Armstrong & Getty On Demand

Episode: "All The Rappers Would Beat The Hell Out Of You"
Date: February 2, 2026
Podcast: Armstrong & Getty On Demand (iHeartPodcasts)
Hosts: Jack Armstrong & Joe Getty

Episode Overview

This episode kicks off the week with Armstrong & Getty’s signature mix of irreverent satire, media critique, and cultural commentary. The hosts riff on Groundhog Day, the Grammys' political posturing, the current state and implications of U.S. immigration and population shifts, and media coverage of the Melania Trump documentary and Jeffrey Epstein cases. The conversation skewers Hollywood self-importance, "woke" celebrity commentary, and the migration patterns influencing American politics, all delivered with biting humor and sarcasm.

Key Discussion Points & Insights

1. Groundhog Day and Everyday Absurdity

• The show opens with jokes about Groundhog Day traditions and the infamous "Gobbler's Knob" (“I’m not comfortable with the term Gobbler's knob. Do we have to keep saying that?” – C, 02:04), with mentions of the winter weather predictions and memories from childhood in Wisconsin.
• Tone: Light, nostalgic, mildly bemused.

2. Grammys, Celebrity Activism, and Surface-Level Sloganeering

• The Grammys are roasted for being a platform for “woke” politics, focusing particularly on Billie Eilish’s statement:

  “Guaranteed, no one is illegal on stolen land.” — Billie Eilish (26:43)
  Reaction:
  “That is just such a stupid sentiment... If Fred Armisen was doing a mock woke thing, he would say that sort of thing.” — C, 04:36
  “That's straight out of Portlandia. You're exactly right.” — A, 04:51

• The hosts critique the lack of depth in such statements, likening them to things a child might say and lamenting their uncritical reception:

  “It's childlike.” — A, 05:09
  “If your 8 year old said that, well, I understand, you're 8. And then you explain it to them...” — C, 05:19

• Larger critique of performers using award shows for political grandstanding, and the echo chamber environment:

  “They all say it with this tone of bravery while they say it to a crowd... who agrees with everything they say no matter how ridiculous...” — C, 08:14

3. The Self-Importance of Hollywood

• Armstrong & Getty lampoon musical and Hollywood elites for their self-aggrandizement:

  “These people have convinced themselves that what they're doing is important... You're basically like a clown. You're entertaining and it has no meaning.” — C, 09:02

• Acknowledgement that entertainment does sometimes have an impact, but it’s rare and generally overblown by the industry itself.

4. Immigration Debate, Census Data, and State Migration

• Current Population Shifts:
  U.S. Census shows population growth is largely from immigration, not births.

  “The other 8.3 million, 80% have been new arrivals... The low rate of births is deeply concerning. The notion of... four new immigrants for every net baby is alarming.” — A, 24:52

• Migration Trends:
  • People are overwhelmingly moving from blue to red states (e.g., Texas, Idaho, the Carolinas).
  • Blue states’ population losses are offset only by international (often illegal) immigration.

  “Red states gained population, blue states dangerously dependent on illegal immigration... The population grew slowly... mostly because of the border.” — A, 24:20

• Political Implications:
  • Projections show red states will gain congressional seats, blue states will lose them.

  “Texas is now projected to gain four seats, Florida two, and California to lose four. No wonder Gavin Newsom is gerrymandering...” — A, 28:53

5. Media Coverage of Epstein & Melania Trump

• Epstein Files:
  • Armstrong notes how ABC covered Epstein as a leading story, while CBS ignored it—criticized mainstream media inconsistency and mishandling of leaked victim names:

    “The DOJ exposed the names of at least 43 victims when they were supposed to all be redacted...” — A, 17:06

  • Frustration with both the overblown and underplayed approaches.
• Melania Trump Documentary:
  • The Melania film as a case study in media and public polarization:

    “Melania Trump's movie knocked the lights out... 99 audience score... critics score 10% on tomato reader. Not surprising.” — C, 32:21
    “Because they hate Melania Trump so much... You could have the exact same movie about Michelle Obama... and they would talk about how beautiful it was and how brilliant she is.” — C, 33:12

• General conclusion: Coverage and criticism are now entirely “directional," reflecting underlying bias, not merit.

6. Political Correctness, Labels, and Lingering Satire

• The hosts lampoon evolving terminology ("immigration" versus "migration"):

  “Who decreed that? The left did and y' all fell for it, dumb bastards.” — C, 25:14

• Ongoing lampooning of the “woke” crowd, with satirical suggestions for stopping to yell during award shows, only to get "beat the hell out of" by rappers:

  “If I had been in the crowd... I'd have yelled after like 30 seconds of a blog: 'Stupid! That's stupid.' ...Get a couple of rappers that beat the hell out of you.” — A&C, 26:57–27:08

7. Other Notable Oddities and News Briefs

• Lighter stories—Waffle House Valentine’s Day reservations, birds hidden in pants at the border, and Babylon Bee headlines—provide comic relief and a sense of the hosts’ eclectic interests.

Notable Quotes & Memorable Moments

• On Grammy Activism:

  “No one is illegal on stolen land is just moronic.” — C, 05:05
  “It's a child's argument.” — A, 27:40

• On Hollywood Self-Image:

  “You're basically like a clown...entertaining and it has no meaning.” — C, 09:02
  “Film is a way for people to take a look at themselves and read—No, it's not.” — C, 10:07

• On Population Shifts:

  “Red states gained population, blue states dangerously dependent on illegal immigration to maintain any sort of population.” — A, 24:20

• On Directional Criticism:

  “Everything’s directional. Just wildly enthusiastic. Directionally. The Creek, like the morons at the Grammys. No one is illegal on stolen lands. That just translates as I'm against what's happening in the immigration thing.” — A, 33:48

• On Media Hypocrisy:

  “You could have the exact same movie [about Michelle Obama]...and they would talk about how beautiful it was and how brilliant she is...” — C, 33:12

Timestamps of Important Segments

• Groundhog Day banter & Grammys intro: 01:16–04:13
• Billie Eilish’s “No one is illegal on stolen land” reaction: 04:13–08:14, 26:43–27:08
• Critique of Hollywood self-importance: 09:00–10:07
• Census numbers, population trends, and implications: 23:13–28:38
• Melania Trump documentary reviews & media polarization: 32:21–34:36
• Epstein coverage critique: 16:23–18:18, 21:37–22:39
• State migration and political aftermath: 28:00–30:20
• Satirical “seat-filler” fantasies: 27:40–28:00

Episode Flow & Tone

• Style: Fast-paced banter interspersed with ranting monologues, heavy sarcasm, and satirical jabs.
• Outlook: Sceptical, at times caustic, but anchored in cultural observation and political critique.
• Atmosphere: Lively, irreverent, and frequently humorous, targeting the week’s biggest cultural and political talking points.

For New Listeners

This episode is classic Armstrong & Getty—unfiltered, wry, and cutting through media and celebrity theater with a blend of fact, mockery, and social insight. The hosts challenge the week’s “received wisdom,” using pop culture moments as an inroad to larger societal debates. Whether you agree or disagree, you’ll leave better prepared to discuss what everyone’s talking about—without ever feeling like you’re hearing the party line.

End of Summary