Give Me Your Questions...

Summary

Podcast Summary: Are You A Charlotte? Episode - "Give Me Your Questions..."

Release Date: April 18, 2025
Host: Kristin Davis (Charlotte York)
Producer: iHeartPodcasts

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Introduction

In the "Give Me Your Questions..." episode of Are You A Charlotte?, Kristin Davis delves deep into her experiences revisiting her iconic role as Charlotte York from Sex and the City. This episode is a blend of personal reflections, fan interactions, and insightful discussions about character development and the show's enduring legacy.

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Addressing Misconceptions and Headlines

Timestamp [04:10] - Clarifying Headlines Misrepresentations

Kristin opens the episode by addressing recent misleading headlines that have surfaced regarding her comments about the production of Sex and the City. She expresses her surprise and overwhelm at the public's reaction to her words taken out of context.

Kristin Davis ([04:10]):
"I have to say, I just thought we could just talk freely, you know what I mean? And I do feel with you guys that are listening, that I am just talking freely."

She specifically refutes claims that producers imposed strict rules on the cast, emphasizing that Pat Field’s vision was about aesthetic excellence, not authoritarian control.

Kristin Davis ([05:15]):
"This is so not the case, you guys. Oh, my gosh. This was that Pat Field have a very strong vision. And that's what we love about Pat Field, and that's why we hired Pat Field."

Timestamp [05:45] - Personal Impact of Misinterpretations

Kristin shares how misinterpreted comments affected her personal relationships, highlighting a situation where her laughter about a past incident was misconstrued, leading to unintended consequences.

Kristin Davis ([05:45]):
"I don't ever want one of my good friends to get hurt because of something stupid that I said."

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Fan Engagement and Listener Questions

Timestamp [06:41] - Interactive Q&A Session

Kristin welcomes listener questions sourced from Instagram, engaging in a lively discussion with co-host Olivia Carvell. The session covers various topics, including thoughts on the upcoming Just Like That season and character-specific inquiries about Charlotte York.

Question: Do You Support Aidan's Five-Year Rule?

Kristin and Olivia debate whether Charlotte would support Aidan's five-year rule in his relationship with Carrie, reflecting on Charlotte's optimistic nature.

Olivia Carvell ([07:23]):
"I do not support that me, Kristen, but Charlotte probably does because, you know, for Charlotte, she's just always optimistic."

Question: What Was Charlotte's Life Like Growing Up?

Delving into Charlotte's background, Kristin and Olivia explore her upbringing in Connecticut, her involvement in sororities, and her journey to New York City.

Kristin Davis ([19:02]):
"In the second movie, they confirmed that you met Carrie in 1987."

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Character Development and Attachment Styles

Timestamp [32:11] - Exploring Charlotte's Attachment Style

Kristin and Olivia analyze Charlotte York's attachment style, concluding that Charlotte exhibits traits of an anxious-preoccupied attachment, characterized by a fear of abandonment and a need for reassurance.

Olivia Carvell ([32:34]):
"I just feel like she definitely wants to know, you know, wants to be attached and wants affirmation of that."

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Behind the Scenes: Costume and Production

Timestamp [33:27] - The Costume Fitting Process

Kristin provides an in-depth look into the meticulous costume fitting process for the show. She praises the talented costume department, particularly highlighting designers Molly Rogers and Danny Santiago.

Olivia Carvell ([33:27]):
"We have just the most incredible costume department and costume designers. Molly Rogers, who I had on, that was so much fun."

She discusses the collaborative nature of selecting outfits, the balance between creative vision and character authenticity, and the challenges of maintaining consistency across scenes.

Kristin Davis ([36:15]):
"Pat was very strong, right? Like, she was very strong. And occasionally she would try to talk me into things that I was like, I just do not think Charlotte would wear this."

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Reflecting on the Show's Realism

Timestamp [25:01] - Is Sex and the City a Realistic Depiction of Manhattan?

Kristin and Olivia debate the authenticity of Sex and the City in representing life in Manhattan. They acknowledge that while the show portrays a glamorous lifestyle, it reflects the experiences of a select group rather than the broader New York population.

Kristin Davis ([25:14]):
"Do you think Sex and the City shows a realistic depiction of life in Manhattan?"
Olivia Carvell ([25:14]):
"No. No, unfortunately, no. I mean, I think it did for this tiny group of women."

---

The Evolution of Charlotte York

Timestamp [22:05] - Developing Charlotte's Character

Kristin shares her approach to developing Charlotte York's character, explaining how she envisioned Charlotte's background and personality traits to bring depth and authenticity to the role.

Olivia Carvell ([22:05]):
"So I was just walking around the shops, walk up and down Madison Avenue and look at the women... I'd look at their coats, I'd look at their bags."

She discusses the challenges of embodying a character with less predefined backstory compared to her co-stars, emphasizing her efforts to create a believable and relatable Charlotte.

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Conclusion and Final Thoughts

Timestamp [41:23] - Wrapping Up the Episode

Kristin expresses her gratitude towards the listeners for their support and engagement, reiterating her commitment to maintaining an open and honest dialogue with fans.

Kristin Davis ([41:23]):
"The consummate professional. Kristen Davis, thank you so much for answering these questions."

Olivia and Kristin conclude the episode by encouraging listeners to continue submitting their questions and tuning into future discussions, highlighting the ongoing journey of revisiting and reevaluating their beloved characters.

---

Notable Quotes

• Kristin Davis ([04:10]):
  "I just thought we could just talk freely, you know what I mean?"

• Olivia Carvell ([07:23]):
  "I do not support that me, Kristen, but Charlotte probably does because, you know, for Charlotte, she's just always optimistic."

• Olivia Carvell ([32:34]):
  "I just feel like she definitely wants to know, you know, wants to be attached and wants affirmation of that."

• Kristin Davis ([36:15]):
  "Pat was very strong, right? Like, she was very strong. And occasionally she would try to talk me into things that I was like, I just do not think Charlotte would wear this."

---

Key Takeaways

1. Clarification of Misrepresented Comments: Kristin addresses and corrects recent misconceptions stemming from her interviews, emphasizing her genuine intentions and the collaborative nature of the show's production.

2. Engagement with Fans: The episode showcases a strong relationship between Kristin and her audience, highlighting the importance of fan support and feedback.

3. Character Insight: Through listener questions, Kristin provides a deeper understanding of Charlotte York's background, personality, and development, offering fans a more nuanced view of her character.

4. Behind-the-Scenes Exploration: Kristin gives listeners a glimpse into the intricate process of costume selection and character portrayal, underscoring the attention to detail that brings the show to life.

5. Reflecting on Legacy: The discussion touches upon the enduring impact of Sex and the City and its realistic portrayal of a select group of women in Manhattan, acknowledging both its strengths and limitations.

---

Conclusion

This episode of Are You A Charlotte? serves as a heartfelt bridge between the past and present, allowing Kristin Davis to reconnect with fans, address lingering questions, and reflect on the legacy of Sex and the City. Through candid conversations and detailed insights, listeners gain a comprehensive understanding of Charlotte York's character and the intricate dynamics behind one of television's most beloved shows.

Transcript

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In 2020, a group of young women found themselves in an AI fueled nightmare.

[Olivia Carvell]

Someone was posting photos. It was just me naked. Well, not me, but me with someone else's body parts.

[Margie Murphy]

This is Levittown, a new podcast from iHeart podcasts Bloomberg and Kaleidoscope about the rise of deepfake pornography and the battle to stop it. Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Israel Gutierrez]

I'm Israel Gutierrez and I'm hosting a new podcast, Dub Dynasty, the story of how the Golden State warriors have dominated the NBA for over a decade.

[Olivia Carvell]

The Golden State warriors once again are NBA champions today.

[Israel Gutierrez]

The warriors dynasty remains alive in large part because of a scrawny 6 foot 2 hooper who everyone seems to love.

[Olivia Carvell]

For what Steph has done for the game. He certainly on that Mount Rushmore.

[Israel Gutierrez]

Come revisit this magical warrior's ride. Listen to Dub Dynasty on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Diosa]

Are your ears bored?

[Olivia Carvell]

Yeah. Are you looking for a new podcast.

[Margie Murphy]

That will make you laugh, learn and say que?

[Diosa]

Yeah. Then tune in to locatora radio season 10 today.

[Olivia Carvell]

Okay, now that's what I call a podcast.

[Margie Murphy]

I'm Diosa.

[Olivia Carvell]

I'm Mala, the host of Locatora Radio.

[Margie Murphy]

Radiophonic novella, which is just a very.

[Diosa]

Extra way of saying a podcast. Listen to Locatora Radio Season 10 on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Olivia Carvell]

Ever wonder what it would be like to be mentored by today's top business leaders?

[Kristin Davis]

My podcast this is Working can help with that.

[Olivia Carvell]

Here's Advice from Google CMO Lorraine2Hill on how to treat AI like a partner. I see AI as an incredible copilot. You may use different tools or toys to get the work done, but AI is just the latest flavor of that. You're still the judge of what good looks like.

[Kristin Davis]

I'm Dan Roth, LinkedIn's editor in chief on my podcast. This is Working Leaders Share Strategies for Success.

[Olivia Carvell]

Listen on the iHeartRadio app, Apple Podcasts.

[Kristin Davis]

Or wherever you get your podcasts.

[Olivia Carvell]

Hi, I'm Kristin Davis and I wanna know, are you a Charlotte? Hi, everybody. We are gonna do another episode of Give Me you. So here we go. The first thing that I wanted to talk about was this is just kind of a bizarre thing that has been happening since we started this podcast. So in my mind I was like, yes, I'd love to rewatch Sex and the City, because I haven't ever rewatched it, right? And that'll be super interesting because it was a long, long time ago, almost 30 years ago, and I really had no idea that people were going to be paying so much attention to what I said. So there's been these crazy headlines and my mother called me and asked me about them because her friends talked to her about them. And it's just been a little bit overwhelming, I have to say. And I just thought, you know what, this is like, 30 years ago, I did not think anybody was going to care. I mean, I thought the fans would care. And you guys do care, thank goodness. And I feel like you guys know the truth of what I'm saying. But sometimes I see these headlines and I do get a little concerned about people who maybe see the headlines but don't necessarily listen to the podcast, that they might not have the right understanding of what I was saying. So just some of the weird ones, you know what I said? I said the cult, like rules. I don't know that I said rules, but I definitely said the word cult. And of course, that, of course, is a headline now that the producers forced us to do things. This is so not the case, you guys. Oh, my gosh. This was that Pat Field have a very strong vision. And that's what we love about Pat Field, and that's why we hired Pat Field. And my fashion sense was like non existent, right? So I was just really happy to be told what was cool and what was in it wasn't rules. The producers didn't care one way or the other. I mean, they cared that the show looked great, but I mean, I don't think they cared about the specifics of, you know, how we made it look great or whatever. They were not involved. So there was no producers making us do any rules or whatever. Anyway, that's one. Then the other is, you know, the whole, you know, horrible mistake I made about saying the word forced when I was laughing about Michael Patrick and Me having to flash my boob in the year 2000. So I laugh now. I don't ever want one of my good friends to get hurt because of something stupid that I said. And that's what I feel like happened. Because I said a word that they could take out of context, and they did. And you guys on the social media really cheered me up. But once I went on the Today show because you were like, who took Kristen out of context? And I really appreciate that. And I don't know if you're aware, but sometimes when you look at comments, it can be dark and sometimes it can really make you feel so much better. And that's what you guys do for me on my Instagram page and on the podcast Instagram page. And thank you. Keep it coming. Because sometimes I really, really need it. And then also, people still want to talk about this poor actor that I lend money to. And again, I really, really just wanted to say, don't lend money to people that you are involved with. That was my only point. Like, it just changes the dynamic. It makes it kind of weird, or it has the potential at least to make it kind of weird. And I never will say this person's name. And I feel really badly that I even opened that box up. So those are the ones that come to mind. But honestly, just in general, the whole idea that people are, like, creating these headlines is still. I'm just trying to get my mind around it. Cause I just thought we could just talk freely, you know what I mean? And I do feel with you guys that are listening, that I am just talking freely. And I'm really trying to keep that going. I just don't want any of my friends to get hurt, you know? Okay, so that's the end of that. Now we have some other questions from people on our. I think from our Instagram. Is that right? Easton is here.

[Kristin Davis]

Hi, Kristen. This is so fun. Thank you for having me back.

[Olivia Carvell]

Thanks for coming back.

[Kristin Davis]

Yeah, these come in from Instagram carrier pigeon. Some people are just banging on the.

[Olivia Carvell]

Door, yelling them through the window. I'm glad you were there to listen to what they had to say.

[Kristin Davis]

Wrote everything down on my stenopad. So we're so excited for season three of. And just like that, I am part of the horde that is so excited about this show.

[Olivia Carvell]

That's nice.

[Kristin Davis]

So a lot of these questions are about. And just like that, this person says, seeing the trailer got me so excited for. And just like that, we see you say ah to Aidan's postcard to carry in the Trailer, do you support Aiden's five year rule and leaving Carrie for waiting for him?

[Olivia Carvell]

I know. Isn't that a funny little thing? Yeah, it's funny. I do not support that me, Kristen, but Charlotte probably does because, you know, for Charlotte, she's just always optimistic. And I think, you know, when you've had this long history which Aiden and Carrie have had, and obviously Charlotte believes in love and Charlotte was pro Big, as we know, but big is not here anymore, sadly. And, and, and that was obviously really hard for Charlotte also to watch Carrie go through. So I think that Charlotte would want Carrie to have love. And if Carrie tells her that that's with Aiden, I think Charlotte is gonna support that because that's the kind of friend that Charlotte is. And I support Charlotte being that kind of friend. Me personally, I feel like it's kind of complicated and I'm not sure. So let me just say. Let me just say that I really love this season and I hope that everybody else does. And it's super interesting writing. Like what they wrote I think is very good. I really, really looked forward every week to seeing what they wrote and watching Sarah Jessica at the read throughs and I can't wait to see the finished product. I haven't seen anything yet other than the trailer.

[Kristin Davis]

Interesting.

[Olivia Carvell]

Yeah, I mean, I've seen tiny bits and pieces when I had to go do adr, which is like, you know, additional dialogue recording. Thank you so much. Of course. You know, that was fast, man. You're on it. We also call it looping, right?

[Kristin Davis]

Yes.

[Olivia Carvell]

So when I had to go do that, I've seen tiny bits and pieces, like, but the whole trailer was more than I have seen. So I also was just like, what? I've got to watch this again. So that was exciting to get to see other people watching it as well and obviously weighing in with all of their thoughts and opinions. And some of them are very strong. But we love that also. Like, I mean, no offense, but we're not 20, right? Do you know what I mean?

[Kristin Davis]

Yes.

[Olivia Carvell]

Like, why, like five years. It's a long time.

[Kristin Davis]

Very long time.

[Olivia Carvell]

Very long time to wait. So I, I agree. But I also feel like it's very hard to be, you know, you're never really in someone's relationship. Right. You don't really know. And I also do feel like Carrie really believes in love.

[Kristin Davis]

She does.

[Olivia Carvell]

Easton's worn out.

[Kristin Davis]

Crestfallen.

[Olivia Carvell]

I say that he's worn out, you guys. He's like, oh God. She does. Anyway, go ahead.

[Kristin Davis]

This question comes from me. I'M putting it to the top of the pile. So I really enjoyed Carrie's podcast subplot. As someone in the business, that was something I loved in season one.

[Olivia Carvell]

I'm glad you loved it. Wasn't that a nice studio?

[Kristin Davis]

It was a great studio. They had real microphones. Everything looked great.

[Olivia Carvell]

Oh, it was a for real set.

[Kristin Davis]

Yeah, it was awesome. So, you know, spoiler alert, the podcast goes away. Carrie starts her own at the end of season two. Or it's important.

[Olivia Carvell]

It doesn't seem to lie.

[Kristin Davis]

Yeah, I was curious. I don't know what the timeline is in terms of you filming if you had started your podcast yet.

[Olivia Carvell]

No.

[Kristin Davis]

Okay.

[Olivia Carvell]

I hadn't. We were working when the idea came to me, and I was really excited and also nervous, and I mean, I might add, rightly so now that we're in it. But I was very much feeling like I needed to go check in with Michael Patrick and Sarah Jessica about it. So I talked to everyone on the phone. I had a really great talk with Amy Sugarman, our executive producer, and she's a super fan and really blew me off my feet, you know? But then I thought, I've really got to make sure that everybody feels good about this, because I only want to do it if everyone feels good about this.

[Israel Gutierrez]

Yeah.

[Olivia Carvell]

So I think I. Which one did I go to first? I think I went to Sarah Jessica first, and she immediately was on board and really supportive and very cheerleadery. Then I went to Michael Patrick. He had done last year the writer's podcast that was on the Max Channel.

[Kristin Davis]

The companion podcast.

[Olivia Carvell]

Exactly. The companion podcast, which was very much about the writer's room and the writer's process. And it was great, but it was very compelling. Yeah. Good. Thank you. I mean, I didn't want to, like, tread on his area or whatever. He 100% was on it. Obviously, we're rewatching Sex and the City. Not. And just like that, though we do mention it, obviously. But he came up with the title are you a Charlotte? Like, two sentences into my explanation, you know, very hardcore supporter. And Cynthia was very low key. Cynthia and I almost did a podcast many years ago, like, right after. I know this is the third podcast that's been brought to me, and it was just weird timing, too, I think. And, like, in some ways, I just didn't have my mind back around it. This. The podcast that Cynthia and I were gonna do, then Willie and I were gonna do, which was all before. And just like, that got greenlit.

[Kristin Davis]

Oh, wow.

[Olivia Carvell]

And I think it was different to Think about reflecting back on the work without us. Also getting to make fresh work.

[Kristin Davis]

Yeah.

[Olivia Carvell]

And I think somehow getting to reconvene and be together gave me kind of the grounding to be able to look back and not just feel like I was living in the past because that had been my fear. But I don't feel like that at all because obviously things are so different. You know, it's. It is like looking in a time capsule. You know, it's really interesting. So we were. Towards the end, we were almost done, and I just went to them and they were immediately on board. So then I was like, okay, go. Let's go.

[Kristin Davis]

I was wondering, like, if you had been doing it, and then like, there's a podcast thing in the. In the script or something. Like, well, that's not how it's actually done, you know, because I have a podcast.

[Olivia Carvell]

Oh, I would never. First of all, I think everyone at this point has been on a bunch of podcasts.

[Kristin Davis]

That's true.

[Olivia Carvell]

And Bobby Lee has a podcast. And, you know, the thing that I think was funny was that when we saw the set, we were like, this is the most glamorous podcast that we have ever seen. Like, who gets this?

[Kristin Davis]

Yes.

[Olivia Carvell]

And obviously not me, though we are now in a very glamorous green room. So you guys. You guys are. You guys are moving us up the ladder over here at Idaho.

[Kristin Davis]

We'll get there someday.

[Olivia Carvell]

Okay, great.

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[Margie Murphy]

A group of young women in a tidy suburb of New York City found themselves in an AI fueled nightmare.

[Olivia Carvell]

Someone was posting photos. It was just me naked. Well, not me, but me with someone else's body parts on my body parts that looked exactly like my own.

[Margie Murphy]

I wanted to throw up.

[Olivia Carvell]

I wanted to scream.

[Margie Murphy]

It happened in Levittown, New York. But reporting the series took us through the darkest corners of the Internet and to the front lines of a global battle against deepfake pornography.

[Diosa]

This should be illegal, but what is this?

[Margie Murphy]

This is a story about a technology that's moving faster than the law and about vigilantes trying to stem the tide. I'm Margie Murphy. And I'm Olivia Carvell. This is Levittown, a new podcast from iHeart Podcast podcasts Bloomberg and Kaleidoscope. Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Israel Gutierrez]

I'm Israel Gutierrez and I'm hosting a new podcast, Dub Dynasty, the story of how the Golden State warriors have dominated the NBA for over a decade.

[Olivia Carvell]

The Golden State warriors once again are.

[Israel Gutierrez]

NBA champions from the building of the that included Klay Thompson and Draymond Green to one of the boldest coaching decisions in the history of the sport.

[Olivia Carvell]

I just felt like the biggest thing was to earn the trust of the players and let the players know that we were here to try to help them take the next step, not tear anything down.

[Israel Gutierrez]

Today, the warriors dynasty remains alive in large part because of a scrawny 6 foot 2 hooper who everyone seems to love for what Steph has done for the game.

[Olivia Carvell]

He's certainly on that like Mount Rushmore for guys that have changed it.

[Israel Gutierrez]

Come revisit this magical warriors ride. This is Dub Dynasty.

[Olivia Carvell]

The Dubs dynasty is still very much alive.

[Israel Gutierrez]

Listen to Dub Dynasty on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Diosa]

Are your ears bored?

[Olivia Carvell]

Yeah. Are you looking for a new podcast.

[Margie Murphy]

That will make you laugh, learn and say queue?

[Olivia Carvell]

Yeah.

[Diosa]

Then tune in to locatora radio season 10 today.

[Olivia Carvell]

Okay.

[Margie Murphy]

I'm Diosa.

[Olivia Carvell]

I'm Mala, the host of Locatora Radio.

[Margie Murphy]

A radiophonic novella, which is just a.

[Diosa]

Very extra way of saying a podcast. We're launching this season with a mini series, totally nostalgic, a four part series about the Latinos who shaped pop culture in the early 2000s.

[Olivia Carvell]

It's Lala checking in with all things Y2K 2000s. My favorite memory, honestly, was us having our own media platforms like Mondo's and MTV Tres. You could turn on the TV, you see Thalia, you see JLo, Nina Sky, Evie Queen. All the girlies doing their things. All of the beauty reflected right back at us. It was everything.

[Margie Murphy]

Tune in to locatora radio season 10.

[Diosa]

Now that's what I call a podcast. Listen to Locatora Radio Season 10 on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Kristin Davis]

This question comes in from someone. It was mentioned if you ask this.

[Olivia Carvell]

Question, I'm sorry, not be named. Anonymous. Oh, my God.

[Kristin Davis]

It was mentioned earlier in your episode with Michael Patrick that the writers intentionally didn't have anyone from the girls, families and outside world come into the story. But for fun, what do you think Charlotte's life was like growing up?

[Olivia Carvell]

That's cute. I do think it. Also in this finale, don't I mention something about sororities? I mean, I think she went to Smith. We know this. I think she was in sororities. I think I say it. We know she was a teen polo model at the mall. I believe somewhere. I feel like maybe I made this up, that she grew up in Connecticut, which I think makes sense.

[Kristin Davis]

Yeah.

[Olivia Carvell]

I don't know if I made it up.

[Kristin Davis]

Connecticut.

[Olivia Carvell]

Okay. Are you. Are you Googling?

[Kristin Davis]

I'm Googling. I have a computer in front of me.

[Olivia Carvell]

Are you seeing anything?

[Kristin Davis]

Yeah. Really Raised in Connecticut. I don't know the exact city or township.

[Olivia Carvell]

Yeah. Because I don't think I know. So I'm not surprised that Google doesn't know if I don't know.

[Kristin Davis]

Here we go. Early life. We should have gone. A young Charlotte show on hbo. That should have happened. Wealthy family in Connecticut. She was a member of Kappa Kappa Gamma sorority.

[Olivia Carvell]

Oh, my gosh.

[Kristin Davis]

Let's see. She's the newest friend of the group.

[Olivia Carvell]

That is true, because they have a flashback to the 80s and I'm not there.

[Kristin Davis]

That's right.

[Olivia Carvell]

That's when Carrie wears that pink cowboy hat. Yeah. They're at some kind of a. Like, it looks like a college party, but I'm not there. I don't know if they're in college or not. But yeah.

[Kristin Davis]

In the second movie, they confirmed that you Met Carrie in 1987.

[Olivia Carvell]

Oh, well, okay.

[Kristin Davis]

Only at the most, a year before Samantha. Okay. Now things are getting kind of iffy.

[Olivia Carvell]

Yeah.

[Kristin Davis]

But that means there's a blank slate for what early Charlotte could be.

[Olivia Carvell]

I think we've now, you know, done our due diligence on trying to figure out the roots of Charlotte. And, you know, that has been like, a side thing of the podcast that has really been so helpful for me because we've gotten confirmation from Candace Bushnell that she was not based on anyone in particular. We've gotten confirmation from Michael Patrick that when he first got there, he thought, I don't know how to write for that character. I mean, we've gotten a lot of interesting confirmations of what I was feeling at the time, which was that she didn't have kind of the same fleshed out storylines that the others had. And I had a lot of anxiety about that, and now I have a lot less anxiety. Obviously, it's 30 years later, but also, because now I know that, no, that was all actually real and they just created me as we went, which. What a lucky person I am. You know what I'm saying? Like, what a fantastic situation to find yourself in. Slightly scary at the time, because when you've been an out of work actor for, like, roughly a decade, you know, a little bit less than a decade, you know, you're very vulnerable about it. All. Right. And you want to make sure you have a place, a place in this thing that you want to be a part of, which I did feel on the set. Right. But when I would go home and think about, like, like, who is Charlotte? I don't know, because they didn't know, you know?

[Kristin Davis]

Yeah.

[Olivia Carvell]

So, you know, you're kind of making it up as you go. And then as we found out from Jenny Bix, Jenny Biggs grew up on the upper side. So when Jenny Bix came, I feel like Charlotte got a lot more kind of depth and grounding in the world that we were in because Jenny brought that.

[Kristin Davis]

Yeah. I was thinking about, as an actor, you obviously want more, as much information as possible about the character. But, like, if you get, like a Bible or Something of their whole entire life. That must be intimidating, too, to make sure you.

[Olivia Carvell]

Well, first of all, it never happens. Second of all, I mean, I do know actors that create that Bible, and they might, depending on the situation, they might create it by themselves, or they might create it with an acting teacher, acting coach, or if they're really close to the showrunner or the writers, they might create it together. But it's a rare thing. And I think with us, I mean, I don't think we'll ask Sarah Jessica if she did that. I don't think she did that, but I think that Sarah Jessica already, because she was a New Yorker and she really was an it girl. She was a downtown it girl, which was a little bit different than Candace's version of the it girl. But she knew kind of the. The vibe, you know what I'm saying? She knew who these people were just from being in the Manhattan, like, nightlife, you know, the. I don't know if she would describe it that way, but you don't. We'll ask her when we see her next week. But I think that she already had such a grounded sense of who they were and how they dressed and what they did. I so didn't have any of that. Like, I had lived in New York already, but I was an out of work actor, waitress. Very, very different life. Very, very different life. So part of me, I was just like, how do I do this? What do I do? What do I do? And in my mind, and this is what you do as an actor. You create the backstory that you need that helps you to understand who they were. So as I think I've said, I would just go up to the Upper east side and I would just walk around the shops, walk up and down Madison Avenue and look at the women and look at their hair. Most of them had baby carriages. Some of them didn't. I'd look at their coats, I'd look at their bags. I'd try to look at how they walked and talked. And if they were talking to somebody, you know, you're trying to pick up details, and then you're making the facts up in your mind to back up those details. Did that make sense?

[Kristin Davis]

Yes. And I'm picturing you, like, walking up and down 5th Avenue or Madison Avenue and, like. Right. Like, with, like, a notebook or something. That seems like something Charlotte would do.

[Olivia Carvell]

Something like. Yeah, I didn't have a notebook because I'm a visual.

[Kristin Davis]

Yeah.

[Olivia Carvell]

Memorizer. So I would have snapshots. I have snapshots when I tell you about it.

[Kristin Davis]

Wow.

[Olivia Carvell]

Still in my mind of what I saw then, which is why I was trying to get her to grow her hair out and they had made me cut it. But you can see the progression during the first season. I'm like, look, it's getting better. It's getting better. It's almost at the place I want it.

[Kristin Davis]

This next question I love, because my New York, I grew up on the west coast, and my New York knowledge was Sex and the City and Seinfeld. That was it.

[Olivia Carvell]

And so different, so different.

[Kristin Davis]

But I was like, oh, Seinfeld's little cartoon version. Sex and City is what it's really like. This question is.

[Olivia Carvell]

I'm so sorry.

[Kristin Davis]

Do you think Sex and the City shows a realistic depiction of life in Manhattan?

[Olivia Carvell]

No. No, unfortunately, no. I mean, I think it did for this tiny group of. Of women. Right. Because it was based on some real people. And as Candace told us at one point when she was writing the column Sex in the City, that was in the New York observer, she was living in a doorman building, so she was obviously doing well. I mean, I didn't have the thought to ask her, like, were your parents helping you or whatever. I mean, I think it's possible, right? I don't know that or not to be true, but I do think that a lot of these people came from generational wealth and were thus, at a certain point in New York society that would come with generational wealth. But we don't really say that in the show either, you know?

[Kristin Davis]

Yeah, yeah. I mean, it's interesting because, like, Samantha can afford, like, I don't have a doubt that Samantha can afford her life.

[Olivia Carvell]

Well, she has her own PR firm.

[Kristin Davis]

She has her own PR firm. Miranda's innate lawyer.

[Olivia Carvell]

They're trying to be a partner.

[Kristin Davis]

Carrie's the baffling one.

[Olivia Carvell]

Well, Carrie's a baffling one. And this will become an issue, as we know. Right. Carrie's the baffling one. And Charlotte, I do think that in my mind, she was supported by her parents. You know that. Because all of. Well, at the time, at least the beautiful young girls who were working at the galleries were all supported by the parents because you couldn't really be, like, kind of an assistant at an art gallery and make a living. Like, it's a tough kind of a job, but yet there. There are still gorgeous young people, men and women, who are doing that. And I don't know how that we should call them up. I should go to some art galleries. Next time in New York, ask them. I should do some research. But yeah, I think that there is a assumption that parents were helping or there was trust funds or something. Yeah. But Charlotte does never mention a trust fund, which I find interesting because I always thought there was like some money, but not a lot of money. Because once we get to the Trey era, you know, obviously she wants that apartment. Like there's things about him that he has that she really loves.

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[Olivia Carvell]

Getcha kitcha, kitcha, kitcha. One way.

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Hyundai vehicles have won over 120 IIHS Top Safety Awards from 2006 to 2024.

[Margie Murphy]

In 2020, a group of young women in a tidy suburb of New York City found themselves in an AI fueled nightmare.

[Olivia Carvell]

Someone was posting photos. It was just me naked. Well, not me, but me with someone else's body parts on my body. Parts that looked exactly like my own.

[Margie Murphy]

I wanted to throw up. I wanted to scream. It happened in Levittown, New York. But reporting the series took us through the darkest corners of the Internet and to the front lines of a global battle against deepfake pornography.

[Diosa]

This should be illegal, but what is this?

[Margie Murphy]

This is a story about a technology that's moving faster than the law and about vigilantes trying to stem the tide. I'm Margie Murphy. And I'm Olivia Carville. This is Levittown, a new podcast from iHeart Podcasts, Bloomberg and Kaleidoscope. Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Diosa]

Are your ears bored?

[Olivia Carvell]

Yeah. Are you looking for a new podcast.

[Margie Murphy]

That will make you laugh, learn and say que?

[Olivia Carvell]

Yeah.

[Diosa]

Then tune in to locatora radio season 10 today.

[Olivia Carvell]

Okay.

[Margie Murphy]

I'm Diosa.

[Olivia Carvell]

I'm Mala, the host of Locatora Radio.

[Margie Murphy]

A radiophonic novella, which is just a.

[Diosa]

Very extra way of saying a podcast. We're launching this season with a miniseries, totally nostalgic, a four part series about the Latinos who shaped pop culture in the early 2000s.

[Olivia Carvell]

It's Lala checking in with all things Y2K 2000s. My favorite memory, honestly, was us having our own media platforms like Mundos and MTV Tres. You could turn on the TV. You see Thalia, you see JLo, Nina Sky, Evie Queen, all the girlies doing their things, all of the beauty reflected right back at us. It was everything.

[Margie Murphy]

Tune in to locatora radio season 10.

[Diosa]

Now that's what I call a podcast. Listen to Locatora Radio Season 10 on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Israel Gutierrez]

I'm Israel Gutierrez and I'm hosting a new podcast, Dub Dynasty. The story of how the Golden State warriors have dominated the NBA for over a decade.

[Olivia Carvell]

The Golden State warriors once again are NBA champions.

[Israel Gutierrez]

From the building of the corps that included Klay Thompson and Draymond Green to one of the boldest coaching decisions in the history of the sport.

[Olivia Carvell]

I just felt like the biggest thing was to earn the trust of the players and let the players know that we were here to try to help them take the next step, not tear anything down.

[Israel Gutierrez]

Today, the warriors dynasty remains alive in large part because of a scrawny 6 foot 2 hooper who everyone seems to love for what Steph has done for the game.

[Olivia Carvell]

He's certainly on that, like Mount Rushmore for guys that have changed it.

[Israel Gutierrez]

Come revisit this magical warrior's ride. This is Dub Dynasty.

[Olivia Carvell]

The Dubs dynasty is still very much alive.

[Israel Gutierrez]

Listen to Dub Dynasty on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Olivia Carvell]

In 1978, Roger Caron's first book was published and he was unlike any first time authority Canada had ever seen. Roger Caron was 16 when first convicted, has spent 24 of those years in jail, 12 years in solitary.

[Israel Gutierrez]

He went from an ex con to.

[Olivia Carvell]

A literary darling almost overnight. He was instantly a celebrity, he was an adrenaline junkie and he was the star of the show. Go Boy is the gritty true story of how one man fought his way out of some of of the darkest places imaginable. I had a knife go in my stomach, puncture my spleen, break my ribs. I had my guts all in my.

[Israel Gutierrez]

Hands, only to find himself back where he started.

[Olivia Carvell]

Roger's saying is, I've never hurt anybody but myself. And I said, oh, you're so wrong.

[Margie Murphy]

You're so wrong on that one.

[Israel Gutierrez]

Roger from Campside Media and iHeart Podcasts.

[Olivia Carvell]

Listen to GoBoy on the iHeartRadio app, Apple Podcast Podcasts or wherever you get your podcasts.

[Kristin Davis]

What do you think Charlotte's attachment style is? And there's a. I looked at this list.

[Olivia Carvell]

I looked at this, okay, because my first thing I thought was she's secure, secure attachment. Because that's definitely where she's at now with Harry. But then I was like, oh, wait.

[Kristin Davis]

She wasn't for a little bit.

[Olivia Carvell]

Maybe not. Maybe not. Then isn't there one that's like anxious.

[Kristin Davis]

Attachment, Anxious, preoccupied attachment?

[Olivia Carvell]

I think probably that that's what I would guess too.

[Kristin Davis]

A style where people have a fear of abandonment and a constant need for reassurance.

[Olivia Carvell]

Right. But that makes it sound so awful. But I just really think that's like, human normalness. I don't know. Maybe that's saying a lot about me. I don't know. I just feel like people, especially when you're younger, you know, like. Cause obviously in the first season, Charlotte very much, like, believes in love and wants to get married, and she puts that right out there. But she's also kind of choosy in an interesting way. But I do feel like she definitely wants to know, you know, wants to be attached and wants affirmation of that.

[Kristin Davis]

Yeah.

[Olivia Carvell]

I think hard to be objective sometimes.

[Kristin Davis]

It is this question here, what is the process like prior to shooting an episode with fittings and picking out the looks for the episodes?

[Olivia Carvell]

Oh, yeah, it is a process, let me tell you. First of all, as I think you know, we're very, very, very spo. We have just the most incredible costume department and costume designers. Molly Rogers, who I had on, that was so much fun. And Danny Santiago works with her. He's also amazing. He has like a vintage world at his fingertips that you would not believe. And we have many and many other people. And all through the show, we had so many people helping and eventually so many designers lending us things, which was great. The only, the only downside is that we spend a lot of times in fittings. Like, like a lot, Like a lot, a lot, a lot. Like hours and hours. I don't know. Like, I think I've had an eight hour fitting. Oh, yeah, it's fine. I mean, it's part of the job. And, you know, luckily they really make it fun. I mean, if you were trying to do eight hours of, like, suits because you were a lawyer, that would be super boring. But because we have this, like, full fantasy world that we're creating. I mean, I am my own character within that fantasy world. I walk in the other character. They. They do it by areas, right? So they're like, they'll be a ltw character aisle. And I'll walk down that aisle. I'll be like, I want all this stuff. I can't have that stuff. I Can't even pull that stuff off. I mean, she does it, and she does it so beautifully. But it's really fun to walk down there. Or sometimes I'll go in Carrie's aisle because we have the same size foot.

[Kristin Davis]

Oh, trivia.

[Olivia Carvell]

Yes. I'll be like, does she have these slotted for an outfit yet? And they'll be like, get out of there, Kristen. You know, it's. And then sometimes there were times in the past where at the end of the season, I would take home some of Miranda's clothes because they were, like, really wearable everyday clothes.

[Kristin Davis]

Yeah, they look super comfy.

[Olivia Carvell]

Totally super comfy. Nice fabrics, good colors, turtlenecks and things. I still wear some of them. But, yes, Samantha's clothes. Couldn't pull those off either. But it is fun, but it's a lot of work. I remember also when we were doing the show, there was never any time for fittings because we were working so hard in such long hours. And I do remember, I might have mentioned this with Molly that one time when I wrapped at 2am they said, you have to go to your fitting. And I was like, ha, ha, ha, ha, ha. And they're like, no, no, you have to go to your fitting. And I was like, you guys. Oh, the pain. But there was just no other time to do it. So we did it.

[Kristin Davis]

We did it during the fittings. The wardrobe people are there. I assume there's a producer or someone there.

[Olivia Carvell]

No, no.

[Kristin Davis]

Who is giving the, like, who's given the feedback, I guess, on what you're going to use. Is it like. Like, do you have any. How much say, do you have as the actor? Like, oh, I really like this. I think.

[Olivia Carvell]

Well, in our world, we have a lot to say.

[Kristin Davis]

Yeah, good.

[Olivia Carvell]

I mean, as we have for a long time, you know, I mean, I've always said that we've always been very involved in all of it. And I have felt that even when we had no title, you know, like, now we're executive producers of. And just like that. But we used to not have any title, but it didn't mean that we weren't involved. Michael Patrick would sit us down before the season started and run through everything with us and say, what do you think? Like, he did not have to do that, and he did that. Which is part of the reason that we have the relationship that we do is that I really felt that we were respected and considered all the time. But with the clothes, I think so. Pat was very strong, right? Like, she was very strong. And occasionally she would try to talk me into things that I was like, I just do not think Charlotte would wear this. And she would try for weeks. Okay. Sometimes she'd go over my head to Darren. I'd be like, darren, she can't wear it. It just doesn't make sense, you know, because Pat's very fanciful and doesn't really care about real life, you know, and that's kind of the joy. But also, sometimes if you're playing Charlotte, you kind of gotta care about real life a little bit. A little bit. But. But often, sometimes too, she'd try. She'd say, like, look at this. And you'd look at it and he'd be like, God, I don't know. And then, like, over time, she'd wear you down. You know what I mean? But it's always a group decision in the fittings. Now we also photograph everything. And we also, you know, we're going in the script order. So, like, this is true for all production. I think you have the script. Someone in the costume department has done a breakdown. So every scene is listed with a description. You know, they're at the coffee shop. Charlotte says she's come from work. Something like that. Something very practical, like, so that, you know, if there's something that affects her clothing in the scene. Right. Then, you know, they will have already thought about, let's say it's a coffee shop scene. Those are the hardest because everyone's in it, right?

[Kristin Davis]

Yeah.

[Olivia Carvell]

So they have to think about the colors and the. And the textures and the daytime or the nighttime or the cold or the heat. Theoretically, it might not match the actual real cold and the heat and the real temperatures out in the world. Right. But in the story, what season is it? And so they'll have an idea. Maybe they've done Cynthia's fitting already, but they haven't done Sarah Jessica's fitting, and they haven't done Nicole's. And they maybe have done Seritas. Right. They can show you a picture. Oh, Serita's wearing, you know, cream silk. Cynthia's wearing these bold stripes. So we were thinking for you, they'll have pre thought out ideas. So they'll have maybe like 10 things there, like separates or a dress or pants or whatever. And they'll say, like, oh, this might be a great time to wear some pants. You know, Charlotte doesn't wear a ton of pants. Right. Oh, this might be a great time to wear some pants because blah, blah, blah, whatever reason. Or we found this amazing jumpsuit or whatever it is. Right. So they have some ideas. And then you pick the one you like the best. You try it on, it might not fit. It might be a color that doesn't work on you. Whatever, you move on to the next. Or maybe you think, oh, this is so amazing. Let's put it at this dinner scene, which is a little bit more glamorous. And this outfit is a little, you know, it's like this. And then eventually, once you get your picks for each thing slotted in, they've photographed everything, they've listed everything. Usually almost everything gets to be altered, which, you know, I think is an important point. We're super spoiled, but, like, that's why it all fits us. It's not like if we went to the store and pulled things off the shelves that they would fit us like that. It would not be true, at least for me. I can only speak for myself. But our tailoring department is unbelievably talented. Like, they do so much work. Adrian, thank you. So then there are pictures. Slot it in and they make a book. So for each scene, let's say that all four of us or five of us are in a scene, there'll be everyone's picture. So you see them together. And then let's say it's like Harry and Charlotte, they'll have a picture of Emin and I in the outfits. Then Michael Patrick or whoever's directing and Michael Patrick also, because he's executive producer, will look at it and approve it because maybe the director had a vision. Like when Cynthia directed. Cynthia directed, and I can't remember if we talked about this or not. Cynthia directed, I want to say, the second season when she directed and she, she did this really funny thing where I was in my fitting and she just walked by the door because our. We. Our production offices are upstairs and our fittings in the second floor. She walked by the door and she was like, oh, you're in here. And I was like, yes. So she's. She was like, let's see, let's see. And I was like, okay. And she said, you know, in this particular scene, I just really pictured you like a fawn. And I was like, you mean like, like a deer? And she said, yes, like, you know, like a doe eyed fawn. I was like, okay. And Molly and I were like, oh, my God. So then we're like, what does that mean? What does that mean? When she left the room and we got out, like a kind of a fawn colored. And I pulled my hair back and I kind of put on really long eyelashes to try to like be like Bambi herself, right? I was going for Bambi.

[Kristin Davis]

The consummate professional. Kristen Davis, thank you so much for answering these questions.

[Olivia Carvell]

Thank you Easten for delivering those them such a lovely way.

[Kristin Davis]

It's my honor. This has been so much fun.

[Olivia Carvell]

It is fun. Thank you. Thank you everyone for listening.

[Margie Murphy]

This podcast is supported by BetterHelp, offering licensed therapists you can connect with via video phone or chat. Here's BetterHelp head of clinical operations Hes Yu Jo discussing who can benefit from therapy.

[Olivia Carvell]

I think a lot of people think that you're supposed to be going to therapy once you're like having panic attacks every day. But before you get to that point, I think once you start even noticing that you feel a little bit off and you can't maintain this harmony that you once had in relationships. That could be a sign that maybe you want to go talk to somebody. There's always a benefit in talking to someone because we can all benefit from improved insight about ourselves and who we are and how we behave with other people. So if you're human, that's like a good indication catered that you could benefit from talking to somebody.

[Margie Murphy]

Find out if therapy is right for you. Visit betterhelp.com today. That's betterhelp.com In 2020, a group of young women found themselves in an AI fueled nightmare.

[Olivia Carvell]

Someone was posting photos. It was just me naked. Well, not me, but me with someone else's body parts.

[Margie Murphy]

This is Levittown, a new podcast from iHeart podcasts Bloomberg and Kaleidoscope about the rise of deepfake pornography and the battle to stop it. Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Israel Gutierrez]

I'm Israel Gutierrez and I'm hosting a new podcast, Dub Dynasty the story of how the Golden State warriors have dominated the NBA for over a decade.

[Olivia Carvell]

The Golden State warriors once again are.

[Israel Gutierrez]

In NBA champions today. The warriors dynasty remains alive in large part because of a scrawny 6 foot 2 hooper who everyone seems to love.

[Olivia Carvell]

For what Steph has done for the game. He's certainly on that Mount Rushmore.

[Israel Gutierrez]

Come revisit this magical warriors ride. Listen to Dub Dynasty on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Diosa]

Are your ears bored?

[Olivia Carvell]

Yeah. Are you looking for a new podcast.

[Margie Murphy]

That will make you laugh, learn and say gay?

[Olivia Carvell]

Yeah.

[Diosa]

Then tune in to locatora radio season 10 today. Okay.

[Olivia Carvell]

Now that's what I call a podcast.

[Margie Murphy]

I'M Diosa.

[Olivia Carvell]

I'm Mala, the host of Locatora Radio.

[Margie Murphy]

A radiophonic novella, which is just a.

[Diosa]

Very extra way of saying a podcast. Listen to Locatora Radio Season 10 on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Olivia Carvell]

Sometimes as dads, I think we're too hard on ourselves. We get down on ourselves on not being able to, you know, we're the providers, but we also have to learn to take care of ourselves. You got to pray for yourself as well as for everybody else. But never forget yourself. Self love made me a better dad because I realized my worth. Never stop being a dad. That's dedication. Find out [e-mail] brought to you by the U.S. department of Health and Human Services and the Ad Council.