The A&G Replay Friday Hour Two

Summary

Podcast Summary: Armstrong & Getty On Demand Episode: The A&G Replay Friday Hour Two
Release Date: July 4, 2025
Host: Jack Armstrong & Joe Getty
Producer: iHeartPodcasts

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Introduction

In this episode of Armstrong & Getty On Demand, hosts Jack Armstrong and Joe Getty delve into a variety of topics ranging from historical memorabilia auctions to critiques of contemporary academic theories. Broadcast live from the George Washington Broadcast Center's Abraham Lincoln radio studio, the episode combines humor, personal anecdotes, and insightful discussions.

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Auction of Rare Historical Documents

The episode opens with a discussion about the upcoming Sotheby's auction featuring rare copies of Abraham Lincoln's Emancipation Proclamation and the 13th Amendment.

• Jack Armstrong [01:15]: "Rare copies of both the Emancipation proclamation and the 13th amendment are gonna be auctioned off in Sotheby's upcoming books and manuscripts sale in New York City."

• Joe Getty [02:34]: "The handwritten amendment he signed on Vellum in 1865 ending slavery nationwide is expected to sell for at least $8 million."

Key Points:

• The Emancipation Proclamation copy, signed a year after its issuance, is estimated to fetch a minimum of $3 million.
• The 13th Amendment copy, ending slavery nationwide, is expected to sell for at least $8 million, potentially tripling its auction record.
• The document's historical significance and limited availability make it highly prized among collectors.
• The overall art market is experiencing a slump, but historical documents, especially those related to Lincoln, remain in high demand.

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Value of Memorabilia

The hosts discuss the emotional versus investment value of collecting memorabilia, sharing personal reflections and humorous takes on the subject.

• Jack Armstrong [01:50]: "I've come close to buying them many times, but I never had. Mostly because I don't have the slightest idea if the price is reasonable or not."

• Joe Getty [02:21]: "I would do it for the coolness, but how would it continue to be cool if I had... a signed copy hanging on my wall forever?"

Key Points:

• The allure of owning a piece of history versus the practical challenges of authentication and financial investment.
• Personal anecdotes highlight the hosts' reluctance to invest heavily in memorabilia without clear value assessments.
• Discussion about items like Jimmy Page's cigarette butt and guitar picks, emphasizing their sentimental value over monetary worth.

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Historical Context of Lincoln's Documents

A deeper dive into the historical significance of Lincoln's Emancipation Proclamation and the 13th Amendment.

• Joe Getty [04:18]: "The 1863 proclamation was originally signed by Lincoln, declared all enslaved people in Confederate states would be free."

• Jack Armstrong [05:24]: "Lincoln reigns supreme, said this authority from Sotheby's."

Key Points:

• The loss of Lincoln's original handwritten manuscript in the 1871 Chicago fire increases the rarity and value of printed copies.
• Only 27 copies of the Emancipation Proclamation are known to survive, with 18 held by institutions and nine in private hands.
• The significance of Lincoln's legacy in historical document collecting remains unparalleled.

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Critique of Contemporary Academic Theories

The hosts engage in a humorous and critical examination of a contemporary academic paper on queer and lesbian feminist theories.

• Joe Getty [19:59]: "Queer Canine Begin Cummings Lesbian Feminist cyborg Politics and interspecies intimacies in ecologies of love and violence."

• Jack Armstrong [21:03]: "That really sounds like chicks having sex with dogs."

Key Points:

• The hosts mock the complexity and perceived absurdity of certain academic jargon in modern feminist and queer theories.
• A detailed yet humorous breakdown of the paper's abstract showcases the hosts' skepticism towards the practicality and coherence of such theories.
• The discussion highlights a generational and ideological gap between mainstream academic discourse and the podcast hosts' perspectives.

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Social Reflections: Childlessness and High School Bullying

Personal anecdotes and societal observations form a significant portion of this episode.

• Jack Armstrong [14:48]: "I have three women in their mid-40s who made the choice to be childless and really, really regret it now."

• Joe Getty [16:26]: "Them and laugh how raise their self-esteem by demeaning."

Key Points:

• Exploration of the emotional complexities surrounding the choice to remain childless.
• Reflection on high school bullying, emphasizing the lasting impact of such experiences and societal pressures.
• The hosts share personal stories, fostering a relatable and empathetic dialogue with the audience.

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Economic Discussion: Oasis Concert Reunion and Ticket Pricing

A comprehensive analysis of the economic principles demonstrated by the price hike of Oasis concert tickets.

• Joe Getty [35:40]: "A concert ticket is no different from a book, a bottle, a wine or a house. It has no inherent value, only the price a buyer is willing to pay."

• Jack Armstrong [37:04]: "I have one,500 stories that start that way."

Key Points:

• The discussion centers on the basic economic laws of supply and demand as observed in the Oasis reunion concert ticket pricing.
• Critique of Ticketmaster's role in escalating ticket prices through dynamic pricing and hidden fees.
• Analysis of public and governmental reactions to inflated prices, including remarks from British officials and cultural figures.
• Historical anecdotes about the Gallagher brothers' backstage conflicts underscore the precarious supply of Oasis concert tickets.

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Humor and Light-Hearted Segments

Interspersed with serious discussions, the hosts maintain a light-hearted tone through jokes and playful banter.

• Joe Getty [14:21]: "Here's my favorite Porsche joke. What's the difference between a Porsche and a porcupine? The porcupine. They're on the outside."

• Jack Armstrong [26:17]: "I do bowling."

Key Points:

• The hosts use humor to balance heavier topics, keeping the conversation engaging and entertaining.
• Jokes related to everyday observations and personal interests provide a relatable and accessible dimension to the podcast.

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Conclusion

Armstrong & Getty On Demand successfully blends historical discourse, economic analysis, personal anecdotes, and humor to create a multifaceted listening experience. Through their candid conversations, Jack Armstrong and Joe Getty offer listeners both insightful commentary and relatable storytelling, ensuring a dynamic and engaging podcast episode.

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Notable Quotes:

• Jack Armstrong [02:14]: "Stick it under your pillow. Put your head. Sleep with your head on it every night."

• Joe Getty [06:54]: "Lincoln has proved to be the most coveted name in the American rare documents arena."

• Joe Getty [23:14]: "They're having sex with dogs. Get to the fun part where they."

• Jack Armstrong [28:56]: "I realized you're trying to pull the wool over my eyes by using a bunch of phrases and words that don't mean anything."

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Timestamp Highlights:

• [01:15] Introduction to the Sotheby's auction.
• [19:59] Introduction to the critique of contemporary academic theories.
• [35:40] Economic analysis of Oasis concert ticket pricing.

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Note: Advertisements, including those for IPVanish VPN and Annabe sofas, were intentionally excluded from this summary as per the request to focus solely on content-rich segments of the podcast.

Transcript

[Jack Armstrong]

This is an Iheart podcast.

[Joe Getty]

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[Jack Armstrong]

Broadcasting live from the Abraham Lincoln radio studio at the George Washington Broadcast Center, Jack Armstrong and Joe Getty.

[Joe Getty]

Armstrong and Getty.

[Jack Armstrong]

And now he.

[Joe Getty]

Armstrong and Getty. Happy independence.

[Jack Armstrong]

Wednesday, it's the 4th of July, and it's the Armstrong and Getty Replay, featuring.

[Joe Getty]

Bits and pieces of our podcast, Armstrong and Getty. One more thing. Don't miss a single moment.

[Jack Armstrong]

Get every episode on the Iheart app and wherever you get your podcast.

[Joe Getty]

Yeah. So rare copies of both the Emancipation proclamation and the 13th amendment are gonna be auctioned off in Sotheby's upcoming books and manuscripts sale in New York City.

[Jack Armstrong]

How many times I've been in these stores, they're usually in Vegas, one of your fancy casinos where they. Where they sell memorabilia. Whether it's sports memorabilia, music, or, you know, politics or whatever, they have a real. It's usually a cool picture and a really fancy frame. And then what you're paying for is the little signature on something, a letter or whatever. But I've come close to buying them many times, but I never had.

[Joe Getty]

I never have.

[Jack Armstrong]

Mostly because I don't have the slightest idea if the price is reasonable or not.

[Joe Getty]

Well, they almost got me once or twice to. Authorities believe alcohol was involved, but they didn't. And. And it's usually for the same. I end up thinking, all right, what would I do with this? Who would I show it to?

[Jack Armstrong]

Stick it under your pillow. Put your head. Sleep with your head on it every night.

[Joe Getty]

Well, and how much, you know, like, after a year, how much joy would it bring me to have? Or is it just an investment?

[Jack Armstrong]

I wouldn't do it. I would. I never looked at it as an investment. Is always the coolness of it, but.

[Joe Getty]

Right.

[Jack Armstrong]

How would it continue to be cool if I had. Okay, I got a signed copy of the Gettysburg Address by Abraham Lincoln. That's a good one.

[Joe Getty]

That I would get.

[Jack Armstrong]

Would I enjoy looking at that every.

[Joe Getty]

Day, hanging on my wall forever?

[Jack Armstrong]

Or at some point, is the phone worn off? I don't know.

[Joe Getty]

My friends and acquaintances Are history freaks enough? That that would be really cool. But then because I try not to be the slave to my more base urges, I find myself thinking, okay, so I'd be getting it to make myself look cool. And is that really a healthy use of right time money? And you know, that's a good one. I'm not sure that's a good. So I always end up in the same place. Although I will tell you extent with.

[Jack Armstrong]

Some stuff, it's just one degree removed from just showing somebody your bank statement. This is how much money I have in my account. I mean, because the point is this was expensive and I have it.

[Joe Getty]

Yeah, well, yeah, partly, yeah. You're not wrong. I've mentioned several times that the one thing I've lusted after for years and have really gone back and forth on spending the money for is a first edition of Dickens A Christmas Carol. And because they're available and they're not so prohibitively expensive as to be insane, it's not like buying a copy of what you say the Gettysburg Address would be. But my. My beloved daughter Delaney, when she was in England, she went to the Dickens Museum and got me a reproduction of the first edition of A Christmas Carol with all the original art and stuff like that was absolutely lovely gift and very cool. When I read A Christmas Carol this Christmas time, as I do every single year, I will be reading it from that edition, which I'm excited about. But anyway, so you got rare copies.

[Jack Armstrong]

Of both the Christmas thing, right. So is that. Is that the one where.

[Joe Getty]

Right in the title.

[Jack Armstrong]

Yes, that's the one where the burglars break into the house and the kids parents had gone on vacation.

[Joe Getty]

Yes.

[Jack Armstrong]

Is that what that is?

[Joe Getty]

Exactly. And they sit up, the kid sets up various booby traps and I. I've never actually read to the end, but yeah, that's my understanding of it. Sorry. Too funny not to go along with. So anyway, you got the. The EP and the 13th Amendment. On sale on June 26th. The 1863 proclamation was originally signed by Lincoln, issued during the Civil War, declared all enslaved people in Confederate states would be free. The copy, which was signed a year later, is estimated to sell for at least $3 million. The handwritten amendment he signed on Vellum in 1865 ending slavery nationwide is expected to sell for at least $8 million. Wow, that's a lot of money. At a price that would triple its auction record. And the two single sheet papers represent the priceiest examples of each document to enter the marketplace and should serve as a major test of collectors appetites for historic American artifacts, and they actually get into the market for this sort of thing, which I found pretty interesting. The overall art market is in a slump, but this category has enjoyed an influx of Gen X and millennial bidders ever since. A copy of the Constitution sold to billionaire ken Griffin for $43.2 million in 2021. Griffin famously outbid a consortium of cryptocurrency investors to win it.

[Jack Armstrong]

I have no idea how many original copies of the constitution there are. Are there six or 60? Probably closer to six than 60 because you had to handwrite the whole.

[Joe Getty]

There were originally like 32. Sue me if these numbers are wrong. And there are far fewer left now.

[Jack Armstrong]

Yeah, Katie.

[Katie]

There are only 13 known surviving original copies.

[Jack Armstrong]

Okay, good deal.

[Joe Getty]

So aficionados are also getting more enthusiastic as we approach our 250th anniversary. But Lincoln is super, super hot within the pantheon of historic signatures. Demand has fallen off in the past decade for president Thomas Jefferson and Robert E. Lee, for instance, and remains steady for George Washington and Ben Franklin. Something from Dr. Franklin would be very, very cool.

[Jack Armstrong]

Yeah, you can't be a guy who's got assigned Robert Lee something hanging on your wall anymore.

[Joe Getty]

Well, not north of Kentucky anyway. Lincoln has proved to be the most coveted name in the American rare documents arena. Lincoln reigns supreme, said this authority from Sotheby's. The record so far for any Lincoln related document is a $3.8 million copy of the Emancipation proclamation sold to an anonymous guy in 2010 that. Oh, man. It stood out in part because it also belonged to Robert F. Kennedy senior, who bought it in early 1964 for 9,500 bucks when he was attorney general.

[Jack Armstrong]

Oh, wow.

[Joe Getty]

Now it's 3.8 million.

[Jack Armstrong]

Don't you have a guitar pick from somebody famous or something?

[Joe Getty]

Keith Richards.

[Jack Armstrong]

Keith Richards guitar pick.

[Joe Getty]

Yeah. I also have Jimmy Page's cigarette butt, which I actually grabbed off the front of the stage.

[Jack Armstrong]

And where do you keep these artifacts? They're in your pocket right now.

[Katie]

His pocket.

[Joe Getty]

Right. They're in a little box in my music room in my house.

[Jack Armstrong]

How often do you show them to people? This gets to our earlier discussion.

[Joe Getty]

How often do you open them up.

[Jack Armstrong]

And look at them? Look at that guitar pick. I'll be damned.

[Katie]

It's his opener.

[Joe Getty]

I think I've shown the guitar pick once or twice to guitar players and the. I forgot I had the Jimmy Page cigarette butt until we just talked about it now. So it's been 20 years since I've shown it to anybody.

[Jack Armstrong]

Okay, so you're not getting that much enjoyment out of it.

[Joe Getty]

I'm really not. Of course, let's keep in mind what I paid for both of them. Nothing and nothing true. So interesting. Well, here's some more interesting stuff. The upcoming version of the Proclamation has a storied history of its own. This copy. Lincoln was already embroiled in the Civil War when he signed the original, freeing enslaved people on January, 1863. Great quote from Lincoln at the time. Quote. I never in my life felt more certain that I was doing right than I do in signing this paper. Lincoln and Secretary of State William Seward, later carved up and mortally wounded by the assassin team that killed Lincoln, later signed an additional 48 folio broadsides that were sold for $10 apiece to raise funds for the U.S. sanitary Commission, a private release relief agency that helped wounded Union soldiers and their families. So they signed 48 more of them and sold them for 10 bucks apiece. Lincoln's original handwritten written manuscript of the Proclamation was lost in the 1871 Chicago fire.

[Jack Armstrong]

Oh, wow.

[Joe Getty]

So the printed copies have become very, very coveted. Only 27 are known to survive, 18 of which are now tucked away in institutions, and nine are on the loose. They're privately owned and occasionally come up for sale.

[Jack Armstrong]

If you're really famous, so many of your things could be worth something if they could be documented. I'm surprised that. I mean, everything Lincoln had or touched could be worth quite a bit of money. His socks, his pants, his hat.

[Joe Getty]

Yeah.

[Jack Armstrong]

His chair is just everything.

[Joe Getty]

Hell. And famously, back in the day, people would write letters to Lincoln or. Or Washington or whomever and ask for a lock of their hair. And they would. Then they would accommodate people if they wrote a nice letter. They would send them a lock of their hair. It was really common. And so once in a great while, you'll see what is allegedly Lincoln's hair come up frogs. I remember I was talking about that a few years ago that I really wanted to buy some Lincoln's hair.

[Unknown]

Oh, geez.

[Jack Armstrong]

And what would you like, taped it to your head and worn it around.

[Joe Getty]

Or shown it to friends together with Jimmy Page's cigarette butt. Both of which would have to be DNA tested for authenticity. Although I'm telling you, I saw Jimmy smoke the thing, throw down the cigarette butts, and I just grabbed one.

[Jack Armstrong]

Yeah. The provenance on all of these things is difficult.

[Joe Getty]

Although that means where they.

[Jack Armstrong]

Came from, actually, and being able to document it.

[Joe Getty]

Yeah.

[Jack Armstrong]

But if.

[Joe Getty]

In.

[Jack Armstrong]

But if you believe it, it's true.

[Joe Getty]

Right.

[Jack Armstrong]

Doesn't even make any difference?

[Joe Getty]

Yeah. It's funny. I get all hot to trot thinking about this stuff, like something really cool from Ben Franklin. Then I always come back to where we started this discussion. All right, what would I do with it? You know, what is partly an expression of my admiration and love for Abraham Lincoln, for instance. I would do that.

[Jack Armstrong]

But then.

[Joe Getty]

Okay, then. But what good does it do me unless I tell people? And then it's a showing off thing. I don't know. I'm conflicted. I'm very conflicted.

[Jack Armstrong]

I would wear Lincoln socks every day if I had them.

[Joe Getty]

I don't think they're probably in wearing shape at this point. I remember they sold squares of the bloody pillowcase. Right. If I remember correctly, at one point.

[Jack Armstrong]

There is some info about that. I was just at Ford's theater not that long ago.

[Joe Getty]

Oh, right.

[Jack Armstrong]

With my kids. And there was some info in there, actually. The house across the street, which I don't think I'd ever been in before. The house across the street where he actually died.

[Joe Getty]

Yeah, it was. It's Katie, it is a very small room. It's like under the level of the street. What do you call that? With like, there's a skylighty window, as I recall. But it was very dismal and small and terrible and just kind of adds to the feeling of what a miserable waste.

[Katie]

Yeah.

[Joe Getty]

Nation of Lincoln was. Wow.

[Jack Armstrong]

Well, the weird stuff on that thing like that, you know, a murder like a week later. It's pretty weird and disgusting to be in the room where somebody was killed or died. But you wait long enough and it's, you know, everybody's just chattering and taking pictures and talking.

[Joe Getty]

Yeah. Yeah. Has there been. I'm sure there have been multiple great books written about the amount of human suffering that was caused by. By the assassination of Lincoln because he couldn't oversee the early days of Reconstruction, establish those policies. Yeah.

[Jack Armstrong]

I would read that while I was wearing Lincoln's socks. That's what I would do if I.

[Joe Getty]

Had them, you know? Is there John Wilkes Booth memorabilia? No, you can get. Probably not.

[Jack Armstrong]

That wouldn't be cool.

[Joe Getty]

I would pee on it every day or something. Some expression of hatred. That's how I would.

[Jack Armstrong]

That would be normal.

[Joe Getty]

Pee on it. I. I tape on Lincoln's hair onto my head and take my vengeance every day. You can get John Wilson Lincoln hair for me. Kenny.

[Katie]

No, John Wils Booth.

[Jack Armstrong]

You can get his hair.

[Joe Getty]

Really?

[Katie]

Yeah.

[Jack Armstrong]

What's I go for is.

[Katie]

$31,000.

[Jack Armstrong]

Okay.

[Katie]

And his wanted poster is also going for $23,000.

[Jack Armstrong]

They must be able to. They must have a really good way to authenticate that hair for it to go for that much money.

[Joe Getty]

Yeah. The poster for 23K. Put. Put in a bid for me.

[Jack Armstrong]

You considering it?

[Joe Getty]

I'm gonna buy, then I'll pay you back. Don't worry. I'm good.

[Katie]

Oh, okay.

[Jack Armstrong]

All right, cool.

[Joe Getty]

Front me. Would you just. Still payday.

[Katie]

Anytime.

[Jack Armstrong]

If you come up short, you'll sell off your cigarette butt.

[Joe Getty]

Right.

[Jack Armstrong]

The Armstrong and Getty Show. Get more Jack, more Joe podcasts and our hot [e-mail] Jack Armstrong and Joe Getty. The Armstrong and Getty Show.

[Joe Getty]

Oh, here you go. Here's my favorite Porsche joke. And I owned one. What's the difference between a Porsche and a porcupine? The porcupine. The are on the outside. Hey. And I thought that was coarse. Wait till the rest of the podcast. I got two more things.

[Jack Armstrong]

I thought I had nothing for the podcast. I got two more things to say.

[Joe Getty]

One, I hope they were more, you know, uplifting than that last one.

[Katie]

Yeah, it's only up from here.

[Joe Getty]

Yeah.

[Jack Armstrong]

I don't want to hurt anybody's. It's just a fact. I know three women in their mid-40s who. Who made the choice in life to be childless and really, really regret it now. Really, really regret it now. Like, is, like. Makes them cry thinking about it.

[Katie]

So that's common ish.

[Jack Armstrong]

Common ish.

[Katie]

Yeah. I have a couple of friends that are in that exact same boat right now.

[Joe Getty]

And folks, sometimes for medical reasons or sometimes a marriage goes sideways reasons or whatever, and the window closes. That's. That's very hard for them, too.

[Jack Armstrong]

Yeah.

[Katie]

Yeah.

[Jack Armstrong]

Well, that's why I threw in the phrase chose. You know, it wasn't a medical thing or something.

[Joe Getty]

Sure.

[Katie]

Yeah.

[Joe Getty]

No, this was lifestyle.

[Jack Armstrong]

What kind of. We're going with, I'd rather own a Porsche.

[Katie]

Yeah. This was like a failed marriage that ended horribly, and she said, screw it. I'm not doing this anymore. And now we're, like, years down the road, and she's like, ah, all right.

[Jack Armstrong]

That is definitely an advantage. You have a man. Because I didn't. I didn't have kids, So I was 45. It was an option for me as a dude. Right. She's got to find a younger woman. And what was my other thing I was gonna say? Oh, so I'm picking up my son from the high school the other day. This is on the cruelty of high schoolers. I'm picking up my son at high school. The Other day and I got my window down and there's this one kid that forever whatever reason that has dress shoes on and he's walking across the parking lot, he's like wearing khakis and dress shoes and some guy yells oh my God. Hey Jim, look at his shoes. And then they're both like like so working so hard to laug hard so they can point at somebody and mock.

[Joe Getty]

Them and laugh how raise their self esteem by demeaning. Right.

[Jack Armstrong]

And you know, as a grown up, having lived through that when it was painful for me to be on the wrong end of that it just looked so ridiculous. Like why would you ever give a what those guys think about your shoes? It's too bad anybody does.

[Joe Getty]

I know everyone like why people do they pretend to.

[Jack Armstrong]

Why do they need to elevate themselves by trying to make that person feel worse? Because they had to go to their. I don't know, I had to go to the something at the church or funeral or who knows why they're wearing dress shoes. But it's just. It was so like ha ha ha. Look at his shoes. Ha ha ha. What a dork. I mean it was that my status.

[Joe Getty]

Is now higher than his. Yeah, I. I would love to leave out the genderbred person, for instance and maybe just spend 10 minutes on that someday in like fifth grade.

[Jack Armstrong]

I almost wanted to go over and talk to that guy. He didn't seem to be particular bother. But you never know what's going on inside his brain. Let's say don't give a shit. Those dicks think when you're older you will not. It will not make any difference whatsoever.

[Katie]

One of the many reasons why I am so glad I'm no longer in high school.

[Jack Armstrong]

No kidding. No kidding. Or at least you have the mind you have now. I could go back to high school now. It'd be hilarious. People pointing and laughing at very things. Really. What are you doing? Whatever. Why would I freaking care what you think?

[Joe Getty]

Oh, that would be. You know, it's funny. I was about to say I wouldn't sentence Al Qaeda to four years of high school. It's too cruel. On the other hand, when if you could bring your life experience and confidence back.

[Jack Armstrong]

Oh yeah, oh yeah.

[Joe Getty]

That would be. That would be super great in some ways at least. Yeah.

[Jack Armstrong]

The Armstrong and Getty Show. Get more Jack, more Joe podcasts and.

[Unknown]

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[Joe Getty]

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[Jack Armstrong]

The Armstrong and Getty Show.

[Joe Getty]

Queer Canine Begin Cummings Lesbian Feminist cyborg Politics and interspecies intimacies in ecologies of love and violence.

[Katie]

Oh, they have to be trolling that.

[Joe Getty]

I know. It's by Chloe Diamond Lenow, who is an actual professor at Eastern at the American University, which is in New York or somewhere.

[Jack Armstrong]

That sounds as 100% as crazy as those fake papers that James Lindsay and his friends put out.

[Joe Getty]

Yes, which.

[Jack Armstrong]

Which makes his point that things are so off the rails that you can't tell the difference between something that's real and what's not.

[Joe Getty]

Yeah, exaggeration is completely impossible. You can do is what they did and that's like equal the insanity except yours is completely fake but nobody can tell which makes the point. But you know, I I feel like I ought to read the abstract but it's so long. I'll hit you with it because Jack said I. You know, it'd be interesting to get that whole paper and see how much sense it made on any level. And you're right. But so here's the abstract. This article Offers a queer lesbian feminist analysis attuned to lesbian queer trans canine relationalities.

[Jack Armstrong]

That really sounds like chicks having sex with dogs.

[Katie]

Is it not bestiality?

[Joe Getty]

I just, I. I can't believe they're expecting me to plow through another queer lesbian feminist analysis tuned to lesbian queer trans canine relationalities.

[Katie]

I just want to let you know, this chick's pronouns are she.

[Joe Getty]

They.

[Katie]

Set the scene.

[Joe Getty]

I like that. I like your. Your activist pieces of crazy ass Marxist garbage. Who. Who throw you the curveball of she, and you're thinking her. But no, no, I use she and they.

[Jack Armstrong]

If you call me her, I will be insulted.

[Katie]

I'm looking at her Facebook. Her profile picture is a purple fist with a banner that says professor of lesbian dance theory.

[Joe Getty]

Oh, my God, I don't mind watching lesbians dance. That's my only theory.

[Jack Armstrong]

That's somebody who makes a living doing that.

[Joe Getty]

Yes, Gets paid.

[Jack Armstrong]

Professor of lesbian dance theory.

[Joe Getty]

Yeah, to indoctrinate children into this incoherent gobbledygook of theory. Okay, so I just. That was like. That was the first sentence. Specifically, the article places queer and lesbian ecofeminism in conversation with Donna Haraway's work on the cyborg and companion species to theorize the interconnected queer becomings of people, nature, animals, and machines amidst ecologies of love and violence in the 2000s. It takes two key case studies as the focus for analysis. First, the state instrumentalization of dogs and robot dogs for racialized and imperial violence. Oh, got a little race in there too. I didn't see that coming. I mean, you got lesbian robot dogs. You wouldn't think there's time to work race in. But that's where you'd be wrong. Let's see in the second. I'm sorry, in the first article, the. Did I say that already? The article traces how dogs are weaponized as tools of state violence and proposes a queer lesbian feminist critique of white supremacy and militarization that can also extend to a critique of the violence committed through and toward the dogs. In the second woof. The article analyzes how within lesbian, non binary, and trans dog intimacies. We gotta stop there, don't we?

[Jack Armstrong]

What the hell?

[Joe Getty]

Again?

[Jack Armstrong]

They're having. They're having sex with dogs. Get to the fun part where they.

[Joe Getty]

Just start discussing that trans dog intimacies. Is that. Does that mean, like transgender dogs? Like a former boy dog who's now an alleged bitch? I prefer to use the technical term.

[Jack Armstrong]

I was taking it as the interactions between trans people and dogs.

[Katie]

Oh, see, I was with Joe, it sounded like a trans dog to me.

[Joe Getty]

In the second, the article analyzes how within lesbian, non berry, binary and trans dog intimacies, dogs help articulate. I think you're right. Queer gender, sexuality and kinship formations. And as such, queer worlds for gender, sexual and kin becomings.

[Katie]

Okay.

[Joe Getty]

Entanglements of violence and love in these queer dog relationalities provide insights into the complexities of queer and lesbian feminist, feminist world building. And finally, lesbian and queer feminist cyborg politics can help theorize the potentials and challenges of these interspecies entanglements.

[Jack Armstrong]

So I'm going to take at least a shot at what I think this is.

[Joe Getty]

I appreciate the cyborgs in the end, because I was getting.

[Katie]

I was wondering, where the hell.

[Joe Getty]

Now there's cyborgs?

[Katie]

Where did they come from?

[Joe Getty]

I'll be back. You remember that? That was great.

[Jack Armstrong]

I think they believe that. That because of our systemic racism and culture, dogs are raised in such a way to not be friendly to the trans lesbian community. And they have some concern that the robot dogs that are coming our way are going to be the same. And then when you end up with robot people like cyborgs, now you're going to have the robot dogs who are home, transphobic, poorly treating the robot humans.

[Joe Getty]

What?

[Jack Armstrong]

That's my guess at the what this paper is about.

[Katie]

The hell?

[Joe Getty]

I think you may. Number one, I am impressed.

[Katie]

Yeah, I mean, I admire you even being able to somewhat analyze that.

[Joe Getty]

I think you may be one notch off. And I'll repeat the lessons. Lesbian and queer feminist cyborg politics can help theorize the potentials and challenges of these interspecies entanglements. Well, no, I think. Yeah, so. So the relationship of a trans person with a dog, robot or otherwise, can.

[Jack Armstrong]

Dogs are being raised to be trans.

[Joe Getty]

Give myself a headache.

[Jack Armstrong]

And they're concerned that when we have robot dogs and robot people, it will continue. Then we'll have transphobic robot dogs.

[Joe Getty]

How are you trans if you're a.

[Jack Armstrong]

Robot, though, a person? What difference does it make once you're a robot?

[Katie]

What are we talking about?

[Joe Getty]

Yeah, you know what? I'm with Kitty. I. I'm reminded of. You know, you get somebody who's just a complete psychopath and does all these weird things and people say, what were they thinking? No, no. You can't come up with a rational explanation for the irrational. You're wasting your time.

[Jack Armstrong]

You got to figure it out. Michael.

[Joe Getty]

No, I was just thinking this is why I took aerobics in college.

[Jack Armstrong]

Yeah, I do bowling. All right.

[Joe Getty]

I'm just going to pick a sentence or two at at random. At the same time, it offers a model for a post gender world that can be ironically blasphemous and subverts its origins. Appropriation of women's bodies in a masculinist orgy of war and other oppressive traditions, including the tradition of racist male dominated capitalism, the tradition of progress, the tradition of the appropriation of nature as a resource for the production of culture, the tradition of reproduction of the self from the reflections of the other. One thing they ought to spend more time studying is grammar. Like throw in a period now and again or a comma or write so.

[Jack Armstrong]

I can break it down by phrase.

[Katie]

Masculinist orgy of war.

[Jack Armstrong]

That's a good band. Yeah, they rock hard.

[Katie]

I saw them at the Warfield San Francisco.

[Joe Getty]

Oh yeah? Yeah. Wow.

[Katie]

I'm convinced she wrote this out and then threw it into chat GPT and just said make this as wordy and confusing as humanly possible.

[Jack Armstrong]

I would love to take a class with one of these people.

[Joe Getty]

Love it.

[Jack Armstrong]

God, I gotta see if I can take a class at like. I'm sure my university has this sort of stuff in the town I live in, UC Davis. Take one of these classes and ask sincere sounding questions. Like just fully indulge their bullshit. Just well, oh my God, you've really hit something here with me. The masculine orgy of war or whatever that phrase was. Expound on that for me with you and just let them go on with their right.

[Joe Getty]

What's revealing about this and so interesting and odd is that this again, I just picked another sentence at random. In doing so, the article develops a queer and lesbian feminist approach to living in coalition with the more than human, with attention to what Stevens and Sprinkle name in this journal issue as co sensing an ethical embodied mode of relating to the earth, attuned to the sensorial and activated through the erotic playfulness and joy. Every single sense sentence is so, I mean, just stuffed full of jargon. Yeah, it can mean whatever they say it means or mean nothing at all.

[Jack Armstrong]

I'm so happy to have become tutored by James Lindsay in his books and his tweets about how this is on purpose to make you feel dumb. Because I no longer feel dumb when I hear this stuff. I realize you're trying to. You're trying to, you know, pull the wool over my eyes by using a bunch of phrases and words that don't mean anything or only mean something to you and make me feel dumb. So I'll sit here and listen to this crap Right. And I don't feel that way anymore, which is good.

[Joe Getty]

Yeah. It almost becomes a riddle. All right. What are they talking about? I'm reminded, you know, we got. We did not get enough mileage out of the clip that came out. Might have been during the crazy Columbia demonstrations like last winter, in which one of the leaders of the up with Terry terrorism, which is actually just down with Western civilization. All of this boils down to tearing down Western civilization. And this gal, because, of course, it's an angry woman, was saying, you've learned your colonialist theory and your gender theory and your queer theory and your Marxist theory or whatever. It's time to take all of your theories and put them into action. And that was a really good kind of summary what all of this is. All of those wackadoodle theories that fall under critical theory are all just different ways to attack Western civilization and bring it to its knees so you can infiltrate it, then usher in your Marxist utopia. And all of this stuff is what that looks like inside the sausage factory.

[Jack Armstrong]

It's something. I. I tell you this. I ain't gonna pay for my kid to sit in one of those classrooms and learn that crap. It ain't gonna happen. If they somehow decide they really want that, they'll have to take out a loan or figure it out on their own.

[Joe Getty]

One more. Just one more. Can I please. Lesbian feminism integrated with queer ecofeminism, animal studies, and critical post humanisms provide tools to rethink non hetero patriarchal across more than human realms. Queer eco feminism involves liberating the erotic alongside nature, queers and women, challenging the hierarchical dualisms that link mind, body, reason, emotion, man, woman, bipoc, human, animal, nature, culture, and heterosexual queer.

[Jack Armstrong]

It's. It's almost impossible to believe it's real. It's almost impossible to believe it's real.

[Katie]

I'm convinced we're being trolled by this she. They.

[Joe Getty]

I can believe that somewhere in America there's a crazy old man tunelessly playing the saw. You ever seen anybody play the singing saw? I can believe that and accept it. The idea that someone's paying them to do that and they have tenure. That's where it gets crazy to me. And that's what this stuff is.

[Jack Armstrong]

The most important thing we learned from today's podcast that the purple fist represents what? Katie.

[Katie]

Oh, Stan.

[Joe Getty]

Circulation. Your bracelet's too tight. Yeah.

[Katie]

Professor of lesbian dance theory.

[Jack Armstrong]

Yes, the purple fist is lesbian dancer. Or as Joey said, your scrunchies too tight around your wrist.

[Katie]

Your scrunchies too tight the Armstrong and.

[Jack Armstrong]

Getty show get more Jack more Joe.

[Unknown]

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[Joe Getty]

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[Jack Armstrong]

The Armstrong and Getty show oh, here's.

[Joe Getty]

How money actually works.

[Jack Armstrong]

Beautiful. Cha Ching.

[Joe Getty]

Are you about to say something?

[Jack Armstrong]

No.

[Joe Getty]

Okay, so we're gonna do the one on one class first and then 201 class. If this first part is too obvious for some of you, congratulations on understanding the basics of economics, which is a fairly rare thing in today's world, which is highly discouraging. But first of all, they're talking about who's this writer I like give credit because this is really well written. Matthew Hennessy in the Wall Street Journal is talking about the the fellows in Oasis, the British rock band which is getting back together. Wonderwall. He gets back in, he gets into some of the backstory. The Gallagher brothers who can't stand each other and can't get along, but they're the indispensable members of the Band Oasis. Last month, the Boys Buried the hatchet announced series 2025 concerts. Delirious fans were young and relatively poor during the band's heyday, are now older and relatively rich. They have the willingness and ability to pay to see Oasis in concert. Economically speaking, called demand. But demand is only one side of the economy. Economic story. Morning glory. For the moment at least, the Oasis reunion is limited to a handful of shows. And the Wembley Stadium is large. It's not infinitely so. And there's no guarantee the brothers will remain on speaking terms beyond next summer. Fans understand that this may be their last chance to see the Battling Gallagher lads together on stage. Supply is limited. Now, introductory economics tell us that when supply is tight and demand is high, prices rise to an equal equilibrium, which is exactly what happened. Then it needs talks about dynamic pricing and how the tickets are significantly more expensive than they seem to be when initially announced. Some accuse the greedy brothers of ripping off their loyal fans. Many more aimed their fury at Ticketmaster, the American ticket sales behemoth owned by Live Nation Entertainment. The fur revealed. Terrible.

[Jack Armstrong]

Probably not going to argue me out of my anger at Ticker Ticketmaster in general, but go on.

[Joe Getty]

Oh, the. The fees. The fees that creep up onto your bill at the end. That's. That's a different topic. And an interesting.

[Jack Armstrong]

You're electronic sending me of the ticket cost $40.

[Joe Getty]

What? Yeah. Anyway, putting that aside, because this is just a question of the price of the tickets, the Fuhrer revealed a terrible ignorance, even among the highly educated, of what prices are and how they work. I would argue to the journalists that, no, these are people posing as being outraged. They're not actually outraged. Like the very Prime Minister of Britain, Keir Starmer, told the House of Commons that he found it depressing to hear of the Oasis price hikes. He promised a commission to investigate what he called extortionate price resales. Whatever. Culture Secretary Lisa Nandy told the Beeb that, quote, vastly inflated prices would exclude ordinary fans. They.

[Jack Armstrong]

They have a Culture Secretary.

[Joe Getty]

Yeah. Why do you need that?

[Jack Armstrong]

Secretary of Culture. And there should be some sort of government intervention in that. Some things are more expensive than others. What?

[Joe Getty]

Yeah. Bollocks. In economic terms, a concert ticket. And this is the really important part, this is the Econ 101 stuff that if you don't understand it, you don't get anything about economics. A concert ticket is no different from a book, a bottle, a wine or a house. It has no inherent value, only the price a buyer is willing to pay. And a seller is willing to accept the market clearing price of anything is where demand meets supply. The correct and fair price is whatever the market will bear. No buyer a right to a low price, just as no seller has a right to a high price. Then they point out the obvious. Oasis could be nice guys and sell their tickets for five bucks, but scalpers would snatch them all up and resell them for much, much more. What good would it do for Oasis for the ordinary fan or anybody to allow third party resellers to capture all that value?

[Jack Armstrong]

Well, that's what. Yeah, that's what people don't understand about sports. Guitar players, whatever, actors and actresses. Somebody's going to get that money because there's a demand for it. So if it's not George Clooney or Shohei Ohtani or the Gallagher brothers, then the, the. The company that puts on the show or the game or the network or whatever, they get the money. But somebody's getting the money.

[Joe Getty]

It's just the way it works, right? A couple more quick tidbits. A music industry guru explained that the acts hide behind Ticketmaster. They want them to take the flag for all of this stuff.

[Jack Armstrong]

Oh, that's pretty good. That's probably true.

[Joe Getty]

Yeah, it's not good for your image. But Ticketmaster takes all the flack. And he also writes, here's the dirty little secret. Ticketmaster does nothing that the band does not agree to. So anyway, I thought that was a good little instructional on if there's demand and little supply, the prices are going to go up and it should. And you know what's going to happen? The Gallagher boys are going to put down their fists and. And open up their calendars and say, you know, I'm willing to play half a dozen more shows or, you know, you. And supply will increase and the prices will drop.

[Jack Armstrong]

I was drunk in the back seat of an SUV that could go like. I have 1,500 stories that start that way. But in this particular one, I was drunk in the back of SUV on the way to an Oasis concert in Charlotte, North Carolina, in 1995, when we heard on the radio that they had canceled the concert because the two brothers had gotten a fist fight backstage. So I still have not seen them.

[Joe Getty]

Wow. Wow. Yeah. That legend. Not overblown.

[Jack Armstrong]

No.

[Joe Getty]

That reminds me when they were like in their 60s. The Davis brothers. It looks like Davies, but it's pronounced Davis of the Kinks, actually, were continuing to come to blows and scream at each other backstage in their 60s, trying to tour.

[Jack Armstrong]

Wow.

[Joe Getty]

Get some counseling, fellas, or something.

[Jack Armstrong]

Let it Go Armstrong and get.

Did.

[Joe Getty]

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