U Got The Look… More with Molly Rogers

Summary

Podcast Summary: "Are You A Charlotte?" Episode: U Got The Look… More with Molly Rogers

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Introduction

In this engaging episode of "Are You A Charlotte?" hosted by iHeartPodcasts, Kristin Davis reconnects with Sarah Jessica Parker to delve deeper into the behind-the-scenes experiences of starring in the iconic TV series Sex and the City. Joined by special guest Molly Rogers for a second part of the conversation, the episode offers fans an intimate look at the fashion, camaraderie, and personal growth that defined their time on the show.

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1. Fashion and Costume Design Insights

One of the central themes of the discussion revolves around the intricate collaboration between the actors and the costume design team, particularly Patricia Field. Molly Rogers shares anecdotes about her initial struggles and eventual harmony with Pat's bold fashion visions.

• Embracing Bold Styles:
  Molly recounts, "Pat wanted me to have the mini micro bang so badly that she took my headshot. And she also wanted me to have a roll like in the 40s..." (09:22)
  This highlights the tension and eventual balance between personal comfort and the show's distinctive style.

• Experimentation with Costumes:
  The conversation touches upon memorable costume experiments, such as the infamous cone bra and tight tube skirts. Molly humorously reflects, "I have a picture way back for season one, probably you'll remember. And you've got a tennis outfit on, and then you just play tennis in it." (03:28)

• Defining Charlotte’s Look:
  Molly emphasizes the evolution of her character’s wardrobe, aiming for a classic Upper East Side aesthetic. She notes, "Long, straight hair, very Ralph Lauren, you know, very Park Avenue. Park Avenue. Stereotypical Park Avenue." (10:39)

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2. On-Set Dynamics and Personal Anecdotes

The episode delves into the interpersonal relationships and memorable moments shared between the cast members.

• Interactions with Co-Stars:
  Molly shares a touching story about working with an actor from a Hasidic Jewish background:
  "He told me when I met him, I worked on Sex and the City. And I said, yes. He said, I want you to know that I played the Hasidim with Charlotte." (03:52)

• Challenging Scenes and Personal Growth:
  Discussing demanding scenes, Molly reflects on the emotional and physical challenges faced, such as dealing with a fake pregnancy. She recounts a particularly intense moment:
  "My ear has never recovered from that. My ear has never recovered." (20:42)

• Collaborative Environment:
  Sarah Jessica Parker adds, "We were an integral part of this production and she has a say in how her house looks, how her apartment looks, how her clothes look." (24:54)
  Highlighting the collaborative spirit that allowed for creative input from the actors beyond their performances.

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3. Reflections on the Show’s Legacy and Personal Impact

The hosts and guest reflect on the lasting influence of Sex and the City and its impact on their personal and professional lives.

• Therapeutic Rewatching:
  Molly remarks, "Now, because it is so incredibly long ago, it's amazing to watch it, but it is a little bit like therapy." (32:58)
  Discussing how revisiting the show offers both nostalgia and personal insight.

• Evolution of Characters:
  The conversation explores how the characters have grown over time, with Molly expressing pride in their collective achievements:
  "If you think about everything that you have done, do you feel proud?" (21:56)
  "I just am so speechless when I think of how fortunate and oftentimes I think about and what we accomplished." (21:56)

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4. Memorable Episodes and Iconic Moments

Specific episodes and scenes are highlighted, showcasing the unique storytelling and emotional depth of the series.

• The Naked Dress Episode:
  Molly and Sarah reminisce about the pivotal moment when Charlotte wears a daring nude-colored dress:
  "She's doing a photo shoot for her column and she's wearing this nude colored dress... Big goes, 'Interesting dress.'" (37:24)
  This episode exemplifies Charlotte's journey towards embracing her own style and confidence.

• Pregnancy Storylines:
  The challenges of portraying pregnancy on-screen are discussed, with Molly sharing behind-the-scenes details:
  "At the point that I am in the first season, we don't even really have it structured in the way that it became structured." (07:40)

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5. Collaborative Creativity and Decision-Making

The episode underscores the importance of strong personalities and collaborative decision-making in shaping the show’s success.

• Balancing Strong Opinions:
  Molly reflects on working with a team that had firm visions, stating, "Everyone had extremely strong thoughts and opinions and instincts." (22:15)
  This dynamic fostered a creative environment where bold ideas could flourish.

• Adaptability and Compromise:
  The hosts discuss how they navigated creative disagreements, leading to a harmonious balance between individual and collective visions:
  "But I think that’s the thing about our show... when you have gone on to other projects or other shows... the fact that they let us find our way." (13:34)

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Conclusion

This episode of "Are You A Charlotte?" offers a heartfelt and humorous exploration of life behind the camera of Sex and the City. Through candid conversations and personal stories, Kristin Davis, Sarah Jessica Parker, and Molly Rogers illuminate the dedication, creativity, and camaraderie that made the show a cultural phenomenon. Whether you're a longtime fan or new to their stories, this episode provides valuable insights into the enduring legacy of one of television’s most beloved ensembles.

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Notable Quotes:

• "Pat wanted me to have the mini micro bang so badly that she took my headshot..." — Molly Rogers (09:22)
• "We were an integral part of this production and she has a say in how her house looks, how her apartment looks..." — Sarah Jessica Parker (24:54)
• "Now, because it is so incredibly long ago, it's amazing to watch it, but it is a little bit like therapy." — Molly Rogers (32:58)
• "She's doing a photo shoot for her column and she's wearing this nude colored dress... Big goes, 'Interesting dress.'" — Molly Rogers (37:24)

Transcript

[Kristin Davis]

Where'd you get those shoes?

[Molly Rogers]

Easy.

[Kristin Davis]

They're from dsw. Because DSW has the exact right shoes for whatever you're into right now. You know, like the sneakers that make office hours feel like happy hour, the boots that turn grocery aisles into runways, and all the styles that show off the many sides of you, from daydreamer to multitasker and everything in between. Because you do it all in really great shoes. Find a shoe for every you at your DSW store or dsw.com Every day.

[Michael Patrick King]

Our world gets a little more connected, but a little further apart. But then there are moments that remind us to be more human.

[Molly Rogers]

Thank you for calling Amica Insurance. Hey, I was just in an accident.

[Sarah Jessica Parker]

Don't worry.

[Molly Rogers]

We'll get you taken care of.

[Michael Patrick King]

At Ameca, we understand that looking out for each other isn't new or groundbreaking. It's human. Ameca empathy is our best policy.

[Molly Rogers]

At Lowe's, our members get more with the Mylos rewards programs, you can shop member only deals for your home and business every week. Plus members earn points on eligible purchases. So what are you waiting for? Join for free today. Lowe's we help you save loyalty programs subject to terms and conditions. Details@lowe's.com Terms subject to change. Free standard shipping not available in Alaska and Hawaii. Exclusions and more terms apply.

[Kristin Davis]

This message comes from Greenlight. Ready to start talking to your kids about financial literacy? Meet Greenlight, the debit card and money app that teaches kids and teens how to earn, save, spend wisely, and invest with your guardrails in place. With Greenlight, you can send money to kids quickly, set up chores automate allowance, and keep an eye on what your kids are spending with real time notifications. Join millions of parents and kids building healthy financial habits together on Greenlight. Get started risk [e-mail] iheart hi, I'm.

[Molly Rogers]

Kristin Davis, and I want to know, are you a Charlotte? Molly Rogers is back for part two. Welcome back, Molly. Michael brought up the Dior, the huge, huge dress that we brought back in. And just like that, was it Dior?

[Sarah Jessica Parker]

Versace? The Mille Fleur?

[Molly Rogers]

Yeah, the Mille Fleur.

[Sarah Jessica Parker]

Yeah, yeah. Versace.

[Molly Rogers]

Yeah, Versace. Got it. How did it happen?

[Sarah Jessica Parker]

There was a big Vogue spread. I think it was called Alice in Wonderland. And there were dresses in that, and I believe that was one of them, that gown. And Pat was like, call this in for me. I want to see them. And actually call in all the gowns in that shoot.

[Molly Rogers]

Wow.

[Sarah Jessica Parker]

And I have fitting photos of Sarah Jessica on the dirty fitting Room, floor, pretending like she's asleep in each of those gowns. Wow.

[Molly Rogers]

We need those pictures, Molly.

[Sarah Jessica Parker]

The. The rejects are really some of the best outfits on all of you.

[Molly Rogers]

Oh, the rejects.

[Sarah Jessica Parker]

The things that didn't make it. Reason. Whatever. Oh, and you. You know, I have a picture way back for season one, probably you'll remember. And you've got a tennis outfit on, and then you just play tennis in. And just like that.

[Molly Rogers]

I know. Which is crazy, right? And also, I just watched the episode where I have a little. A little. A little fling with this Hasidic Jewish artist named Shmuel. What? Foreshadowing to Harry.

[Sarah Jessica Parker]

Do you. Yeah. Do you know that actor that played that guy?

[Molly Rogers]

I vaguely remember. There's some story, right? What is it?

[Sarah Jessica Parker]

Yeah, I worked with him on a cop show one year. He's adorable. He's in the Joker, the. What's his name? Slices his neck. What? Yeah, he told me when I met. When he said. He said, I want you to know. You worked on Sex and City. And I said, yes. He said, I want you to know that I played the Hasidum with Charlotte. And I said, you're kidding. And he was like. And guess what? It was my first acting job.

[Molly Rogers]

Adorable. I love to hear that.

[Sarah Jessica Parker]

Isn't that he's such an incredible actor. Wow.

[Molly Rogers]

I remember being very into that. I mean, I would not have said that at the time. I'm sure I was trying to hide it. But when I look back at it, I'm like, what's going on with me there? And I remember he was very present, you know, like, in a way that a lot of the guys weren't. Especially in the beginning when no one knew what the show was. Right. Like, I think for the guys. And I haven't talked about this that much, but the guys kind of had to play, like, a girlfriend part. They weren't really used to it.

[Sarah Jessica Parker]

You need to get into that discussion.

[Molly Rogers]

Don't I? Don't I. I don't know if I should have a guy on and try to talk to him about it. Is that weird, Molly?

[Sarah Jessica Parker]

No, I think, you know, they all were. It was role reversal.

[Molly Rogers]

It really was. And it threw them. Sometimes they were just like deer in the headlights, you know what I'm saying? And I have another episode. It hasn't come on yet, but I remember this. And I'm trying to get Nicole Hill offson her to come on. She's not come on yet. I don't know why, but I'm gonna. I'm gonna pursue her. Okay.

[Sarah Jessica Parker]

Hit her.

[Molly Rogers]

But I think it, I think it was one that she directed. And I have a guy. And you know how, how Michael and Mel and Darren would cast these, like, very good looking. Like there was a type in the beginning. Do you know what I'm saying? And they're autonomous, right? Their type. Exactly. And this guy comes in, very handsome guy. And I'm supposed to be. I don't know if I'm picking him up at a bar or flirting with him at a bar or if we're meeting at a bar, but we're at a bar and he's supposed to say to me, you're so hot. So we're at this rehearsal and you know, people didn't know the show, right? It's first or second season, didn't really know the show. And numerous different actors who came in would say, like, well, I'm not gonna say these lines, am I? And we'd be like, yes, you, you know, we take this seriously. Like, you are gonna say those lines. So I'm sitting there and he's like, I'm not gonna say. I'm not gonna tell her she's hot. And I'm like, oh, God. You know me, insecure me. I'm like, oh God, he doesn't think I'm hot, you know, but also like, what woman would come onto a show and say that? No woman would come onto a show and be like, I'm not gonna say that that guy is hot. No one would do that.

[Sarah Jessica Parker]

That is a fascinating story and you need to go scratch.

[Molly Rogers]

Okay, I will. I don't know that actor's name and I feel bad even talking about it. It's going to be some wacko headline. But it was true. It happened, you know, it did happen. I don't want to make him feel bad, but you know, he was like, I'm not going to say that to her. And I was like, oh, God. And then I remember Nicole going like, well, you need, you. You really need to just say it to her. Just throw it off. Just, you know, just throw it off. Like second, you know, like, like, you know, nothing.

[Sarah Jessica Parker]

Want to watch that again?

[Molly Rogers]

Well, see, this is the joy of re watching, right? Like, so much comes back to you. It's quite amazing. You should come back on and rewatch with me, babe.

[Sarah Jessica Parker]

It's really fun to watch reruns.

[Molly Rogers]

It is. I never had watched them.

[Sarah Jessica Parker]

I hadn't either, right? I have a couple of times. And it's, it's holds up.

[Molly Rogers]

It does. It's so interesting to look at I know. And we're so young. My God, we're so young. But also the thing that I enjoy about it, it moves so quickly, and it's over so quickly.

[Sarah Jessica Parker]

Yeah.

[Molly Rogers]

How do we fit it all in? You know, it's like, bam, bam, bam, bam, bam. And, I mean, at the point that I am in the first season, we don't even really have it structured in the way that it became structured, where her voiceover would tie in to, you know, meanwhile, Downtown Charlotte was doing, blah, blah, blah, blah, blah. And Uptown Miranda was doing blah, blah, blah. You know, we're not even there yet. Right. It's still very hodgepodge. And Sarah Jessica is still having to talk to the camera sometimes.

[Sarah Jessica Parker]

Wow.

[Molly Rogers]

But, you know, she's just dying inside, you know?

[Sarah Jessica Parker]

Oh, my gosh.

[Molly Rogers]

Can you remember that?

[Sarah Jessica Parker]

Every single season, apparently.

[Molly Rogers]

I am Molly.

[Sarah Jessica Parker]

Fantastic.

[Molly Rogers]

Sometimes I lay in bed and I'm like, oh, my God, 98 episodes. I'm gonna watch 98 episodes. Or 92. I know. It is so much to talk about, and I really need you guys to come on and help me. Okay, we will. Thank you, baby.

[Sarah Jessica Parker]

Plenty of people that have memories.

[Molly Rogers]

I know everyone has memories, which is Joy. And I'm gonna look at this list now because obviously I could just roll with you and talk about anything, but. Okay, look, this is a good question. Just off the top, was there a lot of experimenting? Because I remember some experimenting you guys tried to do on me that I was like, no.

[Sarah Jessica Parker]

Oh, yeah. I think that for some reason, you. Pat. You know, Pat just had this Betty Page vision of Charlotte interpreted. Bettie Page interpreted into the Upper east side.

[Molly Rogers]

Right.

[Sarah Jessica Parker]

That was her head. And she just wanted you so much in wiggle skirts.

[Molly Rogers]

Oh, my God.

[Sarah Jessica Parker]

And I hope this doesn't trigger you.

[Molly Rogers]

It's okay.

[Sarah Jessica Parker]

But she wanted to clip on, bang on you.

[Molly Rogers]

So she wanted it bad, you guys. Pat wanted me to have the mini micro bang so badly that she took my headshot. Because, you know, when you. You're doing a TV show, you have everyone's picture up on the board, right? Like their headshots. Back in the olden days, that's what we called it. And she drew in a mini. A mini bang. And then not only that, so she wanted me to have a mini bang, but she also wanted me to have a roll like. Like. Like in the 40s. Because sometimes when I was doing my hair, we would pin it up, like, temporarily. Okay. In the trailer pictures of you like that.

[Sarah Jessica Parker]

Right.

[Molly Rogers]

She wanted me to wear that, like, in the show.

[Sarah Jessica Parker]

Yeah.

[Molly Rogers]

She's so Adorable. But what I remember is, like, for me, I was stressing over my idea, which was kind of very classic, Upper east side. Long, straight hair, very Ralph Lauren, you know, very Park Avenue. Park Avenue. Stereotypical Park Avenue. Right. Not interesting Park Avenue, just very like if you walked into the Ralph Lauren store and just bought head to toe Ralph Lauren. Right.

[Sarah Jessica Parker]

Yeah. And. And the person that would also go and look at China at Bergdorf's.

[Molly Rogers]

Exactly. And just happens to be an art girl. So maybe there could be some, you know, something more structured than that, but not necessarily, you know, some of the things that Pat wanted. So I remember one time, and I don't remember why, it could have been the Hamptons episode that's coming when I have to pretend that I'm younger or whatever, but do you remember she tried to get me in a cone bra? No way. Oh, my gosh. So funny. Do you remember the cone bra she tried to get me to wear? And again, this was like a Madonna heyday type moment. It was from the store, I believe. I mean, I remember going to the store and having a fitting at some point, and there was like a very tight, tight, tight tube skirt, which I was like, I can't do it, Pat. I can't pull it off. This is what you guys had to put up with me, you know, for a while, right. As, you know, thinking like, I can't wear that. And then. And Pat being like, what? Why not? You know, and then there was a, like, tulle. It had like little ruffles of tulle on it, like, you know, and then like a cone bra. And I.

[Sarah Jessica Parker]

That is so wild.

[Molly Rogers]

I love it. I love it, too. But I said, no. I mean, it was just more photo shootish or something.

[Sarah Jessica Parker]

Right. I just had editorial.

[Molly Rogers]

It was editorial. Yes. Which her, you know, she just had a bigger view of everything, you know, which. God love her for it. Right. But for. For me, as. As a. As an actor, as a. As a character, as, you know, trying to play this character sometimes, I just felt like I couldn't go handle it.

[Sarah Jessica Parker]

Yeah, for sure. Yeah, for sure.

[Molly Rogers]

Yeah. But then I feel like we found it. It just took us some time to find the middle ground of that agreed.

[Sarah Jessica Parker]

Agreed thing when the two of you, you know, it's you. She had her bang, you had this other idea, and you guys came together and.

[Molly Rogers]

Yeah, absolutely.

[Sarah Jessica Parker]

It's amazing. Archetype of a person, Charlotte.

[Molly Rogers]

Absolutely, absolutely. And thank goodness she wasn't, you know, as kind of pigeonholed as I wanted her to be.

[Sarah Jessica Parker]

And isn't it Great to work with people that have strong opinions and aren't wishy washy or they're not 20 cooks in the kitchen. Like somebody is. This is how it is.

[Molly Rogers]

Definitely.

[Sarah Jessica Parker]

Let's debate it.

[Molly Rogers]

Definitely. But I think that's the thing about our show. And you know, it's hard to really describe to other people, but you know, when I have gone on to other projects or other shows and maybe people aren't around all the time or they're, you know, they just kind of like, well, this is just my area. I'm just gonna do my area. Like, that's not how you make something good.

[Sarah Jessica Parker]

No. And when are you. I mean, I'll speak for myself. It's rare that you get to experiment or have the luxury of finding your way in something now.

[Molly Rogers]

It's true. It is rare. But I think that's our whole mo. Like in terms of just the show in general. The fact that they let us find our way, you know, like, absolutely. You know, we didn't know the heyday of hbo. I know, I know. We're so lucky.

[Sarah Jessica Parker]

So good.

[Molly Rogers]

So good. Do you remember that time you guys dressed me and I can't remember what I was doing? I was wearing a vintage thing that also involved lace. And we got, I think, the only note that I ever remember getting from HBO about my clothes. They said, do not put Charlotte in vintage. Do you remember this? Because it was a little bit grandma ish vintage. They thought.

[Sarah Jessica Parker]

Was it white eyelet or something, that.

[Molly Rogers]

It was something like. I think it was black lace. It was black lace over white. Yeah. And they didn't get it. And also I think that what happened was it wasn't tight enough.

[Sarah Jessica Parker]

Oh.

[Molly Rogers]

So it looked fluffy. You know what I'm saying? Like dowdyish Grandma y vintage. And so they didn't necessarily understand. They were like, no vintage. And you guys were like, what? You know, how dare you burn that place down.

[Sarah Jessica Parker]

Getting a note.

[Molly Rogers]

It was a little tiny moment. I don't think it lasted. You know, but also the other thing was that they, they didn't. I don't think they probably realized that Sarah's fur coat was vintage. Like there were so many vintage things that you had from the get go.

[Sarah Jessica Parker]

Oh, my God. And that we could afford, which you can barely afford vintage. Now.

[Molly Rogers]

I know everything's changed in a great.

[Sarah Jessica Parker]

Way, in a good way, in a sad way and whatever.

[Molly Rogers]

It's so true. It's so, so true.

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[Sarah Jessica Parker]

Foreign.

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[Kristin Davis]

This message comes from Greenlight. Ready to start talking to your kids about financial literacy? Meet Greenlight, the debit card and money app that teaches kids and teens how to earn, save, spend wisely and invest with your guardrails in place. With Greenlight, you can send money to kids quickly, set up chores, automate allowance, and keep an eye on what your kids are spending with real time notifications. Join millions of parents and kids building healthy financial habits together on Greenlight. Get started risk [e-mail] iheart.

[Molly Rogers]

Who did you enjoy dressing the most? Molly.

[Sarah Jessica Parker]

Now that is. No one in their right mind is gonna choose their favorite child.

[Molly Rogers]

See, that's why I didn't ask her. That's why I didn't ask her. But. Okay, so let's just go over a little bit. Vague, vague notes for all of us. Do you know what I mean?

[Sarah Jessica Parker]

Well, you know, I have the receipts, I can look through photos and I can remember, you know, some of the, you know, mind numbing things. Fitting Cynthia Nixon when she was actually pregnant and fitting her when she was show pregnant.

[Molly Rogers]

Right.

[Sarah Jessica Parker]

Those moments that, you know, pregnancies on shows are really, really tough, aren't they? You remember the little things. Like, I don't know what they do now, but I remember it. The, the thing that everybody said you had to use was birdseed for the.

[Molly Rogers]

Boobs, which makes no sense. I don't really understand.

[Sarah Jessica Parker]

I'm so dinosaur y, naturally.

[Molly Rogers]

Yeah. Like why, why would they say that? It's so interesting. Do you remember when I, Charlotte, gets pregnant and we got the fake belly and it had a belly button and Michael Patrick was like, no, that's disgusting.

[Sarah Jessica Parker]

That is one of my favorite Charlotte outfits with big.

[Molly Rogers]

The Dior. Yeah, the Dior was good. Someone just brought that up on an Instagram post the other day. And it was good. It was vintage Dior from their archives, I believe.

[Sarah Jessica Parker]

Really?

[Molly Rogers]

Yeah, because it wasn't current and it wasn't my size, you know, because it had to be pregnant. And the thing that I remember about that, I think that was my first day on the. That's the first movie, right? The first movie, yeah. Must be. Right. And you know how my ears, you know, my allergy to certain metals. My ears had closed up and I didn't realize it. So I'm in the hair and makeup trailer. I'm behind, of course. Cause it's our first day and there's this massive crowd up outside, you know, and I'm so stressed about the crowd. And I'm thinking to myself, does Michael Patrick realize that he has my very first scene outside with like, you know, the pregnancy? Does he remember that, you know, that this is happening? Yeah. And like, do you remember there were people there from the magazines with like their tape recorders and like writing notes. And Chris and I walk over there thinking that they're fans and they're like asking us questions and we're like, oh God, oh God. Oh, we've gotta leave, we've gotta leave.

[Sarah Jessica Parker]

No way to run.

[Molly Rogers]

Exactly. Run, Run. Someone help us. But I'm in the hair and makeup trailer. They're trying to get me ready. You know, they're like, they're ready for you, ready for you. And you're stressing and I Realize I don't have my Van Cleef and Arpel earrings. They're supposed to go with my outfit. And I have to re pierce this ear myself. And blood drips onto the white vintage Dior silk, and I'm dying. Okay. Can I tell you, my ear is still messed up from that. My ear has never recovered.

[Sarah Jessica Parker]

Oh, my gosh. That was a true sacrifice. There was bloodshed.

[Molly Rogers]

There was bloodshed onto the Dior, which of course, I'm mortified. I'm like, oh, my God, there's blood on the Dior.

[Sarah Jessica Parker]

Do you see it in the scene or something?

[Molly Rogers]

I don't think so. I don't think so. Oh, I'm sure you guys were on top of me. I'm sure I called you, like, help me. I got blood on the doctor.

[Sarah Jessica Parker]

That's such a good insider story.

[Molly Rogers]

I know. I might have had the bags on that shoulder. I might have put the bags on that shoulder just so that you didn't see the blood on the Dior.

[Sarah Jessica Parker]

I'm sure you did some cute little trick.

[Molly Rogers]

I tried. I wish we had kept that because it was just, oh, what a fantastic. I mean, you guys have done. When you think about everything that you guys have done just for us, obviously you have other careers, but I mean, jobs. Other jobs in your career. If you think about everything that you have done, do you feel proud?

[Sarah Jessica Parker]

I just am so speechless when I think of how fortunate and oftentimes I think about and what we accomplished and everything and how amazing it. It was to go to a couture show. And you know that HBO sent us several, several times. That is unheard of.

[Molly Rogers]

Unheard of.

[Sarah Jessica Parker]

But, you know, I think about what it would be like if it hadn't been the four of you. Like, I often think about what if it wasn't Seema, you know, who. What this casting, it's just all so aligned. It's very witchy.

[Molly Rogers]

It is witchy. Cause there's no. There was not a lot of, you know, we'd never read together. You know, we didn't really know each other. It's just magic that it worked. But again, my feeling is, first of all, yes, kismet, some kind of, like, magic came together. But also I feel also that, you know, the important parts of it that I think about are the collaboration, the willingness to come in with these very strong personalities. You know, Darren, Michael, Pat, you know, Sarah.

[Sarah Jessica Parker]

Right.

[Molly Rogers]

Yeah. Everyone had extremely strong thoughts and opinions and instincts. Right. But it was never. You were not in trouble for having that. You were more in trouble if you didn't have that, you know what I'm saying?

[Sarah Jessica Parker]

That's true.

[Molly Rogers]

Right. And I think that's an amazing kind of specialness of our show.

[Sarah Jessica Parker]

And I think that when you and I reminisce sometimes in your trailer, when you have a down moment, which is never, and talk about fights or major drama situations on the show, those were as good to talk. They're as good to think about in hindsight as the heist things.

[Molly Rogers]

Absolutely. I think that's part of the reason for the success is because at the moment.

[Sarah Jessica Parker]

Yeah, it's frightening.

[Molly Rogers]

Right. At the moment. It's kind of tiring. You can wear yourself out with the dramas, but the dramas happen because everyone felt so strongly, you know.

[Sarah Jessica Parker]

Yeah. The passion of it. Like, when you look back now, you're like, okay, that was horrible when I was getting screamed at in front of the crew, but now I find it fascinating. Let's dissect it and talk about it.

[Molly Rogers]

Definitely, definitely. And I feel like also it's the thing of, like, you know, everyone involved was so incredibly smart about their own area. Like, I was just looking at the credits for this 106 and I thought about Jeremy Conway. Remember Jeremy?

[Sarah Jessica Parker]

I do. Who went on to do the Olympics.

[Molly Rogers]

The Olympics. I know. Because he's brilliant. Like, our show would not still exist and look like it does if Jeremy hadn't been our production designer. You know, he was just super, super brilliant and cared about all the little details and would come talk to me. I remember even back, I mean, we had no. You remember in the beginning, we had no producer credit whatsoever. But I remember everyone would include us, you know, with the exception occasionally of directors, which then we would have to go above their heads. But if they didn't understand that we were an integral part of the decision making process. And we're just so lucky without the title.

[Sarah Jessica Parker]

But you were.

[Molly Rogers]

We were. And that's so special and unique, you know, to have for actors, much less actresses. Right. To be thought of like, oh, this person is an integral part of this production and she has a say in how her house looks, how her apartment looks, how her clothes look. You know, what art would she have? What art wouldn't she have? Like, it was so collaborative.

[Sarah Jessica Parker]

I remember Sarah Jessica with Sabrina Wright, who was like five generation props.

[Molly Rogers]

Yep.

[Sarah Jessica Parker]

Picking out what magazines would be on that table in that apartment.

[Molly Rogers]

That's right. Like, that level of detail. I remember me sending Sabrina what wedding rings I wanted.

[Sarah Jessica Parker]

Oh, wow.

[Molly Rogers]

And making her get them from Cathy Waterman, who happened to be in Los Angeles. Do you remember that?

[Sarah Jessica Parker]

Yes, I do. Is there anything that you. Because we reminisce and you're watching the older episodes. Do you have a memento that you framed at home?

[Molly Rogers]

I don't have a memento that I framed.

[Sarah Jessica Parker]

That you have. That you is sacred and that, you know, I know something. Framed.

[Molly Rogers]

What does she have framed?

[Sarah Jessica Parker]

It's some kind of poem.

[Molly Rogers]

Oh, that's nice. I don't think I knew that. I should ask her about that. What do you have framed?

[Sarah Jessica Parker]

Okay, this. This won't get us in trouble.

[Molly Rogers]

Okay.

[Sarah Jessica Parker]

You know, talking about. Talking about passionate thing moments. There's a moment, you know, when. When people do not want you to wear something or anyone to wear something and they. It will ruin their dialogue or it will take away from. From the scene. They can go wild in the office to try to tell you their point. This is why she should not wear this. I have a torn picture of you guys. It's torn from Michael Pat King. They're never wearing this. Oh, my gosh. And I showed it to him one time and he just thought it was so funny that I can't.

[Molly Rogers]

And what were we wearing? And did we get in trouble? No, it's not going to get us in trouble.

[Sarah Jessica Parker]

No, it's a funny, passionate, like, did we wear it?

[Molly Rogers]

Who won that argument?

[Sarah Jessica Parker]

Yeah, yeah.

[Molly Rogers]

No, he brought up in. When I talked to him, he brought up that he had said no to the Versace Mille full. Yeah. That he had initially said no and that then he had really learned, like, no, no. Because his thing was, well, why would she be wearing it?

[Sarah Jessica Parker]

I knew that.

[Molly Rogers]

Right. Because you know how he's. Cause he's writing. Right. Like it's a different job. And then he says, you know, it really taught me that you don't always have to have a reason, you know, that it's going to be amazing.

[Sarah Jessica Parker]

Incredible.

[Molly Rogers]

Right?

[Sarah Jessica Parker]

I never knew that that's such a good. Behind the scenes. I never knew that he was, like, anti that.

[Molly Rogers]

I think he was anti that for in the hotel room. Like, how would she have gotten it there? You know, like, practical.

[Sarah Jessica Parker]

Right. He's very good. I remember Pat explaining why she borrowed it when she was there.

[Molly Rogers]

Right.

[Sarah Jessica Parker]

Why is it in her closet and where she keeps it? We have no idea.

[Molly Rogers]

Right, right. Exactly. Right. I think it's in a box. Doesn't she get it back out of a box when she needs it?

[Sarah Jessica Parker]

Yeah, you have to kind of stretch your imagination there.

[Kristin Davis]

Right.

[Molly Rogers]

But that's okay because it was part of what our show, like, it was like the, you know, the building blocks of our show, I feel like DNA.

[Sarah Jessica Parker]

Of it, and I love about him and all of you, too, as producers, that you. If you consider something and you're against it, and then you've slept on it and you've changed your mind and you correct it. You.

[Molly Rogers]

Will.

[Sarah Jessica Parker]

You correct yourselves. You're not. You're like, I thought about that wrong, and I think you're right. But I'm not gonna wear that. Bang Pat.

[Molly Rogers]

Well, I think some of that is from the history, too. Like. Like in the beginning. Because when I look back on these early episodes, to seem like. Like a floppy puppy or like a little child or something, like, I look so young, and I seem so, like, out of my element almost, you know, like, the rest of them seem so sophisticated. And I feel like I'm like, you know. But I remember. I just remember that, like. And I'm also wearing weird clothes. Like. Like, I think I went shopping. You know what I'm saying? I don't know. This is before I have.

[Sarah Jessica Parker]

I think your clothes are weird. I see them, right?

[Molly Rogers]

What are they?

[Sarah Jessica Parker]

I tell you, we. That's where we went. We.

[Molly Rogers]

They're Bloomingdale's. I think they're either Bloomingdale's or that I went somewhere and bought something and was like, hey, can I wear this? You know, Which I think is why Darren then took me to dinner to say, listen, you have to let Pat dress you because she can dress you better than you can. And I was like, okay, I'm sure she can. I just need to understand what we're doing and that I can do it. I needed so much confidence, like, built up in me that I could actually wear the things that I perceived as being what people in vogue were like. I just had trouble making that leap myself. Rough, you know, so it took some time, and it took some time for Pat and I to find our way to each other in terms of, like, you know, she was trying to accentuate the part of my body that I'd been trying to hide, which was my hips and my butt. But at the same time, she sometimes would, you know, kind of slightly criticized them. So it was very confusing to me, as, you know, because you were there.

[Sarah Jessica Parker]

That's not an easy thing to do in front of a dressing room mirror. You know what I mean? When you're comfortable and we all have those parts of us that we're like, no, I'm camouflaging that. This. Whatever.

[Molly Rogers]

Stop.

[Sarah Jessica Parker]

Yeah. So, yeah, it's. It's. It's interesting that you. You. You had a journey.

[Molly Rogers]

Oh, my God, big time. Such a journey. Such a journey. And it continues, doesn't it?

[Sarah Jessica Parker]

You know, maybe that's what is weird a little bit about your clothes. Maybe they're a lit. In the early, early days. They've got that little touch of west, you know, like, definitely needed to be sophisticated. You were in Manhattan.

[Molly Rogers]

Definitely. And I definitely. I mean, I just see that there's some kind of lack of clarity. And also, I think also what you're reminding me of is that we didn't have the budget, we didn't have the ability to borrow, so we haven't gotten there yet. But also, I don't even know what I would have wanted. The first time that I remember feeling great. And I don't know what episode this is, is when I was wearing this black dress with the. You know, it's got, like, panels down it. Oh, you know what else I love? And I also don't know if this first or second season. Do you remember that time at the gallery where Willie's there and all of us are there? And Pat convinced me to have a high pony with a hairpiece, so it's really long ponytail. And she put me in diamond hoop earrings, which literally I never wear.

[Sarah Jessica Parker]

Oh, I want to see this so bad.

[Molly Rogers]

And I feel like I might have a turtleneck kind of a sheath on, you know, like some kind of pretty sophisticated thing for me, for Charlotte.

[Sarah Jessica Parker]

That sounds very gallery.

[Molly Rogers]

It was very gallery. And I feel like I might even have a red lip on. All kind of shocking elements. Right?

[Sarah Jessica Parker]

I'm spinning.

[Molly Rogers]

But it's good. It's good. And I remember moments like that early on where things came together. And I think for me. And I'm sure she was probably just cursing me right at this point, but, like, for me, I just had to find my way to it. Like, who is this woman? Because as we've discussed with Michael and everybody else, really, nobody knew who Charlotte was in the beginning, which is why they tried to demote me, you know, to recurring or whatever. Thank goodness I didn't let them know that. Oh, baby, you gotta listen to the podcast.

[Sarah Jessica Parker]

No, I will. I've been catching snaps and snippets because I love these stories.

[Molly Rogers]

I know. Because no one knows all the stories. That's the fun. That's the fun part.

[Sarah Jessica Parker]

And because you haven't seen them in such a while is also a great thing.

[Molly Rogers]

Oh, yeah. Oh, I haven't seen them in 20 something, 25 years. Because for me, like, if they were on E which was the first time they got syndicated. I feel like, you know, it was like, first of all, it was toned down because they had edited so much out. And second of all, it was living in the past. And I felt like, well, I don't want to live in the past. I want to live now. Because partly we were still doing the show and we were doing the movies and, you know, doing other things, obviously. And now, because it is so incredibly long ago, it's amazing to watch it, but it is a little bit like therapy, I have to say. Like, it is a little bit like, wow, like, I need to really think about my own journey.

[Sarah Jessica Parker]

Right. Like, that is a lot of chronicling, you know, of a journey, for sure.

[Molly Rogers]

But I love it, and I love that we can all be on record together about our experience.

[Sarah Jessica Parker]

Yeah.

[Michael Patrick King]

At Ameca Insurance, we know it's more than just a car or a house. It's the four wheels that get you where you're going and the four walls that welcome you home. When you combine auto and home insurance with Amica, we'll help protect it all. And the more you cover, the more you can save. Amica. Empathy is our best policy.

[Albertsons/Safeway]

Hey, it's Ryan Seacrest for Albertsons and Safeway. Stock up sale is on now, which means you can save big on all your favorite essentials throughout the store. Stock up on participating items and earn four times points to redeem for your discounts on groceries or gas. Now through March 25th. Save by shopping in store or online for participating items from your favorite brands like Pampers, Dove, Band Aid, Playtex, and Premier protein. Offer ends March 25. Promotions may vary, restrictions apply. Visit albertsons or safeway.com for more details.

[Odoo]

Hey, everybody. So when you get asked, what is Odoo? What comes to mind? Well, I'll tell you. Odoo is a bit of everything. Odoo is a suite of business management software that some people say is like fertilizer because of the way it promotes growth. But, you know, some people also say that Odoo is like a magic beanstalk because it grows with your company and is also magically affordable.

[Albertsons/Safeway]

Ooh.

[Molly Rogers]

But then again, you could look at.

[Odoo]

Odoo in terms of how its individual software programs are a lot like building blocks. Whatever your business needs, manufacturing, accounting, HR programs, you can build a custom software.

[Molly Rogers]

Suite that's perfect for your company.

[Odoo]

So what does Odoo? Well, Odoo is a bit of everything. Odoo is a fertilizer, magic beanstalk building blocks for business. Yeah, that's it. Which means that Odoo is exactly what every business needs. Learn more and sign up [e-mail] that's O D O O dot com.

[Molly Rogers]

Join the fun on the all inclusive 90s cruise for year two. Experience over 30 concerts and live performances with some of the decade's most iconic stars. Featuring tlc, Sugar Ray, Better Than Ezra, En Vogue, Fuel and more. Nightly theme parties, celebrity interactions and more await you on board. Relive the magic of the 90s on board the luxurious celebrity constellation sailing from Tampa to Nassau and Key West January 25th through 30th, 2026. Learn more at the 90s cruise.com.

[Sarah Jessica Parker]

I'm so glad you're getting everybody to come in and discuss everything with you.

[Molly Rogers]

I'm trying. We're not all the way there yet, but having you has been amazing. I was like, we got to get Molly. We got to get Molly.

[Sarah Jessica Parker]

Thank you so much. And you said when you texted me we won't have any problem finding something to talk about.

[Molly Rogers]

As we never do. As we never do. Okay. Molly Rogers, thank you for joining us. I love you so much.

[Sarah Jessica Parker]

Thank you for having me. It was so much fun. Let's do it again.

[Molly Rogers]

Let's do it again. Hey, how do you feel about actually rewatching?

[Albertsons/Safeway]

Yeah, cool.

[Molly Rogers]

I mean, we don't have to do it live together, but like, you can watch and then let's write about our thoughts or what we remember.

[Sarah Jessica Parker]

Hilarious.

[Molly Rogers]

Oh, my God. I forgot to ask you about something so important. I'm gonna take my glasses off for this. I gotta ask her about the naked dress. The naked dress?

[Sarah Jessica Parker]

Do I know the answer?

[Molly Rogers]

What about the naked dress was the dress that she wears in the show and the dress that ends up on the bus. Do you remember the bus is the billboard that is on the bus and someone draws graffiti of a personal part. Yes, yes. And it's in the. She's wearing the tutu when she sees the bus, obviously in the opening credits. But in the show, it's a story point. She's doing a photo shoot for her column and she's wearing this DKNY and. Or Donna Karan proper, I'm not sure which. It's a nude colored dress. It's very 90s. And she comes, she shows up. We're all there for moral support. Cause it's her first date with Big and she comes out and I'm like, oh, like you can tell Charlotte's like somewhat mortified that this is what she's wearing. And Miranda says it's tits on Toast. Which is really funny. And she's like, is it too much? And Samantha's like, it's fabulous, darling. And then she wears it and she walks out and sees Big on the street with a fur coat. And he goes, interesting dress. And she goes, meaning? And he says, interesting dress. And I'm just like, what a jerk. Like, sometimes I look back on Beg and I'm like, wow. Yeah, he's kind of a jerk.

[Sarah Jessica Parker]

Yeah.

[Molly Rogers]

You know, but he.

[Sarah Jessica Parker]

Some lines.

[Molly Rogers]

I mean, right. Gosh. Then they get in the car and they make out because it's like this naked dress. And I guess she felt like, what? Interesting dress is a compliment or whatever. I don't know. But do you remember this dress?

[Sarah Jessica Parker]

I do. And I want to remind you. And you'll go, oh, yeah, that's right. First of all, it's in her storage because I touched it last year.

[Molly Rogers]

No way.

[Sarah Jessica Parker]

It's in tissue. And I was like, what? Wow. It has plastic string. Not like a. Plastic. Like a. Whatever plastic bra strap where you're trying to hide. You know that it's. It's a little fishing wire.

[Molly Rogers]

Wow.

[Sarah Jessica Parker]

Now, here is the original continuity photo. You remember when we did Polaroids and.

[Molly Rogers]

Yes.

[Sarah Jessica Parker]

And wrote it all by hand.

[Molly Rogers]

Oh, my God. Will you send that to me?

[Sarah Jessica Parker]

I will. It says dress and Pat describes it naked, G string, beige Cosabella.

[Molly Rogers]

Oh, yeah. That's all we wore.

[Sarah Jessica Parker]

Manolo, beige actor's own purse, snakeskin blonde actors own coat, vintage fur earrings, studs.

[Molly Rogers]

Wow. Adorable.

[Sarah Jessica Parker]

And you. Somebody took a picture of her on set? Yeah, I guess. Dinner. They went on a date. I don't know.

[Molly Rogers]

Yeah. No, they have a whole. She. She's in the apartment with us. Then she goes out onto the street. Then they're in the cab.

[Sarah Jessica Parker]

Then look like this. It's this big. It's like a notepad.

[Molly Rogers]

I mean, it is interestingly naked in terms of what's going on up top. I hadn't really remembered all of it. I was like, wow, it's quite something. It's bold.

[Sarah Jessica Parker]

It's in storage. It's in tissue. Yeah.

[Molly Rogers]

That's amazing. I cannot wait till she has the retrospective show in the future. It's going to be quite something.

[Sarah Jessica Parker]

I've got a lot of great pictures she can have of you for that show, for sure.

[Molly Rogers]

Really?

[Sarah Jessica Parker]

I do. Yes.

[Molly Rogers]

Send them to me. Send them. Take pictures of the pictures and send them to me.

[Sarah Jessica Parker]

I might send you the most shocking one I have in a fitting. And you will not believe what you actually tried on. You'll lay down like a Alka Seltzer. Yeah.

[Molly Rogers]

I need to see it. I need to see it. One of my favorite, favorite. I have a stack of photos myself of when we're trying to find the Vera Wang wedding dress for the Kyle wedding, the Trey wedding. And we went to Vera Wang a few times. Do you remember this? I mean, we must have put on 30 dresses and we took Polaroids of all of them because we had to get everybody to agree, which was so difficult. Do you remember? And there's one where Pat is literally under my skirt. She's completely hidden. Her little feet are peeking out. She's doing something under there. And I'm just standing there because it was so normal. And it's really cute.

[Sarah Jessica Parker]

Yesterday.

[Molly Rogers]

Me, too.

[Sarah Jessica Parker]

I remember being at Badgley Mishka.

[Molly Rogers]

That was for the second. That's for the Harry wedding.

[Sarah Jessica Parker]

I have a lot of those fitting photos.

[Kristin Davis]

Yay.

[Molly Rogers]

I don't have those. Let's share our photos, Molly.

[Sarah Jessica Parker]

I will. Okay. Love you.

[Molly Rogers]

See you soon. Love you.

[Sarah Jessica Parker]

Bye.

[Odoo]

You know more about the PayPal debit card than you did at the start of this podcast. You know that the PayPal debit card gives you the ability to pay everywhere. You know that you earn 5% cash back on a category of your choosing on up to $1,000 of monthly purchases. And you know that you get to pick a new category every month. Apparel for back to school, groceries for the holidays. Start earning 5% cash back with the PayPal debit card today. Don't just pay. PayPal terms apply. See PayPal app. This card is issued by the Bancorp Bank N.A. pursuant to license by MasterCard International, Inc.

[Albertsons/Safeway]

Hey, it's Ryan Seacrest. For Albertsons and Safeway, Stock up sale is on now, which means you can save big on all your favorite essentials throughout the store. Stock up on participating items and earn four times points to redeem for your discounts on groceries or gas. Now through March 25th. Save by shopping in store or online for participating items from your favorite brands like Pampers, Dove Band Aid, Playtex and Premier protein. Offer ends March 25th. Promotions may vary. Restrictions apply. Visit albertsons or safeway.com for more details.

[Sarah Jessica Parker]

CBS Monday, February 24th. Introducing the new daytime drama beyond the Gates. Welcome to Fairmont Crest Estates, where the wealthy and glamorous Dupre family rules the community with poise and sophistication. That is, until a cheating husband and his trophy wife start stirring up trouble. Find out what happens beyond these majestic gates and behind closed doors where scandal, romance, betrayal, passion, secrets and revenge await CBS Daytime is about to get soapier. The new daytime drama beyond the gates premieres CBS Monday, February 24, and streaming on Paramount.

[Ryan Seacrest]

It's tax season, and by now I know we're all a bit tired of numbers, but here's an important one you need to hear. $16.5 billion. That's how much money in refunds the IRS flagged for possible identity fraud last year. Here's another 20%. That's the overall increase in identity theft related to tax fraud in 2024 alone. But it's not all grim news. Here's a good number, 100 million. That's how many data points Lifelock monitors every second. If your identity is stolen, LifeLock's US based restoration specialists will fix it, backed by another good number, the million dollar protection plan. In fact, restoration is guaranteed or your money back. Don't face identity theft and financial losses alone. There's strength in numbers with Lifelock identity theft protection for tax season and beyond. Join now and save up to 40% your first year. Call 1-800-LIFELOCK and use promo code iheart or go to lifelock.com iheart for 40% off. Terms apply.