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This is an iHeart podcast. The murder of an 18 year old girl in Graves County, Kentucky went unsolved for years until a local housewife, a journalist and a handful of girls came forward with a story. America, y' all better wake the hell up. Bad things happens to good people in small towns. Listen to Graves county on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts and to binge the entire season ad free. Subscribe to Lava for Good plus on Apple Podcasts. It's Ana Ortiz and I'm Markin Delicato. You might know us as Hilda and Justin from Ugly Betty. Welcome to our new podcast, Be My Betty. Yay. We're rewatching from start to finish and getting into all the fashions, the drama and the behind the scenes moments that you've never heard before. But you were still bartending. I didn't know that. The bar pack is like, is that you and I turn around and it's a commercial for Betty. And I was like, I gotta go. I quit. Listen to Viva Betty on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. What's up everybody? It's snacks from the trapped nerds. And all October long, we're bringing you the horror. Boogity, boogity, boogity. We kicking off this month with some of my best horro horror games to keep you terrified. Then we'll be talking about our favorite horror and Halloween movies and figuring out why black people always die first. And it's the return of Tony's horror show side quests, written and narrated by yours truly. We'll also be doing a full episode reading with commentary and we'll cap it off with a horror movie battle royale. Open your free AHA Radio app and search Trap Nerds podcast and listen now. In early 1988, federal agents raced to track down the gang they suspect of importing millions of dollars worth of heroin into New York from as had 30 agents ready to go with shotguns and rifles and you name it. Five, six white people pushed me in the car. I'm going, what the hell? Basically your stay at home moms were picking up these large amounts of heroin. All you gotta do is receive the package. Don't have to open it, just accept it. She was very upset, crying. Once I saw the gun, I tried to take his hand and I saw the flash of light. Listen to the Chinatown sting on the iHeartRadio app, Apple Podcasts, or anywhere you get your podcasts. Welcome to Decoding Women's Health. I'm Dr. Elizabeth Poynter, Chair of women's health and gynecology at the Atria Health Institute in New York City. I'll be talking to top researchers and clinicians and bringing vital information about midlife women's health directly to you. 100% of women go through menopause. Even if it's natural, why should we suffer through it? Listen to Decoding Women's Health with Dr. Elizabeth Poynter on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hi, I'm Kristen Davis and I want to know, are you a Charlotte? Welcome back everybody, to are you a Charlotte? We are back with Bridget Moynihan and we are going to break down the episode that she first appeared in, 20 something girls versus 30 something women. Which is kind of funny because 20 somethings and 30 somethings, they're not really that different, but apparently at the time we really felt like they were. But now when I look back at the episode, I feel very much relating to, to like 50 something women and 20, you know, like the generational divide is so great, right? Because we all remember Analog World. They don't know anything about Analog World. Like I have to say to my kids all the time, like, they'll say like, what did you watch on the iPad, mommy? And I'm like, there was no iPad, children. It was black and white. There were three TV stations. They look at you like you are insane. Like, it's so interesting the, you know, the fast paced way that the change is happening, I guess. And then obviously the generations are very different, which is discussed a lot, but I think probably on purpose and should be discussed some more. And when I watched this, I was reminded of the fact that at the time we thought that 30 something women first of all were really old, right? Which is funny because it's not old at all. But the 20 something girls, they were a bit of a mess in this episode. So this is the episode where we see you at the party. And one of the things that I remember and I don't even remember the names and I don't think I should probably say them even if I could. But, you know, Samantha's a publicist and her storyline is that she's a publicist. She has an assistant who's a terrible assistant. Okay? This girl's yakking on the phone, you know, relatively disrespectful to her boss, doesn't hang up. Samantha's like, no, I actually mean it. You need to do your job. And so this girl quits and takes Samantha's Rolodex. That was all based on real people who, if I wanted to, I could find their names and tell you. But I think I probably shouldn't. Right? I can imagine it do. I remember. I feel like it was kind of a thing. You do. I'm pretty sure you do. It was a real thing. And I remember like all of New York was like. But then this person who took the Rolodex did really, really well and was like kind of one of the up and comers and is now like a long term person in the PR world. But the funny thing at the time of the storyline, you know, because they were always stealing stuff, you know, and trying to change it a little bit, whatever. Not that they really cared. I don't think these young girls are a mess. They're just a terrible mess. Because as this girl who takes Samantha's Rolodex and then eventually is throwing the rodeo party where we initially meet Natasha, everything's going wrong and she doesn't know what to do. And she's potentially coked up, which is also entertaining. And then Samantha has to save the day. Well, the best. And the best part about that is she introduces your young fling totally to the crab guy. Who Anson Mountain, who we do still want to have on the podcast. I'm really sorry that you. Sometimes I've been having some trouble getting the guys to come on. Not all of them, but sometimes when I rewatch the episode, I kind of understand why. I mean, it's kind of ick. And also not only. Let's back up. So Charlotte has, for some reason that we don't even get into, just decided she's gonna try to pretend like she's 27 in this whole episode, which I think is so funny. Or 26. I can't even remember. And I only. This is again, vague, vague memories. I remember that we were in Far Rockaway and I was very mad, personally inside me that we were not at the Hamptons. Cause I was like, this place is sad. Okay, no offense to Far Rockaway, but you know, it was not glamorous. It was not what you had in your mind. Not at all what I had in my mind. And we had to work hard to make those parties look n. And the beach doesn't look like the Hamptons beach, but never mind. So we're in Far Rockaway and I think we all had to take those 18 seater buses out. You know, those buses, like the. Not it's not a bus bus, but like a van. Okay. 16. 16 seater. 16, 18 seater. Like, we were all together. Maybe not Sarah Jessica, but everybody else. You know what I mean? It was. It was a lot to film this episode, and it was the end of the season, too, so I think there was a lot of pressure on it. And. Hold on. Did I say this? Darren directed this. Okay. He wrote it and directed it, which I didn't remember that at all. Do you remember Darren as a director again? I was so overwhelmed by all of it. All of it. And then, like, thrown. Cause I'm sure I didn't meet Chris until on set. Like, I don't remember, but it was just like, you know. Well, he's turned on the charm for you. He did, yeah. Hence my massive smile. It's amazing, though. It's perfect. It's perfect and good. Okay, we're gonna back up. We're gonna talk about the storyline. So remember this Brady Bunch thing they do in the beginning? Yes. Hilarious. Oh, my God. So Darren. Darren loves a little quirky thing. Yes. Just. Even the way they told the crabs that you had crabs. Right? I know. And they crab crabs, and they threw the crabs up on the table to eat. Yeah, yeah, yeah. It's true. That was creative. I'm really glad. Also, they did cut to my stomach, and I remember just sucking my stomach in really hard. But also, thank God they didn't put a little bug on there or something. Yeah. Oh, God. But they cut to the crabs instead. So they do this very funny little Brady Bunch thing to tell the story of how we all end up at Hampton's house, which is that this couple, who we've never met or heard from, have these friends, and then they're all interrelated and. Or breaking up and cheating on each other. A very clever little Brady Bunch thing there. I'm sure that was all Darren. Then I convinced everybody at the coffee shop that we should go and stay in this house because we're getting a good deal for the month of August. Which, of course, back then, all the deals were good compared to now. My God. I mean, the amount of money I have paid to take my kids out to the Hamptons. Good Lord. Yes. So I convinced them all to come out to the Hamptons. And I say some crazy, like, who knows? In a year, one of us could be married, one of us could have a kid. And they all look at me like I'm insane. And in fact, I'm right. I'm right. Charlotte is right. In a year, people are pregnant. Miranda. Oh. Remember that? It all comes to Pass. With the guy from the sandwich suit. No. You don't know who Miranda has a kid with? Yes. Okay, good. Yeah. Eigenberg. Steve. Yeah. Yes. That was a great relationship. I actually like that relationship. It's a fan. Fantastic. Fantastic. Unbelievable. Also will not come on the podcast. I have begged and cried and begged because he kind of, interestingly, little bit like you in terms of doesn't watch his work, doesn't really remember things, doesn't want to pay attention to that part. Hates press. And I said, it's not press. It's me. Right. Sitting on a couch. Yeah. And I will protect you and trust you in all ways. But he was like, I just don't do that, you know? And I don't want anyone to be uncomfortable. So I said, okay, David, I forgive you. But imagine if he and I were on the same episode. We'd be like, I don't know. I don't know. I can't remember. But it would be entertaining because you're both really watchable. So I would watch that. But, I mean, the thing about Eigenberg, I think, as well, is that he is so. So incredibly real and in it that he doesn't want to kind of look back at the finished product work as being the important thing he wants to be in it, which I respect, you know, and everyone has their own thing, and I think that that's important to kind of honor. Right. Like, Sarah Jessica doesn't want to watch the episodes. People are all mad at her that she doesn't want to watch the episodes. That's her process. Yeah. Like, her process is that I'm in it, and I'm gonna do the best I can do in it. And that is kind of the end of it. Right? Yeah. In the scene. That's my job. Right. Our job is not to watch ourselves, necessarily, unless you want to watch yourself and learn from it, and then that's great. And sometimes I have had really great joy watching it with a big audience, like at a premiere. Yeah. Because you get to really feel the response. Yeah. Which is a joy. Right. Okay. We're back to the show. We're back to the show. So here we are. Samantha. She has this young, young assistant. Nina is her name. And oh, my goodness, it's a hot mess. So then we cut to the jitney, which seeing us all getting on that jitney really made me laugh. The memories of the jitney. Oh, my goodness me. And I meet this young guy, Greg, and he's 26. So I kind of wink at the Girls like, you know, he's 26 or whatever, and they're like, oh, what is going on? And so we all head out, we go to the. We have a whole conversation about this is funny to me because the conversation is Basically, are the 20 something girls in Manhattan a threat to the 30 something women in Manhattan? And of course, you are going to be the epitome of this when we do meet you at the end of the episode, because you are 20 something and we are a 30 something. And to me, it's so really bizarre and weird, this kind of divide that we divide. Yeah. Because it's not that far off. It's not far off at all. But I think back then the idea of being in your 30s as a woman, because we were very limited in terms of like, obviously as an actress, you were limited. Like you thought at 40 it would be done. That's what I was told, that's what everyone believed. But also, I think back then you were supposed to be married in your 30s, you were supposed to have your job, you're supposed to have it together in your 30s. Children. Children, yes. Whereas now I feel like everything's much more wide open and fluid. Fluid. And whatever you want to do goes. But back then, not. Not so much. You were supposed to have your shit together by your 30s. So I think that's why the difference, the difference in terms of how we talk about it. But I also think it's so interesting to think about the idea of, are the younger women threatening or not? And to me, I just don't even feel like we're even remotely the same. Like, how could we even be threatened by them? Like, any guy who would like a 20 something is not gonna like me. We're totally different. Yeah. Do you know what I mean? Do you feel that way? Not that you're in it, but you know what I'm saying. Yeah, I'm not in. I'm not in it. I don't. Yeah, I. But I wouldn't be, I think. Yeah. I don't know. It's hard to. Even for me, it's hard to imagine the idea of wasting energy feeling threatened by the twenties is what I'm really saying. Right. Like. Well, certainly at this age. Yeah. Right. Yeah. And I don't remember being threatened by it. Me neither. In my 30s either. No, whatever. No, me neither. Me neither. Me neither. And I think in a lot of ways, because I don't think. I mean, it is funny that certainly there's a lot of women out there who try to pretend that they're younger than they are, which is sad, but I understand why. Because our society is so ageist and has been for so long and we're trying to change it, but it's really hard to change these things, man. You know what I'm saying? All I know is what I've been told, and that's a half truth is a whole lie. For almost a decade, the murder of an 18 year old girl from a small town in Graves County, Kentucky went unsolved until a local homemaker, a journalist, and a handful of girls came forward with a story. I'm telling you, we know Quincy killed her. We know a story that law enforcement used to convict six people and that got the citizen investigator on national tv. Through sheer persistence and nerve, this Kentucky housewife helped give justice to Jessica Curran. My name is Maggie Freeling. I'm a Pulitzer Prize winning journalist producer. And I wouldn't be here if the truth were that easy to find. I did not know her and I did not kill her or rape or burn or any of that other stuff that y' all said. They literally made me say that I took a match and struck and threw it on her. They made me say that I poured gas on her from Lava for Good. This is Graves County, a show about just how far our legal system will go in order to find someone to blame. America, y' all better wake the hell up. Bad things happens to good people and small towns. Listen to Graves county in the Bone Valley feed on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. And to binge the entire season ad free. Subscribe to Lava for Good plus on Apple Podcasts, I'm Jonathan Goldstein. And on the new season of Heavyweight, I help a centenarian mend a broken heart. How can a 101-year-old woman fall in love again? And I help a man atone for an armed robbery he committed at 14 years old. And so I pointed the gun at him and said, this isn't a joke. And he got down. And I remember feeling kind of a surge of like, okay, this is power. Plus, my old friend Gregor and his brother try to solve my problems through hypnotism. We could give you a whole brand new thing where you're like super charming all the time, being more able to look people in the eye, not always hide behind a microphone. Listen to heavyweight on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hey, I'm Jay Shetty, host of the On Purpose podcast. I had the incredible Opportunity to sit down with the one, the only cardi b my marriage. I felt the love dying. I was crying every day. I fell in the deepest depression that I had ever had. How do you think you're misunderstood? I'm not this evil, mean person that people think that I am. I'm too compassionate. I have sympathy for that. My man, you put so much heart and soul into your work. What's the hardest part for you to take that criticism? This was not given to me. I worked my ass off from it. Even when I was a stripper. I'mma beat the best pole dancer in here. When was the moment you felt I did it? I still to this day don't feel comfortable. I fight every day to keep this level of success because people want to take it from you so bad. Listen to On Purpose with Jay Shetty on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. I started trying to get pregnant about four years ago. Now we're getting a little bit older and it just kind of felt like the window could be closing. Bloomberg and iHeart podcasts present IVF Disrupted the Kindbody Story, a podcast about a company that promised to revolutionize fertility care. Introducing Kindbody, a new generation of women's health and fertility care. Backed by millions in venture capital and private equity, it grew like a tech startup. While Kindbody did help women start families, it also left behind a stream of disillusioned and angry patients. You think you're finally, like, with the right people in the right hands, and then to find out again that you're just not. Don't be fooled by what all the bright and shiny. Listen to IVF the Kind Body Story starting September 19th on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Power struggles, shady money, drugs, violence and broken promises. It's a freaking war zone. These people are animals. There's no integrity, there's no loyalty. That's all gone. In the 1980s, modeling wasn't just a dream. It was a battlefield. Book, book, book my deals. Let's get models in, let's get them out. And the models themselves, they carried scars that never fully healed till this day. Honestly, if I see a measuring tape, I freak out. The Model wars podcast peels back the glossy cover and reveals a high stakes game where survival meant more than beauty. Hosted by me, Vanessa Gregoriadas, this is the untold story of an industry built on ruthless ambition. Listen to Model wars on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. So I have this whole thing with this young guy who has, like, flopp, which is so funny, where I'm gonna try to pretend like I'm in my 20s. Really embarrassing. But I also remember he would just throw me. He was just throwing me at the. When we're in the beach. I know, I saw that. Oh, my God. And you could hear me just squealing in the background through that whole scene. Cause I think they just told him, like, throw her around. Yeah. And I was like, oh, God, what is happening? But it was so genius because, like, he was like, wrestling a football and you were like, I'm gonna be 26. I'm gonna be 26. I'm Gonna be 26. Right? And I try. I give him a high five. You're like, y. Oh, my God. I mean, it's very much like how it is now. I. I have a 14 year old, right? And they have all the crazy words, gibbity, whatever, blah, blah. I don't know that one. Oh, Lord have mercy. And my daughter told me the other day, like, mom, don't try. Yeah, yeah. Like, okay, thank you. Thank you. I have permission not to try. I'm so glad, because they have a whole vocabulary and. And if it comes out of your mouth, it just doesn't work. It's mortifying. It's fully mortifying. Right? It's fully mortifying. But at this point, Charlotte can just barely pull it off, though, of course, the girls are like, oh, God, why is she even trying? And she pays the price by getting crabs, which I think is totally appropriate and fine. So then Carrie meets this guy. He's a doctor. He's good on paper. You can tell it's not gonna work. It's so funny to me to watch that storyline. I mean, it is kind of sweet in a way. Like in the absence of Big, that she's trying with, like, kind of appropriate choices. You know, he's a doctor. He's very polite, but there's. But none of the zhuzh. No zhuzh, no spark. Nothing. Nothing at all. They walk down the beach. You know, Carrie's fascinating, but that's all I thought. She's so out of his league. Yes, thank you for saying it. That's well put. That's well put. I think that's an interesting thing too. Like, when I look back, there's a lot of analysis of Big and Carrie. Right. And I tried to get Sarah Jessica to analyze it when she came on the podcast, and she doesn't really want to. She did Have a very interesting perspective about him, which I thought was interesting and unusual in terms of, like, who raised him and how he was raised and why he is the way that he is and the generation that he was a part of, which does totally make sense. But then I said, why? You know? But why did she put up with so much from him? Because she really does. And she said he was just her person, which I think is the way it is. You know what I mean? How. What was the age difference? The age difference of them is like 10 years, I want to say, on carry. I mean, I'd have to analyze it. And then that means it was 20 years between. Or. Yeah. Which I don't think we ever even mentioned. Yeah. You had a little age range situation going on there. There was age range situation. I know, but it was so incredibly common and not thought of twice. That a man like that would marry a girl who was 25. No, that was just totally normal and expected. I would actually say. Expected. Yeah. Carrie was unexpected because she was complicated. She was 30 something. She was hot. Yeah. You know what I mean? You're cool and hot in a whole different way. You're desirable in a whole different way. You know what I'm saying? But that's what I love about the contrast, and that's why you were so perfect. But I want to talk about something that's not in this episode, because you're here. And I would be remiss if we do not talk about the falling down the stairs and the tooth. I rewatched that episode and it made. I was shocked. I know. I was shocked as well. Yeah. It really made me jump. It made me jump and hurt. And then her helping. I know. And you're trying to talk. I locked the door. You lock the door so she can't get in the cab? No. What do you remember of that? Like, what were you thinking? I don't know, but it was. It was. I don't know if that was instinct or that was in the script. I can't remember. But I just. Again, then having her sit out there watching the rest of the episode and her staying there and checking in and making sure. And then Big showing up, and he thanked her for being there, but. And then my parents were coming. Natasha's parents were coming down. Like, what was that whole conversation gonna be with my husband? Like, it was all like, you just. I just wanted to know that next thing. Me, too. Like, what was it for them? Me too. I feel like there was a lot left out, but part of the reason that that was left out was because we're with Carrie. Right. So she doesn't know that. Right. But I also feel at the same time, like, beautifully written because it makes you wonder, like, what is happening over there? What is happening over there? And poor Natasha. Poor Natasha. But then I love when we come back to. And just like that, that it's Natasha who is caring for her. So incredible. You know? Yes. I mean, there really is that bond between them. Like, they Absolutely. I mean, whether. You know. Right. But that also. That. Isn't that the weirdness of life? Right. Like. Like, also, before we go there, because I want to say this. When I did rewatch, when you come in and so Big and Carrie are having their affair. Just to update everybody. Big and Carrie are having their affair in my bed. Exactly. And we think you don't know about it, but you come in and you see her trying to run out the back door and you say, I knew you were having an affair, but not in my bed or in my apartment or something like that. That just kind of broke me, too. Yeah. Because obviously she's been, you know, where have you been? And there's been questions there's been in their relationship that you don't ever know about until that moment. But that's just like how a mistress wouldn't know. Do you know what I'm saying? Like, we're so with Carrie, but yet. And because we're kind of inside Carrie's mind at all times because of the voiceover. Right. Like, we're in her and we're obviously, as her friends, devoted to her. But just from your perspective, from the Natasha perspective, I was so sad. And you also have so much poise because even though you come in and you see her trying to scuttle out the back, you're still like, Carrie, wait. Like, you're not screaming at her. You know what I mean? Like, you're chasing her, but you're still very poised about it because apparently you already knew. Well, there weren't any knives on the. Cause that would have made sense. Okay. It would have made sense. To me, at least. To me. At least it would have made sense. But then when you fall and you hit your face, that was a good stunt, dying, right? Was it? They really filmed that? Well, Was it a stunt double? No memory. Okay, we're going to find out all these clues. I'm sure there was a stump, but there was a pad there, right? There was a pad. Right. Right. Well, because when you lift your head up, it's obviously you. So if There was a stunt double. It was minimal, but also, thank God I had remembered it somehow, that you literally fell down the stairs, but you felt kind of on the threshold out the stairwell, which is better than it was down one flight and then the turn. Yeah, got it. That sort of thing. Got it. It's scary. Scary. It's so scary and so dramatic and so well written. Oh, my God. Oh, my God. I'm still trying to recover from it. And again, I just don't even think myself, you know, because I'm all in her world. Right. And I remember thinking it was really, really good. Right. But I never thought about, like, you and Natasha and, you know, what is it like? Are you okay? That's what I mean. How's your tooth? Yeah, yeah. And then the fact that you later on and just like that, say that it's still a different color. No, that was in Sex in the City. Okay. That's when you sit down where she like interrupts. She comes. You might be at the Four Seasons. Like you're somewhere really posh. Somewhere fancy. Yes, really fancy. Oh, so that was that scene where you tell her that still. How do you remember that? Did you like that? Were you happy about that scene? Oh, I think so. Yeah. Well, I think it's also the only scene I had multiple lines, which is so incredible otherwise. Look at marshmallows over there. Yeah, right. There were episodes I had no lines, I'm sure. Unbelievable. Unbelievable. That was nerve wracking. Suddenly I had to string sentences together. Could I do it or could I not? I don't know. Oh, my God. You weren't actually thinking that. No, no, no. Did you? So, so you were. When you. So you were modeling then you were going on all the auditions. All the auditions, you really wanted to act because modeling was not fulfilling is what I'm getting. Right. Very successful, but, you know, wanted more. Right. Did you go to acting class? Yes. Did you go to acting class before or did you have a coach? I was going to school here in the city while I was working during the day. And I was at K. Michael Patton Studio here on the Upper west side. And she was Meisner based and just lovely and loved that class. Maria Bello, actually, I think went to the same. I think she went to the same studio at one part of her training. Cool. And then I started working, but I kind of focused on studying for a while and getting. Cause I didn't want to go out into the auditioning process not having some sort of confidence and sea legs, a little bit of knowing how to prepare and. Absolutely. And work. Absolutely. You get the job and then you can't actually do it, you know, that would be horrible. That would have been horrible. Horrible. So I gave myself like three years before I would actually start auditioning. Smart, smart. So that would have been before. Yeah, Got it, got it, got it. Cool. Okay. I have to talk about the episodes more, I think, because some, some fans really love the rewatching. Of course they do. It's so great. It's interesting. Yeah, yeah, it's interesting. Way to relive the episodes, you know, And I guess people watch them over and over, which is so cool. It's so great now because also there's a lot of our generation who were in it or were watching it for the first time, whose children are now, I know. Teenagers. Bizarre. Watching it. I know it. I know my 14 year old has not seen it yet, but all of her friends have, which is interesting. And she wants to know when I will let her see it. And I just can't get my mind around it. Do you know what I mean? I just can't. It's weird for me to think about her watching it, you know, I want her to watch it. I'm just not quite ready yet. Well, I think the good thing is it's not porn. Right? Thank God. Yes. Like, that's not what you're holding back from her seeing. No, absolutely. And there is communication. Yeah, yeah, yes. And funny. And the women in charge, you know. Absolutely, absolutely. It's just this sexual thing. Content is still there. Right. So like as a mom, I'm just. As a mom. Yes. And then I have to think through, like, which, which episode do I not want her to see of me? You know what I mean? Yeah. Do you feel that, like, does your son watch you? Well, I feel like when Euphoria came out, there were a lot of parents who were having this discussion, like, do you let your kids watch it? And so many of the kids were letting like, let's watch it, let's watch the episode. But let's break it down and like talk about the do's and don'ts and what's actually happening in your life and how would you approach, like educational side of it? Yeah, yeah. As a mom. Yeah, yeah. You could be having. Absolutely. I think that's great. I just have to just like get my mind around the fact that I might be doing something or whatever that might be embarrassing. What do you think the worst thing or the scariest thing that you don't want your daughter to see? You do say in the position of such a. Good question, Bridget. I don't even know. I mean, luckily I play Charlotte, right? Yes, Charlotte. Right. So it's not that bad that I can think of. I think it's more of like the. Just the frankness of the conversation right across the board. Across the board. Like Samantha, you know, comes to mind. And the thing that's great about Samantha as a. Certainly as a conversational tool with your children is that she is so sex positive and not judgmental and fully empowered in what she wants, you know, and it's so rare to find these characters, women characters who are this way. So I love that perspective as like, you know, look at she. She does what she wants, you know, she's unapologetic about it. Like, that's something that as a young person, I would have loved to see. Yeah, right. I mean, there are just so many weird things. This is what comes to mind. It's so not anything to be embarrassed about. But I do so many silly things. Like there's a scene, it hasn't. I don't think we've rewatched it yet where for some reason someone tells me that I need to look at my private parts in a mirror. And I look at my private parts in a mirror and I fall off the bed. Okay. Yeah, that's like so silly. That would be great, honey. So when you do that, make sure you're holding onto something stable and maybe have a crash pad on the floor prior to checking yourself out. Totally, totally, totally. So good. There's nothing that I don't stand by. Do you know what I mean? But it's also just like embarrassing, kind of. I mean, in general, I don't show my kids my acting. People are always asking me if I do, and I'm like, why would I? It's so weird. I mean, I have movies like the Shaggy Dog that I did that I could totally show them, but it just seems strange. Like I want them to think of me as their mom. I don't need them to see public. Public thing. But when we did go back to do a dress like that, because it had been Covid. My son is only seven now, so he doesn't remember, you know, the heyday. And Gemma wasn't here for the heyday either, my 14 year old, but she knows everybody and knows about it, intellectually knows about it. But they put us on that building on Sunset and on the buses. So the buses would drive by And Wilson, who's 7, he'd say, Mommy, there's you and your friends. That's so cute. I was like, yes, there we are. So he has like an odd idea of what it is without knowing the details. And then he really loves craft services. That's his other thing. Yes, of course Mommy gets good lunch. She gets a lot of snacks at work. Like, yes, yes. All I know is what I've been told. And that's a half truth is a whole lie. For almost a decade, the murder of an 18 year old girl from a small town in Graves County, Kentucky went unsolved until a local homemaker, a journalist, and a handful of girls came forward with a story. I'm telling you, we know Quincy killed her. We know a story that law enforcement used to convict six people and that got the citizen investigator on national tv. Through sheer persistence and nerve, this Kentucky housewife helped give justice to Jessica Curran. My name is Maggie Freeling. I'm a Pulitzer Prize winning journalist producer. And I wouldn't be here if the truth were that easy to find. I did not know her and I did not kill her or rape or burn or any of that other stuff that y' all said. They literally made me say that I took a match and struck and threw it on her. They made me say that I poured gas on her from Lava for Good. This is Graves County, a show about just how far our legal system will go in order to find someone to blame. America, y' all better wake the hell up. Bad things happens to good people in small towns. Listen to Graves county in the Bone Valley feed on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. And to binge the entire season ad free. Subscribe to Lava for Good plus on Apple Podcasts, I'm Jonathan Goldstein. And on the new season of Heavyweight, I help a centenarian mend a broken heart. How can one one year old woman fall in love again? And I help a man atone for an armed robbery he committed at 14 years old. And so I pointed the gun at him and said, this isn't a joke. And he got down. And I remember feeling kind of a surge of like, okay, this is power. Plus. My old friend Gregor and his brother try to solve my problems through hypnotism. We could give you a whole brand new thing where you're like super charming all the time, being more able to look people in the eye, not always hide behind a microphone. Listen to heavyweight on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hey, I'm Jay Shetty, host of the On Purpose podcast, I had the incredible opportunity to sit down with the one, the only cardi b my marriage. I felt the love dying. I was crying every day. I fell in the deepest depression that I had ever had. How do you think you're misunderstood? I'm not this evil, mean person that people think that I am. I'm too compassionate. I have sympathy for that. My man, you put so much heart and soul into your work. What's the hardest part for you to take that criticism? This was not given to me. I worked my ass off for me even when I was a stripper. I'm gonna be the best pole dancer in here. When was the moment you felt I did it? I still, to this day, don't feel comfortable. I fight every day to keep this level of success because people want to take it from you so bad. Listen to On Purpose with Jay Shetty on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. I started trying to get pregnant about four years ago. Now we're getting a little bit older, and it just kind of felt like the window could be closing. Bloomberg and iHeart podcasts present IVF the Kindbody Story, a podcast about a company that promised to revolutionize fertility care. Introducing Kindbody, a new generation of women's health and fertility care. Backed by millions in venture capital and private equity, it grew like a tech startup. While Kindbody did help women start families, it also left behind a stream of disillusioned and angry patients. You think you're finally, like, with the right people in the right hands, and then to find out again that you're just not. Don't be fooled by what all the bright and shiny. Listen to IVF the Kind Body Story starting September 19th on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Power struggles, shady money, drugs, violence, and broken promises. It's a freaking war zone. These people are animals. There's no integrity, there's no loyalty. That's all gone. In the 1980s, modeling wasn't just a dream. It was a battlefield. Book, book, book my deals. Let's get models in, let's get them out. And the models themselves, they carried scars that never fully healed till this day. Honestly, if I see a measuring tape, I freak out. The Model wars podcast peels back the glossy cover and reveals a high stakes game where survival meant more than beauty. Hosted by me, Vanessa Gregoriadis, this is the untold story of an industry built on ruthless ambition. Listen to Model wars on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Okay. Oh, wait. One of the most adorable parts of this is that they have Carrie looking through an album of her 20s and there's an actual picture of her kissing Matthew Broderick in it. But they have their heads turned and you can't tell that that's her. And I know that I can't remember when that moment was happening. She goes back. So they go to the Hamptons on the weekend and then she goes back to her apartment and she's thinking about what she was like in her 20s. Because we have this whole counterpoint of the 20 somethings. Right. And she's got a big photo album. Old fashioned photo album with the heart, the stick, you know, healing. Exactly. And it's really sweet. And there's a picture of her and Matthew. That's cute. I know. And I was like, oh. And she kind of at one point she, like, embarrassed. There's also some kind of funny. She's got her big puffy 80s hair. There's some funny, embarrassing pictures. And she puts her hand over them. Like, I'm so embarrassed. It's really cute. And so her. You know, in the olden days, we would have done things like that and not realize they were gonna live forever. Yeah. You know, so we. Oh, my God. We forgot about the fact that Carrie gets a groupie assistant in this episode. This writer who she meets who says, who's never had sex. Yes. Which is also so strange and interesting. And you can see Carrie's face just like, what? And it also reminded me of the great generational divide now sometimes where I sometimes feel this way with younger women when they say, like, you know, what do you mean, feminism? And I'm like, what do you mean? What do you mean, feminism? Like, do you not know that you are benefiting from feminism? Like, really has that word taken on so much weight in a bad way like that you can't embrace it. That's crazy. Well, yes. Yeah. I mean, I guess the wheels are turning. The wheels are turning. And I'm afraid I'll say something that I get. Yeah, I get it. It's hard. It's a hard one. Talk. But do you know what I'm saying? Yes. Yes, yes. So I'm way out of order. So Carrie gets this little groupie who's never had sex and then who then at one point paints her toenails in the Hamptons and says something about women just parading their hoo has, which I'm not gonna say the word she uses. And how gross it is. And you can just see Carrie, like, this is really weird, and this girl is not in the place she should be. But also, in my mind, the thing that I see when I see she wants to be a writer. Right. And she's hoping that if she's around Carrie, that it's gonna rub off her. And she goes to a book party with her and, you know, she's a climber, you know. Yeah. It's interesting. But she thinks that she's innocent and pure and. Exactly. Yeah. Right. It's very interesting. Very interesting. Okay. We're back at the beach. Things are fabulous. We have no idea our world is about to be crushed. You know, Carrie's flirting with the doctor. I see. Oh, this is when we're finally at the hoedown. The hoedown, man. A lot happens, and I think we were there. The costumes at the hoedown were good. Oh, my God, they had. Carrie's costume was good. Carrie's costume is incredible. And they still. There's all kind of tiktoks about it and whatnot, which I totally get. I mean, she can pull off anything, really, so. But also, everyone has some crazy little hats. Like, it's funny in the summer of Cowboy Carter to think back. That's funny. You know, these were more toy. They look like children's hats. Yes. Like, we've gone to a birthday party and stolen all of their hats. So then she's looking across the party, you know, I have gone and confronted this dude, Greg, and said, you know, you gave me crabs. And he's like, well, you deceived me about your age. Yeah. And that's worse. Yeah. It's like, not really. Not really. You don't need cream for that. You're not on antibiotics for that. Exactly. And then I say, okrella. I don't know what you. Yeah, yeah. I don't either. But, yeah, it's all really. He's. He's quite. He's. I think. I think what I'm thinking about with the groupie girl and him as well is there's a bit of a, like, higher, mightier than thou, whatever, you know what I'm saying? Like, kind of we're better than you idea, which I do kind of feel like plays out now in the generational differences where everyone's talking about Gen Z, Gen Alpha. So many, so many gens. Then the sad, sad, sad part happens where she looks across and sees you and as you very, very accurately said, you were just glowing and acting and smiling and laughing, just happy. To be there with him. So glorious. So glorious. And he looks also so relaxed. He really did. He really did. It shocked me. Yeah. Yeah, it really shocked me. And obviously it is horrific for Carrie and she tries to kind of save face, but also find out what the heck is going on. You very politely excuse yourself. He says the very lame, I was gonna call you, which I just wanted to smack him so hard when he said that. I know, like that is a lame excuse, but he did sound like he meant it. Like, it's true. He struggled with calling her, I guess. Don't you think? I do think you're being generous, but yes, I think I'm being generous. I think you're being generous. But I mean, this is the mindset that we all had, right? This is the mindset that I would have had at the time. Oh, he did want to call her. That's what I would have thought. But then I'm like, but did you call her? Did you think about the fact that you're running around town with this gorgeous 25 year old and you haven't told the woman that you left that you're back from Paris, which you basically broke up with her for, or she broke up with him, however you want to look at it. Anyway, then she runs to the beach. This is one of those times where in my mind, back then, our production values were really low. And in some ways they were. But in some ways they're incredible. Like when she goes to the beach and Miranda runs out there, she. And the fireworks, so incredible. Oh, my God. I don't know if they're real or CGI or whatever you would call them back then, but they're incredible. They're so good. And also just the mastery with which Sarah Jessica uses her cowboy hat to fake throwing up. Unbelievable, right? Yeah. Really well done. Incredible. And pull her hair back at the same time. Really? And Miranda comes and pulls her hair back, which is a throwback to earlier in the episode where we see the girls throwing up at the initial campfire we go to with the young guy. Oh, yes, yes, yes. And they're throwing up and we're like, oh, we've gotta leave. And then they say, oh, but the sweet thing about 20 something girls is they're always there for their friends. And then you see Miranda on the beach holding Carrie's hair back. It's like, oh, it's so sweet and good. It's so good. And then she says, I realized 20 something girls are just fabulous until you see one with the man who broke your heart. So sad. It's so, so sad. I know it. I know it. Sorry, Carrie. I know. And it. It's just gonna go to some crazy places. That's the other thing that's interesting. Watching it is because we know what happens, you know? Yeah. But you still can't wait to watch the next episode. I know, I know. Even if you've seen them hundreds of times, like, most people know what's gonna happen. I know, you guys. I know. I know. But also, the little details are so good that, like, even if you remember the big. The big picture things, you forget all these tiny little details, which are just so excellent, you know? Like, everybody. Costume, props. Costumes, yeah, Costume, props, everybody. So let's just talk about. And just like that, really quick, quick. Michael Patrick calls you, says, hey, can I pitch you something, Bridget? You're like, yeah, yeah, yeah, yeah. And then when you came. Had you. It was right after Covid. Had you gone back to work already on Blue Bloods or. Yes. Oh, got it. So we had to just borrow you from them, and you had to come spend the day with us a couple days. I think it was in the summer, so I think. I think that I was on hiatus, and then I was going back to work literally, like, the next week after I shot with you, probably the same week. And was it like, for us coming back? It was the same, but very different. How did you feel coming back after all the time? It felt very much the same. Like, for me, my first scene I shot with you guys, maybe it was the outdoor one getting out of the car. I don't remember, but I remember being upstairs in some window, and you guys were walking across the street, you know, across the street together and looking up, and I just remember thinking, oh, my gosh, I'm so happy to be back here. And you guys were so perfectly dressed and the energy and the, you know, the friendships. So I got to see it from way up here, but I saw the crowds on the streets on either end, and it was Covid, right? Yeah. And I think that you. That show coming back, you guys on the street in those outfits just revived this city and neighborhood. Like, oh, life is coming back to normal, almost definitely. And that was what the show was gonna do. Yeah, it felt on air, like, it just felt we needed. We didn't know we were missing this, but, yeah, we needed this. It's true. It's true. Jolt of energy. And I think just all of us, you know, no one could work. Right. So it was. It was like the crews couldn't work you know, the entire industry. We were back. You were? Yeah, we had a great. We were back right away. Oh, good. Probably if we finished in that March of COVID That first year. We were back on working in October. That's amazing. And we just. Yeah, that's so great. Yeah. Cynthia had started gilded age a little bit before us, but they had to do some. Some crazy things. Like they had these bubbles that they would put them in before action. You never got the bubbles. Yeah. I don't know what was happening, but, I mean, it was. I think there was so much unknown. Right. People were worried and whatnot. And I remember the masks and, you know, you'd wear the mask till the end and then take them off and then you'd have marks on your face. Back in your face. But we were just so happy to be working. It was so amazing to be working and to be working together. You know, I would work with them forever if I could. Yeah. It's just been an incredible joy. Yes. Thank you. Wait. Oh, wait. Oh, what's left? Bridget? Yeah. Are you a Charlotte? Wait, I have to answer this question. Whatever. We. I'm ish. Okay. I feel like I'm Charlotte Ish. No pressure. You don't have to be. Oh, no, no, no. Okay. I think I have ish. I think in life. You do? Yeah. I mean, if I may be so presumptuous. Yeah. I mean, you're certainly grounded, family oriented, loyal, you know, believe in love. You know, you are all of those committed. I think Charlotte is a bit more of a people pleaser than I am. Well, good for you then. That you're not. Yeah. Cause that's one of her worst qualities. Okay, good. I don't know. Look, I love her, so I'm not gonna rail on her, but, you know, people pleasing is exhausting and not really great for your health. It's a lot of work, man. A lot of work. But, like, I feel like you. Your own. And I think people. I. I feel like. And tell me if I'm wrong. Your. Your part in Blue Bloods, in some ways, you know, showed people you're kind of more your real self in. In certain ways in terms of like the. The grounded Bridget, you know, because you're so glamorous looking. Yeah. And it really was a, like, nice fit as far as, you know, Irish Catholic, that kind of family. Like, I grew up in some. A lot of. A lot of those elements. Right. And I learned a lot from that character. But. Yeah, yeah, yeah. But, like, I mean, I don't know if It. I don't know. Yeah, I don't know. Some people will say to me, like, you know, I'm part Charlotte, part Carrie, or, you know, whatever. You know what I'm saying? Which is probably true for myself. Like, I'm not all Charlotte, thank goodness. But it's fun to think about. It is fun to think about. Yeah, yeah, yeah, yeah. I'm happy I got to come back and hang out with you. I'm so happy. I mean, and I feel like there's a lot more coming, even though, as you said, you have very little screen time. But, like, I would love to have you back for that conversation when you do finally talk to Carrie. I don't know if you're free, but you know what I'm saying? I'm free because that's so good. And I also feel like the way that this lives in people's imaginations, you know, partly because you were so much discussed, but also because the whole storyline is so complicated and we were so much on Carrie's side. But is that actually where we should have been? Right? I don't think so. I know, you know, it's really interesting to me, and the fact that people would be upset with you because you were, you know, in the way or ruining Meg and Carrie. Oh, my gosh. I know, I know. Somebody just said to me, you know, I used to be all Carrie, but now I'm all Natasha. Because of their age difference, when she became older, she became more pro Natasha. Absolutely. And probably more understanding of what Natasha was going through, which that's the joy of the show, is that as you age, you might have different perspectives on the storylines, on the characters, all of the those things. I know you're a joy. So happy to be here. Thank you for being here. Yay. I'll come back if you have me. Please. Are you kidding me? The murder of an 18 year old girl in Graves County, Kentucky went unsolved for years until a local housewife, wife, a journalist, and a handful of girls came forward with a story. America, y' all better wake the hell up. Bad things happens to good people and small towns. Listen to Graves county on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts and to binge the entire season ad free. Subscribe to Lava for Good plus on Apple Podcasts. It's Ana Ortiz and I'm Mark and Delicato. You might know us as Hilda and Justin from Ugly Betty. Welcome to our new podcast, Viva Betty. We're re watching the series from start to finish. And getting into all the fashions, the drama and the behind the scenes moments that you've never heard before. But you were still bartending. I didn't know that. The bar pack is like, is that you? And I turn around and it's a commercial for Betty. And I was like, I gotta go. I quit. Listen to Viva Betty on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. Welcome to Decoding Women's Health. I'm Dr. Elizabeth Poynter, Chair of women's health and gynecology at the Atria Health Institute in New York City. I'll be talking to top researchers and clinicians and bringing vital information about midlife women's health directly to you. 100% of women go through menopause. Even if it's natural, why should we suffer through it? Listen to Decoding Women's Health with Dr. Elizabeth Poynter on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. What's up, everybody? It's snacks from the trapped nerds. All October long, we're bringing you the horror Boogity booty boogity. We kicking off this month with some of my best horror games to keep you terr. Then we'll be talking about our favorite horror and Halloween movies and figuring out why black people always die first. And it's the return of Tony's horror show side quest, written and narrated by yours truly. We'll also be doing a full episode reading with commentary and we'll cap it off with a horror movie battle royale. Open your free iHeartRadio app and search Trapped Nerds podcast and listen now. In early 1988, federal agents raced to track down the gang they suspect of importing millions of dollars worth of heroin into New York from Asia. Had 30 agents ready to go with shotguns and rifles and you name it. Five, six white people pushed me in the car. I'm going, what the hell? Basically, your stay at home moms were picking up these large amounts of heroin. All you gotta do is receive the package. Don't have to open it, just accept it. She was very upset, crying. Once I saw the gun, I tried to take his hand and I saw the flash of light. Listen to the Chinatown sting on the iHeartRadio app, Apple Podcasts, or anywhere you get your podcasts. This is an iHeart podcast.
Episode: S2 E17 "Twenty-Something Girls vs. Thirty-Something Women"
Original Air Date: October 8, 2025
Host: Kristin Davis
Guest: Bridget Moynahan
This episode dives into the Sex and the City classic "Twenty-Something Girls vs. Thirty-Something Women," focusing on the introduction of Bridget Moynahan's character, Natasha, and exploring generational divides, self-image, and the show's enduring legacy on conversations about women, age, and sex. Kristin Davis and Bridget Moynahan reminisce about filming, the meaning behind the episode, and Natasha’s role, while also reflecting on their own experiences and how perspectives shift with age.
(02:00 - 06:00)
(06:00 - 16:00)
Notable Quote:
“I was very mad, personally inside me, that we were not at the Hamptons. Cause I was like, this place is sad. ...It was not glamorous.” – Kristin Davis (09:20)
(16:00 - 37:00)
(37:00 - 49:00)
(49:00 - 1:09:00)
(1:09:00 - 1:16:00)
Notable Quote:
“You guys were so perfectly dressed and the energy and the, you know, the friendships… That show coming back, you guys on the street in those outfits just revived this city and neighborhood. ...We needed this.” – Bridget Moynahan (1:13:35)
(1:16:00 - 1:20:00)
“I have to say to my kids all the time... there was no iPad, children. It was black and white. There were three TV stations.”
– Kristin Davis (02:25)
“The 20-something girls, they were a bit of a mess in this episode.”
– Kristin Davis (05:35)
“I was just thrown in. ...He’s turned on the charm for you. He did, yeah. Hence my massive smile.”
– Bridget Moynahan, on working with Chris Noth (13:15)
“I try—I give him a high five. ...I mean, it’s very much like how it is now. I have a 14-year-old, right, and they have all the crazy words... My daughter told me, ‘Mom, don’t try.’”
– Kristin Davis (22:50)
“There’s a lot of analysis of Big and Carrie. ...Why did she put up with so much from him? ...She said he was just her person.”
– Kristin Davis (29:45)
“It shocked me… so incredibly common and not thought of twice—that a man like that would marry a girl who was 25. No, that was just totally normal and expected.”
– Kristin Davis (34:00)
“As a mom, I’m just... As a mom... I just can't get my mind around it [her daughter watching SATC].”
– Kristin Davis (57:00)
“You guys on the street in those outfits just revived this city... Like, oh, life is coming back to normal, almost definitely. ...We needed this.”
– Bridget Moynahan (1:13:35)
Rich with nostalgia, behind-the-scenes details, and honest reflection, this episode offers both a fan-pleasing deep-dive into a pivotal SATC episode and an exploration of how attitudes around aging, sex, and relationships have evolved not only on screen but in the stars' own lives. Bridget Moynahan's presence adds emotional resonance, especially in her nuanced take on Natasha and how shifting perspectives can lead us to reassess even our most beloved TV heroines.
For listeners:
This episode is a must-hear for Sex and the City fans, those curious about TV history, and anyone interested in the ways pop culture shapes — and is shaped by — our changing lives.