Don't Cheat on Your Realtor with Caroline Aaron...

Summary

Are You A Charlotte? – Episode Summary: "Don't Cheat on Your Realtor with Caroline Aaron"

Host: Kristin Davis
Guest: Caroline Aaron
Release Date: May 9, 2025
Podcast: iHeartPodcasts

---

I. Introduction and Guest Background

In this episode of Are You A Charlotte?, host Kristin Davis welcomes Caroline Aaron, a seasoned actress renowned for her role in the first season of Sex and the City. Caroline brings a wealth of experience from Broadway, film, and television, having collaborated with acclaimed directors and portrayed diverse characters across various genres.

II. Early Experiences on Sex and the City

Caroline reminisces about her initial involvement in Sex and the City, highlighting her longstanding relationship with Michael Patrick King, the show's creator and director. She shares insights about meeting key cast members and the formative moments during the show's inception.

[05:15] Caroline Aaron: "Was that the first season?"

[06:03] Kristin Davis: "Oh, which one?"

[06:04] Caroline Aaron: "It was from a long time ago before he was matched with Michael Patrick King."

III. Michael Patrick King's Auteur Vision

The conversation delves into Michael Patrick King's unique approach to television, emphasizing his auteur style where a singular vision drives the production. Caroline compares this to working on projects directed by auteurs in the film industry, noting the distinctiveness it brings to the storytelling process.

[08:20] Caroline Aaron: "Auteur filmmakers are different because there's nothing being done by committee. It's all one vision."

[09:30] Kristin Davis: "We have a lot of input, which is great, but it is still Michael Patrick's vision, you know."

IV. Transition to The Marvelous Mrs. Maisel

Caroline discusses her role in The Marvelous Mrs. Maisel, drawing parallels between the show's direction and her experiences on Sex and the City. She appreciates the continuity of working under Michael Patrick King's guidance and the show's commitment to maintaining a cohesive vision.

[11:04] Caroline Aaron: "It's always about what is the part? What are you communicating to people and who is this person?"

V. Challenges and Choices in Acting

The dialogue shifts to the intricacies of acting, including the importance of character exploration and the necessity to avoid typecasting. Both Kristin and Caroline share anecdotes about selecting roles that resonate personally and professionally.

[12:03] Caroline Aaron: "I'm always going to be drawn to not repeating myself. If you were offered another Charlotte, I'd decline."

[13:09] Kristin Davis: "I have now played Charlotte for almost 30 years, which is really plenty. I love her."

VI. Representation and Aging in Media

A significant portion of the episode addresses the representation of older women in television. Caroline recounts her experiences facing age-related biases in the industry and underscores the importance of showcasing diverse age groups to reflect real-life dynamics.

[50:38] Caroline Aaron: "Four of the seven regulars were over 50. I'm the only one over 50, and that's just crazy."

[52:37] Caroline Aaron: "A friend auditioned for a show, and they dismissed her because she wasn't 30. They advised her to cut up her SAG card once she hit a certain age."

VII. Fashion as Storytelling

Kristin and Caroline explore the pivotal role of fashion in narrative storytelling. They discuss how costumes can convey character depth, historical context, and emotional states, sharing behind-the-scenes stories about costume design and its impact on their performances.

[22:53] Kristin Davis: "Our costume designer, genius. I have to put on the girdle and pointy bra, which changes how I walk and talk."

[49:42] Caroline Aaron: "Fashion is the breadcrumbs of the times we live in, telling us a lot about the characters and the era."

VIII. Personal Reflections and Future Aspirations

Both actresses reflect on their career journeys, personal growth, and aspirations. They express gratitude for their enduring partnerships and discuss upcoming projects, emphasizing a commitment to authentic storytelling and continuous evolution in their craft.

[27:41] Caroline Aaron: "My fantasy version of my career hasn't happened yet. I can't wait for it."

[29:29] Kristin Davis: "I thought to myself, why shouldn't we share our own thoughts and memories so that it's like a time capsule."

IX. Conclusion

The episode wraps up with heartfelt exchanges about the lasting impact of their work, the importance of genuine relationships within the industry, and a shared vision for more inclusive and varied storytelling in media.

[53:23] Kristin Davis: "Yes, yes, yes. God, yes."

[53:35] Kristin Davis: "Thank you. I will. I will. I'll talk to Michael soon. Okay. Bye, Caroline."

---

Notable Quotes with Timestamps

• Caroline Aaron at [12:03]: "I'm always going to be drawn to not repeating myself."

• Kristin Davis at [13:25]: "I have now played Charlotte for almost 30 years, which is really plenty."

• Caroline Aaron at [50:38]: "Four of the seven regulars were over 50. I'm the only one over 50, and that's just crazy."

• Kristin Davis at [22:53]: "Our costume designer, genius. I have to put on the girdle and pointy bra, which changes how I walk and talk."

• Caroline Aaron at [52:37]: "A friend auditioned for a show, and they dismissed her because she wasn't 30. They advised her to cut up her SAG card once she hit a certain age."

---

Key Takeaways

• Auteur Influence: Michael Patrick King's singular vision significantly shapes the shows he directs, fostering unique and cohesive storytelling.

• Acting Choices: Both Kristin and Caroline prioritize diverse and meaningful roles over typecasting, seeking personal and professional growth.

• Representation Matters: There is a pressing need for diverse age representation in media to reflect real-life experiences and resonate with broader audiences.

• Fashion’s Role: Costumes are integral to character development and storytelling, offering insights into the era and personality of the characters.

• Industry Challenges: Ageism persists in the acting industry, necessitating continued advocacy for inclusivity and equal opportunities.

• Personal Growth: Long-term collaborations and life experiences enhance the depth and authenticity actors bring to their roles.

---

Conclusion

This episode of Are You A Charlotte? offers an enriching dialogue between Kristin Davis and Caroline Aaron, delving deep into their experiences in the entertainment industry. From navigating auteur-driven projects to advocating for better representation, the conversation provides valuable insights for listeners interested in the behind-the-scenes dynamics of beloved television shows and the broader landscape of acting.

Transcript

[Ryan Seacrest]

You're listening to an iHeart podcast.

[Kristin Davis]

Picture yourself going for a drive. What comes to mind? Potholes, Lane splitting bikers, Sleepy truck drivers, Red light runners, Distracted pedestrians crossing the road where they shouldn't. Yes, sometimes it feels like the road is out to get you, but thankfully Hyundai offers available class exclusive advanced safety features to help protect you and your family. With Hyundai, you can change lanes with much more confidence thanks to the available Blind Spot View monitor, which actually shows you a live video feed of your blind spots. The standard Forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes. If you don't learn more about [e-mail] Call 562-314-4-6034 for complete details. Aging is a natural process as we know, and we do our best to embrace it. But I will tell you one part of aging that I don't care for and it's the symptoms that stem from changing hormones, especially as you get closer to perimenopause and menopause. That's why, listeners, we want to tell you about Happy Mammoth's Hormone Harmony. Hormone Harmony is not just a supplement for women going through perimenopause, menopause or postmenopause. It's become a phenomenon. Women cannot stop talking about it on social media. A bottle of Hormone Harmony is sold every 24 seconds. And the biggest benefit? Feeling like myself again. That's what women mention over and over in their reviews. And There are over 40,000 reviews for hormone Harmony. For a limited time, you can get 15% off your entire first order@happy mammoth.com and just use the code Charlotte at checkout.

[Ryan Seacrest]

Member week is here at Lowe's. Don't miss your chance to get up to 40% off hundreds of items like paint, outdoor and home essentials and more. Shop our exclusive deals happening in store and online now through May 14th. Not a rewards member. Join for free today and get ready to save more. Lowe's we help you save loyalty programs subject to terms and conditions. Details@lowe's.com terms subject to change.

[Jenna Ushkowitz]

This is Jenna Eskowitz and Kevin McHale from and that's what you really missed. Jenna, did you get your delivery?

[Kevin McHale]

I got my delivery, Kevin. I ripped it open. I'm like a stickler now that I have kids for having high quality products in our house all the time and Deetson Watson has done that. So like I'm not afraid that when Emma wants to eat all my prosciutto because she will, that it's okay for her to do that. Dietz and Watson has been handcrafting premium meats and artisan cheeses for over 85 years. They're family owned and operated and they never cut corners.

[Jenna Ushkowitz]

Ever. They do things the right way, even if it's the hard way.

[Kevin McHale]

They're transparent about what goes into their food and what doesn't.

[Jenna Ushkowitz]

They know good taste doesn't need a long list of ingredients and they stick.

[Kevin McHale]

To what matters, using the fewest, highest quality ingredients to craft their meats and cheeses.

[Jenna Ushkowitz]

Visit dietzandwatson.com the right way to learn more about the Dietz- difference.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway this spring. Take care of your entire home, including the air you breathe. And save $5 when you buy $25 worth of participating products in store or online. Shop for items like Glade plugins, Airwick Plugins, Glade Auto sprays, Airwick diffusers, and Glade refills. And save $5 when you spend 25 on participating products. Offer ends May 20th. Restrictions apply. Promotions may vary. Visit albertsons or safeway.com for more details.

[Kristin Davis]

Hi, I'm Kristin Davis and I want to know, are you a Charlotte? Hi, everybody. Welcome to Rus Charlotte. Today we have a really fun guest. It's Caroline Aaron, who was in the first season. She is an incredible actress who has done Broadway film. She's worked with amazing directors and so many incredible parts on television. She's incredible. We have a great conversation. We talk about Michael Patrick King, who she's known forever and loves. So please join us for a fun talk with Caroline Aaron. Welcome, welcome. Caroline Aaron, I'm so excited to have you.

[Caroline Aaron]

So excited to see you.

[Kristin Davis]

Oh, you're so sweet. We, we. I mean, first of all, when they printed out your look at the number of papers I have about your resume, my good Lord, I don't even know where to start. But we're going to start with Sex of the City because that's why we're here. But I mean, there's so many things I could talk to you about. Career is so amazing, which I knew, but now I really, really know. And props. Okay, thank you, sweetheart. It's so, so, so nice. So tell me. I love to ask people what they remember. This would have been what, 1998.

[Caroline Aaron]

Was that the first season?

[Kristin Davis]

Yep. You were on the first season.

[Caroline Aaron]

Wait, you're. Wow.

[Kristin Davis]

I know.

[Caroline Aaron]

Well, and I'm only 30, so that was 20. So I must have been three. So I must've been three years old.

[Kristin Davis]

Yeah. We were all little babies. All of us.

[Caroline Aaron]

Such little babies.

[Kristin Davis]

Yes.

[Caroline Aaron]

This is what I remember of many things that I remember. I remember meeting Sarah. I had never met her before.

[Kristin Davis]

Okay.

[Caroline Aaron]

I think I said to her, do you have all the same number of organs that I have? Because she was so tiny that I thought she can't also have a gallbladder and a pancreas, little rib cage.

[Kristin Davis]

No, she's tiny.

[Caroline Aaron]

Yeah, she was itty bitty. So that was like really different. And I knew all the, you know, I'd met Michael Patrick King during a play that he wrote.

[Kristin Davis]

Oh, which one?

[Caroline Aaron]

It was. I don't even know what the name of this play was, but it was from a long time ago before he was matched with Michael Patrick King. And I was sitting on a white bench popping up and down in Culver City. He'll remember. And then I knew Darren and I knew Andrea King, who was a writer during that first season. But I didn't know of you ladies was sort of right at the beginning. And I remember thinking when I first got there, I was in New York City during my salad days in that. And I went, wow, I wish I'd had the life these girls had when I was in New York.

[Kristin Davis]

But listen, I felt the same way because I was also in New York City when I was an actress, waitress. So I was like this, this is the life. And I'm just going to try to pretend like this is my life because it felt very surreal, you know, so. So you knew Michael Patrick years before?

[Caroline Aaron]

Yes, years before I knew him. And I think I knew Darren. I mean, they just asked me, so it was hot off the press. So nobody knew it was Sex in the City?

[Kristin Davis]

Uh huh.

[Caroline Aaron]

No, you just go, okay. I just want to be there for my friends. They're working on something new. It's got an incredible cast with the four of you. And I don't think Evan Handler was on it then.

[Kristin Davis]

No, not yet. Harry had not shown up yet.

[Caroline Aaron]

Harry hadn't shown up. I did a Broadway show with him. So now that you guys have been on for so long and done so much, I probably know almost everybody who's ever been on it.

[Kristin Davis]

I love that. Well, you, I think you have worked with everyone in the industry for sure. What play did you do with Evan?

[Caroline Aaron]

A play called I Hate Hamlet.

[Kristin Davis]

Oh, yeah, yeah, I heard of that, yeah. Oh, wow. Wow. I'm going to talk to him about that now. This is what I love so much about you. Like as much as you are a brilliant character actress. Where you can do Broadway, film, Woody Allen, Mike Nichols, television, vintage, you know, period pieces, blah, blah, everything. You are also very specifically, you like, your voice alone is like, so evocative. Like, I just hear your voice and it's very powerful. So when Maisel came on, I was like, oh, this is like the best thing that's ever happened. We just get so much Caroline, which I really love.

[Caroline Aaron]

Right. I have to say, that was a. The gift that keeps on giving.

[Kristin Davis]

And so special.

[Caroline Aaron]

Very special and very exciting. And, you know, because I worked with so many great, great film directors who were auteurs, starting with, I think the very first Broadway play I ever did was directed by Robert Altman, one of our filmmakers, with Cher. What?

[Kristin Davis]

Love it.

[Caroline Aaron]

And Chastity was always there. That's Chaz. Now I understand Cher and Sandy Dennis and Karen Black. And Robert Altman directed it. So that was really exciting because it was his first time sort of doing theater himself. And because I've worked with so many iconic filmmakers and, you know, I always say, like, auteur filmmakers are different because there's nothing being done by committee. It's all one vision. You die on that hill or you succeed on that hill. And then when I got in Maisel, I went, oh, there's auteurs and television, too. And you are a part of a show that has an. A television auteur. And so was I definitely doing a lot of tv. I remember one time, years ago, I auditioned for something and my agents called me and said, you're their first choice. And I was so excited. And they went, unfortunately, this time they're going with their second choice.

[Kristin Davis]

Oh, my God.

[Caroline Aaron]

And I went, you're kid. What? And they said, because you think about it, when something's being done by committee, not everybody's going to have the same first choice. So you and I have to agree, we're going to throw out our first choice, then we're going to our second choice, our third choice, whatever it is. So when you work on a show like Sex and the City or Maisel or whatever, it's one person's vision, and that's pretty exciting.

[Kristin Davis]

I agree. I agree totally. And I don't know, I don't know if people really realize that in a way. I mean, I think true fans realize that, you know, but I don't know if everyone does. And I sometimes wonder if everyone realizes that. I mean, for us also, it's been amazing to also have this length of time working together. You know, it's very unusual, obviously, and we have a lot of input, which is great, but it is still Michael Patrick's vision, you know.

[Caroline Aaron]

Yes. You're dealing with one person who has this. And you know, I, I love him and I, I tested for a bunch of shows. You know, he did a bunch of shows before he did your show. And. But he, the reason he, I think once he became even, like mildly successful, he either rented or bought this theater in Culver City because he wanted to keep doing work. He wanted to keep turning over the soil of his own artistic imagination. And then you guys snatched him up and kept him.

[Kristin Davis]

We kept him. But then he did Two Broke Girls, which you were also on.

[Caroline Aaron]

Oh, that's right. That was Michael's. Oh, that's right. That was. Right, right, right, right, right. So fun.

[Kristin Davis]

I mean you do everything like you do multicam. It's just very impressive. What is your favorite?

[Caroline Aaron]

Well, I just closed in an off Broadway play here and I had. And it was just a two hander and it was just me and this kid for two hours and I loved it so much and I went, wow, I'm really working for a living now. I had no idea when you're doing eight times a week and it's just you. But you know, I loved it. And I would have to say it's not the. What I would say the delivery system, whether it's television, single camera, four camera, or film, indie or studio or theater, Broadway or off Broadway. It's. It's the part.

[Kristin Davis]

Yeah.

[Caroline Aaron]

It's always about what is the part? What are you communicating to people and who is this person? And that's always going to be my favorite, is whoever it is that I'm playing. If I'm very turned on by that and, and I like to do a deep dive. I'm sort of a nuisance when you work with me because I ask so many questions.

[Kristin Davis]

I love it. I love it.

[Caroline Aaron]

I'm not, I'm not difficult, but I, But I'm curious.

[Kristin Davis]

Well, I think that I. You cannot be a good actor and not be curious. I mean, that's, I think, possibly number one.

[Caroline Aaron]

I would, you know. Yeah.

[Kristin Davis]

My question for you about choosing roles, if that's the thing that's really driving you. Because sometimes for me it's about the role, but sometimes it's also about who you're working with, which sometimes I make a mistake that way. I'm saying. But I love the, like the collaboration. You want to be with people that excite you creatively. But also I feel sometimes when I look at different things that I've done in the past. And maybe there's a practical reason or whatever, but usually it's like some weird unconscious reason that I choose a role. Do you ever feel that, like something in yourself that you need to express or that hasn't gotten attention or light?

[Caroline Aaron]

Yes.

[Kristin Davis]

You know, I think.

[Caroline Aaron]

I think I'm always going to be drawn to not repeating myself. And I'm sure you know what I mean. It's like if you, if you were offered, like in the next 10 years. Charlotte, Charlotte, Charlotte, Charlotte.

[Kristin Davis]

Oh, God, no. Yeah.

[Caroline Aaron]

Then you would go, you know what? I've already played in this sandbox. I want to play in another sandbox.

[Kristin Davis]

Oh, for sure. Oh, I've definitely taken parts just based on that. It's not always a great thing, I know.

[Caroline Aaron]

Yeah. Really?

[Kristin Davis]

Yeah. No, I definitely have done that also because I have now played Charlotte for almost 30 years, which is really plenty. I love her. I would like to keep going, but I don't need to do any other versions of her.

[Caroline Aaron]

That's right. And you into the mountains. You know what I mean? You've got. With this, this character. You don't need to do that again.

[Kristin Davis]

No.

[Caroline Aaron]

You know.

[Kristin Davis]

No. When you are ready to take a drive, you think about the direction you are headed and how long it takes you to get there. You rarely think about bumpy roads, motorcyclists weaving through traffic, sluggish trucks, drivers speeding through red lights, and pedestrians crossing at the wrong moment. The truth is, the road can feel unpredictable and sometimes scary. But it doesn't have to be that way. Hyundai's available advanced safety technology is designed to help keep you protected against the many challenges the road throws your way. From Forward Collision avoidance Assistant to Blind Spot View Monitor, our vehicles offer available features designed to help safeguard you and and your loved ones. You can change lanes with much more confidence thanks to the available Blind Spot View monitor, which actually shows you a live video feed of your blind spots. The standard forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes if you don't. Hyundai vehicles are equipped with the standard Driver Attention Warning system which constantly monitors your attention levels. Once detected, it sounds alerts and visual cues to help bring your focus back on the road. With available class exclusive safety features, Hyundai lets you enjoy the journey with confidence, knowing that your car is working hard to help avoid the dangers of the road from getting to you. Learn more About [e-mail] Call 562-314-4603 for complete details. This show is sponsored by BetterHelp. Mental health awareness is growing, but there's still progress to be made. 26% of Americans who participated in a recent survey say they have avoided seeking mental health support due to fear of judgment. When people hesitate to get help, it doesn't just affect them, it impacts families, workplaces and entire communities. This Mental Health Awareness Month, let's encourage everyone to take care of their well being and break the stigma. The world is better when people are healthy and happy. I know for myself, therapy has been so instrumental to my growth and my development as a person. It helped me get sober, it's helped me be a better parent. It's just changed my life in so many positive ways. And BetterHelp has over 10 years of experience matching people with the right therapist from their diverse network of more than 30,000 licensed therapists with a wide range of specialties. BetterHelp is fully online, making therapy affordable and convenient, serving over 5 million people worldwide. Easily switch therapists anytime at no cost. We're all better with help. Visit betterhelp.com ru to get 10% off your first month. That's better. H E L p.com ru this is.

[Jenna Ushkowitz]

Jenna Ashkowitz and Kevin McHale from and that's what you really missed.

[Kevin McHale]

So we both got the same delivery ding dong at our door the other day from Dietz and Watson. Did I not tell you immediately after that we were podcasting that I literally ripped into the packages and was eating the spicy cheese and the prosciutto and I was like prosciutto, give it to me.

[Jenna Ushkowitz]

I was so excited.

[Kevin McHale]

So Dietz and Watson has been handcrafting premium meats and artisan cheeses for over 85 years. They're family owned and operated and by.

[Jenna Ushkowitz]

That we mean their family is on the floor every day ensuring everything goes above and beyond their quality, above all else standards.

[Kevin McHale]

And even if it's slower or if it's inconvenient, it's the only way they know how to do it.

[Jenna Ushkowitz]

And they never cut corners.

[Caroline Aaron]

Ever.

[Jenna Ushkowitz]

They do things the right way, even if it's the hard way.

[Kevin McHale]

And they're transparent about what goes into their food and what doesn't they know.

[Jenna Ushkowitz]

Good taste doesn't need a long list of ingredients.

[Kevin McHale]

They stick to what matters, like using the fewest, highest quality ingredients to craft their meats and cheeses. Simply made. Simple as that.

[Jenna Ushkowitz]

Visit dietzandwatson.com the right way to learn more about the Dietz difference.

[Ryan Seacrest]

Not everyone who handles your personal information is going to be as careful as you are. And it only takes one mistake to expose it to hackers and identity theft. Maybe that's why there's a new victim of identity theft every five seconds in the United States. Fortunately, there's Lifelock. Lifelock monitors hundreds of millions of data points a second for threats to your identity. If your identity is stolen, a LifeLock US based restoration specialist will help solve identity theft issues on your behalf, guaranteed or your money back. Plus, all Lifelock plans are backed by the million dollar protection package, meaning Lifelock will reimburse you up to the limits of your plan. If you lose money due to identity theft. You can't control how diligent others are with your personal information. But with Lifelock, you can help protect it. Act now and save up to 40% your first year. Call 1-800-LIFELOCK and use promo code iheart or go to lifelock.com iheart for 40% off terms apply. Hi, this is Jevon, your blinds.com consultant.

[Caroline Aaron]

Oh, wow, a real person.

[Kristin Davis]

Yep.

[Ryan Seacrest]

I'm here to help with everything from selecting the perfect window treatments to.

[Kristin Davis]

Well, I've got a complicated project.

[Caroline Aaron]

No problem.

[Ryan Seacrest]

We make the complex simple. I can even help schedule a professional measuring install.

[Kristin Davis]

I didn't realize you did that.

[Ryan Seacrest]

We can also send you samples fast and free.

[Kristin Davis]

Wow. I mean, I always thought I needed a designer to come to my home, but scheduling is always a nightmare.

[Ryan Seacrest]

Notwithblinds.com, we're on your schedule. And there's no haggling pressure or hidden fees either.

[Kristin Davis]

Hmm. I just might have to do more.

[Ryan Seacrest]

Whatever you need.

[Caroline Aaron]

How about you tell me what you had in mind?

[Kristin Davis]

Okay then. So the first room we're looking at.

[Caroline Aaron]

Is for guests coming over.

[Kristin Davis]

And I'm thinking of something.

[Caroline Aaron]

Blinds.com has covered over 25 million windows, all backed by a 100% satisfaction guarantee. Shop blinds.com now and save up to 40 site wide rules and restrictions may apply.

[Kristin Davis]

So in your mind, like with Maisel, I mean, I also. Part of the reason I talk about Maisel is that we have a lot of the crew members from Maisel. We love to remind us. We do. We have a lot of the camera crew and they're always like that time on Maisel when we shot a three block with the crane and we're like, we know it was amazing. You know what I mean? They're still, you know, basking in the glory, basically. So we, I feel like we talk about it. I mean, also, it was such a beautiful New York show, you know, in. In a different way, in a Different era. But so for. For me, like, I love that era so much.

[Caroline Aaron]

I know it made me miss my mother every day. I wrote an article that was published in a magazine. I think the name of the article was called the Mother Lode. And originally they were going to interview me about Maisel. And then I was like, and I'm sure you feel this, too. I really am so sick of talking about myself when you're doing a lot of press all at once, and you just feel like, oh, no, no, don't talk to me about me. So then they said they offered for me to write it. I went, great. So I wrote about my mom playing a mom. It was great. And where there was an overlap between her mothering and Shirley, the character, it was putting on the clothes, it was like. And I kept thinking, why did I give away all of my mother's clothes?

[Kristin Davis]

Oh, my gosh. Yeah.

[Caroline Aaron]

And, you know, I don't remember it well enough, but one of the sort of, like, iconic things about Shirley was this white mink that she had all the time with her, no matter if it was 80 degrees out. And it was a real mink. And Amy wanted it to be white as opposed to brown. And it had the 50s. And they searched it out, and then a couple of months after the show wrapped, they sent it to me as a gift. So I have this. Isn't that so sweet? And I go, what will I ever do with it? But maybe it will come back in. But it was those kinds of things. Gloves, hats, all those things that my mother always. It was just her everyday life, and I think that made me miss her.

[Kristin Davis]

Yeah, well, those details, I mean, that's such an interesting thing to think about when you're. When you are playing a part. And sometimes when you're doing something on stage also, because I feel like when you're doing something on stage, they really build a costume from the ground up, you know, in a wonderful way, which changes how you feel and how you're moving and all of those things, which is also true of modern clothes as well. We just kind of take it for granted. But I feel like the details. The details that went into those costumes, amazing.

[Caroline Aaron]

Our costume designer, genius. Yeah. I would come in some days and I'd go, do I have to put on the girdle? You know, and the pointy bra and. Because it would be a scene where I just be in my robe. And she'd go, yes, you have to put it on. It makes you walk differently. It makes you talk. You know what I mean?

[Kristin Davis]

It's like, yeah.

[Caroline Aaron]

I cannot believe that women in that age during that time didn't have a lot of bladder infections. I can tell you that. Because none of us wanted to go to the bathroom. There was a lot to take off.

[Kristin Davis]

Oh, my God, I feel you. I mean, I can only imagine. Yeah. Like even just for Sex of the City, there's a lot to take off. And sometimes we're in locations and they don't have nice bathrooms and we're like, you guys, you gotta. You gotta sweep the floors because these clothes are gonna be a wreck because we gotta take care. All the layers anyway. And the belts and the. But yes, I mean. Maisel 100. But I. I'm sorry, I. Obviously I'm a big fan. So I'm just gonna talk about Maisel, but I'll get off Maisel.

[Caroline Aaron]

For my whole life. I loved it so much.

[Kristin Davis]

I'm so glad. Isn't that just such a gift? It's such a gift to have something.

[Caroline Aaron]

You guys have to. Is that we are all in touch with each other all the time. We will never let other. And I kept thinking to myself, I even said to Amy and Dan once, and you should ask Michael this too, because I don't know the answer. Did they cast chemistry for us and all those people. I mean, it was unbelievable. And they didn't. It was. They just sort of amazing. They just looked at. And we still are all very much each other's family. Creative family.

[Kristin Davis]

Absolutely. I mean, for us, they also. We didn't read together anything like that. I have never met Sarah Jessica. I had never met Cynthia. I had met Kim briefly. But it is just such a very, very unusual situation where. And I mean, this is our job, right? Like, our job is to go onto a set and to make that work, you know, to connect. But it doesn't always work the way you want it to. Right. Like, you can try and try and try and sometimes you still don't have that, like, kind of Frisian chemistry.

[Caroline Aaron]

And yes, you're right. I remember when I was studying, when I first came to New York, I was studying with the great Utahagen. And one of the big questions was, so I'm in a scene and it's a love scene. And I hate the guy I'm with. I just hate him. I hate what he's doing on and on and on. Udo, what do you do? And she said, you know, you use the magic. If it's as if he's the love of your life, it's as if you can't wait to get your hands on him. Sometimes that works, sometimes that doesn't. And if you can't make it work, you have to quit because you can't. You can't legislate another actor's performance. I'm sure you've been tried to legislate what you're doing. I would never do that to another actor. It's certainly been done to me.

[Kristin Davis]

Me, too.

[Caroline Aaron]

Right? Haven't you been? Yeah. I'm like, okay.

[Kristin Davis]

You know, usually by men, male actors.

[Caroline Aaron]

Male actors saying things to me, I will be nameless. But I was doing a movie and the actor came up to me and said, you know, if you. If you make it very real, it'll be funnier. And I went, really? Thank you so much for that tip I'm going to use.

[Kristin Davis]

I was like, oh, my God. I had this. I've had two actors say this to me of early. Like. Like, maybe the first week where, you know, you're. You've got some scene. And these were roles where I'm like, the mom, right? So you're usually in a kitchen. You know those kitchen scenes where you have all these props, but you're. You have, like, little kind of inconsequential dialogue, and the actor has the main. He's driving the scene. And so you're just trying to be real, as you said, and do your best that you can do, and you're actually rehearsing. So I was rehearsing the prop work, and the actor is standing maybe three feet from me and turns to the director and says, she's not going to do it like that, is she?

[Caroline Aaron]

Oh, my God.

[Kristin Davis]

And I'm just like, oh, God. It was like I was rehearsing. Hello? I can hear you. And I was rehearsing, and we ended up getting along great. But in the beginning, I mean, it does scare you. Like, oh, God, Jesus. Is the whole job gonna be like this? Yeah, but that's good to know.

[Caroline Aaron]

I would never say anything to another actor. So we were really, really lucky on Maisel that the chemistry we got for free we didn't have. It was just there. We cared about each other, and we see each other now all the time. And the opening of the play I just did off Broadway, my pretend son, Michael Zegan, was there with my real son, with the son of the play. So I was there with my. My three sons all standing there. It was really great.

[Kristin Davis]

Oh, I love it. I love it so much. Rachel is so nice. I see her at events. She's so lovely. And I'M so looking forward to Superman. I feel like she is the star of Superman is.

[Caroline Aaron]

And let me just say, you know, it starts with number one on the call sheet. And. And I kept thinking, why is this working so well? But I'll tell you. And it's. It was Rachel's. It was all of our attitudes. The project was more important than any single one of us. So everybody was bringing their A game to the material. And so that was the star of the show. The show.

[Kristin Davis]

Right. Well, that's what we wanted. That's what we tried. Tried our best to do.

[Caroline Aaron]

I mean, I think you did.

[Kristin Davis]

Thank you.

[Caroline Aaron]

Because where you are, you're still going, Missy.

[Kristin Davis]

That's right. Which we're just so incredibly lucky. Like. Like, do you ever think about your whole career and, like, when you were starting, what. What was your biggest dreamer? What was your fantasy version of your career?

[Caroline Aaron]

My fantasy version hasn't happened yet. I can't wait for it.

[Kristin Davis]

Oh, I love that. Okay, do you want to put it out there? What is it?

[Caroline Aaron]

I lived in LA, you know, for 24 years, and I said, until I came back to New York for Mesa. But I used to say, what I want for my career is to know where my parking place is. So I just want. You know what I mean? It was like, I just pray for that. I just pray. I would. I think I would like to be on a successful, important, interesting TV series for a number of years. I've never done. I mean, I did that with Maisel. Right, Great. And I would like to have that back because, you know, it's like being a school teacher, you have three months off in the summer. You can do other things that you really, really want to do. And although what's going on in our business now is very complicated.

[Kristin Davis]

Oh, my God. Yeah, it's just chaos.

[Caroline Aaron]

It's just unbelievable. And who knows where this is all going to land. But I just keep thinking, you know, artists are the witnesses and it will be our footprints in the snow that 100 years from now, people will follow and say they'll be watching your show to try and put together. What was it like to be then?

[Kristin Davis]

This is why I'm doing the podcast, because I thought to myself, you know, we've been incredibly lucky and blessed to be a part of this thing. And many other people have. Have shared their thoughts about the show and the people on the show and what think went on or didn't go on. But I thought, why shouldn't we share our own thoughts and memories so that it's Like a time capsule, because things are changing so rapidly, you know, funny.

[Caroline Aaron]

Because I was only in that one episode for a minute in the first season, and like, even very early on in the first season. And then the show grew up to be. It will go down in history. Right. Obviously. And I went to see at Bucks County, I saw the original material from Candace Bushnell.

[Kristin Davis]

Oh, you saw her show?

[Caroline Aaron]

Yes, I saw her show.

[Kristin Davis]

How great.

[Caroline Aaron]

Which was so interesting. Did you ever see it?

[Kristin Davis]

No, she. I just heard her on the podcast. She talked a lot about it. I mean, she's a fascinating person.

[Caroline Aaron]

So fascinating. And you know what the set was? Did you tell me what the set was?

[Kristin Davis]

No.

[Caroline Aaron]

Imagine the set like a stage, and it was all of these different platforms made out of Lucite. And on every platform was just a pair of shoes. Just a hundred pair of shoes.

[Kristin Davis]

It was, wow, that's a great idea.

[Caroline Aaron]

It's a great idea. And so shoes. I mean, I thought about it, like, we could probably all do that with our own closets. You know what I mean? Take this pair of shoes or that pair of shoes or, you know, it's like I did Nora Ephron's play Love Lost and what? Same idea. Which is. I don't know if it's true for men, but it's certainly true for women. Clothes are like electricity. They're conductors of things and events and memories.

[Kristin Davis]

Yeah.

[Caroline Aaron]

That we have in our lives. Like, when I went back and looked at the episode, I went, I know that jacket. I know that. You know what I mean? It was like, oh, I remembered all of that and why I had that on. And so great.

[Kristin Davis]

So great. And the thing that I love about you, and I mean, this is true in all the roles that you do, but when also, I don't always remember. Part of what's interesting, looking back on the show is like, I would never have thought that you were in first season. I remember you so vividly being on because you're such a presence. But I would have thought it was later, but first season, we hadn't even been on the air.

[Caroline Aaron]

Right. So, I mean, you knew that it was Sex in the City.

[Kristin Davis]

Exactly.

[Caroline Aaron]

You know what I mean? It was like. And I wonder if people are going to like this. You know, it's. Oh, it's. You know, I. When people would interview me about Maisel and they go, why do you think it's a hit? And I would go, and it was a. When they first sent it to me, I was like, okay, this is great. Jews will like it. New Yorkers Will like it. I guess that's a lot of people. And then it turned out that it blew up internationally and we did press all over the world. And I would ask people all the time, like we were in Milan doing press, and there were all these journalists that came in from like Sweden and Brazil and this place. And I'm like, why do they, like, where do they line up? Find a place to relate to? And it was one of the most interesting things that I heard was there was a young woman, a young journalist, I think she was from Sweden, and she said, we see a lot of young women on television, but we don't see confident women our age.

[Kristin Davis]

Wow.

[Caroline Aaron]

She's. You know, most of the women they were seeing on television, you know, they had boyfriend problems or parent problems or job problems or whatever. They didn't see confident women. And it was so meaningful to her to see when he was ambitious and confident in her 30s. And I. Wow, isn't that interesting? I thought that was. And. And also it's about family and everybody, even if it's not. Even if your specifics are not their specifics, I think. And it's about dreamers having a big dream. And I think people really, really responded to that. And so it was a big mystery. And I felt the same way when my friends all started on Sex in the City, because I knew Derek, I knew Michael, and I knew one of your writers at that time, this woman, Andrea King, who's the full writer. And I think we had become friendly. She was like the editor of the Hollywood Reporter or she'd been in journalism in some way.

[Ryan Seacrest]

Wow.

[Kristin Davis]

Oh, I didn't know that.

[Caroline Aaron]

Yeah. And Darren was like one of her best friends. He asked her, you know, to come to the party. And I remember wondering, people gonna like this?

[Kristin Davis]

I mean, we. We wondered as well.

[Caroline Aaron]

We were scared to know from you. You did the script, you're shooting a pilot, you go, I don't know.

[Kristin Davis]

I mean, we knew that we loved it. You know, I think that we had. I mean, I know for myself, I had a sense of how special and different it was. You know, certainly I had been. I had been my out of work actor self in New York and then I had gone to la. Cause there was more work, right. And then in la, everything was much more, you know, soundstagey. The guys are the leads, the girls are the girlfriends, you know, all of that kind of thing. So for me, it was something where I thought that this is like shocking, basically, that four of us are here, you know, with our own storylines, walking Around Manhattan at nighttime, like, yay. But I didn't know if it would resonate out in the world. And we all really thought that it might just. Well, Sarah Jessica says that she didn't even really think about the success part, which is super interesting. But I do think she's very, you know, kind of what you're saying about the part. She's kind of project focused, you know, she's not big picture focused. I myself, I felt like I want this to keep going, and I hope we can get at least a niche type following, you know, and wouldn't that be great? Right? And obviously it unfolded in a very different and fantastic way. But none of us saw that coming. You could never see that coming.

[Caroline Aaron]

You know, it was really interesting when I went back and watched this episode. So we are saying it was. What year did you say the first season?

[Kristin Davis]

98.

[Caroline Aaron]

Okay, so it's 98. And there was all of this talk about oral sex for women. And I like, I'm rewatching it now and going, that was radical. Yeah, that was radical. It doesn't feel radical right now to revisit it. You know, to have that conversation with your character about when you said, I don't like it. And even a woman saying, I don't like it, I don't want to do it. It's not for me. And I'm like going, wow, this is pretty brave.

[Kristin Davis]

Oh, I know. We were scared.

[Caroline Aaron]

Yeah, this was really brave. I don't think people can, for now, can even realize how brave it was.

[Kristin Davis]

Absolutely, yeah. Things have changed in some ways so much, and then other things have not changed, which is really interesting to look at. When you are ready to take a drive, you think about the direction you are headed and how long it takes you to get there. You rarely think about bumpy roads, motorcyclists weaving through traffic, sluggish trucks, drivers speeding through red lights, and pedestrians crossing at the wrong moment. The truth is, the road can feel unpredictable and sometimes scary. But it doesn't have to be that way. Hyundai's available advanced safety technology is designed to help keep you protected against the many challenges the road throws your way. From Forward Collision avoidance Assistant to Blind Spot View Monitor, our vehicles offer available features designed to help safeguard you and your loved ones. You can change lanes with much more confidence thanks to the available Blind Spot View Monitor, which actually shows you a live video feed of your blind spots. The standard forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes if you don't. Hyundai vehicles are equipped with the standard Driver Attention Warning System, which constantly monitors your attention levels. Once detected, it sounds alerts and visual cues to help bring your focus back on the road. With available class exclusive safety features, Hyundai lets you enjoy the journey with confidence, knowing that your car is working hard to help avoid the dangers of the road from getting to you. Learn more about [e-mail] Call 562-314-4603 for complete details.

[Jenna Ushkowitz]

This is Jenna Ashkowitz and Kevin McHale from and that's what you really missed.

[Kevin McHale]

So we both got the same delivery ding dong at our door the other day from Dietz and Watson. Did I not tell you immediately after that we were podcasting that I literally ripped into the packages and was eating the spicy cheese and the prosciutto and I was like give it to me.

[Jenna Ushkowitz]

I was so excited.

[Kevin McHale]

So Dietz and Watson has been handcrafting premium meats and artisan cheeses for over 85 years. They're family owned and operated and by.

[Jenna Ushkowitz]

That we mean their family is on the floor every day ensuring everything goes above and beyond their quality. Above all else standard.

[Kevin McHale]

And even if it's slower or if it's inconvenient, it's the only way they know how to do it.

[Jenna Ushkowitz]

And they never cut corners. Ever. They do things the right way, even if it's the hard way.

[Kevin McHale]

And they're transparent about what goes into their food and what doesn't they know.

[Jenna Ushkowitz]

Good taste doesn't need a long list of ingredients.

[Kevin McHale]

They stick to what matters, like using the fewest, highest quality ingredients to craft their meats and cheeses. Simply made. Simple as that.

[Jenna Ushkowitz]

Visit dietzandwatson.com the right way to learn more about the Dietz difference.

[Ryan Seacrest]

Not everyone who handles your personal information is going to be as careful as you are, and it only takes one mistake to expose it to hackers and identity theft. Maybe that's why there's a new victim of identity theft every five seconds in the United States. Fortunately, there's LifeLock. LifeLock monitors hundreds of millions of data points a second for threats to your identity if your identity is stolen. A LifeLock US based restoration specialist will help solve identity theft issues on your behalf, guaranteed or your money back. Plus, all LifeLock plans are backed by the million dollar protection package, meaning Lifelock will reimburse you up to the limits of your plan if you lose money due to identity theft. You can't control how diligent others are with your personal information, but with Lifelock, you Can help protect it. Act now and save up to 40% your first year. Call 1-800-LIFELOCK and use promo code iheart or go to lifelock.com iheart for 40% off. Terms apply.

[Caroline Aaron]

Hi, this is Jevon, your blinds.com designer. Oh, wow, a real person. Yep.

[Ryan Seacrest]

I'm here to help with everything from selecting the perfect window treatments to.

[Kristin Davis]

Well, I've got a complicated project.

[Caroline Aaron]

No problem.

[Ryan Seacrest]

We make the complex simple. I can even help schedule a professional measuring install.

[Kristin Davis]

I didn't realize you did that.

[Ryan Seacrest]

We can also send you samples fast and free.

[Kristin Davis]

Wow. I mean, I always thought I needed a designer to come to my home, but scheduling is always a nightmare.

[Ryan Seacrest]

Notwithblinds.com we're on your schedule. And there's no haggling pressure or hidden fees either.

[Kristin Davis]

Hmm.

[Caroline Aaron]

I just might have to do more.

[Ryan Seacrest]

Whatever you need.

[Caroline Aaron]

How about you tell me what you had in mind?

[Kristin Davis]

Okay, then.

[Caroline Aaron]

So the first room we're looking at is for guests coming over.

[Kristin Davis]

And I'm thinking of something.

[Caroline Aaron]

Blinds.com has covered over 25 million windows, all backed by a 100% satisfaction guarantee. Shop blinds.com now and save up to 40%. Site wide receiver rules and restrictions may apply.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway this spring. Refresh your spring personal care Items and earn 4 times points on all your favorites when you shop in store or online. Earn 4 times points when you shop for items like Pantene Shampoo, Gillette Fusion 5 razors, secret body Spray, Always Pads, Luvs diapers, Pepto Bismol, and Nervive nerve relief cream. Then use your rewards for discounts on groceries or gas. Offer ends May 20th. Restrictions apply. Promotions may vary. Visit albertsons or safeway.com for more details.

[Kristin Davis]

I remember being nervous about so many elements of it and thinking, like, are people just going to be outraged? Like, oh, my God, turn this off. You know?

[Caroline Aaron]

Exactly. Nobody should see this. It was like, yeah, it was. Yeah, it would have been. You know, you would have thought it was late night cable.

[Kristin Davis]

Right? Because it. It did have that element. It did have that element. And there were. I remember the press that came out in the beginning and a lot of it that was kind of male driven reviewers kind of snobby, you know, reviewers was very negative, Very negative. And part of us was. I. I remember I'm not a big review person anyway, but it trickled down to me, generally speaking, and we were just like, we're not gonna. That's not who we're making the show for. We're just gonna black it out. We're not making the show for these white guys who write for papers, you know.

[Caroline Aaron]

Right.

[Kristin Davis]

Yeah. And that is a good skill to have anyway, because you can't really do your job if you're worrying about them.

[Caroline Aaron]

My daughter told me when she first discovered. She's 28. I can't remember. So let's say, you know, she's the second round of audience members for Sex in the City.

[Kristin Davis]

Second or third?

[Caroline Aaron]

Yeah, second or third. So she started, like, let's say, five years ago or whatever it was. So I kept saying to her, so said, why do you like it? What's in it for you? Said, because it's women talking about sex. We don't ever get to see that. And that was. That was a couple of years ago.

[Kristin Davis]

That's incredible.

[Caroline Aaron]

So that has not happened, you know, like, it's. It still occupies that own, the lone territory, which is crazy. Isn't that crazy?

[Kristin Davis]

Yeah.

[Caroline Aaron]

It's crazy that some things have stayed the same.

[Kristin Davis]

Yeah.

[Caroline Aaron]

For young women who want to have that conversation or see that conversation, it was very. She felt very much like it was a source for her.

[Kristin Davis]

Yay. I like that. I mean, younger women say that to me, and I'm pretty sure I'm happy. Like, sometimes I feel a little nervous, like, oh, my God. I don't know, you know, because we were trying. We're playing very flawed characters, obviously, you know, where it wouldn't be interesting. But then on the other hand, I think, no, I think that the main message is, you know, we're representing so many different viewpoints, and we're all together in it.

[Caroline Aaron]

That's right.

[Kristin Davis]

You know, the friends. And I think that's a powerful message.

[Caroline Aaron]

And for each other. And you're also imperfect. And remember, in their Internet Instagram generation, perfection is always being put in front of them and making them feel really insecure. And then they watch this show, and it's not about perfection, is about sexuality for women. And I think that's a comfort.

[Kristin Davis]

Absolutely. Thank God. You know, I'm just so, so happy to be a part of it. Yeah, it's amazing. I have a pressing. Pressing question for you.

[Caroline Aaron]

Okay, good. I'm excited. I love pressing.

[Kristin Davis]

Are you a Charlotte?

[Caroline Aaron]

I don't think so. I mean, let's see. Am I a Charlotte? I don't think so.

[Kristin Davis]

No. What are you?

[Caroline Aaron]

I don't know. Let's think. The reason I was saying that I wasn't a Charlotte is I feel like Charlotte stays in the lines of the coloring book. Or she used to. And that's where her comfort is. Is. And I don't think. I think I always felt very other.

[Kristin Davis]

Oh.

[Caroline Aaron]

And I don't think Charlotte is the character on that show. That's other.

[Kristin Davis]

You're so right. Yeah. You're so right.

[Caroline Aaron]

And I don't think probably if I had to be one of the four, it'd be Cynthia.

[Kristin Davis]

Yeah, Miranda.

[Caroline Aaron]

Yeah, Miranda.

[Kristin Davis]

You seem like a Miranda to me. She's very intellectual, but she's also like. Says it like she sees it, you know? Yeah, yeah, I like that.

[Caroline Aaron]

And she's kind of. She's willing to go into unchartered territory certainly now in her character, but you know what I mean? She's going to go out there and say, okay, I don't know if this is going to work out for me or not. Charlotte seems a little risk at first.

[Kristin Davis]

Well, I have to say, the funny thing, I totally agree. And I know why you're saying that, because she was so focused on her goal of marriage and whatnot. But when you actually look back, when we finished the series, the first series, they did a book called Kiss and Tell. And in the back of the book, they put all the guys that each character had been with. And guess who had been with the most guys.

[Caroline Aaron]

No. Charlotte is the slut. I'm so Charlotte girl.

[Kristin Davis]

I know. I also was a little shocked. I was like, wow. But I mean, in some. So in some ways, she's got this kind of more traditional picture she's trying to create. Right. But she was pretty adventurous in terms of how she was going to get there, which is interesting.

[Caroline Aaron]

Isn't that interesting?

[Kristin Davis]

I know. Yeah. It's also surprising when I watch. When I re. Watch Back to the Early Days, I'm like, wow, I am all over the place, man. I mean, it's fun. It's fun to watch. And I don't. I don't always remember those parts, you know, because I think her through line was always this much more traditional thing, which was kind of my role right on the. In the mix. And that was. It's not really my life. So I had to work hard on. On making that, you know, grounded. Yeah. But it is interesting to think about. I mean, yeah, she's. She's done some slightly crazy things, but that's okay. It's fun. You know, why not? She is friends with Samantha, so, you.

[Caroline Aaron]

Know, going off the air, Sex in the City. How many years was it until just like that? When did that.

[Kristin Davis]

Well, the movies were in between. Right. So, like, for me, it all blends. Like, I have to remind myself of the actual shifts and breaks that happened because obviously, like, we're there together still. Right. So it still feels like the show, except that we're getting ready to air season three of. And just like that. And I watched the first one, I'm like, oh, no, these shows are very different. They're very different. It's so fascinating, you know, same characters, but the vibe, like the. The way that we shoot it and the. The pattern and the timing and kind of the subject matter, all of it very different. It's super interesting.

[Caroline Aaron]

That's so great. That's so great.

[Kristin Davis]

It is. It's a very rare situation. But in between, to answer your question, we did the first film, I think was released in 2008. I think we went off the air in, like, 04. I feel like, wow. And then. So then the movie, the second movie would have been roughly 2010, 2011, something like that. Then we took a kind of a long break, but we saw everyone, like you were saying, with your cast. So you had a through line, you know, personally.

[Caroline Aaron]

Right, right. And what you guys have, what your own personal lives have evolved. You became mothers, you became wives. You. You know, all those things happen to you guys along the way, which is. Which is also very exciting because you do bring that whenever. You know, the great director Peter Brooks said, you know, that which is truly personal is universal. And we're always bringing our personal selves to whatever we are doing as actors. And I think that's really exciting that we've gotten to do that through time.

[Kristin Davis]

I agree.

[Caroline Aaron]

You're a different woman than when you started this show.

[Kristin Davis]

I mean, yes. Like, we were little children when we started this show, really. You know, we've lived lives, like, lives multiple. It's. It's really fascinating.

[Caroline Aaron]

Are you in la?

[Kristin Davis]

I am. I'm in LA right now. Getting ready to go back to New York. We're back and forth still, which is great. I love to be back and forth.

[Caroline Aaron]

Yeah, of course.

[Kristin Davis]

And we're getting ready to do the press for. And just like that, which is fun, but also stressful in this new streaming world, you know, because it's just like a blast. Like, you just blast it out there. You know what I mean?

[Caroline Aaron]

Well, I. I took a picture of all of the underwear I had on the years we were going to, you know, when you were going for the Emmys and the Golden Globes campaign problems. I. But, yeah, yeah, yeah, the shoes and the clothes and the underwear. And I was like, oh, my God. I'm doing a show about feminism and look what I have to put on.

[Kristin Davis]

No joke. No joke. I know, it's really an interesting thing. And sometimes you can go like, I'm not going to do this. I mean, certainly in my regular life I just wear my jeans and my Adidas and I'm not going to be bothered. But that is the joy of what we do in a way too. Right. Because if you don't do it for a while, don't you kind of crave the cost?

[Caroline Aaron]

Yes, exactly. Yeah, me too. And, and I've a lot. And you know, because Sex and the City has also been about fashion and I didn't know anything about fashion until I did Maisel and I was like, wow, it's quite a subject and it's really interesting.

[Kristin Davis]

I agree.

[Caroline Aaron]

I do think that fashion is the breadcrumbs of the times we live in.

[Kristin Davis]

Yeah.

[Caroline Aaron]

Back and know a lot about us from. From fashion.

[Kristin Davis]

Absolutely. That's a really valid point. And I think our issue, I think sometimes with Sex in the City is that it almost seemed like fashion overtook the stories, you know, the actual storylines. And we felt some stress. Like it seemed like we were just trying to sell shoes, which was really never our intention. It just grew, you know, and then I think we felt this, this, this pull away from that when we came back for. And just like that, partly based on the stories also, like we, you know, there was mourning and death and whatnot. We didn't want to be like running around a head to toe Gucci, you know, necessarily. So it's interesting because you want to have the through line be there, but at the same time we're going through different things. Things. So that's going to be reflected in what we're wearing. It's always super interesting. It's always super interesting to think about it.

[Caroline Aaron]

What was really funny about Maisel, which I never said in any interviews was, and this never has happened, is that four of the seven regulars were over 50. Amazing, amazing. And I'm on a TV show. It's like, who am I going to have lunch with? I'm the only one who's over 50.

[Kristin Davis]

I understand. Yeah, we're in the same boat over there. And then just like that.

[Caroline Aaron]

Exactly. You're the only one. And then I go, wow, take a note. You know what I mean? Like, yes, take a note. And it wasn't about being over 50.

[Kristin Davis]

No.

[Caroline Aaron]

That it's okay. You could put characters on the air all different ages and you don't, you know, there is this feeling that, you know, the 30 and under is where. Where the pot of gold is. But maybe. Not necessarily. Maybe.

[Kristin Davis]

And also, why can't all the stories get told?

[Caroline Aaron]

Right? Exactly.

[Kristin Davis]

Why not? You know, I mean, I know we're so lucky that we get to do our show. I fully, fully understand that. But sometimes when people are like, you know, are you shocked that, you know, you ladies who are over 50 are getting to be on the television? I mean, like, it's hard not to be offended. Like, why wouldn't we get to be on the television?

[Caroline Aaron]

Well, why? Because they're. It hasn't happened before. It's like.

[Kristin Davis]

I know, I know, but it's messed up. It's just so messed up.

[Caroline Aaron]

It's so wrong. I remember I. I actually sold a television pitch many years ago. I'd never done it before for a show that I wanted to see about women. And we got to the point of having auditions, and I don't know if you remember this company, Carson Warner, but Marcy.

[Kristin Davis]

Yeah, of course.

[Caroline Aaron]

And I put a friend of mine down on the list to come in and audition. And after she auditioned, she's a brilliant actress. Actress. And Marcy went like this to me. What is she, 30? Like that? And I went, no, she's not. But I said, because I played my daughter in a play, and so I know her. And I went. But I said, so is the moral of the story that when you get your period, you should just cut up your SAG card? And she said, pretty much. That's what she said.

[Kristin Davis]

Oh, my God. I mean, it's so insane. But I do remember as. As a young actor being so worried that I wasn't successful. I wasn't successful until I was 30, and I was like, well, I'm only gonna have years. Then it's going to be over.

[Caroline Aaron]

That's it.

[Kristin Davis]

Right. Because that was how we were brainwashed.

[Caroline Aaron]

And. And everybody seemed to accept it as a truth.

[Kristin Davis]

Exactly.

[Caroline Aaron]

Every time that truth gets disproved, like, by your show or our show or whatever.

[Kristin Davis]

Yeah.

[Caroline Aaron]

Like, so relieved. Not.

[Kristin Davis]

I know.

[Caroline Aaron]

Not that they catch up to that truth.

[Kristin Davis]

No, no. I know. They forget immediately.

[Caroline Aaron]

They forget immediately. But it's like, that's what I want to see is like, I want to see everybody I'm with. I want to see it all. I want to see young people and older people and old, old people and the human experience, what our job is.

[Kristin Davis]

Yes, yes, yes. God, yes. All right. You are a joy. Thank you for joining us.

[Caroline Aaron]

So great. Give my love to everybody.

[Kristin Davis]

Thank you. I will. I will. I will. I'll talk to Michael soon. Okay. Bye, Caroline.

[Caroline Aaron]

Thank you. Bye, honey.

[Kristin Davis]

Bye. Picture yourself going for a drive. What comes to mind? Potholes. Lane splitting bikers, Sleepy truck drivers, Red light runners, Distracted pedestrians crossing the road where they shouldn't. Yes, sometimes it feels like the road is out to get you, but thankfully Hyundai offers available class exclusive advanced safety features to help protect you and your family. With Hyundai, you can change lanes with much more confidence thanks to the available Blind Spot View monitor, which actually shows you a live video feed of your blind spots. The standard forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes. If you don't learn more about [e-mail] Call 562-314-4603 for complete detail. This podcast is supported by BetterHelp, offering licensed therapists you can connect with via video phone or chat. Here's BetterHelp head of clinical Operations, Hes Yu Jo discussing who can benefit from therapy. I think a lot of people think that you're supposed to be going to therapy once you're like having panic attacks every day. But before you get to that point, I think once you start even noticing that you feel a little bit off and you can't maintain this harmony that you once had in relationships, that could be a sign that maybe you want to go talk to somebody. There's always a benefit in talking to someone because we can all benefit from improved insight about ourselves and who we are and how we behave with other people. So if you're human, that's like a good indicator that you could benefit from talking to somebody. Find out if therapy is right for you. Visit betterhelp.com today. That's better. H E L P dot com this.

[Jenna Ushkowitz]

Is Jenna Ashkowitz and Kevin McHale from and that's what yout really Missed. Jenna, did you get your delivery?

[Kevin McHale]

I got my delivery, Kevin. I ripped it open. I'm like a stickler now that I have kids for having high quality products in our house all the time and Dietzen Watson has done that. So like I'm not afraid that when Emma wants to eat all my prosciutto could she will that it's okay for her to do that? Dietz and Watson has been handcrafting premium meats and artisan cheeses for over 85 years. They're family owned and operated and they never cut corners.

[Jenna Ushkowitz]

Ever. They do things the right way, even if it's the hard way.

[Kevin McHale]

They're transparent about what goes into their food and what doesn't they know?

[Jenna Ushkowitz]

Good taste doesn't need a long list of ingredients and they stick to what.

[Kevin McHale]

Matters, using the fewest, highest quality ingredients to craft their meats and cheese.

[Jenna Ushkowitz]

Visit dietzandwatson.com therightway to learn more about the dietz difference.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway this spring. Refresh your spring personal care Items and earn 4 times points on all your favorites when you shop in store or online. Earn 4 times points when you shop for items like Pantene shampoo, Gillette Fusion 5 razors, secret body spray, Always Pads, Loves Diapers, Pepto Bismol and Nervive Nerve Relief Cream. Then use your rewards for discounts on groceries or gas. Offer ends May 20th. Restrictions apply. Promotions may vary. Visit albertsons or safeway.com for more details.

Not everyone who handles your personal information is going to be as careful as you are, and it only takes one mistake to expose it to hackers and identity theft. Maybe that's why there's a new victim of identity theft every five seconds in the United States. Fortunately, there's LifeLock. LifeLock monitors hundreds of millions of data points a second for threats to your identity. If your identity is stolen, a LifeLock US based restoration specialist will help solve identity theft issues on your behalf, guaranteed or your money back. Plus, all LifeLock plans are backed by the million dollar protection package, meaning Lifelock will reimburse you up to the limits of your plan if you lose money due to identity theft. You can't control how diligent others are with your personal information, but with Lifelock you can help protect it. Act now and save up to 40% your first year. Call 1-800-LIFELOCK and use promo code iheart or go to lifelock.com iheart for 40% off terms apply.

[Caroline Aaron]

You're listening to an iheart podcast.