You Wear it Well…

Summary

Podcast Summary: "Are You A Charlotte?" Episode: "You Wear it Well…" Release Date: March 10, 2025

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Introduction to the Episode

In the episode titled "You Wear it Well…," host Kristin Davis delves deep into the intricate world behind the iconic television series Sex and the City. Joined by co-star Cynthia Nixon and special guest Molly Rogers, the conversation navigates through the show's early days, its profound impact on fashion and women's narratives, and the personal anecdotes that shaped their on-screen personas.

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Early Beginnings and Breaking into New York [03:20 - 07:15]

Kristin Davis recounts her pivotal moment when she moved to New York in 1984, a decision sparked by uncertainty and the need for a fresh start. “[...] I was living in London after I graduated from Carolina, and I didn't know what I wanted to do. And then I decided I needed to get out of England because I wasn't really legal. And I came to New York on Friday the 13th, 1984” (04:33).

Upon arrival, Davis sought employment in the fashion world by approaching Pat Field, a renowned stylist. This encounter led to opportunities in styling, commercials, and television, laying the foundation for her future role as Charlotte York.

Key Quote:

"I walked up to Pat, and I was wearing a paper dress. Oh, my boy George Dreadlocks." — Kristin Davis 05:34

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Developing Sex and the City and Influencing Television Fashion [07:15 - 14:37]

The discussion shifts to the inception of Sex and the City, highlighting Pat Field's visionary approach in recognizing the show's potential. Davis shares how she was introduced to the script, emphasizing Pat's confidence in its uniqueness despite skepticism from industry insiders. “[...] Pat kicked her out” when an HBO executive doubted the show’s appeal outside New York (12:27).

Cynthia Nixon reflects on the meticulous attention to costume design, acknowledging that the fashion on the show became a character in itself. “People have said that the fashion was its own character. Do you feel that that's true?” (25:09). Davis concurs, adding that the integration of fashion with the characters' personalities was intentional and groundbreaking.

Key Quote:

"There were little clues. I love telling that story of when an HBO executive came into the wardrobe room... And she was like, no one is going to understand these. In Kansas. Pat kicked her out." — Kristin Davis 12:27

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Behind-the-Scenes Anecdotes and Challenges [14:37 - 27:14]

Davis and Nixon reminisce about the early days of filming, sharing humorous and challenging moments. They discuss the logistics of managing multiple wardrobe units, the stress of maintaining character consistency, and the creative decisions that sometimes led to unexpected outcomes.

One memorable story involves a mix-up with a designer's garment, where an assistant had to retrieve a dress last-minute from Tulum to fit a shooting schedule. “[...] And Trey said, how could I have ever done what you Guys did without having Century 21.” — Kristin Davis 18:38.

They also touch upon the physical demands of wearing high heels, with Nixon candidly admitting the long-term effects: “... my right foot is still numb” (38:00).

Key Quote:

"We went out all. We were downtown people. And we saw those characters, and we were always big high heel, you know, it just was a natural inspiration from just being social." — Kristin Davis 08:18

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Fashion as a Character and Its Cultural Impact [25:08 - 35:24]

The conversation delves deeper into how the show's fashion choices transcended mere aesthetics, influencing global fashion trends and empowering women to express themselves through style. Nixon highlights the meticulous efforts to source unique pieces within budget constraints, often requiring creative solutions like duplicating outfits for multiple shoots.

Davis shares anecdotes about iconic dresses and accessories, such as the Valentino dress worn during a pivotal gallery scene, and the collaborative efforts with designers like Manolo Blahnik to curate Carrie’s distinctive wardrobe.

Key Quote:

"There was a lot to dive into with the clothes. There was a lot to dive into with each of you, and there was a lot to experience in that setting, that location." — Kristin Davis 25:49

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Navigating On-Set Dynamics and Personal Growth [35:24 - 48:36]

As the discussion progresses, Davis and Nixon reflect on the interpersonal dynamics among the cast and crew, emphasizing the collaborative spirit fostered by directors like Michael Patrick King. They recount instances of overcoming creative differences, handling intense filming schedules, and supporting each other through demanding scenes.

Nixon candidly discusses the emotional challenges of performing intimate scenes without modern-day intimacy coordinators, sharing her experience of seeking guidance to navigate her character’s complex relationships. “[...] I had to lock myself in my dressing room and call my manager back in LA” — Cynthia Nixon 44:59.

They also highlight the evolution of their professional relationships, from being under the radar to becoming household names, and the enduring friendships formed during the show's run.

Key Quote:

"We were in it to win it. It was exciting and we loved it so much as we still do." — Cynthia Nixon 51:12

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Legacy and Continuing Influence [48:36 - End]

In the concluding segments, Davis and Nixon discuss the lasting legacy of Sex and the City, acknowledging its role in reshaping conversations around women's sexuality, friendships, and personal fulfillment. They express gratitude towards the fans, recognizing that the show's success was a collective journey.

Davis introduces the podcast’s mission to bridge the past and present, offering listeners exclusive behind-the-scenes stories and exploring themes that remain relevant today. Nixon echoes this sentiment, emphasizing the importance of sharing their experiences to inspire and connect with their audience.

Key Quote:

"I think the journey has been incredible. And, you know, we share it with the fans. Right. Because that they're part. They're part of the journey." — Cynthia Nixon 16:54

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Closing Remarks

The episode wraps up with a heartfelt invitation for listeners to engage with future episodes, promising more in-depth conversations and untold stories from the Sex and the City universe. Davis and Nixon leave the audience with a sense of nostalgia and appreciation for the show's enduring impact on television and culture.

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Notable Quotes with Timestamps:

• Kristin Davis 05:34: "I walked up to Pat, and I was wearing a paper dress. Oh, my boy George Dreadlocks."
• Kristin Davis 12:27: "There were little clues. I love telling that story of when an HBO executive came into the wardrobe room... And she was like, no one is going to understand these. In Kansas. Pat kicked her out."
• Cynthia Nixon 25:09: “People have said that the fashion was its own character. Do you feel that that's true?”
• Kristin Davis 25:49: "There was a lot to dive into with the clothes. There was a lot to dive into with each of you..."
• Cynthia Nixon 44:59: “I had to lock myself in my dressing room and call my manager back in LA.”
• Cynthia Nixon 51:12: "We were in it to win it. It was exciting and we loved it so much as we still do."
• Cynthia Nixon 16:54: "I think the journey has been incredible. And, you know, we share it with the fans. Right."

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Conclusion

"You Wear it Well…" offers an intimate glimpse into the creation and legacy of Sex and the City, celebrating the show's trailblazing approach to storytelling and fashion. Through engaging dialogue and personal anecdotes, Kristin Davis and Cynthia Nixon honor their shared history while highlighting the cultural shifts they helped pioneer. This episode serves as a tribute to the enduring spirit of the characters and the real-life friendships that sustained them through the show's remarkable run.

Transcript

[Talkspace Sponsor]

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[A.J. Jacobs]

Dressing. Dressing.

[Kristen Davis]

Oh, French dressing.

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[Cynthia Nixon]

That's good.

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[Bob Pittman]

Hi, I'm Bob Pippman, chairman and CEO of iHeartMedia. I'm excited to introduce a brand new season of my podcast, Math and Stories from the Frontiers of Marketing. I'm having conversations with some folks across a wide range of industries to hear how they reach the top of their fields and the lessons they learned along the way that everyone can use. I'll be joined by innovative leaders like chairman and CEO of Elf Beauty, Tarang Amin, legendary singer, songwriter and philanthropist Jewel.

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[Cynthia Nixon]

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Join me as we uncover innovations in data and analytics, the math, and the ever important creative spark, the magic. Listen to math and magic on the iHeartRadio app, Apple Podcasts, or wherever you get your podcast.

[Mary Kay McBrayer]

I'm Mary Kay McBrayer, host of the podcast the Greatest True Crime Stories Ever Told. This season explores women from the 19th century to now. Women who were Murderers and scammers, but also women who were photojournalists, lawyers, writers, and more. This podcast tells more than just the brutal, gory details of horrific acts. I delve into the good, the bad, the difficult, and all the nuance I can find, because these are the stories that we need to know to understand the intersection of society, justice, and the fascinating workings of the human psyche. Join me every week as I tell some of the most enthralling true crime stories about women who are not just victims, but heroes or villains, or often somewhere in between. Listen to the greatest true crime stories ever told on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Cynthia Nixon]

Hi, I'm Kristen Davis, and I want to know, are you a Charlotte? Molly. Molly Rogers is here, you guys.

[Talkspace Sponsor]

Yay.

[Cynthia Nixon]

I have been dying to have Molly on since we began this podcast. Molly is the most special person that you guys will meet. Okay. And she's been with us since the very, very beginning. Beginning? I mean, not the pilot. Scratch that. The almost very beginning.

[Kristen Davis]

Right. The pilot was someone else who went on to do the Sopranos.

[Cynthia Nixon]

No way. I didn't realize she went on to do the Sopranos.

[Kristen Davis]

They were on the same floor with us.

[Cynthia Nixon]

Right.

[Kristen Davis]

Second floor, silver cup.

[Cynthia Nixon]

Right, right, right. That's interesting. Well, she did such a fantastic job on the Sopranos.

[Kristen Davis]

And polar opposite from the four of you.

[Cynthia Nixon]

Well, that was meant to be then. That was meant to be for her. And she was lovely. She was lovely. It just wasn't exactly the right fit. Now, let's discuss. That's a good jumping off point to discuss. First of all, how did you come to be working with the illustrious Pat Field at the time? Tell us the background.

[Kristen Davis]

Okay. It's a kind of. I can do it in a short way. Also because I've told the story so many times, and Pat herself loves to watch me and listen to me tell it. I was living in London after I graduated from Carolina, and I didn't know what I wanted to do. And then I decided I needed to get out of England because I wasn't really legal. And I came to New York on Friday the 13th, 1984.

[Cynthia Nixon]

Wow.

[Kristen Davis]

And walked into Pat's store, famous store on 8th Street. And she was in there with a stylist, a French stylist named Mary Paul. And they were choosing rubber bracelets. 1984, for Madonna.

[Cynthia Nixon]

Oh, my God. Which, of course, we all know. Madonna's rubber bracelets.

[Kristen Davis]

Exactly. And I walked up to Pat, and I was wearing a paper dress. Oh, my boy George Dreadlocks.

[Cynthia Nixon]

Wow.

[Kristen Davis]

I asked her for a job. We began our trek in styling and being friends and working in her store led to, you know, that was huge. 84 was big. MTV videos.

[Mary Kay McBrayer]

Sure.

[Kristen Davis]

So we styled, and that led to commercials, and that led to tv, you know, and just have known her and been a friend of hers forever.

[Cynthia Nixon]

And did you work on the film that she did with Sarah Jessica in Miami?

[Kristen Davis]

No, I was down here at the same time doing a television show called Moon Over Miami. So I didn't get to work on that. And I was so jealous because I remember the day that they were shooting something on the beach with Naomi Campbell, and I was like, that's working with supermodels.

[Cynthia Nixon]

I love it. So then how. How did you hear about the pilot? The show? Not the pilot, I guess, because I don't even think that we asked Pat to do the pilot.

[Kristen Davis]

No.

[Cynthia Nixon]

Right, right.

[Kristen Davis]

I remember Pat throwing some script at me and saying, read this. I think it's really interesting. No, I think. Did Candace have a book out?

[Cynthia Nixon]

Yeah, definitely. The book. Sex and the City.

[Kristen Davis]

Yeah, I think. I think if that was at that time, I feel like Pat had read the paperback and was like, this is gonna be outrageous.

[Cynthia Nixon]

Wow. Smart Pat.

[Kristen Davis]

And the first time we met, well, Pat went and talked. Pat took a dominatrix book that I had to her meeting with Darren.

[Cynthia Nixon]

I love it.

[Kristen Davis]

Show him pictures of serious high heels and things.

[Cynthia Nixon]

Wow.

[Kristen Davis]

And it was very S M. I was like, you're gonna scare him off.

[Cynthia Nixon]

But you didn't know Darren yet. Right. So you didn't really know Darren. Darren. I don' he's that scarable. But, I mean, I also think that is such a good indication of kind of the interesting kind of mismatch of television and Pat, which actually really benefited the show, obviously.

[Kristen Davis]

Absolutely. It's just so interesting because. And when I often think about the influences in those early years where, you know, we just had no money and we were working on Saturdays, and it was so crazy. I realized how much we drew from being out all the time. We went out all. We were downtown people.

[Cynthia Nixon]

Right.

[Kristen Davis]

And we saw those characters, and we were always big high heel, you know, it just. It was a natural inspiration from just being social.

[Cynthia Nixon]

Amazing. Amazing. That's so interesting now. So take me back to coming to New York with Pat to do the beginning of the series when we got picked up for the first season.

[Kristen Davis]

Well, I. I don't know. I know you'll understand this, but the first time we met, Sarah Jessica was at Pat's apartment, which was above the store on 8th Street. It had rubber floors that after parties, she would like kind of hose down. And it was sticky liquor or whatever.

[Cynthia Nixon]

I'm sure. Don't want to know more.

[Kristen Davis]

Let's show SJ just a few little ideas. So we had one. Rebecca and Pat and I. Rebecca was Pat's girlfriend at the time, as you remember.

[Cynthia Nixon]

Yes, I do.

[Kristen Davis]

We went to Ina, who had a consignment store in soho.

[Cynthia Nixon]

Oh, Ina.

[Kristen Davis]

Yeah. And pulled a few things, which we still do for you. We still go there.

[Cynthia Nixon]

Love it so much.

[Kristen Davis]

And we showed Sarah Jessica the fur coat.

[Cynthia Nixon]

Oh, you had it right then.

[Kristen Davis]

Yeah. The burgundy clutch purse, which I believe she paired on the show with the fur coat. And some little mules that were plastic. And I remember, you know, I always. I've kept a diary all my life, and I remember writing in my diary that Pat and Sarah Jessica were so excited because they were going to not wear pantyhose.

[Cynthia Nixon]

Aha. That was a major, major point.

[Kristen Davis]

I don't think people understand that.

[Cynthia Nixon]

No, I don't think people remember that. Number one, you always had to wear them previous. Like. Like, for me, in Melrose Land and just Los Angeles in general, like, that was a normal thing. And obviously in South Carolina, where I grew up, I mean, of course you wore pantyhose. Right. Which is what we called them back. And then I remember Pat just like, no. And being like, oh, my God. And in the beginning when I'm rewatching, obviously I hadn't remembered a lot of this, but I've got hose on a couple times. And I'm like, pat must have been so mad at me.

[Kristen Davis]

That's so funny. I'm glad that you understand where that's coming from, because it was kind of like, not a requirement, but women just wore it. And Pat and Sarah Jessica were talking about bare legs. Bare legs, even in winter.

[Cynthia Nixon]

Oh, I know. I remember those days. I remember those cold days, which actually, this episode that we're watching, which we don't have to talk about right now, but it's one of those episodes where when you remember when we would come back to work in February and it would be, like, so cold, but we had to pretend it was spring. Cause that was when the show would come on. And so we're in the bare legs, and we've got the. Either the fur episode episode that Pat would try to get all of us in furs, and then the light coat episode, and then, like, the lighter coat episode. So you're watching it all unfold, and, like, you Know how we cross board? Right. So, like, when I watched 105, there are leaves on the trees. And I'm thinking, oh, thank God, it's finally spring. Then 106, there's no leaves on the trees. And we look like we are freezing. Like, freezing. Like, I feel like my teeth are chattering. Like, one scene, which I very much remember, but it was always just a tightrope walk. And I remember Pat, like, no, nothing on your legs. And you just be like, no, Dante, please, please.

[Kristen Davis]

Because it. I remember some things. I remember when I watch those episodes as well. I see scenes on Madison Avenue or somewhere and it just looks like such a bitter spring day.

[Cynthia Nixon]

Yeah.

[Kristen Davis]

At 7:00am or something.

[Cynthia Nixon]

Yes, yes. But also I feel like, you know, do you remember the, like, was there. Did you all know the extent to which you were changing how costume was done on television? I mean, we were on hbo, so that was a little different. But did you know the extent to which you were, you know, paving new roads?

[Kristen Davis]

I mean, you know, I love telling that story. It's a good example of what you're asking. I love tell. There were little clues. I love telling that story of when an HBO executive came into the wardrobe room to do a little rack review by themselves, looked at these jeans that were from Japan for Carrie, and she was like, no one is going to understand these. In Kansas. Pat kicked her out.

[Cynthia Nixon]

Excellent. Excellent. I mean, also, like, were we making television for Kansas? And I didn't know it. I don't know that we were trying to do that. But then also, who would have ever expected us to have such wide success? We certainly did not expect that in the beginning.

[Kristen Davis]

True. And it wasn't until, I want to say, the third season that people started warming to us in the fashion industry. Because when you went into a showroom and said, we're working on a show called Sex and the City, they were like, what is it? Porno?

[Cynthia Nixon]

I know.

[Kristen Davis]

They didn't know. And once people started watching it, you know, things started coming in.

[Mary Kay McBrayer]

Right.

[Cynthia Nixon]

But for two whole seasons, we didn't have that so much. Right. So that's also interesting when I look back, because my clothes are just really just weird. Okay. The first season, I'm just thinking, what on earth. Which I know some of it was that, you know, I didn't really understand Pat. Right. And I was confused how I was going to fit into Pat division. And I think Patrick maybe was figuring out her vision for Charlotte. And it took some time. But also, you know, that picture, it's one of my Favorite pictures of us. It's from first season, which I didn't realize. We're on the street. I think Craig Blankethorn, our amazing set photographer, took it. We're on the street. It's the middle of the night. We're on, like, 6th Avenue, and I've got a leather coat on. I think we've got, like, wool coats and turtlenecks, and we're looking off in the distance. All four of us look like we're in our own clothes in a way. You know, it's interesting.

[Kristen Davis]

Oh, my gosh.

[Cynthia Nixon]

It's really interesting.

[Kristen Davis]

I want to see that picture. I'll send it to you to Bloomingdale's because of our budget and century 21.

[Cynthia Nixon]

Amazing.

[Kristen Davis]

I want to ask you something. I've always wondered if you remembered when all of you had your dressing rooms on the stage.

[Cynthia Nixon]

Yes, of course I remember that.

[Kristen Davis]

Do you remember that? Okay. I always wondered if.

[Cynthia Nixon]

Of course, that was for many, many years. Many, many years at Silver Cup. What I also remember is when we were out in the city, we were in. I feel I could be wrong, but I feel like we were in a triple banger. Meaning Kim, myself and Cynthia were in little sections. It was either triple or double. And the reason I remember this is because all of our clothes didn't fit because there's no real proper closet in a double banger. So in the morning, you would bring in all of the outfits for the day and all of the undergarments and everything, which was many pieces, and they would be hanging on my microwave and stuff. So you had this tiny little sofa, and you'd be under your clothes that were hanging above you, like, trying to, you know, peek out or whatever. And they also had our names on the door. And the reason that I remember that is because at one point I was sitting there, you know, waiting as it is, and some guy comes banging on my door. And I open the door. I think it's an ad or whatever. It's just a person who wanted to know someone on the crew. Was someone on the crew there? And I was like, I, I I don't know what you're talking about. And he was all mad at me. And I was like, dude, this before we had security, obviously, we had nothing. We were just hanging out there with our names on the door, you know, under our clothes.

[Kristen Davis]

What is on your door now?

[Cynthia Nixon]

Fake name or I think our initials.

[Kristen Davis]

Yeah. Yeah.

[Cynthia Nixon]

I think it's something slightly mysterious. But we have our security, so it doesn't really matter. Right?

[Kristen Davis]

That's a little Safe.

[Cynthia Nixon]

I know. It's funny to think of kind of the naivete and the kind of innocence that we had back then.

[Kristen Davis]

At different times, we were really under the radar. Look at the crowds that watch you all now. It's really something. It's so special to have come along and grown up with it.

[Cynthia Nixon]

Yeah, I know. It's crazy to think about that's part of the reason I wanted to do the podcast, is that the journey has been incredible. And, you know, we share it with the fans. Right. Because that they're part. They're part of the journey. And I wanted to bring it all together and let them hear our experience of it because it's so much fun to think back for so long we've been together.

[Kristen Davis]

I feel like a lot in my. I don't know. Maybe I'm. I'm not sure, but I feel like a lot of it is untold history. Like, I saw your clip on Instagram. You and Cynthia were talking about auditioning.

[Cynthia Nixon]

Yep.

[Kristen Davis]

Which I found fascinating.

[Cynthia Nixon]

Thank you. Thank you.

[Kristen Davis]

I don't know if you've shared those stories from that early with people.

[Cynthia Nixon]

I don't think so. I mean, what's funny for us, too, because obviously every person. I've had Michael Patrick on, I've had CYN on. Now I'm having you on, which is great. I'm gonna have Sarah on. Everyone has told me things that I haven't known, which, you know, we've spent a lot of time together, and I still don't know everything. So it's kind of fun and funny, you know? So back to you. Let's get back to you. So you've come to New York. You've walked into Pat's store. How incredibly smart of you, number one. Number two, now you, Pat, said, like, look at the script or look at this book or whatever it is. And you're on this show, and no one knows the show. You guys are asking to borrow clothes. People are like, what is it? You're going to Bloomingdale's? You're going to century 21. Which I remember, you guys kind of lived at century 21.

[Kristen Davis]

Oh, my God. People thought I worked there. I was there. They would ask me, where are the belts?

[Cynthia Nixon]

And I'm sure you knew where every single belt was.

[Kristen Davis]

I did. I could have gone through that store blindfolded. I told Pat, I've spent more time in Century 21 than I did in my entire life anywhere.

[Cynthia Nixon]

I bet. I bet. And thankfully so, because, oh, my God, how could you have ever done what you Guys did without having century 21.

[Kristen Davis]

People do not realize what a treasure trove it was. You know that little Vivian Westwood mini that had the little white fluffle bottom behind?

[Cynthia Nixon]

Yes.

[Kristen Davis]

That was from Century.

[Cynthia Nixon]

Incredible. Incredible. How could it not be there?

[Kristen Davis]

We loved going.

[Cynthia Nixon]

We do. I know we did. And we, we, we in our minds, we still do.

[Talkspace Sponsor]

This podcast is sponsored by Talkspace. You know, when you're really stressed or not feeling so great about your life or about yourself, talking to someone who understands can really help. But who is that person? How do you find them? Where do you even start? Talkspace. Talkspace makes it easy to get the support you need. With Talkspace, you can go online, answer a few questions about your preferences, and be matched with a therapist. And because you'll meet your therapist online, you don't have to take time off work or arrange childcare. You'll meet on your schedule wherever you feel most at ease. If you're depressed, stressed, struggling with a relationship, or if you want some counseling for you and your partner or just need a little extra one on one support, Talkspace is here for you. Plus, Talkspace works with most major insurers and most insured members have a $0 copay. No insurance, no problem. Now get $80 off of your first month with promo code space80 when you go to talkspace.com match with a licensed therapist. Today at talkspace.com save $80 with code [e-mail].

[Cynthia Nixon]

Let me ask you this. So I remember just myself going to New York, you know, somewhat wide eyed, thinking, wow, I don't know how to dress like this. And you know, these women that this is kind of based on are so incredibly fashionable and they're in the magazines as best dressed. And, you know, thank goodness Sarah Jessica knows about this, right? And thank goodness Sarah Jessica had her relationships with designers that she had already been, you know, engaged in before the show. And I remember just thinking, gosh, I've got to do what she does. So, you know, like if, if someone eventually would invite us somewhere, I would go and I would try to make relationships, especially with the people that fit me, right? Which wasn't everyone, as we know, right? So like Michael Kors, the Ralph Lauren Oscar de la Rento, which took years. And I was always scared, like, I don't want to be on Sarah Jessica's turf, but, you know, maybe could I possibly wear an Oscar? And I, and I, and I finally got to. But, you know, those things for me were very much just following her lead, you know, in terms of how do you make a relationship? Remember how we were so good about returning things? Like, we never asked, you know, not to return.

[Kristen Davis]

We were terrified to keep something too long.

[Cynthia Nixon]

Right. We were terrified.

[Kristen Davis]

I mean, that evolved into. We were such hoarders. In the end, Season six, it was dare you to come and pry this from our.

[Cynthia Nixon]

And do you remember? This just came to my mind. Do you remember that time there was something. I mean, this is back when we really felt like we had to be, like, on the forefront. We had to get things, like, right off the Runway. Mostly for Sarah. I don't know if that was so true for Charlotte, but remember, there was something that came off. Was it McQueen? I think something that came off the Runway. And you had sent an assistant to the show in London or Paris, wherever it was, and they had to stand there waiting for it and fly back with it. Do you remember this?

[Kristen Davis]

I do. I do.

[Cynthia Nixon]

Insane.

[Kristen Davis]

I don't remember what garment it was.

[Cynthia Nixon]

I felt like it was a butterfly looking kind of, you know, caftan y thing.

[Kristen Davis]

Yeah, that was from one of the movies where I accidentally sent something. Returned something to a Vogue shoot that was happening in Tulum. And then I looked on the one liner and saw, oh, my God, she's gotta come out of the bathroom in that dress tomorrow.

[Cynthia Nixon]

Wow.

[Kristen Davis]

And Melfi said, stick a PA on a plane. It's very cheap. Go down to Tulum and steal that dress back because I don't want to change the schedule. So we sent one, and that little PA thought it was the most glamorous thing she had ever done in her life. And she called me from the airport and said, I have the dress. May I? Because it was turnaround, you know, like, you went. Came back, it was a roundy round. And she said, can I please order a margarita?

[Cynthia Nixon]

I hope you said, yes.

[Kristen Davis]

I said, please do, but stay in the airport.

[Cynthia Nixon]

That's adorable. Okay, so let's go back in time. Back in time. What do you remember? Because when I'm so. I'm rewatching, right? And as I'm rewatching, I'm just seeing touches of what's coming fashion wise, starting to enter the picture, right? Okay. So like Sarah in the episode before this one, she goes, she. She is going out with that French guy, and he leaves her $1,000 after they've spent the night together. Do you remember this? Oh, yeah, right. And she's got some good dresses, and. And I'm like, oh, Pat and Molly are doing their magic, right? Like, she has this beautiful silver dress and she's Walking down Madison Avenue, and she's talking about how she feels like she's floating, and she. She lifts up off the sidewalk. Do you remember this?

[Kristen Davis]

No.

[Cynthia Nixon]

Literally, no one remembers this. I texted Sarah. She doesn't remember it either. I don't know how we did it or why we did it exactly, but it's a great dress. And Cynthia remembered something that maybe you had to double that dress. Remember how it was always a bit of a drama for us to have to double something, which is very normal in film and tv. It is have to double or triple something. But for us, because we had, you know, hopefully one of a kind from vintage or one of a kind fashion or, like, remember my Prada skirt? Pat told me that I couldn't wear it to meet Trey because we had to get five of them because I had to fall in the street. And I was like, we will wear it. We will wear it. So she had to call, you know, all of Europe to find enough Prada skirt, lipstick, skirts, you know, for me to wear it. And she did. God bless her.

[Kristen Davis]

That is so relatable to, like, the. No pantyhose. Like, in television. You were supposed to be able. No problem. Stunts, you could triple, quadruple something. And that was the first kind of department, I think, that came along and said, I'm sorry, Charlotte's in a vintage thing, and you're gonna have to take. Do it once.

[Cynthia Nixon]

Right, Right.

[Kristen Davis]

This was unheard of.

[Cynthia Nixon]

It was unheard of. And sometimes people were very unhappy with us because of it, but we felt like it was very important, and I think we were right. And, you know, many. Right. And many people have asked me this over the years, and I kind of feel embarrassed that I'm gonna ask you now, but I will go for it. People have said that the fashion was its own character. Do you feel that that's true?

[Kristen Davis]

You know, I always heard that coming along. There's a fourth character, the clothing. And then it started becoming. There's a fourth character, the city.

[Talkspace Sponsor]

Right.

[Kristen Davis]

But I have to agree on both of those.

[Cynthia Nixon]

Yeah.

[Kristen Davis]

You know, there was a lot to dive into with the clothes. There was a lot to dive into with each of you, and there was a lot to experience in that setting, that location.

[Cynthia Nixon]

It's true. And that was. I think, part of the magic was that we were trying to be of the moment. We weren't trying to be all things for everyone at all times, like the Kansas comment from the HBO executive, but we were trying to be specifically there, you know, and open to the influence of being There on the streets, which was so magical.

[Kristen Davis]

We did not ever shoot in a restaurant in Brooklyn. Okay. We were strictly the of the moment. Manhattan, they were. I remember those locations. I was just like, wow, this is so current. Most people haven't even gotten a table here yet. You know, it was a badge of honor to be shooting there.

[Cynthia Nixon]

Definitely.

[Kristen Davis]

Darren is someone who gave our department so much information, and I think that that helped set up the DNA of the clothing because he was like, charlotte works. Charlotte doesn't work. Charlotte's addresses, this. And that is just a lot of information that oftentimes you don't get to go that deep.

[Cynthia Nixon]

That's true. That's so true. I mean, this particular episode that I'm on now, we see her Charlotte in the gallery, and I feel like it's the first time, and I'm like, oh, thank God we're in the gallery. Cause in the beginning, that was a big, big part of Charlotte. Like, almost every storyline is at least tangentially related to her art. Like, you know, very much that I pose for this dude who paints the kind of Georgia O'Keeffe type paintings.

[Kristen Davis]

I was gonna bring that up, and I was gonna bring up you dressing like a man.

[Cynthia Nixon]

Oh, I can't wait. I'm not there yet. But isn't that great? Isn't that so great that we did that back then?

[Kristen Davis]

I remember people stressing out about that.

[Cynthia Nixon]

Do you.

[Kristen Davis]

Didn't you have a mustache on?

[Cynthia Nixon]

I did. I had a mustache. Judy Chin did it. And Judy, who is doing makeup for Sir Jessica and I, she would flip back and forth. Do you. And Nikki. And she had just done Frida. She had done Salma Hayek and Frida, and she knew how to make, like, fake eyebrows, so she did bigger eyebrows on me and the mustache so that it looked really real and wasn't like, you know, if you go to a, you know, costume house and get a paste on. Yeah, it was very special. And also, like, Charlotte was. So I did a lot of crazy stuff.

[Kristen Davis]

Oh, boy. Did you? But the Georgia O'Keeffe that. Are you naked?

[Cynthia Nixon]

They don't show it. Thank God in heaven. Okay. But theoretically, yes. And then. And then I. I tell the girls that I did it, right? And then they come to the gallery show and. And they're trying to guess which one I am. How mortifying. Okay. Oh, my gosh. But you know what? This is what I think when I watch it. I think so many things when I watch our young selves. But one thing I think is, like, we were all very game.

[Kristen Davis]

Absolutely.

[Cynthia Nixon]

I mean, I remember being very nervous, right. And concerned about, like, what is this show and how are we telling these stories and you know, is it from, you know, the female perspective? Like, I felt like it was very important that it be from our perspective and not for the male gaze or something, you know, for men, but something that would, you know, be ringing true for women watching or empowering women who are watching or something like that. And I feel like we came there, but in the beginning it wasn't clear. Right. But I think in a lot of ways that was also your guys influence, you know, that Pat's already showing Darren S and M, you know, dominatrix stuff because she's had such a strong point of view and you guys were so incredibly integrated into the creative process.

[Kristen Davis]

And that is another thing about Darren. So collaborative. And Michael Patrick King, lots of information to departments, at least ours, and very open to hearing an alternative idea.

[Cynthia Nixon]

Right.

[Kristen Davis]

A lot of people you work with are like, no, I want this. Which is fine, it's your show. But those guys were like open for being.

[Cynthia Nixon]

But I feel like we were just creating something that we felt like didn't exist. And I guess it didn't. I mean, it still doesn't. Right. Except for us, there's really nothing to compare it to, which is also so strange to me.

[Kristen Davis]

You know, it's really. I mean, talk about the planets aligning, being in the right place at the right time. I mean, that was incredible. I don't even know how Darren hooked up with, you know, I don't know any of that.

[Cynthia Nixon]

I don't know either. I think they just went out in New York.

[Kristen Davis]

You know, you had a relationship with Darren longer than any.

[Cynthia Nixon]

You know, I did, but I didn't really know, you know, I was already sober, right. So I wasn't going out. You know what I'm saying? And Darren. I feel like Darren has said that he just knew Candace from going out and he thought that she was smart and interesting and funny and I think he read her column and you know, they were in that kind of very cool upper echelon of New York. Not upper echelon, like lot a lot of money, but more like super cool version of that.

[Kristen Davis]

Yeah.

[Cynthia Nixon]

But this. Okay, many specifics I want to ask you about because I don't even know the answer to this. But okay, so what I remember meeting Sarah Jessica and her saying something about her Manolos that she had collected already. And this is in 1997, right. Pilot time. And I was just so impressed. I Was like what you have, like, wow. Many. And they were all like so carefully in their dust bags and the boxes, like, you know, beautifully, beautifully stored. How did you remember the shoe trajectory of Carrie, at least, or the rest of us?

[Kristen Davis]

I will tell you what I remember and then SJ can correct me. I've romanticized it, but I remember Pat and SJ feeling like that label was kind of under the radar. So it was a good one to pluck, you know, and really go for.

[Cynthia Nixon]

I think that's true.

[Kristen Davis]

Yeah, it was. It. I mean, I feel like it was. I don't think people downtown knew what a Manolo was.

[Cynthia Nixon]

Right. I don't think I did.

[Kristen Davis]

I don't. It's. Yeah.

[Cynthia Nixon]

Yeah.

[Kristen Davis]

George, the guy who was Manolo's partner, I guess.

[Cynthia Nixon]

Yep.

[Kristen Davis]

He was really also a real collaborator and open for business and open for anything.

[Cynthia Nixon]

Right.

[Kristen Davis]

So that was a good company to, you know, get involved with.

[Cynthia Nixon]

Absolutely. Do you remember, I don't know if you will, but in the beginning I'm wearing some low tie knit kind of heels, like very average. And I remember, I am. It took. It took you guys a while to get me in some high shoes. And I remember I had this pair of Manolo pumps, black pumps that probably. I don't think they were 105 millimeter. I think they were probably like whatever, 87 or something. And to me they were really high and I had to really practice walking in them and whatnot. And there's an episode coming up. I had one pair, one pair. And we just re. Wore them a lot. And I had that episode. It hasn't happened yet, but when I'm with the widow in the graveyard and it was pouring rain, bitter cold. Okay. Bitter cold. And I'm wearing some kind of a. Almost vintage type dress. It might not have been vintage. I'm not sure.

[Kristen Davis]

I think it was.

[Cynthia Nixon]

Was it? And I want to have a shawl on, but then I wasn't supposed to have a shawl on. And I. I'm very cold. So I'm just desperate for anything to keep me warm. And I have to run up this hillside, this muddy hillside, and I basically ruined my Manolos. And I was so stressed about it. And they had to go to the shop and get like redone because they soaked through with mud from this graveyard, you know. And then at some point, you guys did a story with Vogue, I wanna say, about the fashion, which at that point we were desperate for any coverage for the show of fashion or. Or anything in general. Do you remember? We never Said no to press in the beginning.

[Kristen Davis]

Okay. Yeah.

[Cynthia Nixon]

You remember this?

[Kristen Davis]

No. No.

[Cynthia Nixon]

So Pat gives them my Manolos for some reason. And my little butterfly ruby necklace that I love so much. Do you remember my butterfly ruby neck vintage. Loved that thing. She gave that to them and it never came back. And one of my Manolos never came back.

[Kristen Davis]

Oh, my gosh.

[Cynthia Nixon]

I know. I was like, patfield, don't give my stuff away.

[Kristen Davis]

That's amazing that you only got one pair. That's really a sad, sad story. And now the worst part of it. We beg you to bring shoes from LA to win.

[Cynthia Nixon]

I know. I was just unpacking my box. I was just unpacking my box. But it's okay, Molly. It's okay. I don't mind because it gives more money for you to buy new things, right?

[Kristen Davis]

I was like, we still don't buy you shoes. You still bring them from.

[Cynthia Nixon]

No, no, no. It's all good because at this point, I think I have every color Manolo pump that exists. I feel like I do. We don't need to keep buying them.

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[Kristen Davis]

Did you have a favorite early, you know, season one through. Did you have a favorite outfit?

[Cynthia Nixon]

I mean, in the beginning, right? As I'm watching, I am really amazed at how completely normal my clothes are in first season. Like, so normal that it's shocking. Like, I'm wearing these little suits and they're so funny and like young Looking. I feel like, you know, not very structured. I remember. And you tell me if you remember this. I don't know who made it, but I had a black, long dress that I wear. It hasn't happened yet. It's coming. And Pat lent me her own Gucci shoes that had the heel made of metal.

[Kristen Davis]

Yeah.

[Cynthia Nixon]

Do you remember this? Yeah. And they've come back, but they are literally the most painful thing in the world. But I was gonna wear those things because at that point I was like, I'm gonna do it. I'm gonna try to live up to this vision that they have for the. And myself and everybody else. And yes, it's painful, but who cares? You know? Like, people still talk to me like, you know, I don't know. I want to wear the heels, but I don't know. And I'm like, yeah. I mean, get ready, because you will lose feeling in your feet at some point.

[Kristen Davis]

Right. Right. There is numbness involved.

[Cynthia Nixon]

There is numbness involved. I mean, for me, at all times, my right foot is. Is still numb. But you know what? It's worth it, you guys. I. It was worth it. It was worth it.

[Kristen Davis]

I can watch an older episode, a past episode, and always watch Cynthia Nixon doing a walk and talk. And I know if her feet are hurting.

[Cynthia Nixon]

It's true. It's true. I agree. And I can also tell with myself now every once in a while. Like, I had to do looping the other day, and I was like, oh, man, I should have taken those socates off. Why am I trying to wear the sock? Hate.

[Kristen Davis]

Oh, ouch.

[Cynthia Nixon]

I know.

[Kristen Davis]

Okay, this is common knowledge, but when we recently shot on Fifth Avenue outside the jewelry store.

[Cynthia Nixon]

Yeah.

[Kristen Davis]

Had that blue on. It's the blue Terry Mugler halter dress that you and Trey are out. Tiffany in is one of my favorites. And when you recently are in blue again with Carrie, I was like, wow, what a great side by side.

[Cynthia Nixon]

And I have both those dresses in there.

[Kristen Davis]

Her hair is up in a butt. Like, you're very.

[Cynthia Nixon]

Yeah. We tried to do kind of a modern Breakfast at Tiffany's. Like, not too done. Cause it was the middle of the day. But also, do you remember? And I mean, we're. You know, I could talk to Molly about, you know, 20 million things, you guys. But do you remember when we used to shoot with people on the street? Like Charles McDougall directed that breakfast at Tiffany's. The first time with Kyle. And he would send us down the street. Do you remember him?

[Kristen Davis]

Yeah. Oh, definitely. I definitely remember him.

[Cynthia Nixon]

Yeah. Can I Tell you guys, there's a director on this current episode that I'm rewatching that I have no memory of.

[Kristen Davis]

What?

[Cynthia Nixon]

How could this be? His name is Michael Fielder. Fielder.

[Kristen Davis]

Is that the guy that came to set one time in a stretcher because he had back and he directed from a stretcher? Do you remember that?

[Cynthia Nixon]

What?

[Kristen Davis]

Yeah, on the stage in a stretcher, had back problems. We'll have to look it up.

[Cynthia Nixon]

Michael Fields. I'm so sorry. Michael Fields, if you're out there, I don't remember you, and I don't know how that's possible, but this is a long time ago. But it was like, random. When I looked down at the episode, I thought to myself, I can't remember this person.

[Kristen Davis]

I have no memory of him. What would Charles McDougal do with.

[Cynthia Nixon]

Charles McDougal was very ambitious. And usually what would happen is we would go over budget and Melfi would start to look very stressed and Michael Hill from H. HBO would come and sit on the set and glare at us, you know, like, you guys are over. You guys are over. And Charles McDougal did not care, okay? He was just doing his artistry. And his artistry involved many interesting things. And for the Breakfast at Tiffany's, it involved having a long lens camera blocks away from us. Blocks and blocks where Kyle and I couldn't even see the camera. And then they'd give us a general, like, try to walk by this seam in the sidewalk. And, you know, we were just walking and ad libbing, talking.

[Kristen Davis]

Right?

[Cynthia Nixon]

And with regular people, okay, Regular New Yorkers walking down the street, walking down fifth Avenue, not knowing. I mean, maybe we had to get a release from them after the fact. I have no idea how that worked. Right. But they're just doing their business and we're just trying to walk and hoping that we are on camera and having no idea that's how amazingly ambitious he was. And it was so much fun. And then by the time we would get closer, we would be closer on camera. And then we would probably cut and do that shot where you can see us framed in the. In the window. And then also my other really, really great Charles McDougal was in Bergdor flipping the china over. You know, Kyle and I are flipping the china over and I think Bunny comes. But we had. I think we flipped the China like 36 times.

[Kristen Davis]

Wow. Yeah. That would send you over budget. They wouldn't let you do that now, right?

[Cynthia Nixon]

Oh, I don't think so. Maybe they'd let Michael.

[Kristen Davis]

They wouldn't let. They might not you wouldn't do it. I would.

[Talkspace Sponsor]

What are you saying?

[Cynthia Nixon]

What are you saying? I never say no.

[Kristen Davis]

I wouldn't think you would cut them off at like 12 or something.

[Cynthia Nixon]

I never have cut them off in. Ever. Ever. No, Ever. Because you know why? You always feel like you can do it more better. You know, you can do. Do a better take. I mean, it depends. It depends what's happening that day. But I can't imagine saying like, no, I won't do another take. I can't.

[Kristen Davis]

No, I can't.

[Cynthia Nixon]

I mean, look, there's sometimes like for instance, my very, very lengthy birthday party, which we won' into any more detail other than to say that I have a birthday coming. Charlotte has a birthday coming. I should say on the show. It is an epic birthday party, okay? Epic. And there were times where we would say to our lovely director Anu, who we love so much, we'd be like, we think we got it. Like, we just gently be like, we think we got that one. Because there were just scene after scene, take after take. So many characters, so many characters.

[Kristen Davis]

You guys were trapped. Now, what about. But let me ask you something and tell me if this is really none of my business.

[Cynthia Nixon]

Go, baby.

[Kristen Davis]

What about what they're asking you over and over again in a bedroom scene?

[Cynthia Nixon]

Well, I mean, that's a different situation for sure. For sure. Yeah. And I do remember definitely stressy, stressy times way back about. Because we had so many different directors, right? And so many different points of view about what it was we were supposed to. Supposed to be doing. And definitely I had some stress. And as you remember, we were often filming in the middle of the everlov at night, right? With like no one around to help you. We didn't have intimacy coordinators back then. And if Michael Patrick wasn't there, you kind of had no. Or, or Darren for that matter. And often Darren might have gone back to LA or he might have been writing or everyone might have gone home because it was 2:00am it was 2. Yeah, exactly. So you might just be by yourself. And I do remember, and we haven't gotten there yet, but there is a scene where I ended up feeling so uncomfortable that I went and locked myself in my dressing room and called my manager back in LA to get some advice on what to do because I just didn't feel like the man director had the right idea for this particular sex scene. You know, it was. I just remember there being a fair amount of anxiety about it all. Like, do you remember that time where I have to try. I'm trying to get Kyle's character to have sex with me. You know, we have this, like, troubled sex life in our marriage. Do you remember? And I had to wear that sheer nightgown and basically, you know, appeal to him to. To see me as a sexual being. God help me. All makes me nervous just thinking about it. Okay. Do you remember the stress about that? Yeah. I mean, I'm trying to kind of emotionally and seductively appeal to him. Both. Right. So it's. It's kind of a difficult scene in that you have to be emotionally available as well as seductive. Right. You know, not like fake seductive. You know what I'm saying? And I remember really stressing about whether I should wear underwear under that, because I think Pat wanted me not to. I know. It's so embarrassing to think about. Right? I know. But I think that was another call to my manager, Dave. Like, dave, Pat wants me not to wear any underwear. And you can see right through this thing, and I don't know what to do. And he was like, you gotta wear some underwear. And I'm like, I do, right? I do. I think I. I think I should wear some underwear. Right.

[Kristen Davis]

I. I'm remembering now why she did.

[Cynthia Nixon]

Right.

[Kristen Davis]

Because you in real life would not have.

[Cynthia Nixon]

It's true. It's true. She wasn't wrong. She wasn't wrong. Yeah, she wasn't wrong. But, I mean, you were trying to find the balance between, like, can I live with this? And, you know, screenshots of this following me around or whatever. Right. But do you remember the time, too, when Pat wanted to direct?

[Kristen Davis]

Oh, yeah.

[Cynthia Nixon]

She'd be like, you know, I would just take an ice cube and run it down your leg. She had, like, some crazy ideas.

[Kristen Davis]

Yes, she really. And I'll tell you that carried on through. Pat wanted to direct an Ugly Betty episode.

[Cynthia Nixon]

Wow.

[Kristen Davis]

She wanted to, you know, that visual mind of hers wanted to get out of. Of the square box of the clothes, Right?

[Cynthia Nixon]

Well, she did. I mean, the clothes for us at least, you know, really permeated everything almost to the point in the films where, you know, we had to try to get rid of the conversations about the clothes. Almost like it took center stage so. So, so much. And I feel like what people thought happened was that brands had come in and, like, imposed themselves on us, which was not, in fact, the case. I didn't feel. Did you feel that way?

[Kristen Davis]

I have never, ever, you know, felt like that's an inappropriate thing. Even though it's free, it doesn't suit the character. And we're gonna Put it there.

[Cynthia Nixon]

Right. No, it was us wanting these things and having to find a way to get them because we couldn't afford them on our budget. Because at a certain point, our budget would have exceeded all budgets ever made if we'd paid for everything. Like, it was crazy.

[Kristen Davis]

Handbags are frightening. The prices on handbags are, like, beyond. I know this is not popular, but the Abu Dhabi movie, the costume department, those are our famous costumes ever.

[Cynthia Nixon]

I know.

[Kristen Davis]

Loved everything that you guys wore. That strapless blue thing that I was sweating bullets to do this pin. I was so afraid to pin that on you.

[Cynthia Nixon]

You mean that the. Like a boost.

[Kristen Davis]

Cynthia are talking.

[Cynthia Nixon]

Yeah, yeah, yeah, yeah, yeah, yeah.

[Kristen Davis]

Scene at five in the morning.

[Cynthia Nixon]

Yeah. When we're so cold that we're. We've turned blue. Yes, I remember that. It was beautiful.

[Kristen Davis]

Those things that. Those little things that stress you out. I had to call for the supervisor to come and help me. I just wanted it to be in the right place.

[Cynthia Nixon]

I mean, that's the thing, you guys, with your attention to detail, you are unmatched. Unmatched.

[Kristen Davis]

You guys there as well.

[Cynthia Nixon]

Well, thank you. But I mean, like, if you think about, you know, you and Pat and now you and Danny, obviously on. And just like. Like that, and all of our dressers that we've ever had and all of the supervisors and the attention to, you know, how things are made and how things are put together and how a bow is tied. You guys don't even want to be around when a bow needs to be tied. Okay? I mean, the stress.

[Kristen Davis]

Careful. That's dangerous.

[Cynthia Nixon]

I know, I know. I won't go into any more detail, but there's many people who feelings on how a bow must be tied. Okay. And you don't even wanna get involved, right? You're just like, yeah, sure, do whatever. You know, you guys do whatever. But I think, like, when some people are. They say things like, you know, I think maybe when people come to work on our show after having seen it, they're kind of amazed what all goes into just a scene or a walk and talk or whatever. Because you. When you're watching it, hopefully you're not thinking about that, right? But then we know, like, the levels and levels of. Levels of attention to detail that it takes to make it good.

[Kristen Davis]

Well, you know, you of all people know what it's like to come for your fitting. And you always block out an entire day and lunch. And what is it like on other. When you go to other sad moments.

[Cynthia Nixon]

When you go to. If you've been with Us, Right. And then you. You get a job. You know, when we're off. Off, you're just like, oh, God. I mean, for me, I'm like, can I go home and get my clothes? I mean, because we're just spoiled rotten. Okay. But the other thing that I think about when I think back, like, we used to work, you know, as, you know, almost all night as the week went on, Right. Till sun rose on Saturday morning. But also sometimes because there was no time for a fitting because all of us were working so much more, we didn't have as many days to do an episode. So even if it would seem like maybe one of us wasn't in that episode as much, we were probably in the other episode being filmed. Right. And sometimes we had multiple units. Yeah.

[Kristen Davis]

Yeah.

[Cynthia Nixon]

So the only time to do a fitting was when you wrapped at night. And I remember going to a fitting at, like, 2am thinking, this is insane.

[Kristen Davis]

Can you believe that?

[Cynthia Nixon]

No. But we did.

[Kristen Davis]

It seems unfathomable to me. I remember that time that somebody. I think it was the supervisor, Mark, made up T shirts because we had four units going A, B, C and D. That would be illegal now.

[Cynthia Nixon]

Do you think it would be? I mean, it was the only way we could finish. Right. But that was when we were in Silver cup and they had all those stages, so we had Sopranos must have wrapped. Right. So we were just by ourselves. And we would just run from stage to stage to stage, and we'd be like, what do we have to do now? Oh, yeah, we gotta do a phone call or half of a phone call. So we'd run over to B unit and do that. And then we'd run over to a C unit and do like, a insert of our hand picking up a glass or whatever. It was like, oh, my God, the insanity. But, you know, we were young. We had the energy, Right.

[Kristen Davis]

We were in it to win it. It was exciting.

[Cynthia Nixon]

We were. We were in it to win it. And it was exciting. And we loved it so much as we still do.

[Kristen Davis]

It's still exciting and it's still coming back to. And just like, that was like, back to summer camp.

[Cynthia Nixon]

I know, right?

[Kristen Davis]

Yeah.

[Cynthia Nixon]

It still is so much fun and so amazing that we even get to still play in the sandbox.

[Kristen Davis]

Oh, my gosh. Absolutely. So grateful.

[Cynthia Nixon]

Molly, I could talk to you forever, as you know. So will you come back and do another episode? Can we make this into two?

[Kristen Davis]

Yeah.

[Cynthia Nixon]

Okay. Good.

[A.J. Jacobs]

Actuaries use their math skills for good.

[Cynthia Nixon]

They take on the world's greatest challenges.

[A.J. Jacobs]

Reducing risk and increasing opportunity.

[Cynthia Nixon]

And that means the only thing higher.

[A.J. Jacobs]

Than their pay is their job satisfaction. Dressing. Dressing.

[Kristen Davis]

Oh, French dressing.

[A.J. Jacobs]

Exactly.

[Cynthia Nixon]

That's good.

[A.J. Jacobs]

I'm A.J. jacobs, and my current obsession is puzzles. And that has given birth to my podcast, the Puzzler.

[Talkspace Sponsor]

Something about Mary Poppins?

[A.J. Jacobs]

Exactly.

[Talkspace Sponsor]

This is fun.

[A.J. Jacobs]

You can get your daily puzzle nuggets delivered straight to your ears. Listen to the Puzzler every day on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Bob Pittman]

Hi, I'm Bob Pittman, chairman and CEO of iHeartMedia. I'm excited to introduce a brand new season of my podcast, Math and Stories from the Frontiers of Marketing. I'm having conversations with some folks across a wide range of industries to hear how they reach the top of their fields and the lessons they learned along the way that everyone can use. I'll be joined by innovative leaders like chairman and CEO of Elf Beauty, Tarang Amin, legendary singer, songwriter and philanthropist Jewel.

[Talkspace Sponsor]

Being a rock star is very fun, but helping people is way more fun.

[Bob Pittman]

And Damian Maldonado, CEO of American Financing.

[Cynthia Nixon]

I figured out the formula. I just have to work hard. Then that's magic.

[Bob Pittman]

Join me as we uncover innovations in data and analytics, the math, and the ever important creative spark, the magic. Listen to math and magic on the iHeartRadio app, Apple Podcasts, or wherever you get your podcast.

[Mary Kay McBrayer]

I'm Mary Kay McBrayer, host of the podcast the Greatest True Crime Stories Ever Told. This season explores women from the 19th century to now. Women who were murderers and scammers, but also women who were photojournalists, lawyers, writers, and more. This podcast tells more than just the brutal, gory details of horrific acts. I delve into the good, the bad, the difficult, and all the nuance I can find because these are the stories that we need to know to understand the intersection of society, justice, and the fascinating workings of the human psyche. Join me every week as I tell some of the most enthralling true crime stories about women who are not just victims, but heroes or villains, or often somewhere in between. Listen to the greatest true crime stories ever told on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.