wow.

[Mireille Enos]

And I booked it and it was my first paying job in New York City.

[Kristin Davis]

Wow.

[Mireille Enos]

But I had to pay my SAG dues before I could walk on set. I had $3 in my bank account, so I was asking my parents to wire me the money. And all this stuff. And so all day long, this little newbie agent was, like, on the phone. And Jim finally was like, what the heck is going on? Who is this person? So this one line was my first paying job in New York. Got me my SAG card. And then ultimately Jim Flynn signed me, and he was my agent for all the years I was in New York. Oh, that's so nice.

[Kristin Davis]

That's a nice story. Can I say that? Everything about it. Of course, because, you know, what was going on in your life, that's so interesting. But when you look at yourself in that scene, you only have one line, but you're amazing.

[Mireille Enos]

Oh, you're sweet. Thank you.

[Kristin Davis]

And here you are with all these people, like wonderful people. Yeah, Incredible people. And was like, even with all this background going on, how was the experience?

[Mireille Enos]

It was. It was. I remembered it being a very happy day that everyone was kind and they were all just like, you know, actors and in there and telling a story and having some fun.

[Kristin Davis]

Right.

[Mireille Enos]

And of course, you know, I mean, second, the city is so iconic and the storytelling is so wonderful. And this episode, I mean, I've seen so many episodes from all the seasons, but this episode, I. I just rewatched, it really stands up. It was a really awesome episode.

[Kristin Davis]

It's super interesting.

[Mireille Enos]

It really is.

[Kristin Davis]

Yeah. I didn't even really remember it.

[Mireille Enos]

Yeah.

[Kristin Davis]

Like, I remember that Valeria Harper was on the show. We were so excited because all of us grew up, of course, with Mary Tyler Moore and Rhoda, for all of you youngsters, a fantastic kind of one of the. I mean, not original, I guess Lucille Ball would be the first female driven sitcom, but she was really. And pivotal in terms of young women. And she was a career woman. Mary Tyler Moore, Rhoda was her best friend. So it was in some ways kind of almost a blueprint for Sex and the City in a certain way at a different time. Right. So it meant so much to us to get Valerie Harper. I remember being so excited about that and kind of like starstruck and didn't know what to say. And Sarah Jessica was so excited, which I feel like you can see in those scenes.

[Mireille Enos]

Totally. Their scenes together are so wonderful.

[Kristin Davis]

They're really good. They're really good. And then we have Justin Theroux for the second time, which is kind of hysterical because this is the second season. And I had vaguely, vaguely remembered that, but I'm not working with him. Right. But I know him. He's such a lovely guy. And I had completely forgotten about their rather embarrassing storyline.

[Mireille Enos]

Yes.

[Kristin Davis]

I just remembered that he was on the show. You know what I mean? And the Valerie Harper's on the show. And then when I actually watched what they're talking about.

[Mireille Enos]

Hilarious.

[Kristin Davis]

It's hilarious, but also, like, so real.

[Mireille Enos]

Yes.

[Kristin Davis]

I mean, played for laughs, but yet still so real.

[Mireille Enos]

Yeah.

[Kristin Davis]

All right, so let's get. Get back to a little bit of details. So this episode is called Shortcomings, which is, you know.

[Mireille Enos]

Yeah, perfect.

[Kristin Davis]

Oh, God. It was directed by Daniel Allgrant, who's a really interesting director. And I honestly can't remember if he came back or not. He had done a movie in indie, I think it's called. Is it called Naked in New York? I should have asked you guys this before we started, get the producers to look it up. He had, you know, there was a time when we would get like indie film directors, especially first season, and he was kind of a second season version of that then. Also we're at this point getting a lot of Sopranos directors in the loop, so we've kind of got this interesting mix going on.

[Mireille Enos]

Yep.

[Kristin Davis]

Yes. Naked in New York, that was his indie film in the 90s. So I feel like, you know, people like, have a kind of an indie hit back in the day when you could have an indie hit, and then they're kind of like the hot ticket. This was Daniel All Grant, and he was very sweet. And this is written by Terry Minsky, which is also interesting because Terry Minsky wrote in the first season, yet was not on the set with us. And I think by the time you came, and I don't know if you would remember this, we had Cindy Shupak and Jenny Bixby were our supervising producers. Slash writers.

[Mireille Enos]

Right.

[Kristin Davis]

So they were around a lot. Right. I mean, probably so many.

[Mireille Enos]

Yeah.

[Kristin Davis]

It was.

[Mireille Enos]

It's such a blur.

[Kristin Davis]

Of course. Of course. So this is my Mirei story. So I did not remember that you were on our show. So when my producer said Mirei Enos was on your show, I was like, well, definitely call her. What on earth did she play? Because I don't remember. But, you know, when you're not there with other people, you don't always know what's going on in the story.

[Mireille Enos]

And plus you met a lot of people over the course of all those years.

[Kristin Davis]

Most definitely. And we didn't sleep, you know. But the reason that it was interesting is that when your show the Killing came on, I remember watching the opening sequence. You're running in that fisherman sweater. I believe you're in Vancouver on the edge of Stanley Park. A place we all know, all actors know. And I was like, I love her. And she seems so familiar. That was my thought.

[Mireille Enos]

That's so sweet.

[Kristin Davis]

And I watched it.

[Mireille Enos]

Yeah.

[Kristin Davis]

But you're very unique.

[Mireille Enos]

Thanks.

[Kristin Davis]

You know, and so specific. And when I see you in that scene. Cause of course, I'm waiting with bated breath the whole episode. Where is she? Where is she? Where is she? And then finally show up and you're just so interesting and so present.

[Mireille Enos]

Thank you.

[Kristin Davis]

And to think that that was your first job.

[Mireille Enos]

My first job in New York City.

[Kristin Davis]

Incredible. Your first job in New York City. I love that so much. And that's the joy of being on a show for a while.

[Mireille Enos]

That's right.

[Kristin Davis]

It's getting to see the talent that they were able to find and pull.

[Mireille Enos]

Well, especially a show cast in New York, which just feels like such a tight community of actors. And you see people that are on stage and then they're shooting an episode of a show and.

[Kristin Davis]

Yeah.

[Mireille Enos]

You see the same thing in Only Murders in the Building. You. All of these wonderful New York actors that get pulled to do.

[Kristin Davis]

Yeah, yeah.

[Mireille Enos]

It feels really.

[Kristin Davis]

It's so great. So great. So now I'm going to talk about our other connection. Okay, so Sarah Jessica's married to Matthew Broderick.

[Mireille Enos]

Yes.

[Kristin Davis]

Matthew Broderick was in a movie with your husband Alan. Alan Rock, way back when we were young. Yeah. I mean, I was a kid. Yeah. I was of the age to be completely obsessed with first Ferris Bueller's Day Off. I hope all of you have seen this, but if you haven't, you must immediately go watch. It is a classic. And the joy is that they're currently in Vancouver Working.

[Mireille Enos]

Yes. 40 years later. Alan Ruck. Matthew Broderick, who originally met. Doing a Broadway play, Biloxi Blues.

[Kristin Davis]

No, I had forgotten that part.

[Mireille Enos]

Yes, I saw Biloxi Blues. Did you? Yes. Oh, that's so incredible. So they were already friends. Yes. And so then Matthew got Ferris Bueller, and then Alan was called in, and of course they got cast together. And so they were already friends when they shot that film. And I feel like you can really feel that in the chemistry and. And that the, you know the scene where Alan is on the phone and he's pretending to be. So that was a joke. The voice that he does. That was a joke to crack Matthew up because he was doing an imitation of Gene Sachs who had directed Biloxi Bliss. That's a little insider.

[Kristin Davis]

Amazing. Oh, that's amazing.

[Mireille Enos]

And so they've stayed pals all these years. 40 years. Wow. And right now they're shooting a movie called the Best Is Yet To Come. Excellent. And it's about lifelong male friendship. And it's just like Alan is having the time of his life.

[Kristin Davis]

It's really the last time Matthew was in Vancouver, and this is why Sarah Jessica told me about it. He and I were filming a Christmas movie together in like 100 degree weird August. And he was in a whole tizzy about where to sit. You know, it's always an issue right. When you go on location, where to stay, where to stay, where to stay. And sir Jessica was like, where did you stay? Where did he stay last time? Remind me. And so we. We had to talk it through and it really made me laugh that, number one, the. I love the interconnectedness of all of us over time. And number two, the HBO of it all is hysterical. I mean, like, to watch Ellen, I mean, throughout his career, Spin City, so many amazing things. But then. Succession.

[Mireille Enos]

Succession.

[Kristin Davis]

I mean.

[Mireille Enos]

Yeah, I know. What a special experience. Yeah. I mean, that was really. Yeah.

[Kristin Davis]

And he plays such a hard character.

[Mireille Enos]

Yeah.

[Kristin Davis]

But you loved him.

[Mireille Enos]

Yes. You love him. And he's also kind of a sociopath.

[Kristin Davis]

Yeah.

[Mireille Enos]

A dum dum. And also, like heartbreaking, like all the things.

[Kristin Davis]

That's very hard.

[Mireille Enos]

It's very hard.

[Kristin Davis]

Very, very hard. He's amazing.

[Mireille Enos]

He is. Thank you so much.

[Kristin Davis]

I love to have you on and I love all the connections. It's always a joy to, you know, like the Kevin Bacon, Six Degrees of. It's very, very. Everyone's very connected. And that is, I think, one of the joys of our. Of our job.

[Mireille Enos]

Well, when you're in a career long time, that. That just happens. You know, people's paths cross and you work with each other's spouses and.

[Kristin Davis]

Yep. Yeah, it's a joy. It's a joy. All right, let's break down this episode a little bit because sometimes it's just fun to chat.

[Mireille Enos]

Yeah.

[Kristin Davis]

Sometimes it happens. My rewatch. But it was very entertaining for me also to rewatch because sometimes I have a lot, a lot of memories, more behind the scenes, you know, what was going on that day. And then sometimes I really remember the plot and sometimes I don't.

[Mireille Enos]

Yeah, well, that was early, too.

[Kristin Davis]

Season two it'. And in my mind, I thought that we had Justin Theroux in season one, which is. He also plays a writer, which is so weird. What was going on with us.

[Mireille Enos]

Yeah, he got cast again.

[Kristin Davis]

Yes. As a writer. As a writer, though. We shaved his hair. That was like. Oh, just and put some glasses on him.

[Mireille Enos]

Yeah. Now he's a different person.

[Kristin Davis]

Exactly. He's a different person, but he's adorable as both. But he plays a slightly unlikable writer in each, which is also interesting, you.

[Mireille Enos]

Know, that is interesting.

[Kristin Davis]

Like the first one, he's, like, super slick, and he's just gotten invited to parties and stuff. And she also gives the writer advice. As someone who's a writer, Carrie is obviously a writer in the thick of it in terms of Manhattan nightlife. And then this one, she's giving him advice. He says, I'm gonna be in gq. It's almost like the same part, but different. It's interesting, and it's the kind of thing. And I certainly don't want to dwell on this, but we just did. And just like that. And people got very obsessed with every little detail, very upset about every little detail. I'm like, back in the day, all kind of stuff went on.

[Mireille Enos]

That's right.

[Kristin Davis]

Like, you know.

[Mireille Enos]

I mean. Yeah.

[Kristin Davis]

No one said anything. I don't know if anyone noticed.

[Mireille Enos]

Probably not. I think. I think we're in a new moment of people wanting to, like, be in on every single detail and wanting to have an opinion and.

[Kristin Davis]

Yes. And say their opinion.

[Mireille Enos]

And say their opinion and.

[Kristin Davis]

Yes.

[Mireille Enos]

Yeah.

[Kristin Davis]

And they have a way to say it.

[Mireille Enos]

Yeah.

[Kristin Davis]

Yes.

[Mireille Enos]

We platform now.

[Kristin Davis]

Yeah.

[Mireille Enos]

There wasn't.

[Kristin Davis]

I think this would have been the year 2000. Do you think that's right?

[Mireille Enos]

I think that's right.

[Kristin Davis]

Right. Which is. I mean, it seems like another lifetime ago. Things were so different.

[Mireille Enos]

Yeah. Yeah. I mean, I was in my 20s.

[Kristin Davis]

Oh, my God.

[Mireille Enos]

Yeah.

[Kristin Davis]

Adorable. Adorable. You look like you're in your teens.

[Mireille Enos]

I do. I have such a baby face, actually.

[Kristin Davis]

In your hair.

[Mireille Enos]

I had forgotten what I looked like in. In it and rewatched it. I was like, oh, my God, I look 17.

[Kristin Davis]

You really do. But beautiful. So beautiful. And you seem sophisticated because you're sitting there with those people who are all, like, very New York intelligentsia, you know, type thing. I love it. Anyway, back to the. Back to the show. So this is a. To me, kind of a departure of a show.

[Mireille Enos]

Yeah.

[Kristin Davis]

Like, there are certain things about it. Like, for instance, the coffee shop. For some reason, we're. We're all plastered next to each other. Did you notice this?

[Mireille Enos]

Yes. Like, our shoulders are literally touching. Like, squeeze. What's going on?

[Kristin Davis]

Do you know what I mean? I don't know. And then there's, like, a walk and talk where we're also, like. They're like, like. Anyway. That was interesting. I mean, we're kind of finding our way in certain. Certain ways. And I think also when different directors would come, we were more affected by them than later on.

[Mireille Enos]

Yeah.

[Kristin Davis]

You know, later on, we'd just be like, no, this is what we're doing.

[Mireille Enos]

This is what we're doing. You had found your own rhythm and.

[Kristin Davis]

Your kind of confidence within that. But it's also. I found it especially in the coffee shop scene, because now we do have our coffee shop set. In the beginning, we didn't. We're, like, out about different places. Right. So it's funny in the coffee shop, but we're, like, peppy. You know what I'm saying? That, like, really, like, energized repartee is in full force, which I really enjoyed. Yeah, it was. It was nice to see. We seem happy, which I'm sure we were exhausted, but, you know, has a lot of energy.

[Mireille Enos]

Right. And it seems like you guys really enjoy each other and. Yeah, yeah, I know.

[Kristin Davis]

Sarah Jessica seems super bubbly. And also, I think it's very hot when I look at that. What I remember now, there's, like, the very hot summers and then the not so hot summers, like, medium. Her hair is, like its natural self, you know, and she's just radiant. And I feel like we were all hot. But it was great, you know, it was a fun. A fun high.

[Mireille Enos]

I love that moment. She bangs on the glass and sees you.

[Kristin Davis]

I know. It's a classic. It's a classic. See, that also snuck up on me because I think the way social media is now, you see these little snippets, and you're like, yes, of course I remember that. That was at the height.

[Mireille Enos]

No, it's early. It's early.

[Kristin Davis]

And I think that the theme of this episode, which is family, is difficult, and family is also your chosen family. Choose to be your family, which I love so much. And I had no idea that we had that. Them really explicitly in there so early.

[Mireille Enos]

Yeah.

[Kristin Davis]

Like, that's kind of amazing.

[Mireille Enos]

Yeah, it's wonderful. Well, and each of your individual storylines are. I mean, you have your brother, obviously, who is your real family, which is so strange. Yeah. But there's also, like, the other women are, like, in these little transitional. It's not people that are gonna stay.

[Kristin Davis]

Right.

[Mireille Enos]

Which just, like, shines light on how special the four of you are together.

[Kristin Davis]

That's true. Absolutely. Absolutely. Because my brother, we never see or hear from him again. No. Including my two weddings.

[Mireille Enos]

Yes. Oh, right. She's not in either of your weddings. That's hilarious.

[Kristin Davis]

I'm really sorry.

[Mireille Enos]

I'm really sorry.

[Kristin Davis]

He, he works a lot. He was on Ozark. He played an evil, evil lawyer. I was like, oh, there's my brother. My mom.

[Mireille Enos]

One episode brother.

[Kristin Davis]

Exactly. I mean, now that I'm rewatching, I'm trying to glom on any little details and to have my brother there in his like preppy shorts. Yes, it's very interesting. We did have an episode before where I talk about how in my waspy family we don't talk about feelings, we play tennis. Which is kind of funny because we've had a tennis storyline for Charlotte like literally for 30 years.

[Mireille Enos]

You know.

[Kristin Davis]

You ever get in a car and think, okay, this changes everything. That's exactly how I felt getting into the all new Hyundai Palisade hybrid. Now I know hybrid SUV probably makes you think fuel economy first, which by the way, yes, the thing gets up to 600 plus miles of range, but that is just scratching the surface. The new Palisade hybrid is redefining what it means to drive an suv. For starters, let's talk about interior space. It's class leading, which is just a fancy way of saying that the whole crew and everyone's going to be comfy. You've got seating for seven or eight passengers and yes, that available third row power seating that reclines. Game changer. There are available front and second row relaxation seats. Basically a spa day on wheels. And an available class exclusive blind spot view monitor that shows you a video feed of your blind spot right in the dash. How smart is that? There's even an available class exclusive built in dash cam. So whether it's a scenic drive or someone cuts you off and pretends like it didn't happen, you've got the receipts. And if you're all about the sound experience like me, the available Bose 14 speaker audio system is going to blow you away. I also love the tech forward touches like standard 100 watt USB C ports because fast charging is non negotiable. These and the standard passenger talk intercom that lets you chat with people in the back without yelling. Ah moms, you know what I'm talking about. Ready to upgrade your ride? Learn more about the Hyundai palisade@hyundai USA.com Call 562-314-4603 for complete details. AG's new Fall 2025 collection from Canvas to Cloth is inspired by artists and their studios. As someone who plays a character deeply rooted in the art world, it truly feels like something Charlotte would love. The collection blends creativity with wearability. From soft knits and suedes to new denim silhouettes like the Boyfriend Fit for women. It's relaxed, effortless and so chic. And it's not just for women. AG has great pieces for men, too, perfect for dressing the whole family. The Fall 2025 collection is available now at agjeans.com and use code KRISTEN15 for 15% off your next order. I'm going to be using my own discount, you guys.

[Mireille Enos]

I'm so excited.

[Commercial Announcer 1]

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[Commercial Announcer 2]

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[Ryan Seacrest]

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[Kristin Davis]

So the brother comes. We'll just do this really quick because the brother's so weird. Like we never see any of Charlotte's other relatives. Yeah, no parents. Nothing. Right? It's bizarre.

[Mireille Enos]

Bizarre.

[Kristin Davis]

So the brother comes. He is getting divorced from his wife and I. I tell you guys that he's coming to visit because he's getting divorced.

[Mireille Enos]

Yes.

[Kristin Davis]

And everyone makes fun of me. I tell you guys. Like, you're in this scene. You're one of us now. And everyone makes fun of Wesley and Leslie, which is also, like, so preppy and funny. Right. And very fine to make fun of. But of course, Charlotte really is tired of getting made fun of at this point. Do you know what I mean? So I make all kind of faces at them, which is also funny. And then so. And weirdly, I guess not weirdly. You know, Charlotte's very pro marriage, as we know.

[Mireille Enos]

As we know. And. Yeah. And she really is committed to them getting back together and working it out.

[Kristin Davis]

And she keeps kind of slightly irritatingly asking him, like. Like, did you talk to Leslie? Did you talk to Leslie? How's Leslie? And he's like, no. And then I do kind of love in the end, and this is what I do. I just synops down when he says, you know, I believe he says I hadn't gotten laid or whatever. Which is a bit weird of a way to talk about your wife, but whatever. In two years. And then Charlotte looks kind of horrified.

[Mireille Enos]

Yes.

[Kristin Davis]

Which is interesting. And then I'm like, okay, I understand. So he. So basically what happens is that Samantha sleeps with my brother. Which clearly Charlotte knows is gonna happen. Which is why I don't invite Samantha. But then Carrie brings.

[Mireille Enos]

Samantha brings her. And you're horrified that she's there. And.

[Kristin Davis]

And, like, awkward. Like, awkward and interesting. And also, sometimes when I watch it, I can tell, you know, there's occasionally scenes with the three of them without me. I can tell that I'm like a newer friend. And there is a scene when we flash back to the 80s and all of them are together and I'm not there. Cause they hadn't met me yet. But we never explained that either. It's interesting, but I can feel that when I watch this epis. Because I pull Carrie over and I'm like, ah, you know, why did you bring her?

[Mireille Enos]

That's Samantha, our friend.

[Kristin Davis]

Right?

[Mireille Enos]

Yeah.

[Kristin Davis]

Which is also really funny and interesting. But I did. And then, I mean, my producers, when they watched it, they were like, oh, you shouted her really harshly. The thing that I thought was so interesting about it, I mean, for Charlotte, it is harsh to say that, you know, she should be on, like, you know, a Guidebook of New York because her, you know, station is always open, so to speak. That it is, of course, a harsh thing for Charlotte to say.

[Mireille Enos]

Yeah.

[Kristin Davis]

But the thing that I find interesting is the way Samantha talks about sex.

[Mireille Enos]

Yeah.

[Kristin Davis]

And herself. I mean, not in a derogatory way, but just in a very free way.

[Mireille Enos]

Yes.

[Kristin Davis]

It's interesting that then she would take offense to me.

[Mireille Enos]

Yes.

[Kristin Davis]

Saying that. But then I guess that also is kind of true. Like, sometimes if you say something about yourself.

[Mireille Enos]

Yes. You can talk about yourself in ways that you don't want other people to talk about you. And. And what. What seemed to be true in that scene is that where Samantha is very comfortable talking about sex in that way. Charlotte. It felt like new ground for Charlotte to be so direct to her friend, you know, and so that. That felt like that was where the.

[Kristin Davis]

Oh, definitely. Definitely. I would never say anything like that.

[Mireille Enos]

Right.

[Kristin Davis]

To one of my girlfriends.

[Mireille Enos]

Yeah.

[Kristin Davis]

And I saw something recently about. I do feel like one of the joys of. When I compare things now to things back then is that female friendship, I feel like, is much more honored and kind of discussed and, you know, prioritized now as opposed to back then. Back then, they say, like, how did you. You know, you guys spent so much time together and stuff like that. Which, of course, obviously. Yes, obviously. They were young and somehow had a lot of time to spend together, which people do. I mean, I remember spending a lot of time with my girlfriends in my 30s. But I also think that now people talk about it and talk about how important it is and that, you know, like, to nurture friendships, you know, through your life and through the different phases of your life is so important. And I think that's so incredibly true. And I also think it's so incredibly risky to say something to your girlfriend.

[Mireille Enos]

Sure.

[Kristin Davis]

That, you know, they wouldn't. Like.

[Mireille Enos]

Like. And that can be the end of a friendship.

[Kristin Davis]

It really could.

[Mireille Enos]

Depending on who you say that to. That could be, like, game over.

[Kristin Davis]

I know. Which is so sad. I know. But I also think it's so interesting because I think that women, you know, have to kind of, like. I think on the one hand, there's this kind of perception of, like, oh, yes, women just hang out in groups. You know, like, it's, like, kind of silly or whatever. But then in reality, we all know that it's really that easy.

[Mireille Enos]

Yes, they can. It can be tricky hanging out with women. And then you find your women who are, like, your people.

[Kristin Davis]

Right.

[Mireille Enos]

And then it's like, those are the most supportive, wonderful relationships.

[Kristin Davis]

Absolutely. And so important.

[Mireille Enos]

But female relationships can be really tricky.

[Kristin Davis]

Right. And I think it's because it's not. I don't think it's something for. For my generation, at least, that was kind of like, worked on or encouraged. Like, you weren't really taught how to be friends. I mean, like, it does come easy when you're young, but then I. As you go through the different stages, it's not so easy. And certainly as an actor, I know that one of the joys of getting this show was that there were a bunch of women.

[Mireille Enos]

Women around that you could.

[Kristin Davis]

That you knew, okay, we're all in this together. Rather than being the wife or the girlfriend or like, you might see another woman actor, but you'd be like, oh, there they go. You know, you might not get a scene with them. Right.

[Mireille Enos]

Yeah.

[Kristin Davis]

I mean, have you found that in your career?

[Mireille Enos]

Yeah, I spent a lot of time with guys.

[Kristin Davis]

Right.

[Mireille Enos]

Yeah.

[Kristin Davis]

Because you play cops and like, serious people.

[Mireille Enos]

I know. I get cast as, like, little toughies.

[Kristin Davis]

Which is so funny.

[Mireille Enos]

It's so silly, you know, I'm envious, though.

[Kristin Davis]

I'm very envious.

[Mireille Enos]

It's. It's fun getting to do. I mean, for everyone, obviously, getting to do a balance of things is. Is obviously the idea, but. Yeah, I've gotten cast in lots of movies where it was like a bunch of times tough dudes. I mean, and I'm like, they're great. You know, they're. But also, like, it does feel lonely sometimes to be like, oh, where are my friends?

[Kristin Davis]

Yeah, yeah, I think it's really lonely. I mean, I love to be on the set with all the girls.

[Mireille Enos]

Yeah.

[Kristin Davis]

Oh, I love nothing more. Yeah, nothing more. I mean, the guys are fun, but, like, it's comfy to have the girls. Yeah, it's definitely comfy.

[Mireille Enos]

That's.

[Kristin Davis]

Yeah, it's one of the best, best parts of this whole, whole, whole, whole long, long, long term job that I've had. I love it so much. And that's really why I never want it to end, you know, because it's hard to find that.

[Mireille Enos]

It is very hard to find those special groups.

[Kristin Davis]

Yeah.

[Mireille Enos]

That you stay friends with forever.

[Kristin Davis]

And that's the joy. Is it like with Matthew and your husband?

[Mireille Enos]

Yeah, exactly.

[Kristin Davis]

Alan. They, you know, it's amazing to get to meet someone so early in your career and stay friends and get to work together again. That is just the best.

[Mireille Enos]

Yeah.

[Kristin Davis]

Anyway, okay, let's go back to the show.

[Mireille Enos]

Okay.

[Kristin Davis]

This makes me laugh. I do not remember the storyline of Miranda, not for one second. I was watching it fresh.

[Mireille Enos]

Yes.

[Kristin Davis]

In this storyline, she is at the gym, which is also kind of funny to me.

[Mireille Enos]

I'm like, yeah, do we see her at the gym ever? No, not really.

[Kristin Davis]

I Don't think so. So Miranda is, interestingly, at a very popular and busy New York City gym. And she's there on the weekend, which is apparently kids weekend. I've never gone to a gym and.

[Mireille Enos]

Had children running around.

[Kristin Davis]

No, I mean, very interesting. I would have to ask Terry Minsky, who wrote this, like, if this was based on something because that was a rule that they had that they had to real. So I guess there were some gyms this was happening at. I didn't go to those gyms either. So there's like children running amok. Okay. Basically at this gym. So then she's all kind of rolling her eyes in her Miranda way. She looks adorable, you know, like, it's just so cute. Early Miranda. And then she gets in the elevator and there's this very handsome dad there with a kid who wants to push the buttons of the elevator. We've all been there.

[Mireille Enos]

Yes, we have.

[Kristin Davis]

I have a seven year old. He. I mean, it's a situation. And I felt so kind of seen on the one hand by the storyline, but also embarrassed because I have been the parent saying, please don't, don't touch the button.

[Mireille Enos]

Could you let. Yeah, 100%. And then of course they touch too many.

[Kristin Davis]

Oh, that's so horrifying. I mean, what is that about with children? It's so interesting. So interesting. So anyway, the dad asks Miranda not to push the buttons. And the kid then pushes all the buttons. And then the dad apologizes and the dad's very adorable and does find a way to mention that he's divorced, which I thought was really smooth on his part. And then you can see Miranda kind of look at him twice, like, oh, interesting. So then he asks her, she gets out of the elevator and he asks her to come back in. And she does, which is so cute and adorable. Very cute, very New York kind of a thing. But the kid, I felt for the kid because clearly this man seems relatively newly divorced. We don't hear his whole story, but.

[Mireille Enos]

You can feel that he's still figuring out what that looks like and how to do it.

[Kristin Davis]

Right. And I mean, sometimes as the episode went on, I wondered, like, where is this mother? Because apparently she's just not around.

[Mireille Enos]

Not around.

[Kristin Davis]

Because he's got this kid a lot.

[Mireille Enos]

Yeah.

[Kristin Davis]

But also, as a single mom, I also really relate. Now, I have never taken my children with me on a date because I never really would. No, I mean, it is like a park later, right? Like, what do you think?

[Mireille Enos]

Yeah, like, like months later, if it's going well.

[Kristin Davis]

Right.

[Mireille Enos]

You know?

[Kristin Davis]

Right.

[Mireille Enos]

Yeah. I would be on a first date, stroll in the park with the kid. With the kid.

[Kristin Davis]

I know.

[Mireille Enos]

Yeah, I know.

[Kristin Davis]

But I also feel. This is probably not nice, what I'm gonna say, but sometimes I feel like dads are clueless.

[Mireille Enos]

This.

[Kristin Davis]

Maybe that's true. Like, I'll see dads at the park sometimes, but sometimes I'm just like, what is this dad doing?

[Mireille Enos]

Like. Yeah.

[Kristin Davis]

Can a mom tell the dad, like, don't let the kid do that. You know what I'm saying? I have some anxiety for the dads.

[Mireille Enos]

Yes. Well, case in point. I mean, the boy clobbers Miranda over the head with a branch and then isn't disciplined.

[Kristin Davis]

No, no, I know it. The dad doesn't seem. No. To know what to do.

[Mireille Enos]

Yeah, yeah. Poor Miranda.

[Kristin Davis]

I know it.

[Mireille Enos]

She gets clobbered.

[Kristin Davis]

I know. With a pretty big stick in Central Park. And that's before he hands her a worm, I believe.

[Mireille Enos]

Yes.

[Kristin Davis]

I mean, there's a lot going on and Miranda hangs in there, which is also kind of interesting. But I also feel like it's like early. Miranda is different. She's sweet. I mean, she has her cover, but she's also got like a sweetness.

[Mireille Enos]

Yes, she does.

[Kristin Davis]

It's adorable. But this guy does seem kind of clueless, you know, this dad. But he's really cute. And at a certain point, they do cut to them in bed and they look very happy.

[Mireille Enos]

Yes. So it seems like this had a very nice time.

[Kristin Davis]

Right?

[Mireille Enos]

Yeah.

[Kristin Davis]

So I guess maybe that's what she's doing. I don't know. But this also cracked me up when after we first meet the guy whose name I can't remember because he's not going to be around long, so we don't have to use his name. They cut to us at the coffee shop and Miranda is talking about how. Oh, his name is Roger. And Miranda's talking about. Because he's divorced, he seems used. Isn't that a weird thing?

[Mireille Enos]

It's a weird thing to say. No, that's true. I thought that conversation was. Yeah, it was a little funny. It was a little odd.

[Kristin Davis]

It's dated. It didn't hold up.

[Mireille Enos]

Well, it's super dated. No, it is.

[Kristin Davis]

We would never say that now.

[Mireille Enos]

Absolutely not. Just because somebody has been married. I mean, you could also say that anyone who has been in a long term relationship. Oh, you just fell off the microphone. I don't know.

[Kristin Davis]

Okay. It's fine with me.

[Mireille Enos]

Okay. That anyone's been in a long term relationship is used.

[Kristin Davis]

Right. That's not. No, it's horrible and insane.

[Mireille Enos]

Yeah.

[Kristin Davis]

Right. There'd be no one left.

[Mireille Enos]

That's right. Because everybody comes with a context. Yes.

[Kristin Davis]

Right. Yes.

[Mireille Enos]

Unless you're 18 years old, like.

[Kristin Davis]

Right. And who would want to be doing that? So. Yeah, I. I really was like, I. When. When they. Because they kind of smash cut into her going like, it's like, he's you. And I thought, what is she talking about? Like, I had to really catch up a minute.

[Mireille Enos]

Yeah, like, we would.

[Kristin Davis]

I don't think we'd ever say that now.

[Mireille Enos]

No way. No way.

[Kristin Davis]

Right. Yeah. Like, you. You'd just be very out of touch if you said that.

[Mireille Enos]

That's right. Yeah.

[Kristin Davis]

So it was interesting. That whole conversation was interesting. But this is why I like to rewatch. Because some things you're like, oh, whoa. And then sometimes you're like, that's.

[Mireille Enos]

That's totally true.

[Kristin Davis]

Yeah.

[Mireille Enos]

Yeah.

[Kristin Davis]

And I do think trying to. To juggle children and. And dating is, of course, universal and will probably continue and is a real thing. I mean, this guy's just not very good at it.

[Mireille Enos]

Yeah.

[Kristin Davis]

And also I feel bad for this kid because he seems like he's really suffering, but he. He seems jealous of that.

[Mireille Enos]

Of that conversation. That.

[Kristin Davis]

Right.

[Mireille Enos]

Yeah.

[Kristin Davis]

Right.

[Mireille Enos]

I mean, maybe there's a clue in the fact that this guy says I'm the anomaly. Actually, I just like to be married and. Yeah, right. And so maybe he's just, like, actually trying to slot Miranda into this family dynamic faster than.

[Kristin Davis]

That's a good point. I didn't think of that.

[Mireille Enos]

Yeah.

[Kristin Davis]

Because that is really odd that he says that. And I mean, I just found myself wondering, like, what is this dude's backstory? What happened? What happened to the marriage? Where's the wife? What's going on? Where's the ex wife? How long have you been divorced? I wanted to know more about him than I normally want to know about our, like, one off date.

[Mireille Enos]

And also, we haven't quite gotten there. But his reaction in the next scenes where the boy. I don't know if you want to do the little recap.

[Kristin Davis]

Yeah, go for it, because I enjoy that.

[Mireille Enos]

So it's after, you know, she spent the night and Miranda's having a pee and the little boy starts to come in the bathroom. And of course, she goes to close the door and he gets his head bonked. And then there's like a real overreaction, I feel like, on the dad's part. And. And basically Miranda just gets, like, shown the door.

[Kristin Davis]

Right? Yeah. He says, please leave. He says it a couple times you ever get in a car and think, okay, this changes everything. That's exactly how I felt getting into the all new Hyundai Palisade Hybrid. Now I know hybrid SUV probably makes you think. Think fuel economy first. Which by the way, yes, the thing gets up to 600 plus miles of range, but that is just scratching the surface. The new Palisade Hybrid is redefining what it means to drive an suv. For starters, let's talk about interior space. It's class leading, which is just a fancy way of saying that the whole crew and everyone's gonna be comfy. You've got seating for seven or eight passengers and yes, that available third row power seating that reclines. Game changer. There are available front and second row relaxation seats. Basically a spa day on wheels. And an available class exclusive blind spot view monitor that shows you a video feed of your blind spot right in the dash. How smart is that? There's even an available class exclusive built in dash cam. So whether it's a scenic drive or someone cuts you off and pretends like it didn't happen, you've got the receipts. And if you're all about the sound experience like me, the available Bose 14 speaker audio system is going to blow you away. I also love the tech forward touches like standard 100 watt USB C ports because fast charging is non negotiable these days and the standard passenger talk interf that lets you chat with people in the back without yelling. Ah moms, you know what I'm talking about. Ready to upgrade your ride? Learn more about the Hyundai palisade@hyundai USA.com Call 562-314-4603 for complete details. As someone who's played a gallerist and spent years walking through the art world in Heels, AG's new fall collection From Canvas to Cloth honestly feels like something Charlotte York would live in. It's inspired by artists and their studios. Think rich textures, beautiful craftsmanship and pieces that feel both refined and expressive. Very Gallery opening in Chelsea meets Weekend in the Hamptons. The New Boyfriend Fit jeans are my absolute favorite. They're slouchy in just the right way, flattering but relaxed and go with everything. And the collection includes soft corduroys, my favorite suede, and luxury knits that feel so timeless. AG also leads the way in lower impact denim production, which makes me feel even better about investing in these pieces because style and sustainability should go hand in hand. The From Canvas to Cloth collection is out [e-mail] use code KRISTEN15 to take an exclusive 15% off your next order even if you've already purchased from the site before. You guys. This means I can use my own code and I'm also wearing the boyfriend jeans right now. Love them so much.

[Ryan Seacrest]

You can make a difference in someone's life, including your own with a job in home care. These jobs offer flexible schedules, health care, retirement options and free training. They also provide paid time off and opportunities for overtime. Visit oregonhomecarejobs.com to learn more and apply. That's oregonhomecarejobs.com.

[Commercial Announcer 2]

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[Ryan Seacrest]

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[Kristin Davis]

This is one thing I do remember of that episode is that there was a lot of discussion about his wound, the kid's wound, because when you see it, it's bloody. How did that door make that blood? I don't know. You know what I'm saying? Like it's mysterious.

[Mireille Enos]

Yes.

[Kristin Davis]

And I remember there being a fair amount I don't know at that point in time of our production. Like, like how sophisticated our stuff was do you know what I mean? Whenever you have somebody get bumped or get banged or anything like that, because we don't see him, we just hear it. Right. And then cut to, there's blood, you know, which is strange. But I also felt like if we did know more about the dad, I mean, I've certainly overreacted before.

[Mireille Enos]

Well, yeah, of course. I have two kids. I've definitely overreacted.

[Kristin Davis]

Right?

[Mireille Enos]

Yeah.

[Kristin Davis]

But it's also weird how like, the kid kind of looks at her over the show. Like there's something kind of going on where you're like, he just wanted her to go.

[Mireille Enos]

Poor Miranda. I know. And poor the kids. And poor the kids. Poor everybody.

[Kristin Davis]

Yeah. And it's kind of sad because then we really don't hear that much. It's just gone. But, you know, good that she tried, I guess. But also, that's like another show. I feel like that is its own show.

[Mireille Enos]

I wonder how. Which season does Miranda get her own child? That's not.

[Kristin Davis]

It's for a while.

[Mireille Enos]

It's a while. But I feel like it was a little like just early crumb, 100%.

[Kristin Davis]

Because I was thinking the same thing when I was watching it. Because I do know at a certain point, season three is when I meet Kyle and get married and then start to try to get pregnant and then she gets pregnant by mistake. So it's not that long because we're almost at the end of two. But I don't know because this is Terry Minsky's script and she wasn't with us all the time. And it was definitely like a long term plan that Michael had that book. Both Miranda and Charlotte would get pregnant at the same time. That was the original plan. It didn't work out because then Michael decided, probably rightly so, that because all of our female writers were single and none of our guy writers, who. I think there were two of them at that time. No one had children, so they were having to mine their friends stories.

[Mireille Enos]

Oh, wow.

[Kristin Davis]

And they didn't have enough to have two sets of stories because they wanted them to be contrasting stories.

[Mireille Enos]

Yes, of course.

[Kristin Davis]

Which would be interesting, but not as interesting as Charlotte not being able to and Miranda accidentally and then being unsure.

[Mireille Enos]

And all of the. No, it's part of what I just love about the show is that each of these women's expectations of what their life is going to be gets flipped on its head. And so they're having to manage their own expectations of what their life has become. It's powerful.

[Kristin Davis]

It is powerful. And so true to Life. You know, someone asked me yesterday, I don't know if you get questions like this. You're not as old as I am, but. But people love to ask you about aging, right? You know, how. How are you looking at aging? How do you. How do you feel? How old do you feel inside? You know all the questions, right?

[Mireille Enos]

Yes.

[Kristin Davis]

And I mean, I feel very young inside. I feel like 40 maybe, or. I mean, it's hard to put a number right.

[Mireille Enos]

You know, whatever. Some days, like my husband, who I won't see his name, but, like, he's like, when he looks at his own age, his eyes get real big and he's like, how is it literally possible I still feel. Feel 18 some days?

[Kristin Davis]

Oh, I don't know. I don't personally know how it's possible for me either. I mean, you have to look sometimes at your driver's license to be like.

[Mireille Enos]

To be like, that is me. It doesn't happen at all.

[Kristin Davis]

Totally. Totally. But I think that is a blessing, right? Because what does it really even mean?

[Mireille Enos]

That's true.

[Kristin Davis]

The good news of what it means. And this is what I end up saying. I mean, I think it means two things. Number one, we're doing great.

[Mireille Enos]

Yeah.

[Kristin Davis]

We're healthy. We're happy. Right. We're still in it. We're sort of functioning. We're doing new things. Right. This is great. This is what you want. Secondarily, I remember a lot of anxiety in my 30s.

[Mireille Enos]

I don't have that have anymore.

[Kristin Davis]

And some of it is what you touched on about our characters is that you have expectations. You don't know what's gonna happen. You don't know if you're on the right track towards those expectations or if maybe you need to change your expectations or. You know, there's so many questions, like, is it all gonna work out?

[Mireille Enos]

And what do I need to do to tick the boxes? Equals happiness.

[Kristin Davis]

And in reality, none of that is probably even really true. And that's what I love so much about our writers. I mean, some of it's true. Like, did Charlotte truly want to be married? She did.

[Mireille Enos]

She did. Or she really wanted the idea of what that was.

[Kristin Davis]

She did. And then she found out that the outer idea was not what she wanted. Right. And then she found her real. Her real person. Thank God. Thank God she was able to change and grow. And that was their idea. And their idea also was to never give any of us what we wanted because you don't have a show then. You know what I'm saying? I mean, I am lucky that Charlotte got Harry. I guess I should be lucky that nothing happened to him or whatever.

[Mireille Enos]

Do you know what I mean?

[Kristin Davis]

Thank God. Because it was such a growth, I think, for Charlotte. And what I like about her, she's super persistent. Right. So she was going to pursue. Going to pursue no matter what the roadblocks were. Right. Like she couldn't get pregnant, she was gonna adopt. Then she does get pregnant. You know, she's gonna roll with it. She's gonna roll with it. And I love that effort that she makes. But. But her ability to roll with it, you know, brings her depth and wisdom and changes her focus. Though sometimes she drifts back, which is also what's so interesting. Like you'll drift back to the details.

[Mireille Enos]

Right. To the things that are the most kind of comfortable and from the way you grew up or whatever it is.

[Kristin Davis]

Totally. Or like the expectations. Like you started by saying you'll drift back to those expectations and then be reminded again.

[Mireille Enos]

Oh, no, that's not.

[Kristin Davis]

It's not actually life. It's not actually what's important. Which I love. I love. I can't talk about the others expectations as much as I can talk about Charlotte's.

[Mireille Enos]

But of course, you lived hers for so long.

[Kristin Davis]

Right, right, right. And I love hers. And I had to think through hers, you know, for so long. Which, you know, is a joy. Right. Obviously, like a great character thing. But it's interesting too because if you think about like, you know, Carrie's expectations are interesting. And one of the things I think about when I do, I think because our show ended and everyone had to talk about how. And just like that ended versus how Sex and the City ended because people were upset obviously when Sex and the City, the first show ended because everyone was coupled up and they didn't feel like that rang true. But sometimes when I'm watching old episodes, it kind of seems like everyone but Samantha wants to be coupled up.

[Mireille Enos]

Yes. Like even Miranda. Yeah.

[Kristin Davis]

Who I had never clocked.

[Mireille Enos]

Right. Cause she seems like such a. Like a driven career woman.

[Kristin Davis]

Right, Right.

[Mireille Enos]

But I mean. Yeah, everyone.

[Kristin Davis]

Right. And what does that look like?

[Mireille Enos]

Companionship and. Right.

[Kristin Davis]

Not everybody. Maybe. To be seen. Definitely. I mean, Samantha definitely wants to be.

[Mireille Enos]

Seen for sure, but doesn't really want a relationship.

[Kristin Davis]

Right. But then she gets one.

[Mireille Enos]

But then she gets coming. But that. Yeah. That's like her flip is that she actually wants to keep it easy, breezy, short term.

[Kristin Davis]

Right.

[Mireille Enos]

And she gets this long term relationship with a younger man, you know.

[Kristin Davis]

Yeah.

[Mireille Enos]

And then has to deal with cancer and all of.

[Kristin Davis]

Right. You know, and he's there for her in such a sweet way. That's gonna be so interesting. I want to have that Jason Smith on. He's so good. You guys. This is so much fun that we are gonna have to have a part two. So join us later in the week on Rus Charlotte as someone who's played a gallerist and spent years walking through the art world in Heels, AG's new fall collection, From Canvas to Cloth honestly feels like something Charlotte York would live in. It's inspired by artists and their studios think rich textures, beautiful craftsmanship and pieces that feel both refined and expressive. Very Gallery opening in Chelsea meets Weekend in the Hamptons. The new Boyfriend Fit jeans are my absolute favorite. They're slouchy in just the right way, flattering but relaxed and go with everything. And the collection includes soft corduroys, my favorite suede, and luxury knits that feel so timeless. AG also leads the way in lower impact denim production, which makes me feel even better about investing in these pieces because style and sustainability should go hand in hand. The From Canvas to Cloth collection is out [e-mail] use code KRISTEN15 to take an exclusive 15% off your next order even if you've already purchased from the site before. You guys, this means I can use my own code and I'm also wearing the Boyfriend jeans right now. Love them so much.

[Commercial Announcer 2]

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[Kristin Davis]

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[Commercial Announcer 1]

Check out the new season of Reasonable Doubt, now Streaming on Hulu, L.A. s most successful attorney Jack Stewart, defends a young actor accused of murder. Follow Emma, Yazzie Coronaldi, Morris Chestnut, Joseph Sikora and guest stars Kashdahl and Lori Harvey as they fight their personal battles in the spotlight of the year's most sensational trial in the pursuit of justice. Every move counts. Reasonable Doubt Season 3, now streaming on Hulu and Hulu on Disney for bundle subscribers. Terms apply.

[Mireille Enos]

This is an iHeart podcast.