Running in Heels with Sarah Jessica Parker...

Summary

Are You A Charlotte? Episode Summary: "Running in Heels with Sarah Jessica Parker"

Podcast Information:

• Title: Are You A Charlotte?
• Host: iHeartPodcasts featuring Kristin Davis
• Episode: Running in Heels with Sarah Jessica Parker
• Release Date: May 15, 2025

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Introduction

In this enlightening episode of "Are You A Charlotte?", host Kristin Davis sits down with the iconic Sarah Jessica Parker to delve deep into the creation and evolution of the beloved character Charlotte York from "Sex and the City." Together, they explore behind-the-scenes stories, character development, and the show's enduring impact on modern conversations about women, relationships, and fashion.

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Casting and Pilot Selection

Kristin Davis opens the discussion by reminiscing about the early days of the show's development, highlighting the initial hesitation around committing to the role.

Kristin Davis [04:00]: "At one point, they sent me the script saying, will you read the script for Carrie Bradshaw? And I was like, oh no... I was a little southern girl. I had no idea."

Sarah Jessica Parker clarifies her commitment process, emphasizing the support from her family during the decision-making phase.

Sarah Jessica Parker [05:11]: "Pippin and Matthew read the pilot script and both said, absolutely, you must do this."

They discuss the contractual aspects, with Kristin humorously asserting her commitment:

Kristin Davis [06:01]: "I signed seven. I don't think I even..."

Sarah Jessica Parker corrects the record, ensuring clarity about the contract duration.

Sarah Jessica Parker [06:02]: "I did not sign a seven-year contract. Or a five-year."

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Production Challenges

The conversation shifts to the unique production environment of "Sex and the City," emphasizing the difference between network shows and the creative freedom afforded by cable networks.

Kristin Davis [07:32]: "We were filming in apartments, on the streets, wearing some crazy shoes... It was all so different."

Sarah Jessica Parker shares insights into the logistical challenges of shooting on film in New York City, contrasting it with modern HD standards.

Sarah Jessica Parker [30:33]: "We were pushing freaking klieg lights from 1940 up and down avenues... dragging Panavisions and film magazines of film."

They reflect on the pilot's initial reception, discussing its darker tones compared to the subsequent seasons.

Sarah Jessica Parker [10:30]: "The pilot was too dark. You could barely see us."

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Character Development

A significant portion of the episode focuses on Charlotte York's character arc and her relationships within the show.

Kristin Davis expresses her deep emotional connection to Charlotte, especially regarding her relationship with Big.

Kristin Davis [15:00]: "Big is really withholding... Carrie just enough to keep you there."

Sarah Jessica Parker provides context to Big's character, discussing his complexities and the writers' approach to developing meaningful storylines.

Sarah Jessica Parker [16:54]: "Timothy Olyphant was amazing as the grumpy guy... It was so good."

They explore the evolution of Charlotte's relationships, including her vulnerability and strength.

Kristin Davis [25:23]: "You're so vulnerable, but also really trying so hard to make it okay."

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Storytelling and Themes

The hosts delve into the broader themes "Sex and the City" addressed, such as friendship, love, and the pursuit of personal fulfillment.

Sarah Jessica Parker [54:23]: "Where is home? If we had had an Hermes bag... women would not have had such strong feelings."

They discuss how the show balanced archetypal characters with deep, evolving narratives, ensuring each character had a meaningful arc.

Sarah Jessica Parker [73:00]: "We did our best to tell that story as accurately as we could... Richard Plepler always says, where is home?"

---

Fashion and Style

Fashion plays a pivotal role in "Sex and the City," and both Kristin and Sarah reflect on its significance in character development and storytelling.

Kristin Davis recalls the early challenges of maintaining Charlotte's sophisticated wardrobe on a limited budget.

Kristin Davis [55:03]: "I wore my clothes throughout the first season... They weren't good, though."

Sarah Jessica Parker shares her experience of integrating high-fashion pieces like Manolo Blahnik shoes into the show, highlighting both the creative and financial aspects.

Sarah Jessica Parker [47:19]: "I bought six pairs on an American Express card that I had to pay off right away."

They emphasize the collaborative efforts between the cast, crew, and designers to create iconic looks that became synonymous with the characters.

Sarah Jessica Parker [53:39]: "Writers had their hands in wardrobe discussions... True collaboration."

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Reflections and Nostalgia

As the episode winds down, Kristin and Sarah reflect nostalgically on their time on the show, sharing personal anecdotes and the lasting legacy of "Sex and the City."

Kristin Davis [77:35]: "What would you say the friendships were the central nervous system and heartbeat of the life we were portraying?"

Sarah Jessica Parker appreciates the heightened reality of the show's setting, acknowledging its departure from the mundane to create a captivating narrative.

Sarah Jessica Parker [75:50]: "It was richer and not addressing other things... It was purposefully heightened."

---

Conclusion

Kristin Davis and Sarah Jessica Parker wrap up the episode by celebrating the collaborative spirit that made "Sex and the City" a groundbreaking show. They underscore the importance of authentic storytelling, meaningful character development, and the enduring impact of their work on audiences worldwide.

Sarah Jessica Parker [77:08]: "If a woman is choosing to tell a story about these women, it's deeply impactful."

Kristin Davis [77:44]: "We will be back for another episode of Are You A Charlotte."

---

This episode provides a heartfelt and comprehensive look into the making of "Sex and the City," offering fans and newcomers alike a deeper appreciation for the show's artistry and its characters' complexities.

Transcript

[Podcast Host]

You're listening to an iHeart podcast.

[Kristen Davis]

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[Sam Mullins]

Hi, I'm Sam Mullins and I've got a new podcast coming out called goboy the Gritty true story of how one man fought his way out of Some of the darkest places imaginable.

[Sarah Jessica Parker]

Roger Caron was 16 when first convicted.

[Kristen Davis]

Has spent 24 of those years in jail.

[Sam Mullins]

But when Roger Karan picked up a pen and paper, he went from an ex con to a literary darling from Campside Media and iHeart Podcasts. Listen to GoBoy on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Fatherhood PSA Speaker]

Sometimes as dads, I think we're too hard on ourselves. We get down on ourselves on not being able to, you know, we're the providers, but we also have to learn to take care of ourselves. Wrap away. You gotta pray for yourself as well as for everybody else. But never forget yourself. Self love made me a better dad because I realized my worth.

Never stop being a dad. That's dedication. Find out [e-mail] brought to you by the U.S. department of Health and Human Services and the Ad Council.

[Kristen Davis]

That's the fun part about being an.

[Lagata]

Artist, that you need to have the.

[Kristen Davis]

Patience for finding your hand.

[Bodie]

I'm Lagata, the culture's favorite reggaeton historian and mosicologa. On an episode of my show, the Reggaeton Colagata Podcast, I sit down with Bodie, a Bori reggaetonera who's demanding her place in the male dominated music industry.

[Kristen Davis]

That's the game, like who stays and.

[Bodie]

Who leaves, you know, listen to reggaeton. Cue Lagata. On America's number one podcast network, iHeart. Follow reggaeton. Cue Lagata and start listening on the free iHeartRadio app today.

[Kristen Davis]

Hi, I'm Kristen Davis and I want to know, are you a Charlotte, everybody? Hi. Welcome back. Sarah Jessica is still with us. Here we go. We're just going to jump right back in now. Let's go back to you. It's been on my mind because our industry is in such a flux again at this moment. And it reminds me of the flux that we were lucky to start in. You know, it's similar, possibly more so now, but it's still interesting to me when. So let's go back because in my mind what I remember is that you had fluctuated in terms of wanting to commit before we did the pilot because at one point they sent me the script saying, will you read Darren, who I know who I'd done memos with, sent me the script saying, will you read the script for Carrie Bradshaw? And I was like, oh, no. I was just like, there's just no universe. Because you remember on the page, she also was not what you ended up making her. She was, she was very bawdy and kind of bigger and X rated and whatnot. I was like, I'm a little southern girl. I don't know what you're talking about, Darren. I was like, but this other one. Yes. This one over here. Yes, yes. But that I believed. And I might have called him to discuss and he had said at that point, I think, you know, we really want Sarah Jessica Parker, but she's not sure about committing. And I was like, oh my God, please get Sarah Jessica Parker because I was such a fan.

[Sarah Jessica Parker]

Thank you I don't know how. I don't recall. That's not that it didn't happen. I just don't recall it taking a long time. I do recall Pippin, my oldest brother, and Matthew reading the script, the pilot script. Yes. And both of them saying, absolutely, you must do this.

[Kristen Davis]

Well, thank you, Pippin.

[Sarah Jessica Parker]

I always used to give all my scripts to Pippin and then to Matthew if I was conflicted or didn't know or was just wondering about them. So I think my conflict happened like post doing it, when I had to really be held accountable for my own commitment to it, you know?

[Kristen Davis]

Well, also, there's that big contract. It was a big contract.

[Sarah Jessica Parker]

See, I don't think mine was that long. No.

[Kristen Davis]

So when Chris said you really changed your mind, was that true?

[Sarah Jessica Parker]

Yeah, Like, I don't. I know for a fact I did not sign a seven year contract.

[Kristen Davis]

Wow. Go for it.

[Sarah Jessica Parker]

Or a five year.

[Kristen Davis]

I signed seven. I'm like, I don't think I even.

[Sarah Jessica Parker]

Signed a five year. But I could be corrected. I really. And if I always felt that there was an out, a freedom in there, you know, that nobody would want anybody to be someplace that wasn't good for everybody.

[Kristen Davis]

I think Chris believed that. I mean, I think Chris was unusual in that way.

[Sarah Jessica Parker]

I think he ran. I think he and Carolyn and Mr. Pukes, I feel like they all felt like we're all going to agree if it's not good or if it's not holding it, if it's not holding us all together in a way that we're excited about. So however many, I'd be curious. I'll ask Kevin. I never. I know it wasn't seven got it. And I'm not sure if it was five got it.

[Kristen Davis]

I mean, for me, I was like, yes, sign my life away. Four women walking around New York City. I am in. I will try my best to pull it off. I'm not sure if I can beautifully. You're so sweet. I'm having, as you know from listening, so many epiphanies watching the first season. But I want to go back and ask you. Okay. So, Matthew, so we've filmed the pilot. I think they had a year and a half because the cable really contracts were really long. I think they had a really long time to decide.

[Sarah Jessica Parker]

Oh, they had the.

[Kristen Davis]

Yes.

[Sarah Jessica Parker]

The time to decide.

[Kristen Davis]

Right. Unlike networks where you were beholden to the fall season, there was like very much a pickup.

[Sarah Jessica Parker]

Yeah. Like a mid season pickup.

[Kristen Davis]

Right, right. So you do your pilot.

[Sarah Jessica Parker]

It's like a deferment for College.

[Kristen Davis]

You're like, exactly.

[Sarah Jessica Parker]

Do you like me or not? I'm confused.

[Kristen Davis]

Exactly.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

So you had. There was a grid, like for. For regular pilot season in la. And we were outside that grid because we were also. Remember when they were like, we're at cable network and we don't have money. Do you remember that? So interesting. That remedied itself over time, thank goodness. But it took a while. So we. We. You had. We filmed in New York, of course. You were incredibly generous and lovely to me. Do you remember the Dunkin Donuts? No, sorry, The Krispy Kreme?

[Sarah Jessica Parker]

Only because you told the story.

[Kristen Davis]

I have told that story over the years because for me it was like such a moment that is seared in my memory for so many reasons. Because, you know, I had been on these network shows, right? I had guest started on ER and Seinfeld and then Dunn, Melrose and all very much like traditional television shows, different sitcom, single camera, blah, blah, blah. But they were, you know, a certain way.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

And here we are already outside that box in a wonderful, wonderful way of like, you know, where are we filming? We're in apartments. We're in. You know, we're walking down the street, we're wearing some crazy shoes that I can't walk in. Oh, my God. You know so many things, right? But also, I had been a fan of yours. You know, I remember honeymoon in Vegas and, you know, LA story. Like, oh, fantastic. You know so many things. And I thought you were. Had such an intelligence. No matter the part, like, LA Story. You don't look at that and go like, well, that character on the page is really intelligent. But you brought that. You know what I'm saying? You brought that with you. And I thought, this is a part that is so perfect for her because she isn't an obvious bombshelly type person. Like, I remember when I talked to Darren about it and told him, like, I can't possibly play Carrie Bradshaw because he'd written the body of Heather Locklear with the mind of Dorothy Parker. And I was like, oh, good Lord. Oh, my God. You know what I mean, right? Oh, my God.

[Sarah Jessica Parker]

Well, no one can be that. That's like a fantasy.

[Kristen Davis]

I know, right?

[Sarah Jessica Parker]

Of a human being.

[Kristen Davis]

I would beg to differ.

[Sarah Jessica Parker]

I don't know.

[Kristen Davis]

Oh, come on, baby. Oh, my God. You haven't rewatched the show, my love.

[Sarah Jessica Parker]

You need to.

[Kristen Davis]

One day. One day.

[Sarah Jessica Parker]

I've seen it one time, let alone twice.

[Kristen Davis]

Okay, we're gonna get to that in a second. It's revelatory to rewatch the show, my lovely. I need to tell you this. And someday, if you ever get sick, which you really don't, but maybe if you're sick one day you could rewatch. Because I. I really have. It's like a therapeutic situation to rewatch the show for me. Yeah. And I am literally blown away by you every episode.

[Sarah Jessica Parker]

Oh my God, Kristen.

[Kristen Davis]

I'm not kidding. I am. Like, I was. We were obviously so in it. You know, we were so in it and it was so challenging time wise. And, you know, I felt like it was very elevated for me. It seemed very elevated in terms of the quickness of the dialogue and the scene.

[Sarah Jessica Parker]

Felt like that to me too.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

So all of that was encompassing me fully. And I wasn't like, objective. I remember waiting for the VHS tapes.

[Sarah Jessica Parker]

Yeah, yeah, yeah, yeah.

[Kristen Davis]

And like, really, like, wow. You know, but also in my mind I had somehow felt that first season was like, eh, not maybe our best.

[Sarah Jessica Parker]

Right, right, right.

[Kristen Davis]

Because like, we want. We had very lofty goals.

[Sarah Jessica Parker]

Yeah. And things to work through and discover that they weren't gonna be helpful.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

Not true. Okay. First season. Wow. Wow, wow, wow.

[Sarah Jessica Parker]

Well, you know what's interesting about that is if anyone ever asks me what my favorite episode is from early, I don't really remember most of them, but for some reason I always say valley of the 20 something.

[Kristen Davis]

Oh, that's so good.

[Sarah Jessica Parker]

Because for some reason that script, which I didn't realize is Michael Patrick's first script.

[Kristen Davis]

I know.

[Sarah Jessica Parker]

Which I did not put together. And when I said it, I thought, oh, he thinks I'm trying to solicit some kind of like, favor with him by saying that. But I wasn't. But to me that was like the best. The best of what we were hoping to achieve without saying it.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

Like, we didn't. I don't recall anyone standing around discussing a standard or an idea of what the show should be tonally.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

And that script, to me, tonally is like, it's very dark. She goes to. And forgive me, I don't remember everybody's storyline. So I'm sorry, I'm not gonna mention other characters.

[Kristen Davis]

It's fine.

[Sarah Jessica Parker]

But then it gets like buoyant.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

This other weird thing happens, I believe, with the crossword puzzle and Fifth Avenue.

[Kristen Davis]

So good.

[Sarah Jessica Parker]

And I feel like, wow, you let her kind of literally go to a basement. Literally, yes. And it's dark in the basement. And then the preceding story is. It stays kind of dark even though it's funny. And he is so terrific. It's Timothy Olyphant, I believe.

[Kristen Davis]

So amazing.

[Sarah Jessica Parker]

So great. Probably one of his first jobs. He's amazing when he's like the dream and the hands.

[Kristen Davis]

Yes.

[Sarah Jessica Parker]

And we're in a tight space. We're always shooting in these tight, dark spaces. Yeah. I don't know where the heck pretty need attention. You know, they all are in neglect. I like that. And then she's walking down the street and everything on her, as I recall, it is all used. It's all from Ina's on Thompson Street. There's nothing on her. I don't even know if her shoes were new. Like, everything on it was 100 bucks or less. 100 bucks or less. And we're trying so hard to give it a kind of this joie de vivre, like a kind of a thing. And then she pops by and she is walking past. Not the. Maybe the Pierre Hotel.

[Kristen Davis]

And yes, I think it is.

[Sarah Jessica Parker]

She's walking north on 5th against the traffic, I always like to say. And she sees himself and that. The grumpy guy. Maybe a friend who's a divorce.

[Kristen Davis]

The great divorce guy. Yeah.

[Sarah Jessica Parker]

And she just corrects his crossword puzzle. She leans over with a glove on.

[Kristen Davis]

Yes.

[Sarah Jessica Parker]

And I think there's like some writing implement there. And I just thought, like, yeah, I don't remember the first season. And I always would assume that, like, there were big mistakes made and things we got wrong and that we let go and, like, you toss them aside. But that valley of the 20 something was like.

[Kristen Davis]

I agree.

[Sarah Jessica Parker]

As good as it could be. You know what I mean? Like, just in terms of, like, story and how everybody did their job.

[Kristen Davis]

I agree. And the kind of the arcs of the up and the down, which I think is really well put. But I would also say to you. And then we're going to go back to this other thing, but also going to say to you, oh, come all ye faithful. The end. So good.

[Sarah Jessica Parker]

Is that the end of the season?

[Kristen Davis]

The first season. And you go to the church to.

[Sarah Jessica Parker]

See oh, Come all youl Faithfuls. The end of season one.

[Kristen Davis]

Yes. Can you believe that?

[Sarah Jessica Parker]

Well, I'm. I. I think. You know what? I'm. I'm confusing that with our Sailor show post September 11th. Sorry.

[Kristen Davis]

Exactly. No, I also.

[Sarah Jessica Parker]

I'm like, wait, what happens in a Come all you Faithful, Come All Ye.

[Kristen Davis]

Faithful is about faith and relationships. Does she go to church? She sees him outside church. She's just walking down the beautiful street.

[Sarah Jessica Parker]

With his mother, Marion Seldes.

[Kristen Davis]

Yes. Incredible. And you see them coming out of church and you're like, you're across the street in your sweats, and he comes over like, what are you doing here? Now, let me also just say, while we're here, like, Big is kind of a jerk.

[Sarah Jessica Parker]

Is he? Yes.

[Kristen Davis]

Is he? She says, now, this is something that was really news to me in some ways, because I was always Team Big, because I think Charlotte was always Team Big. And also, I just don't remember, like, being objective about it, all, right? Like, I didn't think, like, should I be Team Big? Is he withholding? Is she too good for him? I never thought about these things. We were just in it. You know what I'm saying?

[Sarah Jessica Parker]

I liked all of it.

[Kristen Davis]

You liked all of it.

[Sarah Jessica Parker]

So 100% interesting. I'm not a team. I'm not. I have no teams.

[Kristen Davis]

Of course you have no teams, but.

[Sarah Jessica Parker]

I'm not trying to exist, right?

[Kristen Davis]

So there's no teams at this point. We hadn't gotten there yet. But I think the interesting thing for me, because the other reason, the first reason I wanted to do the podcast was because I wanted all of us to talk about coming together and to actually get to share our stories that now relate to this thing that has outlived what we ever dreamt possible. Right? But also, I love to think about the themes and the way that we started in the relationship issues and themes and how they are now today. Are they the same? Are they different? I love to think about that, right? Because it is really interesting. So one thing that I think about when I watch it is that Big is really withholding, and he does something that they. Is now a word. Breadcrumbing. He gives you, like, just enough to keep you there. Carrie. Carrie. Just enough to keep you there. And you are so. I mean, you just break my heart watching you, because. Yeah. Oh, my God. Because you're so. You're so. First of all, you're just so good, right? You have many, many layers going on. And in these scenes with him where he's, like, shut down largely, you know, like, there's a scene. There's the episode where you. It begins with you and he walking down the street with real New Yorkers, so many people in the frame. And you talk about being on an island of 7 million people, and sometimes all you want to do is hold still with someone, and it has you and Big, and he's got his arm around you, and you're talking and laughing, and then you stop and you kiss in the middle. And it's just a beautiful mom. It's so.

[Sarah Jessica Parker]

Do you know what I'm wearing.

[Kristen Davis]

You're wearing one of your coats. I know.

[Sarah Jessica Parker]

That's the. Oh yeah. It's a hideous outfit, isn't it?

[Kristen Davis]

It's the what?

[Sarah Jessica Parker]

It's like a sandy colored coat and bad trousers.

[Kristen Davis]

We're not there yet. It's coming, it's coming. But this is when we were probably in February, right? Or March. Oh, got it, got it, got it.

[Margie Murphy]

It's cold.

[Sarah Jessica Parker]

I don't remember this at all. I mean, I have no recollection.

[Kristen Davis]

I know. It's amazing.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

But it's so incredibly good. When you are ready to take a drive, you think about the direction you are headed and how long it takes you to get there. You rarely think about bumpy roads, motorcyclists weaving through traffic, sluggish trucks, drivers speeding through red lights, and pedestrians crossing at the wrong moment. The truth is, the road can feel unpredictable and sometimes scary. But it doesn't have to be that way. Hyundai's available advanced safety technology is designed to help keep you protected against the many challenges the road throws your way. From forward collision avoidance assistant to Blind Spot View monitor, our vehicles offer available features designed to help safeguard you and your loved ones. You can change lanes with much more confidence thanks to the available Blind Spot View monitor, which actually shows you a live video feed of your blind spots. The standard forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes if you don't. Hyundai vehicles are equipped with the standard Driver Attention Warning system which constantly monitors your attention levels. Once detected, it sounds, alerts and visual cues to help bring your focus back on the road. With available class exclusive safety features, Hyundai lets you enjoy the journey with confidence, knowing that your car is working hard to help avoid the dangers of the road from getting to you. Learn more about [e-mail] Call 562-314-4603 for complete details. Aging is a natural process as we know and we do our best to embrace it. But I will tell you one part of aging that I don't care for. It's the symptoms that stem from changing hormones, especially as you get closer to perimenopause and menopause. That's why, listeners, we want to tell you about Happy Mammoth's Hormone Harmony. Hormone Harmony is not just a supplement for women going through perimenopause, menopause or post menopause. It's become a phenomenon. Women cannot stop talking about it on social media. A bottle of Hormone Harmony is sold every 24 seconds. Happy Mammoth the company that created Hormone Harmony is dedicated to making women's lives easier and that means using only science backed ingredients that have been proven to work for women. They make no compromise when it comes to quality and it shows. Hormone Harmony contains science backed herbal extracts called Adaptogens. Now here's the beauty about Adaptogens. They help the body adapt to any stressors like chaotic hormonal changes that happen naturally throughout a woman's life. So Hormone Harmony isn't just for menopause. Any woman with symptoms of hormonal imbalances can take it, but it's perfect for those menopause symptoms that put a woman's life on hold. We all want to feel our best inside and out. We all want to feel healthy and have energy and of course sleep well. For me, Happy Mammoth is a great option and it could be right for you. For a limited time you can get 15% off your entire first order@happy mammoth.com just use the code Charlotte at checkout.

[Sarah Jessica Parker]

I found out I was related to the guy that I was dating.

[Kristen Davis]

I don't feel emotions correctly. I am talking to a felon right now and I cannot decide if I like him or not.

[Podcast Host]

Those were some callers from my call in podcast. I Therapy Gecko. It's a show where I take real phone calls from anonymous strangers all over the world as a fake gecko therapist and try to dig into their brains and learn a little bit about their lives. I know that's a weird concept, but I promise it's pretty interesting if you give it a shot. Matter of fact, here's a few more examples of the kinds of calls we get on this show.

[Kristen Davis]

I live with my boyfriend and I found his piss jar in our apartment. I collect my roommate's toenails and fingernails. I have very overbearing parents. Even at the age of 29, they won't let me move out of their house.

[Podcast Host]

So if you want an excuse to get out of your own head and see what's going on in someone else's head, search for Therapy gecko on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts, it's the one with the green guy on it.

[Fatherhood PSA Speaker]

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[Kristen Davis]

I'll correct my kids now and then where they'll say, when cave people were here. And I'll say, it seems like the Ice age people that were here didn't have a real affinity for caves.

[Fatherhood PSA Speaker]

So join me starting Tuesday, May 6, where we'll delve into stories of the west and come to understand how it helps inform the ways in which we experience the region today.

[Kristen Davis]

Listen to the American west with Dan Flores on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Margie Murphy]

In 2020, a group of young women in a tidy suburb of New York City found themselves in an AI fueled nightmare.

[Kristen Davis]

Someone was posting photos.

[Sarah Jessica Parker]

It was just me naked. Well, not me, but me with someone else's body parts on my body.

[Kristen Davis]

Parts that looked exactly like my own. I wanted to throw up.

[Sarah Jessica Parker]

I wanted to scream.

[Margie Murphy]

It happened in Levittown, New York.

[Lagata]

But reporting the series took us through the darkest corners of the Internet and to the front lines of a global battle against deepfake pornography.

[Kristen Davis]

This should be illegal, but what is this?

[Lagata]

This is a story about a technology that's moving faster than the law and about vigilantes trying to stem the tide. I'm Margie Murphy.

[Margie Murphy]

And I'm Olivia Carville.

[Lagata]

This is Levittown, a new podcast from I iHeart podcasts, Bloomberg and Kaleidoscope.

[Margie Murphy]

Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Kristen Davis]

So you talk about this, and you have been holed up with him in the story for eight days. You haven't seen us. And you call, I think, Miranda, and she's like, we thought you were dead. We were gonna send someone to find you. And you were like, oh, no, I've just been holed up with Big. Like, you're very. You' fizzy in love. Do you know what I mean?

[Sarah Jessica Parker]

Yes.

[Kristen Davis]

And then we all. You say, oh, but he has a work thing tonight, so I can see you guys tonight. So we all go out to dinner, I believe at, like, a place that still exists in Union Square. Like Oceana maybe, or, you know.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

And I'm wearing, like, this wacky theory suit. Like, stylistically highly entertaining. But you look great. And we're leaving the restaurant and Big is in the corner having a dinner with a woman. And you are so, like, thinking, this is the work thing. Carrie, I know it's really hard, okay? It's really hard. You talk about Carrie as she. I talk about Carrie as you. I apologize. Okay? It's not. You.

[Sarah Jessica Parker]

Don't worry about it. I am not offended. And I'm. I mean, I'm not in any way.

[Kristen Davis]

Right. But this.

[Sarah Jessica Parker]

It's easy.

[Kristen Davis]

There's another point I want to make about this later, which is that, like, sometimes people talk about Carrie, and I'm like, what are you talking about? But that's because I know you and I can't separate. But I'm just like, what are you actually saying? This is not true. You know, like people with their thoughts and feelings, which we'll get to. But that's because I know you and I can't separate. So, anyway, you.

[Sarah Jessica Parker]

We.

[Kristen Davis]

We go up and. You go up and you're like, hi to Big. The woman has her back to you. And you're thinking, that's a work thing. And you're just strangely, in the corner of a restaurant with a woman at a work thing. And he's like, carrie. And he gets up awkwardly, and you realize, oh, my God, she turns and she's beautiful. And you're like. And we're over there, like, what's going on? What's going on? You know, we're like. We're like the peanut gallery, like the chorus, you know? So.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

And then you hear. And it's just going across your face. All the different things are going across your face. And you're like, yeah, I thought you had a work thing. And you're just. You just break my heart. Like, you're so vulnerable, but also really trying so hard to roll with it and make it okay.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

You know, and then you go out with Miranda and you're like, maybe he meant. No, no, no, no. Maybe he meant. And she's like, Maybe he just, you know, she, like, cuts you.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

In the middle, like she does. It's all very interesting. But then you. You. You have a few drinks and you go over to his place. Yes, I know. It's so much that I don't remember either. And. And you're.

[Sarah Jessica Parker]

And you had a few drinks. Was it a double extra special episode of sexism?

[Kristen Davis]

No, this was our regular.

[Sarah Jessica Parker]

Every week, babe. This is my thought as well.

[Kristen Davis]

No, I only talking about you.

[Sarah Jessica Parker]

I'm not even talking about the rest of us. The disc.

[Kristen Davis]

Yes. It's so much.

[Sarah Jessica Parker]

So she goes over there, drinked.

[Kristen Davis]

You've had some drinks. You go over there. You try to talk to him. He won't talk to you.

[Sarah Jessica Parker]

What's the apartment like of his?

[Kristen Davis]

It's a beige wall. It's a beige wall.

[Sarah Jessica Parker]

So they open the door and there's just. Basically all they built is a wall.

[Kristen Davis]

It's one flat. You know, we haven't even seen his bedroom yet. Eventually we see his bedroom, which is two beige walls.

[Sarah Jessica Parker]

Do you know what I mean?

[Kristen Davis]

It's really a strange.

[Sarah Jessica Parker]

There was a red bedroom at one point. One point.

[Kristen Davis]

Amanda has a solid red bedroom.

[Sarah Jessica Parker]

Big.

[Kristen Davis]

Big. We're not there yet.

[Sarah Jessica Parker]

Yeah, yeah. Okay. We're not.

[Kristen Davis]

We're not anywhere near. Everything is beige. Everything is beige.

[Sarah Jessica Parker]

At the end of season that he says the. What? Didn't he marry somebody? He said that was beige.

[Kristen Davis]

We're not there.

[Sarah Jessica Parker]

So sorry.

[Kristen Davis]

Yes, babe. But we're not there. But it is interesting. You paint your apartment ecru at the end of the season, and it's disgust at length that it's ecru.

[Sarah Jessica Parker]

That's unfortunate.

[Kristen Davis]

So 90s.

[Sarah Jessica Parker]

That's not. That's a bad influence. Meaning? Meaning it should have told you something.

[Kristen Davis]

But you do break up with them at the end. You do.

[Sarah Jessica Parker]

Oh, I do.

[Kristen Davis]

Do you stand up for us? It's fantastic on the street, babe.

[Sarah Jessica Parker]

It's so great. What was she wearing that might help me remember?

[Kristen Davis]

You're wearing a fantastic outfit. You're wearing a beautiful. A line skirt because you think you're going on vacation, but you also know you have.

[Sarah Jessica Parker]

Oh, that's a famous crane shot that we did on the stupa.

[Kristen Davis]

It's so gorgeous, right? It's so gorgeous.

[Sarah Jessica Parker]

I think she's at. That's all thrift shop. I think there's like a polka dot Ave. And I've got a white shirt on, which. Terrible.

[Kristen Davis]

I have to say, it's good. It works. It works. But I know it was unusual.

[Sarah Jessica Parker]

I think she had a hat. She was ready to go on a holiday.

[Kristen Davis]

Yes, well, because also you've gone to the church in those crazy straw hats.

[Sarah Jessica Parker]

Just like. Oh, yeah.

[Kristen Davis]

They weren't gonna be noticed. Oh, Miranda in an orange.

[Sarah Jessica Parker]

Just drop a Bible.

[Kristen Davis]

Straw hat. You drop a Bible. It's very dramatic. So that whole episode is incredible.

[Sarah Jessica Parker]

So that's O come all ye Faithful. And that's a season ender.

[Kristen Davis]

Yep.

[Sarah Jessica Parker]

And the crane pulls up. Yeah.

[Kristen Davis]

Gorgeous.

[Sarah Jessica Parker]

I think we like to end seasons on a crane shot.

[Kristen Davis]

And look, now we use crane shots.

[Sarah Jessica Parker]

Who doesn't?

[Kristen Davis]

All the time. Who doesn't? They're incredible. But that was an early use of a crane shot because, as you remember, it was often handheld and much more. The production value was much less much to Michael Patrick's chagrin But I find it so charming to look back at.

[Sarah Jessica Parker]

Yeah. I felt. I always felt like it was always. It always felt cinematic, like we were always making a movie. I tried to express that to people. I tried to convey it. They'd be like, are you taping in New York? And I used to be such a. Be in my bonnet. And I would say gracefully, yes, we're filming.

[Kristen Davis]

Right. Me too.

[Sarah Jessica Parker]

For 18 hours today and tomorrow. Like, we're not a tape show. It's such a point. Like it's such a distinct difference between 100%. But I always felt, despite the speed at which we had to work and how much we had to accomplish and any budget constraints which were not. As if they weren't being generous, it was just the cost of doing what we wanted to do. Even though I know the show got much more decadent. It felt like a movie. It felt and looked like when I used to have to watch it, you know, for Michael, it looked cinematic. It looked like film to me. But it. I agree. But I know we were working in a different way. But I will say, when we were shooting on film at that speed and the volume of pages that we were shooting a day, we were still, you know, pushing freaking klieg lights from 1940 up and down avenues and cross streets and small streets. Our crew members were dragging Panavisions and film magazines of film. Blocks and blocks and blocks and building track. Which nobody builds anymore.

[Kristen Davis]

I know.

[Sarah Jessica Parker]

Yeah. So, like, all those hot lights were a big part of it. So it was all there, the production value. It just had a different look because that's what film. And that's. I think we also forget. Michael might not even remember we wanted it to look like that.

[Kristen Davis]

Yeah, we.

[Sarah Jessica Parker]

It was too dark. The pilot.

[Kristen Davis]

Oh, the pilot.

[Sarah Jessica Parker]

But I loved her. I loved her. That was a woman.

[Kristen Davis]

DP pilot was Stuart Dreiberg.

[Sarah Jessica Parker]

And then the first episode was. Yes, the first.

[Kristen Davis]

Loved her.

[Sarah Jessica Parker]

And I loved her stuff. Loved. But I guess it was a little bit too dark.

[Kristen Davis]

It was too dark. You can barely see us. But I love it. And I love the flares, you know, on the street. The way the street lights would flare on the super signature.

[Sarah Jessica Parker]

Yes.

[Kristen Davis]

I mean, I love it. And in comparison to now, obviously, it's. It's very different. But we couldn't do what we did then and have it play on an HD screen. Which is what everyone has. Though they have remastered them, obviously now. But I agree. I'm gonna backtrack to this thing I wanna ask you about. So we do the pilot. There's this in my mind. Very long break. Because I'm literally waiting every day, like, please pick us up. Why wouldn't you pick us up? This is me. Of course.

[Sarah Jessica Parker]

I wonder how long it really was.

[Kristen Davis]

I think it was like a year. I think they had a year and a half and they took a year.

[Sarah Jessica Parker]

We shot the pilot of. We shot the pilot in June of 97.

[Kristen Davis]

Cause you got married, I want to say in March.

[Sarah Jessica Parker]

I got married May 19th. May.

[Kristen Davis]

Okay, great.

[Sarah Jessica Parker]

Of 97.

[Kristen Davis]

So it was right after. Right, right.

[Sarah Jessica Parker]

We got married the morning after. I closed one spot on mattress.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

The morning after the Tonys.

[Kristen Davis]

Oh, my God.

[Sarah Jessica Parker]

Cause we were there for a year. But the thing I don't know is what our first start date was on season one. We don't know.

[Kristen Davis]

We should look that up some because I talked about it.

[Sarah Jessica Parker]

It'll be available. I know someone in the room who knows. I mean, Sherlock.

[Kristen Davis]

The thing that's easy to find is when it aired. It's not easy to find.

[Sarah Jessica Parker]

When we started, it aired in 98.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

So in between us, in June of 98.

[Kristen Davis]

It aired June of 98. Exactly.

[Sarah Jessica Parker]

But we had finished shooting.

[Kristen Davis]

We had.

[Sarah Jessica Parker]

Before we went on the air.

[Kristen Davis]

So it was the first episode.

[Sarah Jessica Parker]

It's a season that's only six months. So we must have shot.

[Kristen Davis]

I feel like we went in February because remember how cold it would be? And they'd make us pretend like it wasn't. Yeah.

[Sarah Jessica Parker]

So that's a very tight air date.

[Kristen Davis]

Yeah. We didn't seem to care. I don't know. I don't know. I don't know how we did it now. I'm thinking we're not finished.

[Sarah Jessica Parker]

Yeah. We're not leaving ourselves any room.

[Kristen Davis]

I know.

[Sarah Jessica Parker]

I don't think. Wait a minute. So both of us are kind of wrong.

[Kristen Davis]

Are we?

[Sarah Jessica Parker]

So if we do. If we look at it this way, and I don't wanna waste your listeners time. Okay. So if we shot the pilot in June of 97 and we were on the air in June of 98, we couldn't have been on hold that long because we had to shoot a whole season.

[Kristen Davis]

Oh, that's a good point.

[Sarah Jessica Parker]

So we both think it was different than it really was.

[Kristen Davis]

That's probably true. I think for me, emotionally, it was a very long time.

[Sarah Jessica Parker]

So that's what that is. Something important to talk about. Kristin. That's a good point.

[Kristen Davis]

That's a good point. I definitely. I'm not good at waiting and I really, really, really want to.

[Sarah Jessica Parker]

A lot's riding on a decision like this, and everybody has a different relationship to it. Like yours was much more. You went toward it. And my reaction to a big decision like that was to try to run away from it. So that's why I just turned it off. Right, and you kept it on.

[Kristen Davis]

I kept it on because you.

[Sarah Jessica Parker]

You weren't afraid of doing it.

[Kristen Davis]

I wasn't afraid at all.

[Sarah Jessica Parker]

Right.

[Kristen Davis]

I was beyond excited.

[Sarah Jessica Parker]

So that makes sense because I also.

[Kristen Davis]

Knew how different it was and I wanted. I felt when we, you know, when we started. And again, this is something that I think people forget in some ways. And obviously we have our incredible new audience thanks to Netflix of younger people, which is amazing and never would have been in our thoughts as a possibility. There weren't shows that were focused on women from a woman's point of view in 1997 or before, really. There were a few.

[Sarah Jessica Parker]

Mary Tyler Moore, of course, that was already way before. Right, right.

[Kristen Davis]

Then Golden Girls, Murphy Brown.

[Sarah Jessica Parker]

Right.

[Kristen Davis]

But these were very different shows and they were spread over like 50 years. You know what I mean?

[Sarah Jessica Parker]

We'll start. Also, of course, not to forget Marlo Thomas.

[Kristen Davis]

Marlo Thomas, that girl. I mean, this is what we grew up on. Right. But then there was like a dearth.

[Sarah Jessica Parker]

Right.

[Kristen Davis]

You know, there was just kind of nothing and there wasn't anything that was super, super modern in the way that they had been for their time. So for us and for me, who I was living in LA at that time, I had been my poor out of work actress self in New York. Then I had moved to la and I was surrounded by out of work actors and. Or people who were working a little bit or whatever. I was fascinated by the business as you know, and so I had some understanding of how different it was and how special it was from a perspective of how it was going to tell the stories and how unique it was that we would get to film in New York. That was a very big deal.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

And that, you know, this, like, upper echelon of fashion, you know, which to me, I was just like, oh, what do you mean we're not wearing pantyhose.

[Sarah Jessica Parker]

Pantyhose. I know.

[Kristen Davis]

This was scary for me. I was scared.

[Sarah Jessica Parker]

We are not wearing pantyhose. Right.

[Kristen Davis]

See, see, see, this is. This is the origins, you guys. Okay, so one of the crazy stories that they wrote was that the producers were the ones who came up with the rules. And I was like, they knew no. Or care no, no. It was Pat and Sarah Jessica with the vision. You had the vision, you know, of how to be a Modern woman in New York.

[Sarah Jessica Parker]

Yeah. I think Pat had a very. Pat had a window. Like, Pat had a window into a world that none of us knew, except for Molly, who was always. I always want to remind everybody, Molly was there from day one.

[Kristen Davis]

Yes.

[Sarah Jessica Parker]

They. They had a. They had their hands in a world that I knew about, but I was not privy to. I was not in it, but I definitely knew about it. Like, pat's store on 8th Street. Like, I had been in that store many, many times. Many times. It was. It was like. What's that phrase? Like, you know, something you. It's like a milestone in your life as a young kid in New York. Growing up is like, there's, you know, there's five shops you just have to visit. Tell us. And then I'm trying to remember. There was the one on the Upper west side.

[Kristen Davis]

Charvari.

[Sarah Jessica Parker]

Alice underground.

[Kristen Davis]

Oh, Alice Underground.

[Sarah Jessica Parker]

Pat store.

[Kristen Davis]

Alice a field.

[Sarah Jessica Parker]

Charvari at the time and. Or Parachute.

[Kristen Davis]

Ooh, Parachute.

[Sarah Jessica Parker]

We're a little bit past Fiorucci's. That was a little bit earlier, but still, I went there, definitely certain things at 59th and Lex. Bloomingdale's, which was the Calvin Klein. Only place to get Calvin Klein underwear. Women at the time. And then a couple thrift shops down on Broadway. Lower Broadway.

[Kristen Davis]

Got it.

[Sarah Jessica Parker]

So Pat had this, like, she touched on, you know, there was a kind of fringy world that she was very much a part of that she was, in many cases, godmother, too.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

And so I knew about that world, and she drew heavily from that world. But then there was overlap. Like, we shared living on the streets in a certain way or being invited to or being observant of. So that's like, the places in which I could be a good partner to her and. Or Molly or to any of the shoppers, you know.

[Kristen Davis]

Right, right, right.

[Sarah Jessica Parker]

But, yeah, no one. None of the producers ever made those rules, although I will say that they came and they had opinions about the board, and those were good conversations, you know, and everybody were, like, worthy combatants. Like, everybody. Not me. Meaning Pat and Molly and Rebecca a little bit. Right. At the time.

[Kristen Davis]

Yes.

[Sarah Jessica Parker]

And Darren and then became Michael Patrick. And every writer of a script was given the privilege or had the right to come to those wardrobe discussions and have their own opinions. And I'm sure you heard if you came back, Pat would find you on the set, and she'd be like, jenny says that she doesn't understand this dress. You know.

[Kristen Davis]

Totally. Yes.

[Sarah Jessica Parker]

And then you'd say, but I understand the dress. And she'd say, you should talk to Jenny. Or Darren says. And then I'd say, oh, actually, I get that. You know what? It's fine. I get it. I understand why he A, B and C or why Jenny. And then sometimes you'd say, I'll talk to Jenny. I'll explain why I feel like this is her. Because what's gonna happen there and there and there I wanna make sure we have blah, blah, blah, blah, blah. Or I just love it. And I think it will be a treat and fun because it's not expected because nobody runs around like that, you know, like all sorts of reasons. And you make your case and you win or you lose. Like, so what? That's collaborative. Like, that's what true collaboration is. Not just one winner.

[Kristen Davis]

No.

[Sarah Jessica Parker]

There's always somebody who's being heard and seen. Like, literally saying, like, see the work, see it.

[Kristen Davis]

Right?

[Sarah Jessica Parker]

And that's good.

[Kristen Davis]

Definitely. That's good for all of us. And I do feel in terms of our show then and now, you know, that's why it works is that everyone feels passionately and I think that's key. And that doesn't mean that it's always, no, no, no, no, we're all in agreement.

[Sarah Jessica Parker]

No, no.

[Kristen Davis]

You know, people are committed and they sometimes don't agree. But this is what then the finished product is better because of that.

[Sarah Jessica Parker]

Hey, what does Michael Patrick always say? Hate me and hate me and may. No. Hate me today. Love me and may.

[Kristen Davis]

Totally, totally, totally. That's a good one. I forgot that one.

[Sarah Jessica Parker]

Yeah.

[Kristen Davis]

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[Sarah Jessica Parker]

I found out I was related to the guy that I was dating.

[Kristen Davis]

I don't feel emotions correctly. I am talking to a felon right now and I cannot decide if I like him or not.

[Podcast Host]

Those were some callers from my call in Podcast Therapy Gecko. It's a show where I take real phone calls from anonymous strangers all over the world as a phone fake gecko therapist and try to dig into their brains and learn a little bit about their lives. I know that's a weird concept, but I promise it's pretty interesting if you give it a shot. Matter of fact, here's a few more examples of the kinds of calls we get on this show.

[Kristen Davis]

I live with my boyfriend and I found his piss jar in our apartment. I collect my roommate's toenails and fingernails. I have very overbearing parents. Even at the age of 29, they won't let me move out of their house.

[Podcast Host]

So if you want an excuse to get out of your own head and see what's going on in someone else's head, search for Therapy gecko on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. It's the one with the green guy on it.

[Fatherhood PSA Speaker]

The American west with Dan Flores is the latest show from the Meat Eater Podcast Network. Hosted by me, writer and historian Dan Flores and brought to you by Velda Buck. This podcast looks at a West available nowhere else. Each episode I'll be diving into some of the lesser known histories of the West. I'll then be joined in conversation by guests such as Western historian Dr. Randall Williams and best selling author and Meat Eater founder Stephen Rinella.

[Kristen Davis]

I'll correct my kids now and then where they'll say when cave people were here. And I'll say it seems like the ice Ice Age people that were here didn't have a real affinity for caves.

[Fatherhood PSA Speaker]

So join me starting Tuesday, May 6th where we'll delve into stories of the west and come to understand how it helps inform the ways in which we experience the region today.

[Kristen Davis]

Listen to the American west with Dan Flores on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Margie Murphy]

In 2020, a group of Young women in a tidy suburb of New York City found themselves in an AI fueled nightmare.

[Kristen Davis]

Someone was posting photos.

[Sarah Jessica Parker]

It was just me naked. Well, not me, but me with someone else's body parts on my body.

[Kristen Davis]

Parts that looked exactly like my own. I wanted to throw up.

[Sarah Jessica Parker]

I wanted to scream.

[Margie Murphy]

It happened in Levittown, New York.

[Lagata]

But reporting the series took us through the darkest corners of the Internet and to the front line of a global battle against deepfake pornography.

[Kristen Davis]

This should be illegal, but what is this?

[Lagata]

This is a story about a technology that's moving faster than the law and about vigilantes trying to stem the tide. I'm Margie Murphy.

[Margie Murphy]

And I'm Olivia Carvell.

[Lagata]

This is Levittown, a new podcast from iHeart podcasts Bloomberg and Kaleidoscope.

[Margie Murphy]

Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Jay Shetty]

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[Kristen Davis]

But in terms of the fashion, because now we're on that. But I am going to go back to my thing. I remember breadcrumbs. Nope.

[Sarah Jessica Parker]

Okay.

[Kristen Davis]

That was interesting too, though. Gosh, so many threads started.

[Sarah Jessica Parker]

They're all good. Next season.

[Kristen Davis]

Next season. No, we're not there yet. We're going to talk about fashion now. Because we're on it.

[Sarah Jessica Parker]

No, I said I'll come back.

[Kristen Davis]

Oh, great.

[Sarah Jessica Parker]

Yes. For next season.

[Kristen Davis]

You come back anytime, baby. Doors open. We had to wait to have you, though. That was exciting.

[Sarah Jessica Parker]

We almost got it done.

[Kristen Davis]

I know.

[Sarah Jessica Parker]

We almost got it done, but then we didn't.

[Kristen Davis]

It was too early, though. We needed to get. I feel like I had to get done with the first season to have a bunch of thoughts for you to help us with.

[Sarah Jessica Parker]

Okay.

[Kristen Davis]

To suss out. So the fashion wise, obviously there became a time in our show where the fashion was almost like the reason that we existed, or it seemed to everyone else like the reason we existed. Which I don't feel like was the idea necessarily, you know, how do you remember that happening? Or what was your thought on that happening?

[Sarah Jessica Parker]

Well, I remember. I remember that Fendi loaned us a baguette, and up to that point, nobody had been willing to really give us anything.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

And I'm pretty sure our budget for the first season was like $10,000. Like, we had no. And it was the ingenuity of Pat Molly and century 21. And century 21. And Ina.

[Kristen Davis]

Right. Ina.

[Sarah Jessica Parker]

And just, you know, intrepid, digging around, pawing stuff, going to some warehouses of vintage shops and things like that. But we didn't have relationships yet. We had, like, no infrastructure in the world of proper design houses and.

[Kristen Davis]

But can I ask really quick, didn't you personally already have some of these relationships?

[Sarah Jessica Parker]

So I did. I had a few that were substantial. Like, they weren't substantial, but they were, like, real. They weren't too flimsy. Like, I could count on. I felt like I could make some call or reach out or write a letter or whatever it was.

[Kristen Davis]

Right. There was something important. Like the naked dress.

[Sarah Jessica Parker]

Yes.

[Kristen Davis]

Or just that was from your closet.

[Sarah Jessica Parker]

So I had. I wish I could be certain of the Manolo Blahnik. So I. When I was younger, and I was living at the time in Southern California, and I had some friends whose family were involved in retail. And I don't know if you remember Madeline Gallet and Gallet on Sunset Plaza a little bit. So their daughter, Rena Gallet, was a friend of a friend. And her parents, her father owned Gallet and her mother owned Madeleine Gallet. And I think initially there was just a Gallet, and then there was a divorce, and then there was a Madeleine Gallet, and then there was a Galet. And Gallet was a tiny house of very high end, European, primarily designers, like, very high end. Like that other one became the one that's like, everybody goes to and spends a million dollars. That was initially on Doheny and Santa Monica.

[Kristen Davis]

Oh, that place is scary.

[Sarah Jessica Parker]

It's like a dark place.

[Kristen Davis]

I can't even go in there.

[Sarah Jessica Parker]

Very expensive things.

[Kristen Davis]

Oh, my God. Yeah.

[Sarah Jessica Parker]

I can't even go in.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

And so they were a brighter version of that. And let's see. Rena invited me. She said there was this shoemaker coming to town, and he was gonna do a trunk show at her mother's store. At Madeleine Gallet store. And it was February in Southern California, which I came to know because I had been there in February once before when I was Annie and had visited Southern California in February. And it rained the entire time. And it was pouring rain in February. Like, I came to understand that's what it should do in February, right?

[Kristen Davis]

What it used to do.

[Sarah Jessica Parker]

Yeah, it used to rain.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

And so I said, yeah, I'll come to a trunk show of this designer. I don't think. I'm almost positive. She didn't say the designer's name. But it was fun. It was nice to be excited. And I had an American Express card, and I didn't have very much money in the bank. And you have to pay your American Express card off, and it's not good for credit, which is a bummer. But I went to Madeline Gallet store, and there was this designer named Manolo Blahnik, and he. Nobody was there. There was literally, like, three of us. It was pouring rain and cold and, you know, really unpleasant when it rains like that and it's cold and it's just. Rain is so unusual. Anyway, like, it's such a amazing thing. Like, in London when it rains, it's one thing. In Southern California when it rains, it's one thing. In New York City when it rains, not a bother at all. It doesn't matter at all for you. Okay. Anyway, there was this sweet designer, and I thought his shoes were beautiful.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

So simple.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

Nothing I bought. I'm gonna try to remember. I'm gonna say I bought, like, six pairs on an American Express card that I had to pay off right away. And it was gonna be a long time. And when I did finally get those shoes, when I lifted.

[Kristen Davis]

He went off and made them.

[Sarah Jessica Parker]

He went off and made them. That was trunk show. Proper trunk show, where you pick your silhouette, you pick your leathers, you pick any kind of trim, et cetera. And he went off and he made them. And when I received those shoes later, I picked up the sock liner, and they were all signed by him. It was Manolo Blahnik. So I came to love him, even though I basically really, really couldn't afford. Wasn't like I couldn't afford it. Like, Carrie can't afford it. I never made those kinds of choices. Like, I always paid rent. I always took care of myself and anybody else who needed taken care of. Right. But so I had that relationship. I had a relationship with Calvin Klein, which I don't. Can't figure out how that started. And Donna Karan. I had a little bit of a relationship, but for the most part, we.

[Kristen Davis]

Were Calvin Klein to the Oscars.

[Sarah Jessica Parker]

That's right. That's right. But still, people were, like, not tossing Us stuff?

[Kristen Davis]

No, no, not at all.

[Sarah Jessica Parker]

And I kind of feel like that was perfectly good and fine and maybe the best thing that could have happened to us because had we had access to more familiar pieces sooner, it might have eclipsed what we were. Also, I say we because we got the words and then we tried to do our best with them.

[Kristen Davis]

Absolutely.

[Sarah Jessica Parker]

But really, when I say we, what we were trying to do, I really want to talk about the writers and what they're like, what was the momentum, like, the trajectory, like, what were they trying to do? Because they always had the whole season in mind, and I never did. I was like, not. Don't tell me. I don't want to know. I don't want to know. I don't want to know. So had we had everything we ever wanted sooner, I'm afraid it would have gotten in the way. Because, yes, people were curious and they enjoyed and some delighted and some didn't at all in the sartorial efforts of the show and what it was saying and who we were. Because it was really an attempt to really be those people that we'd heard about, read about, knew about. We didn't have exchanges with those people, but I certainly knew all about them.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

So we did our best to tell that story as accurately as we could. But what people connected to initially were these women talking intimately about their lives, the intimate part of their lives, the challenges of being a working woman, sexual politics, love, and how it eludes you. And as Richard Plepler always says, where is home? And I think if we had had an Hermes bag.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

And everything else. And all these coveted pieces, and straight off the Runway from Paris, I don't know that women would have had such strong feelings. And men, too. For and against. And the against doesn't push them away. You know, just because you're angry about a choice a character makes doesn't mean you're gone. It's not. Thank God.

[Kristen Davis]

Yes, true.

[Sarah Jessica Parker]

And so I'm grateful that we were bare knuckling it, you know, and really having to be like, as industrious, like, call in favor, bring clothes from home. How many times did you bring clothes from home?

[Kristen Davis]

I think the whole first season, I'm wearing my clothes.

[Sarah Jessica Parker]

Right.

[Kristen Davis]

So they weren't good, though.

[Sarah Jessica Parker]

But it doesn't matter.

[Kristen Davis]

No, you're right.

[Sarah Jessica Parker]

And so maybe it was a virtuous thing that we were scraping and, you know, working on creativity.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

Pat calling in favors, I mean. Cause Pat certainly had relationships, and Molly, they. They had their. They had their tentacles in the world. But it wasn't until Fendi loaned us.

[Kristen Davis]

That baguette was that, I think second season. Because I don't think I saw one first season.

[Sarah Jessica Parker]

I think it was second season.

[Kristen Davis]

We went through the whole first season really. And there's sometimes when I'm looking at things, I'm thinking, are the. Is that Sarah Jessica's? Do you remember bringing in clothes other than the naked dress, which we know came from your. Your own?

[Sarah Jessica Parker]

I don't think I brought in what I ended up bringing in clothes when we had holes and spaces that were like. And I would be like, I might have a white shirt at home. I might. Oh, you know what? I might have a bag. I might have a sweater. I might have a cardigan.

[Kristen Davis]

Little pieces.

[Sarah Jessica Parker]

Little pieces. Because she dressed so differently than I did, you know.

[Kristen Davis]

And so another thing people don't necessarily understand.

[Sarah Jessica Parker]

Yeah, it was very hard to be her from my closet. I also didn't have a lot of clothes.

[Kristen Davis]

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[Sarah Jessica Parker]

I found out that was related to the guy that I was dating.

[Kristen Davis]

I don't feel emotions correctly. I am talking to a felon right now and I cannot decide if I like him or not.

[Podcast Host]

Those were some callers from my Call in Podcast Therapy Gecko It's a show where I take real phone calls from anonymous strangers all over the world as a phone fake gecko therapist and try to dig into their brains and learn a little bit about their lives. I know that's a weird concept, but I promise it's pretty interesting if you give it a shot. Matter of fact, here's a few more examples of the kinds of calls we get on this show.

[Kristen Davis]

I live with my boyfriend and I found a piss jar in our apartment. I collect my roommate's toenails and fingernails. I have very overbearing parents. Even at the age of 29, they won't let me move out of their house.

[Podcast Host]

So if you want an excuse to get out of your own head and see what's going on in someone else's head, search for Therapy gecko on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. It's the one with the green guy on it.

[Fatherhood PSA Speaker]

The American west with Dan Flores is the latest show from the Meat Eater Podcast Network. Hosted by me writer and historian Dan Flores and brought to you by Velvet Buck, this podcast looks at a West available nowhere else. Each episode I'll be diving into some of the lesser known histories of the West. I'll then be joined in conversation by guests such as Western historian Dr. Randall Williams and best selling author and Meat Eater founder Stephen Rinella.

[Kristen Davis]

I'll correct my kids now and then where they'll say when cave people were here. And I'll say it seems like the Ice Age people that were here didn't have a real affinity for caves.

[Fatherhood PSA Speaker]

So join me starting Tuesday, May 6th where we'll delve into stories of the west and come to understand how it helps inform the ways in which we experience the region today.

[Kristen Davis]

Listen to the American west with Dan Flores on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Margie Murphy]

In 2020, a group of young women in a tidy suburb of New York City found themselves in an AI fueled nightmare.

[Kristen Davis]

Someone was posting photos.

[Sarah Jessica Parker]

It was just me naked. Well, not me, but me with someone else's body parts on my body. Parts that looked exactly like my own.

[Kristen Davis]

I wanted to throw up.

[Sarah Jessica Parker]

I wanted to scream.

[Margie Murphy]

It happened in Levittown, New York.

[Lagata]

But reporting the series took us through the darkest corners of the Internet and to the front line of a global battle against deepfake pornography.

[Kristen Davis]

This should be illegal. But what is this?

[Lagata]

This is a story about a technology that's moving faster than the law and about vigilantes trying to stem the tide. I'm Margie Murphy.

[Margie Murphy]

And I'm Olivia Carville.

[Lagata]

This is Levittown, a new podcast from iHeart podcasts Bloomberg and Kaleidoscope.

[Margie Murphy]

Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Jay Shetty]

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[Kristen Davis]

So you have the shoes, but you didn't have a lot of clothes.

[Sarah Jessica Parker]

Yeah, and I probably didn't have as many shoes as ever.

[Kristen Davis]

Well, listen, if you had six pairs of manolas from a trunk show, you were way ahead of everyone else.

[Sarah Jessica Parker]

I was gonna say about those shoes. They were all stolen. Yeah, it was a real sad story.

[Kristen Davis]

What happened.

[Sarah Jessica Parker]

So I. I was traveling. It was a very unusual year in that. I did. I'm trying to remember how this went. I did three movies back to back, and the last two were Hocus Pocus and then Three Rivers, or what came to be called.

[Kristen Davis]

With Hugh Grant.

[Sarah Jessica Parker]

The one with Hugh Grant with Bruce Willis.

[Kristen Davis]

Oh, yes, with the boats.

[Sarah Jessica Parker]

Striking distance.

[Kristen Davis]

The boats. Yeah, the boats.

[Sarah Jessica Parker]

And a third movie.

[Kristen Davis]

What's the one with Hugh Grant where you had brown hair?

[Sarah Jessica Parker]

Medical. I can't remember the name. Wasn't it Medical? I'll tell you what, it wasn't called Four Weddings and a Funeral, right?

[Kristen Davis]

No, it wasn't called.

[Sarah Jessica Parker]

Yes, I auditioned for that. I didn't get that. I got the other one. But so I had. You know how, like, when you travel when you're. Well, when I was just traveling back to Back to back, I was shooting a movie in la, and then I went to Pittsburgh for six months and shot a movie. And I just, like, took everything I loved. And I had been gifted from a previous relationship of Chanel suit. I also had a Chanel suit. And. Yeah. Oh, no, I had like. So I traveled with, like, all the things that were my favorite, including Anthony Michael hall. And I had traded A sweatshirt. And he had given me like a Yankee sweatshirt that was so old you could not believe it. It was the oldest Yankee sweatshirt I'd ever seen in my life. And I wore it everywhere. And so I decided that I was going to see. I can't remember if I shot. Doesn't matter. I decided that I was gonna be really like something and only pack to get back to New York City. When I was done with all the movies, I was gonna FedEx my stuff home. Because by then I had accumulated so much stuff.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

And you know when you leave a hotel room, there's like papers everywhere and scripts. And you bought this, you have that. You have like presents for friends and families and Christmas presents. And I was like, I'm gonna do that thing that people do and I'm gonna FedEx everything home. And it was all stolen. So everything in that was stolen.

[Kristen Davis]

That's so sad. Oh, that's so sad.

[Sarah Jessica Parker]

But. But it was sad. It was pretty. I was stunned. I was like, so did it ever make it to the drop off point? And you know, if you don't protect yourself now, I know in advance of shipping something, then you're only. There's minimal coverage for it. And I could see. I was like, well, can let's watch this happen. Like, it got to the place, okay. So it went to its place, its point of view, origin, and then it just disappeared. And I was like, you know, what if I open those boxes and I saw, you know, the box that made it back?

[Kristen Davis]

What?

[Sarah Jessica Parker]

The dog? The stuff with all the dog stuff. I found a dog. I got a dog there in Los Angeles. Yeah, dog at the Beverly center that had been in the window over and over and over and over and over again. It was saddest thing. So I took it. That dog was bananas. And all her dishes, you know, and like papers, like papers that you scribble stuff at the hotel, like it all went and went. That's the box.

[Kristen Davis]

Oh my gosh.

[Sarah Jessica Parker]

So anyway, I didn't always have as many shoes as. But. But you had a nice amount of shoes.

[Kristen Davis]

You had your toe in the water, right? Whereas, like for me, I'd never heard of Manolo Blahnik. I didn't know how to say it. Like, I was like, oh my God. You know, that was my whole life in the beginning of the show was like, how do I say this? How do I wear it? Can I walk in those shoes? You know all of that, right?

[Sarah Jessica Parker]

Oh my God. Now look at you walk in those shoes.

[Kristen Davis]

I don't know, baby. I Almost killed myself in those Kates this last scene season. I was like, I've got to go down in the height.

[Sarah Jessica Parker]

You. You wear higher shoes than almost all of us.

[Kristen Davis]

Well, that's gotta stop. Okay.

[Sarah Jessica Parker]

Crazy.

[Kristen Davis]

Just because I'm a crazy person. Like, I know I had to loop something. I was like, why am I teeter tottering in those shoes? Because it was the end of the season and the feet are swollen. I'm like, why am I still doing this to myself? My God. But everyone talks about you running in those shoes. And everyone asked me, how does she do it? How does she do it? I'm like, the woman. Say it again.

[Sarah Jessica Parker]

They call action.

[Kristen Davis]

They call action.

[Sarah Jessica Parker]

That's what you do.

[Kristen Davis]

That's what we tell them. But honestly, you were the one who. Like, we could be on cobblestones. We could be. There could be obstacles in your end. You're like, I can do it, and you could. You could. So all of us were like, we've gotta try to do what she does. We've gotta. That. That's my thought at least.

[Sarah Jessica Parker]

I feel like. I feel like everybody did it. I mean, I think the.

[Kristen Davis]

That's. Cause we were just trying to pull it off, baby.

[Sarah Jessica Parker]

Right? And that's what I was doing. I mean, I think that, you know, I think that it was pretty familiar for I felt. It didn't feel totally unfamiliar to be navigating, like, cobblestone and stuff and not wearing hose and all that. I definitely felt that that was. I would almost call it normal.

[Kristen Davis]

Right? Well, I think it was normal for you because you were very fashionable New York City.

[Sarah Jessica Parker]

I never thought of myself that way, but.

[Kristen Davis]

But you were. You were.

[Sarah Jessica Parker]

But I definitely was. I could understand that.

[Kristen Davis]

Fishnets and the double fishnets and I mean, like, so many things. And then remember the banana clip and, you know, God forbid. And remember that time they tried to put me in the big velvet scrunchie? Do you remember this?

[Sarah Jessica Parker]

Do you know that big velvet scrunchies are so in now? I know.

[Kristen Davis]

I do know. I do know. But I mean, this was as big as my face. It was as big as my face. And that guy who tried to cut my hair. I'm not gonna say his name. He was just around a little bit. And you were just like, no, you know, you were very. I was like, oh, thank God I can go to her.

[Sarah Jessica Parker]

This was my.

[Kristen Davis]

My. My light bulb moment of like, I can go to Sarah Jessica when they. Cause they would. You know, in the beginning, we were trying to figure things out, right? And for Charlotte, who was very much, you know, not based on one particular person, which I did finally get. Get Candace to confirm, which was helpful. And Michael Patrick was like, I don't know how to write for her. And Darren. I think Darren really did have a vision for her in the beginning. In terms of, like, the lightness and the funniness. And, you know, he had wanted me to be funny on Melrose. And then he left. And then they didn't know. They were like, what do we do with her? I was like, oh, God. Oh, God, I'm gonna. Ooh. Every week is different. So for Charlotte, we got to create her together. I felt like. But because I didn't really know those women. I didn't really know this echelon of people or really that much about them, other than what I might have read in Vogue, you know. And I remember just stalking the Upper east side.

[Sarah Jessica Parker]

Yeah, I heard you talking about that. I think it's so interesting that. But I think that came in question from one of your listeners. And I was like, oh, that is so interesting that I didn't know that you were just parading up and down following people. Which is such a smart thing to do, because that is its own world. I don't know that world as much because I wasn't part of it. Cynthia didn't live in that part of the world. Those were definitely different breeds of people.

[Kristen Davis]

Definitely.

[Sarah Jessica Parker]

It was so smart of you. But, you know, the funny thing about how you have described, you know, how little they seem to know what to do with Charlotte. And how little, like, source material there was, in a way, or just, you know, people. The admission that they weren't. That Michael wasn't sure that he could write. It's just, you know, I haven't seen the show, so you're gonna tell me. No, There is a fallow space, like, where there's not gonna. The way I've heard you talk about it, you're like. You can see. Or you felt that they were, like, sorting it out in real time. But the funny thing about that is that I remember it was totally full. Like, I never thought. And my guess is that we've talked about this before, that you've reminded me more than once. But I think I've never heard you talk about it so completely. And because listeners are asking you questions, you're filling in. You know, I had the broad strokes, but I never really thought that it was incomplete. And I think what. I guess what. You know, what happened in regards to your character, I would say, with the ambitions Even with Miranda and Samantha, and they were fulfilled, is that. I feel like every year there was, like, sort of an agreement or Michael, once Michael took over. So it was sort of like second season was like a whole new approach to it. Not new approach, but it was now another year. And I feel like he said to himself and to the writers, okay, we are taking off a layer now this year. Because you can't just have archetypal people. You know, it's no good for the actor. It's not gonna be fun for us, and it's not good for Carrie. It really fulfilled what it needed to do the first season. Like, we needed to understand that Miranda was gonna react this way and Charlotte was gonna react this way and Samantha was gonna react this way and that Carrie could then write about it. And it was always like the fulcrum for the column. And the column was the. And Michael was like, well, no, you can't just. You've got to. Everyone has to go deeper. Everyone has to go deeper all the time. So what I think is the first season, as you felt they were pondering, well, what do I do for Charlotte? I think they took care of it really, really well. Because it feels to me like I never felt in a scene like she doesn't have enough meaning. Meaning, like, you gave it. You pulled it up. But that's the job, like, is to, like, you kind of come to the set having to know more than is being said.

[Kristen Davis]

Yes.

[Sarah Jessica Parker]

And, like, project some more stuff into it that isn't there necessarily, but it's gonna add up. It's like scar tissue.

[Kristen Davis]

Definitely.

[Sarah Jessica Parker]

And so that. Then Michael and his extraordinary writers just kept pushing so that. So that very. I would say, if recollection serves it, like, by mid second season, end of second season, you're having very big. Everyone's having big storylines. Like, it's. It's starting to get more independent. Like, everybody needs each other.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

But they. They are. Their lifeline is not necessarily being reactionary.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

And saying, but you've got to get married. You gotta believe in love.

[Kristen Davis]

Right. Right.

[Sarah Jessica Parker]

Like, I'm just summariz. An archetype. Because archetypes are super important. Like, they're not tiny.

[Kristen Davis]

No.

[Sarah Jessica Parker]

And I always wonder anyway, if it's real. Like, if the whole thing is real.

[Kristen Davis]

No, don't go down here again. You're not gonna say that we're a dream.

[Sarah Jessica Parker]

Please don't say, I just don't know if it exists.

[Kristen Davis]

Oh, my God. 30 years later.

[Sarah Jessica Parker]

Well, it's just a column. I know.

[Kristen Davis]

You kill Me, I love this, so.

[Sarah Jessica Parker]

But if that's the case, isn't that better?

[Kristen Davis]

No.

[Sarah Jessica Parker]

I don't know. It lives. What do you mean? Because if Carrie's a writer. Oh, my God. This is just a story she's telling.

[Kristen Davis]

Yes.

[Sarah Jessica Parker]

It doesn't diminish what happens.

[Kristen Davis]

Okay. Okay.

[Sarah Jessica Parker]

It means as much.

[Kristen Davis]

Okay.

[Sarah Jessica Parker]

I'm just saying it gives you. You can move at things differently if we don't have to apply life rules.

[Kristen Davis]

Do you feel like that's what we did?

[Sarah Jessica Parker]

Sometimes we have to.

[Kristen Davis]

Is that what we're still doing?

[Sarah Jessica Parker]

It was not a. It was an always. A slightly alternate universe. It was always heightened.

[Kristen Davis]

That is true, yes.

[Sarah Jessica Parker]

In fact, one of your listeners said, oh, is this. And you said, absolutely not. That New York. This New York, as portrayed as painted in the late 90s through the early aughts, was not entirely accurate. It was heightened.

[Kristen Davis]

True.

[Sarah Jessica Parker]

It was better and worse, much prettier and much uglier in certain ways.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

It was richer and not addressing other things. So it picked. But that's what Candace's columns were.

[Kristen Davis]

True.

[Sarah Jessica Parker]

So it wasn't Law and Order and toe tags.

[Kristen Davis]

Right. Thank God.

[Sarah Jessica Parker]

It was purposefully heightened.

[Kristen Davis]

Right.

[Sarah Jessica Parker]

So when you're creating a slightly alternate universe, you can ask yourself questions about the provenance of a character.

[Kristen Davis]

I love that we've actually gotten the whole story behind something that you said. I think when the first show was ending that I was like, why is she saying that? My feet hurt too much. I feel like not to have been real.

[Sarah Jessica Parker]

I feel like even more touching.

[Kristen Davis]

Maybe that's true.

[Sarah Jessica Parker]

Think about somebody creating. Imagine a world in which the friendships were the central nervous system and heartbeat and arteries of a life. Like, where somebody was saying, this is the most important thing is our friendships. This is the thing that. That is life sustaining.

[Kristen Davis]

It's true. It's beautifully put.

[Sarah Jessica Parker]

It's even better than having the good fortune to have it. If a woman is saying, look, I'm gonna choose to tell this story about these women.

[Kristen Davis]

Yeah.

[Sarah Jessica Parker]

It's still, like, deeply. If it's real life, it's great good fortune. What privilege.

[Margie Murphy]

Right?

[Sarah Jessica Parker]

But if it's an imagination, that's cool, too.

[Kristen Davis]

It is cool, too. You gave me many chills and got me teared up. And you guys, we will be back for another episode of Are you a Charlotte?

[Sam Mullins]

Hi, I'm Sam Mullins, and I've got a new podcast coming out called goboy the Gritty True Story of How One Man Fought His War out of Some of the Darkest Places imaginable.

[Sarah Jessica Parker]

Roger Caron was 16 when first convicted.

[Kristen Davis]

Has spent 24 of those years in jail.

[Sam Mullins]

But when Roger Caron picked up a pen and paper, he went from an ex con to a literary darling from Campside Media and iHeart Podcasts. Listen to GoBoy on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Kristen Davis]

That's the fun part about being an.

[Lagata]

Artist that you need to have the.

[Kristen Davis]

Patience or finding your pen.

[Bodie]

I'm Lagata, the culture's favorite reggaeton historian and mosicologa. On an episode of my show the Reggaeton Colagata Podcast, I sit down with Bodhi A. Bori who's demanding her place in the male dominated music industry.

[Kristen Davis]

That's the game. Like who stays and who leaves.

[Bodie]

You know. Listen to on America's number one podcast network, I Heart Follow Reggaeton Colagata and start listening on the free I Heart Radio app today.

[Fatherhood PSA Speaker]

Sometimes as dads I think we're too hard on ourselves. We get down on ourselves on not being able to, you know, we're the providers, but we also have to learn to take care of ourselves. A rap away. You got to pray for yourself as well as for everybody else. But never forget yourself. Self love made me a better dad because I realized my worth.

Never stop being a dad. That's dedication.

[Kristen Davis]

Find out more in Fatherhood.gov brought to.

[Fatherhood PSA Speaker]

You by the U.S. department of Health and Human Services and the Ad Council. Why is a soap opera Western like Yellowstone so wildly successful? The American west with Dan Flores is the latest show from the Meat Eater Podcast Network. So join me starting Tuesday, May 6, where we'll delve into stories of the west and come to understand how it helps inform the ways in which we experience the region today.

[Kristen Davis]

Listen to the American west with Dan Flores on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. I'm Michael Kasson, founder and CEO of.

[Sarah Jessica Parker]

3C Ventures and your guide on Good.

[Kristen Davis]

Company, the podcast where I sit down with the boldest innovators shaping what's next.

[Sarah Jessica Parker]

In this episode I'm joined by Angeli.

[Kristen Davis]

Sud, CEO of Tubi. We dive into the competitive world of streaming. What others dismiss as niche, we embrace as core. There's so many stories out there and if you can find a to curate and help the right person discover the right content. The term that we always hear from our audience is that they feel seen.

[Sarah Jessica Parker]

Listen to Good company on the iHeartRadio.

[Kristen Davis]

App, Apple Podcasts or wherever you get your podcasts.

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You're listening to an iHeart podcast.