The A&G Replay Friday Hour Two

Summary

Armstrong & Getty On Demand: The A&G Replay Friday Hour Two
Release Date: November 29, 2024
Host: Jack Armstrong & Joe Getty
Platform: iHeartPodcasts

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Introduction

In this engaging episode of Armstrong & Getty On Demand, hosts Jack Armstrong and Joe Getty delve into a range of topics, blending cinematic critiques with societal observations and workplace dynamics. Their candid conversations, peppered with humor and insightful commentary, offer listeners a comprehensive look into contemporary issues and personal anecdotes.

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Exploring "Godzilla Minus One"

Time Stamp: [03:05] – [07:21]

Jack Armstrong kicks off the discussion by sharing his experience watching the Japanese film Godzilla Minus One. Contrary to typical blockbuster monster films, Armstrong describes it as a "hardcore art film" reminiscent of Das Boot rather than the usual King Kong fare. He elaborates:

"It's way closer to Das Boot than to King Kong. And so you don't hear as much about it. It was huge in Japan. It's doing pretty well in the United States. It has had some Oscar nominations."
— Jack Armstrong [03:59]

The film's setting in post-World War II Tokyo portrays a society grappling with devastation and survival. Armstrong appreciates the movie's emotional depth, drawing parallels to war dramas:

"When it gets to that final scene, you feel way more like you're watching Saving Private Ryan or Band of Brothers than you do a monster movie."
— Jack Armstrong [06:09]

Joe Getty adds to the analysis, highlighting the film's ability to foster emotional investment:

"That's such an interesting union of being invested in characters and how that affects your willingness to suspend disbelief."
— Joe Getty [07:22]

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The Movie Theater Experience and Its Societal Impacts

Time Stamp: [07:35] – [19:22]

The conversation transitions to the traditional movie-going experience versus home viewing. Armstrong reflects on the profound impact of shared cinematic moments in theaters:

"I always feel like I walk out of movie theaters and everybody's quiet because they're just like so affected by what you saw."
— Jack Armstrong [09:01]

They discuss the challenges of maintaining the immersive theater experience in an era dominated by advanced home entertainment systems. Personal anecdotes about bringing unauthorized snacks and beverages into theaters add a humorous touch:

"I could see hiring them because of their personality, because they just make the whole room better."
— Jack Armstrong [36:20]

The hosts also delve into parenting frustrations, especially regarding how schools handle children's emotional responses and behavioral issues. Michael vents his dissatisfaction with modern educational approaches:

"Do not call me because some soft ass kids feelings got hurt... Stop raising pansy ass kids."
— Michael [14:11]

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Workplace Dynamics: The Rise of "Personality Hires"

Time Stamp: [35:08] – [41:13]

A significant portion of the episode is dedicated to the concept of "personality hires." Joe Getty introduces the term, explaining its emergence in modern workplaces:

"If you get further on charm than skill and you carry a workload light enough to float atop your bubbly demeanor, then you might be a personality hire."
— Joe Getty [35:19]

Jack Armstrong humorously acknowledges his own fit into this category:

"Wow. So that's how I got hired."
— Jack Armstrong [35:55]

The hosts critique the potential downsides of prioritizing personality over competence, such as fostering resentment among more diligent coworkers. They cite opinions from industry recruiters and personal experiences to underscore the challenges:

"I'm sure at some point they may already..."
— Jack Armstrong [36:20]

Additionally, they highlight the paradox of employees who openly market themselves as personality hires on professional platforms like LinkedIn, questioning the sincerity and effectiveness of such self-promotion.

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Artificial Intelligence: Friend or Foe?

Time Stamp: [23:17] – [29:32]

Shifting gears, Armstrong and Getty delve into the rapidly evolving landscape of artificial intelligence (AI). Referencing a Wall Street Journal article, they discuss Google's ambitious AI initiatives and the prediction that AI's development could surpass the profound impacts of fire or electricity:

"The development of AI will be more profound than the invention of fire or electricity."
— Sundar Pichai (quoted by Jack Armstrong) [23:38]

They recount a disturbing encounter with a highly realistic AI robot at a tech exhibit, emphasizing the unsettling feeling associated with the "Uncanny Valley"—a phenomenon where humanoid robots elicit discomfort due to their near-human appearance:

"The facial expressions on this robot were the most disturbing part... It was just like a normal person."
— Jack Armstrong [27:29]

The discussion raises concerns about AI's potential to replace human roles, from education to sales, and the societal readiness to adapt to such transformative changes. Both hosts express anxiety over the unpredictable trajectory of AI advancements and their implications for future generations:

"My kids are going to grow up in a world that I can't even imagine now."
— Jack Armstrong [29:30]

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Final Remarks and Light-Hearted Topics

Time Stamp: [40:12] – [45:40]

Wrapping up the episode, Armstrong and Getty shift to more casual topics, including Las Vegas fashion norms and the stark contrast between entertainment hubs and traditional settings. They ponder the cultural significance of attire choices and their impact on societal perceptions.

The hosts also touch upon the lingering effects of the COVID-19 pandemic on social interactions and mental health, sharing personal stories about the challenges faced during lockdowns and the difficulties in reintegrating into pre-pandemic social norms.

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Notable Quotes

• Jack Armstrong (03:59): "It's way closer to Das Boot than to King Kong."
• Joe Getty (07:22): "That's such an interesting union of being invested in characters and how that affects your willingness to suspend disbelief."
• Jack Armstrong (09:01): "I always feel like I walk out of movie theaters and everybody's quiet because they're just like so affected by what you saw."
• Joe Getty (35:19): "If you get further on charm than skill and you carry a workload light enough to float atop your bubbly demeanor, then you might be a personality hire."
• Jack Armstrong (35:55): "So that's how I got hired."
• Sundar Pichai (23:38): "The development of AI will be more profound than the invention of fire or electricity."
• Jack Armstrong (28:10): "It was disturbing... I have no idea what's the best way to prepare them for it."

---

Conclusion

In The A&G Replay Friday Hour Two, Armstrong and Getty seamlessly weave together diverse topics, offering listeners a blend of entertainment, critical analysis, and personal insight. From dissecting unconventional films and lamenting changing societal norms to scrutinizing modern workplace trends and the ominous rise of AI, the episode serves as a compelling commentary on the multifaceted challenges and curiosities of contemporary life.

Transcript

[Steve Post]

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[Jack Armstrong]

Where'd.

[Maddie]

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[Steve Post]

Hi, I'm MRN Lead Pit Reporter Steve Post.

[Joe Getty]

And I'm championship winning crew chief Todd Gordon.

[Steve Post]

Go behind the scenes each week with us for MRN Crew Call where we'll talk to some of the biggest names standing atop the pit box as well.

[Jack Armstrong]

As break down all the exciting action.

[Joe Getty]

From the weekend in NASCAR and go into detail on the winning strategies.

[Steve Post]

Crew Call is also where you'll hear from the first time winners in the.

[Jack Armstrong]

Champions from the NASCAR Cup Series to.

[Joe Getty]

The Craftsman Truck Series.

[Steve Post]

Listen today in the iHeartRadio app or on your favorite pod podcast platform.

[Maddie]

The leaves drift to the ground. The wind rises. Pull up a chair by our fire and listen to stories from the darker side of the past. I'm Maddie.

[Anthony]

And I'm Anthony and on our podcast.

[Jack Armstrong]

After Dark Myths, Misdeeds and the Paranormal. We tell stories of villages and the.

[Maddie]

Death of queens, of Tudor ghosts that will not sleep, and of murder among gravestones.

[Jack Armstrong]

Listen to After Dark from history Hit wherever you get your podcasts.

[Joe Getty]

Broadcasting live from the Abraham Lincoln Radio Studio at the George Washington Broadcast Center, Jack Armstrong and Joe Getty. Armstrong and Getty. And now he's Armstrong and Getty Armstrong. And it's the Armstrong and Getty show, featuring our podcast. One More thing. Download it, subscribe to it, wherever you like to get podcasts.

[Jack Armstrong]

I went to Godzilla minus one over the weekend. Had y'all heard of that? Katie, Joe, Michael, anybody? Had you ever even heard of that?

[Katie]

Never heard of it. I missed that one.

[Jack Armstrong]

Yeah. It's not getting the publicity that normally a blockbuster movie like a Godzilla or King Kong would get, because it's not that kind of a movie at all. I just heard that they're actually our friend Tim Sandifer, who is a man of letters. Only 26 of them had tweeted out that this is the. This is finally a great monster movie. Godzilla minus one thought, oh, okay, cool. And I was still just picturing, like, a regular. Like, we've seen all the Godzilla movies, the modern ones, all the King Kong movies. We've seen Godzilla versus King Kong. We've seen Megalodon 1 and 2, which are the stupidest movies ever made. They're basically Sharknado with a giant shark.

[Joe Getty]

More expensive cast.

[Jack Armstrong]

Yeah, more expensive actors. But that's. I was kind of picturing that, but, like, maybe better, but no, it's not at all. Godzilla -1 is a Japanese movie, subtitles, black and white, and it's a hardcore art film. It's like the sort of thing they would make you watch in a college class, and then you'd have to write a paper about it. It's way closer to that than a. Than a blockbuster movie. And so you don't hear as much about it. And it was huge in Japan. It's doing pretty well in the United States. It has had some Oscar nominations. I don't know how to explain it. Minus one. I guess it's a translation thing. It means Japan was so far beaten down at the end of World War II that they were, like, below world something. That's what the minus one means. And this movie is featured at the very end of World War II and the aftermath when we had just reduced it to rubble. Even before we dropped the atomic bombs, it was rubble. And it's featured in Tokyo mostly. And they're just people living like cavemen, the people that are still alive, scrounging for food, trying to push some boards and rocks together to have something to keep you out of the rain. You know, you're by yourself because your whole family's dead, and you team up with some old lady who. The rest of her family's dead, and you try to make a go of it.

[Joe Getty]

Is this A comedy.

[Jack Armstrong]

It's a comedy. Sort of in line with like, sort of the Three Stooges meets Jim Carrey.

[Joe Getty]

Yeah, yeah. Wedding Crashers.

[Jack Armstrong]

No, it is not a comedy, obviously, starring Will Ferrell. Yes, exactly. A lot of Will Ferrell makes a Jack Black plays a prominent role.

[Joe Getty]

Nice.

[Jack Armstrong]

No, it's a very heavy movie and long parts of it are silent. There's not a sound, no music, nobody talking, no nothing. And it's so quiet in the theater. It's just, like, weird. I don't think I've ever been to a movie that got silent for that long before.

[Joe Getty]

Wow.

[Jack Armstrong]

Wow.

[Joe Getty]

That's interesting, but.

[Jack Armstrong]

And I'm not going to try to describe it, because I couldn't, but just making the point that by the climactic scene where, like, with all Godzilla, King Kong movies, you know, it's time to finally, like, really confront the monster with your best plan to bring him down and save humanity, you know, that is featured in all of those Megalodon or Jaws or whatever. When it gets to that final scene, you feel way more like you're watching Saving Private Ryan or Band of Brothers or something than you do a monster movie. I mean, like, the director managed to make it. Like, you don't even think about it being Godzilla and a giant, you know, radioactive creature that can stomp on people and crush buildings. It somehow, like, that doesn't even matter anymore. It's all about humanity and wartime and sticking together and overcoming adversity and just, you know, it's just. It's hard to explain. I thought it was phenomenal. It no longer even seems. It doesn't even seem weird that you're, like, tugging at my heartstrings in a Godzilla movie. I don't know.

[Joe Getty]

Yeah.

[Jack Armstrong]

Wow.

[Joe Getty]

That's such an interesting, like, union of being invested in characters and how that.

[Jack Armstrong]

Yeah.

[Joe Getty]

Affects your willingness to suspend disbelief.

[Jack Armstrong]

Right. Yeah. Yes, that is exactly it.

[Joe Getty]

I think that was like the Harry Potter formula, although that's obviously fantasy and everybody knows it well.

[Jack Armstrong]

Anyway, this was as gritty realistic as any movie I've ever seen. And it featured a giant monster that can crush buildings under its feet, which doesn't seem like it'd be possible, but in terms of the theater going experience, and there's hardly anybody at this Saturday night, 7:00. I think there were a total of 10 people in there. Wow. Because nobody's heard of it. And it's an art film. And my youngest kid didn't like it much. He didn't like the reading. There's a lot of Reading really fast and his reading is not quite up to. And a lot of really hard words. So he just couldn't quite keep up with it. And. But my. My eighth grader loved it. Thought it was really, really good. It was. It was powerful movie. But the whole movie going experience in the modern world, everybody's got such a great TV with a cool sound system. You got that whole thing. Although I've noticed this before, I have walked out of many movie theaters in my life, like, rattled in some way. Either like, you know, down emotionally or inspired emotionally or fired up emotionally or something like that. And I don't know if that ever happens when I watch on tv.

[Joe Getty]

I think it probably does. I think being at home, you get back to your set point a lot more quickly.

[Jack Armstrong]

You think, that's it.

[Katie]

Well, and you have control to turn it off and change it. But I always feel like leaving.

[Jack Armstrong]

I always feel like I walk out of movie theaters and everybody's quiet because they're just like so affected by what you saw in one way or another. And I never feel that way at home, really. I don't think.

[Joe Getty]

Anyway, maybe there's a. I think there's something about. And I think I was right the first time I. When you leave a movie, other than like zipping up your jacket, all you're doing is walking to your.

[Jack Armstrong]

Putting on my shoes. Putting on my shoes. Because I take off my shoes and socks. Oh, God. Put them on the seat in front of me.

[Katie]

That guy.

[Jack Armstrong]

No, I do not. But that's funny.

[Joe Getty]

So even if you're checking your phone or whatever, you have three to five minutes where you're doing nothing but thinking about what you've just.

[Jack Armstrong]

Maybe that's it.

[Joe Getty]

Whereas, you know, you turn off the TV at home and then you would.

[Jack Armstrong]

Go do something and get the kids to bed or whatever, Right?

[Joe Getty]

Yeah. Yeah.

[Jack Armstrong]

But the dude did. When your kids were younger, did you buy them treats to go to the movie Occasionally. See, I grew up in a family where we never did. It wasn't even a consideration. It's like, we're not getting that stuff because it's too expensive. That's fine. Yep. Already ate. I'm not thirsty. If I'm thirsty, I'll go get a drink of water at the drinking van. I knew a family that would hide.

[Joe Getty]

The treats in mom's purse.

[Jack Armstrong]

But, yeah, you know, I used to.

[Joe Getty]

Yeah, we'd smuggle in popcorn in our pockets.

[Jack Armstrong]

I used sometimes I used to bring beer to the movies all the time.

[Joe Getty]

You gotta wait for a loud part.

[Jack Armstrong]

You Gotta wait for Godzilla to scream before you open your beer. If you open your beer during the silent is the baby gonna die or not scene.

[Katie]

Yeah, your girl has mastered opening a bottle of champagne in a movie.

[Joe Getty]

Nice style points.

[Jack Armstrong]

I remember one time when I kicked over my empty bottle of beer and it rolled all the way down. Clickity clinkity, clinkity, clinkity, clinky.

[Katie]

Oh, yeah.

[Joe Getty]

Been there.

[Katie]

And then what you do is you start looking around like, what is that? Like, you're just confused.

[Joe Getty]

Who is doing that?

[Jack Armstrong]

Somebody brought in some unauthorized food or drink.

[Joe Getty]

And I can't believe somebody would do that in a theater.

[Jack Armstrong]

I think we should pause the movie and go through everybody's pockets until we can find out who this miscreant is. But I think I am going to tell my kids mostly for the noise reason, partly for the money reason. No, we're not doing this. Next time, let's eat before we go. We can even stop and get a treat. But we're not going to buy stuff at the theater. 1. I don't want to listen to you eating and drinking.

[Joe Getty]

Oh, right.

[Jack Armstrong]

I actually took the drink away from one of my kids, like, enough. Because he kept doing the. At the bottom, you know, trying to get the last two sips of through the ice thing. And like, no, you quit. I took it out of his hand and put it in my cup holder.

[Katie]

You blessed every other person with the same sound issue in that. In that theater, though.

[Jack Armstrong]

Right? So. But between the noise, the cost, we spent 50 bucks at the concession stand. Jeez, that's nuts with modern inflation. Yeah. Two kids. I got smalls, but I got in the largest. I don't know. I had to get a loan. I had to apply for a loan. And somebody would. Had to be there to fill up my paperwork and look at my credit score.

[Joe Getty]

And so if this movie is successful, they've got to, you know, continue the theme. And I, you know, on the radio show, I just threw out the idea King Kong at Antietam. Then I don't know, maybe Sasquatch in a house fire where a family loses their house and he takes them in or eats them or I don't know if Frankenstein.

[Jack Armstrong]

Frankenstein's List. If Frankenstein had done Schindler's List.

[Joe Getty]

There you go.

[Katie]

Now you're thinking, yeah, I'd watch it.

[Jack Armstrong]

Yeah. I told people when I got a video, I said, it's way closer to Das Boot than it is to King Kong.

[Joe Getty]

Right. Count Dracula is a gifted cancer doctor, but he has a blood addiction.

[Jack Armstrong]

Right.

[Joe Getty]

But he's noble, but he just can't. He's a junkie.

[Jack Armstrong]

Yeah, exactly. Something like that.

[Joe Getty]

Yeah, that'd be a hit.

[Jack Armstrong]

The Mummy in Philadelphia. So you got the dying AIDS guy.

[Katie]

And the mummy hanging out together?

[Joe Getty]

Yeah, they're hanging out together.

[Katie]

Yeah. Plot twist.

[Jack Armstrong]

Solving crimes or something.

[Joe Getty]

They're actually lovers who solve crimes.

[Jack Armstrong]

My wife and I tried to sneak fajitas into the theater one time. It was really hot and I forgot.

[Joe Getty]

The hot pads, which really, really sizzling and everything.

[Katie]

Yeah, probably smelled so good though.

[Maddie]

Armstrong and.

[Joe Getty]

This is the Armstrong and Getty show featuring our podcast One More Thing. Get it wherever you like to get podcasts.

[Jack Armstrong]

The tease was Too many pansy Ass kids. This is referring to this particular mom who went on the screed in her kitchen with a glass of wine in her hand.

[Michael]

I got a call from my kids assistant principal today because he and his other friend were playing soccer with this other kid at recess. The other kid happened to want to be the goalie and apparently he sucked and so he got really upset because the other boys kept scoring goals on him and there was no teasing involved.

[Jack Armstrong]

I verified.

[Michael]

It was just he was so upset that the kids kept scoring goals that he went to the teacher and cried about it and my kid and the other kid got brought to the principal's office. Do not call me because some soft ass kids feelings got hurt because some kid is better than him at sports. Stop coddling your kids, especially your sons. Because let me tell you right now what no woman wants someday is to have to coddle their husband. Stop raising pansy ass kids. Teach your kids how to be confident in themselves and how to emotionally freaking figure their out and stop with the BS now.

[Jack Armstrong]

We got this text in response to playing that earlier. Oh my God I love that recording you just played. This is so true. My kids school has a no running on the playground rule while always what.

[Joe Getty]

My kids buy is that I could. I could throw on the black bandana and slit throats to quote H.L. menken over that.

[Jack Armstrong]

What?

[Katie]

No, I'm just missing something. What?

[Jack Armstrong]

You're not too dangerous? No, you're not missing something might fall. My my kids school, they don't have it all the time but if it is rained anytime in the last week you're not allowed to run because the grass could be too wet.

[Joe Getty]

I think I'm a fascist for even talking about this. According to something I read. But when we conduct the great experiment, conservatives get half the country and progressives get the other half and we see how it goes there's going to be all the run. And you. I almost dropped an F bomb. Which I can, I suppose, but I'd prefer not to. You can run all the effing much you want in conservative America, kids. Go out there, play soccer, skin your knees, get sweaty, get to blow off steam. Then we'll get back to school and learn and we'll. We'll compare test scores at the end of it, huh? We used to love to play soccer on wet fields.

[Jack Armstrong]

And we would slide in the.

[Joe Getty]

Yeah, that was part of the fun.

[Jack Armstrong]

Oh, God.

[Katie]

Even after it would rain on the. On the cement outside, we used to run and pretend we were skateboarding and try to see who could slide the farthest. Oh, I got my. I hurt myself so many times doing that, but it was a blast.

[Joe Getty]

None of that. None of that anymore. Good Lord, think of the liability. Katie, you maniac.

[Jack Armstrong]

God. We played kill the man with the ball in the pouring rain all the time. And, I mean, that was a violent game.

[Joe Getty]

You know, I realize people are self selecting to some extent anyway, and I'm.

[Jack Armstrong]

Not exactly a Navy seal.

[Joe Getty]

Nor I. Please. What? But people are self selecting to some extent anyway. But I so want to figure out a way to do this because they're like schools, charter schools, like the John Adams Academy. And there are other examples that, like, do school the way school ought to be done. And you can run all you want at recess and you learn and you learn the important stuff and you behave in class and the kids come out all smart and educated. It works. It works. And the fact that government union schools now don't work is an indictment on them. But I would love to start some sort of, I don't know, colony or outpost, I guess it's called Idaho Conservatania. And there would be no ugliness, no racism. No, it would not be some sort of Mika Brzezinski fever dream of what a conservative place would be. Everybody would get their constitutional rights, and by God, we would enforce that. And if you break anybody's rights, we break your neck. But anyway, I would so love to conduct that experiment.

[Jack Armstrong]

Yeah, I would like to see it play out also. So she finishes up. My son got sent to the office and received a citation for running on the playground. So there's that issue that's mostly to do with lawyers and the way our court system works and juries. So I don't even know what to do about that because the school would tell you, look, I think it's freaking stupid, too, but we were just told we're going to lose our insurance policy if we let kids run on the school in school and get anybody gets hurt. So what are you going to do? So I hate that for that's own thing. Then you have this different topic. The school also told the kids they're no longer allowed to play kickball because the kids spent so much time arguing about the kids cheating. Way to teach the kids how not how to work through conflict. That's not the lawyers or the insurance company. That's the. We think conflict is always bad and so we're going to solve the conflict by not letting them play. They do this at my kids school too. Like when I was a kid a lot of us would bring our own Nerf football or own glove or ball or bat or whatever. You're not allowed to bring any sporting equipment because one kids might fight over it or you might have a nicer football than the other kid does and that'd make them feel bad and all that sort of stuff.

[Joe Getty]

I know we're doomed, Katie. We're doomed as a society.

[Jack Armstrong]

They have a limited number of balls and there's like three and whoever gets to them first gets to play during recess with him and nobody else gets to.

[Katie]

Okay, I apologize for taking it back to this place but. So all of this is going on but these kids can decide to identify as something else or get all.

[Jack Armstrong]

Yeah, yeah, exactly. You can, you can change into a different sex and yeah. Secret. But you can't run in the yard.

[Katie]

Yeah, you can make moves to mess them up hormonally for the rest of their lives but don't you run on that wet grass.

[Jack Armstrong]

Yeah, that's pretty amazing that those two things are happening at the same time.

[Joe Getty]

You know speaking of which. And here's a preview of a screed you'll hear on the air in the next day or two. There are some fairly high profile lawsuits that are going to go the right way against the gender bending cruel experiments on kids crowd. They're going to bring them to their knees and we need more and more and more of that. These and it's, it's. I don't mean to seem like I'm gloating because it's tragedy, but some of the victims of these ideological lunatics are starting to move into adulthood and realize what's been done to them and are not happy about it. It can't happen fast enough.

[Maddie]

Jack Armstrong and Joe Getty, the Armstrong and Getty show.

[Steve Post]

Head over to NFLShop.com today for the largest collection of officially licensed gear from all your favorite brands. NFL Shop is your ultimate destination for the official NFL Sideline Collection worn by players and coaches on game day. Explore the same sideline and on field gear worn by your favorite players and coaches at NFL Shop. To shop now, go to NFLShop.com ready.

[Todd Gordon]

To unleash the power of 4K Vizio's 4K TV collection has you covered with sizes ranging from 43 inches all the way up to a jaw dropping 86 inches screen. Experience stunning clarity like never before, bringing your favorite shows and movies to life. And with Watch Free plus built in, you'll enjoy free live and on demand TV right out of the box. You can even stream your favorite songs with the iHeartRadio app ready to go on every Vizio 4K TV. Upgrade your entertainment. Head to Walmart to find your Vizio 4K TV today the leaves drift to the ground.

[Maddie]

The wind rises. Pull up a chair by our fire and listen to stories from the darker side of the past. I'm Maddie.

[Anthony]

And I'm Anthony and on our podcast.

[Jack Armstrong]

After Dark Myths, Misdeeds and the Paranormal. We tell stories of villages and the.

[Maddie]

Death of queens, of Tudor ghosts that will not sleep, and of murder among gravestones.

[Jack Armstrong]

Listen to After Dark from history. Hit wherever you get your podcasts.

[Joe Getty]

Hi, this is Mike Bagley. Join me along with the cast and crew of the Motor Racing Network for NASCAR Live. Hear exclusive interviews. It's my responsibility as a driver to leave the sport in a better place than it was when I got here. The best moments from each of NASCAR's premier series, they bang sideways at the line, photo finish, an in depth breakdown to the latest NASCAR news, and more. It's NASCAR Live. Listen today in the iHeartRadio app or on your favorite podcast platform.

[Maddie]

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[Joe Getty]

The Armstrong and Getty show featuring our podcast One more thing. Download it, subscribe to it, wherever you like to get podcasts.

[Jack Armstrong]

So I read this article in the Wall Street Journal. The title was the chess master trying to propel Ghoul's AI Push. They hired a new guy, Chest. The game of chest. They hired this genius at Google to try to make sure that they win the whole AI race. But what's the guy who runs Google? Pichai. What's. How do you say his name?

[Joe Getty]

Sundar Pichai.

[Jack Armstrong]

I hadn't heard this quote. He thinks that the development of AI will be more profound than the invention of fire or electricity. If he's right about that, we better hold on to our seats because holy crappings. I mean, and this fits in with what I saw at the Sphere. So the Sphere is all about super high tech stuff. Henry, my son even asked me, what's the theme here? Because there's lots of math equations on the wall and lots of planets. And I just. I don't know if it was just science or exploration or I don't know what the theme was of the building because originally it was a U2 show for the first week. So why are all these math equations on the. To see Bono, but technical accomplishment. In the lobby they had this AI chick. So it was a robot is like your latest, coolest robot that I'd seen videos of before and like I said earlier, too hot. I don't know why you got to make the robot side. I mean, why she, you know, make her look like a normal person. But she's standing there and she's talking to the crowd. She's on a little stage and she's talking to the crowd. And she would ask people questions. Somebody asked me a question and somebody say something. She'd say, what's your name? And he would say, Billy. Okay, Billy, what would you like to ask me? Like your red shirt, Billy? You know, that sort of thing. Just conversing with this AI computer. And it was disturbing. And it was one of those that has the ability for the face to move so not just mouth opening and closing and like eyes, but like the cheeks and the like.

[Katie]

Expressions.

[Jack Armstrong]

Yeah, expressions. That's the word. It had full facial expressions and it was disturbing.

[Joe Getty]

And it was 2000 and was having.

[Jack Armstrong]

Conversations with these people. And no matter what you brought up, it would. It would engage in it or ask you about how your day was or tell you something. And I thought, this is clearly going to be in a classroom someday. Why would you have individual teachers teaching Hamlet every year when you got this robot who knows more about Hamlet than any individual human being has ever known, can do the same routine every year, every semester, and answer questions and it's hot.

[Joe Getty]

That's all I need.

[Jack Armstrong]

But, I mean, in terms of taking over jobs, it was disturbing. Henry and I especially couldn't stop watching it. We even went back to watch more after the Sphere show. It's like, this is crazy that this is even happening.

[Joe Getty]

Well, yeah. I could see virtually every university class being you got, whether sexy or not, a robot teaching the class, you know, giving the material, answering questions from its vast, unending trove of knowledge on the topic. And then if you still have a question as a student or you need something clarified, you just get on a chat, a computer chat, like you're trying to figure out why your whatever doesn't work. And that'll be the university experience.

[Jack Armstrong]

Yeah, I don't know what it wouldn't be able to answer, especially in the near future. Keeping in mind that whatever we saw on Friday, they've probably got better technology already today, as we record this on Tuesday, and five years from now, it'll be that much better than that. So why won't that be the person doing the sales presentation over there in the boardroom in front of your salespeople? And it can answer the questions of. Yeah, but what do I do if, you know, if a client says this? Well, this is what you do, because it knows more than anybody.

[Joe Getty]

Yeah.

[Katie]

Have you guys heard about the Uncanny Valley with this AI and the robotics and whatnot? It's a part of our brain that gets really uncomfortable when you start getting into that area where it's kind of a human, but, you know, it's not a human.

[Jack Armstrong]

Henry was having that problem. What's that called?

[Katie]

It's called the Uncanny Valley.

[Jack Armstrong]

Wow. Henry was having.

[Joe Getty]

That is the basis of so many horror creatures in horror movies. You make it all almost human. It's disturbing to us.

[Jack Armstrong]

Yeah. Henry was having that, and he said, I'm. This is going to give me nightmares tonight.

[Katie]

Yeah, it's a whole genre of horror that's like, blowing up right now, especially because these robots are popping up all over the place and kind of give people the ick.

[Jack Armstrong]

The facial expressions on this robot were the most disturbing part, is that it would answer, you know, a kid's question or an adult's question or whatever. And just the facial expressions like looking interested and then, well, that's interesting. And puzzled and just. And not like cartoonishly interested or puzzled, but like an actual human being. It was weird.

[Joe Getty]

So at the risk of sounding like a Guy Cullen, some sort of sex line of the past, what was the hot bot wearing?

[Jack Armstrong]

Like a sex bot? Like a unitard.

[Joe Getty]

Oh.

[Jack Armstrong]

Sort of thing. So it had bare legs even though they were gray, like the color of carbon fiber.

[Katie]

I mean, was it not like she blonde, was she brunette?

[Jack Armstrong]

Not like carrion gray, but like gray like carbon fiber.

[Joe Getty]

There are many hues of humans around the world and we're all deserving of love, Jack. But gray is generally reserved for the dead.

[Jack Armstrong]

She was shaved headed but like really well built, attractive woman and very pretty. And obviously if you want to go that direction and it is Las Vegas, they will have those with blonde hair or brown hair or whatever hair color you prefer doing whatever you want to do over there. I'm sure at some point they may already. And they might already. Yeah. Talk. Yeah. That's a different level of where that's.

[Katie]

An extra you can tack onto your room.

[Jack Armstrong]

But having seen that and having Sanjay Patai or whatever his name is say this is going to be as big as fire or electricity. Even if he's half right with what I just saw, we have no. We human beings aren't ready for what's about to happen.

[Joe Getty]

True. I believe that to be true. Yeah. There could be a sharp turn unlike any other. Sharp turn.

[Jack Armstrong]

Yeah.

[Joe Getty]

Right ahead of us.

[Jack Armstrong]

Yeah. And I'm old enough that I'm going to catch it, you know, at the tail end of my life and have to adjust. My kids are going to grow up in a world that I can't even imagine now. They can't imagine. I have no, I no idea what's the best way to prepare them for it. Neither does anybody else.

[Joe Getty]

Meanwhile, he says brainstorming his screenplay. The third world is going to send wave after wave of millions of armed people to come and take it.

[Jack Armstrong]

Right.

[Joe Getty]

Because they're still without as we, the developed world will be basking in the wealthy glow of the AI affluence that's coming our way.

[Jack Armstrong]

Oh, I had one more question I want to ask Katie. And this is just about the way some people dress in Las Vegas. Women who are dressed crazy like I'm a stripper outfit in Las Vegas. That is what is going on there.

[Katie]

Mostly that unfortunately that's just like the Vegas club attire.

[Jack Armstrong]

So that's just the vibe. If you're going to go to a club. Yeah.

[Katie]

If you have a really short dress that you're not too sure. Sure where you could ever wear it, you take it to Vegas.

[Jack Armstrong]

Okay. It's true. It doesn't stand out as weird there. Whereas it would at the company Christmas party or certainly Easter Sunday services.

[Katie]

Right.

[Jack Armstrong]

But yeah.

[Joe Getty]

Don't put on your whole wear for Easter Sunday.

[Jack Armstrong]

I kidding. But even if you went to a bar or something. Yeah. Dressed like that. You'd stand out as what?

[Joe Getty]

Yeah.

[Jack Armstrong]

But there's so many women dressed like that there. Like how do you even walk in those shoes? You're. If you, you know, don't bend down to pick up your keys or I'm gonna, you know, my kids are gonna be exposed to something. It's just. Okay. I just wonder what.

[Joe Getty]

I think people enjoy escaping their workaday lives and they get to be somebody different. Cool.

[Jack Armstrong]

Cool. And what happens there stays there. As it famously said. It's tough to walk through those casinos with a couple with a 12 year old and a 14 year old though. Oh, that's just the boys.

[Joe Getty]

It's like educational.

[Jack Armstrong]

God, if I hadn't walked through there. I was just thinking about this. If my dad had taken me through there when I was a 14 year old boy, holy crap. I'd have never stopped thinking about it. I never saw stuff like that in real Life. At age 14 I'd have run off.

[Joe Getty]

And hidden behind a slot machine and attempt to stay there permanently.

[Katie]

He'd still be there.

[Joe Getty]

Exactly. Go ooching around like Gollum in the shadows.

[Jack Armstrong]

I'm surprised. I'm surprised. At some point I didn't say where's Sam? And Henry says he's back there and he's just locked up. Locked up with his eyes wide.

[Joe Getty]

Too much. Too much.

[Maddie]

Jack Armstrong and Joe Getty the Armstrong and Getty show.

[Steve Post]

Head over to NFLShop.com today for the largest collection of officially licensed gear from all your favorite brands. NFL Shop is your ultimate destination for the official NFL sideline collection worn by players and coaches on game day. Explore the same sideline and on field gear worn by your favorite players and coaches at NFL Shop. To shop now go to NFLShop.com.

[Todd Gordon]

Immerse yourself in a world of over a billion vibrant colors with Vizio's quantum QLED TVs. No matter where you're sitting, everyone gets the perfect view thanks to wide viewing angle. Enjoy truly immersive gameplay with 120 FPS at 1080p. You can even stream your favorite songs with the iHeartRadio app. Ready to go on every Vizio Quantum TV from movie nights to gaming marathons, the Vizio Quantum TV delivers unparalleled performance and picture. Head to Walmart to find your Vizio Quantum TV today.

[Anthony]

History has made this world of ours History is the reason I'm talking to you in English from a place called the UK with its castles, its warm beer and cricket. It's why the United States doesn't have King Charles and its currency, but Canada does. I'm Dan Snow and I host Dan Snow's History Hit Podcast. If you want to know the origin stories of the cities we inhabit, why we've always been drawn dictators, or the long history of what's going on in the Middle east, we've got you covered. Learn about the past and understand our world today. Listen to Dan Snow's History Hit wherever you get your podcasts.

[Steve Post]

Want to know the latest in short track racing around the country? There's one show that has you covered.

[Jack Armstrong]

NASCAR coast to Coast. Hi, I'm Kyle Rickey. Join Chris Wilner and I each week.

[Steve Post]

As we break down the biggest headlines.

[Jack Armstrong]

In NASCAR's regional and touring series.

[Joe Getty]

What has been told from NASCAR to.

[Jack Armstrong]

Bowman Gray management is that it's not broke, don't fix it.

[Steve Post]

That's NASCAR coast to Coast.

[Jack Armstrong]

You can listen today in the iHeart app or on your favorite podcasting platform.

[Kyle Rickey]

Looking for excitement? Chumba Casino is here. Play anytime. Play anywhere. Play on the train. Play at the store. Play at home. Play when you're bored. Play today for your chance to win and get daily bonuses when you log in. So what are you waiting for? Don't delay. Chumba Casino is free to play. Experience social gameplay like never before. Go to Chumba Casino right now to play hundreds of games, including online slots, bingo, Slingo, and more. Live the chumba [e-mail] VGW Group no purchase necessary void were prohibited by law. See terms and conditions 18/.

[Jack Armstrong]

Hey, we're Armstrong and Getty. We're featuring our podcast. One more thing. Find it wherever you find all your podcasts.

[Joe Getty]

I've never run into the concept of a personality hire before. The Wall Street Journal was writing about this. Have you ever heard this term, Katie, Just out of curiosity?

[Katie]

No, as yours, no, I have not.

[Joe Getty]

Younger and hipper so as the Journal describes it, if you get further on charm than skill and you carry a workload light enough to float atop your bubbly demeanor, then you Might be a personality hire. And this has actually become a thing. Charismatic, friendly, likable employees who might not be that great at their job or even work that hard. But employers are so desperate for any sort of joy and camaraderie in the workplace, they're hiring these people. They call them personality hires.

[Jack Armstrong]

Wow. So that's how I got hired.

[Joe Getty]

Exactly, Mr. Personality.

[Jack Armstrong]

Me too, Michael. So I'm thinking of somebody right now. I won't say their name. They're out there in the newsroom. I could see hiring them because of their personality, because they just make the whole room better. Everybody's happier when they're around, I can tell. Just because of their personality.

[Joe Getty]

Well, here are a couple of factors in this case.

[Jack Armstrong]

They're also competent. But I would, I would like, I would have hired this person if they were not quite as competent as person X. Just because their personality is the kind of place that's going to make the place more lively and happy.

[Joe Getty]

Sure. Yeah. Well, here they quote. They start off the article quoting this one gal who's definitely not a personality hire. She's very matter of fact, person just gets crap done. But she says, oh, some people actually proudly advertise themselves as personal personality hires on LinkedIn, by the way.

[Jack Armstrong]

Interesting.

[Joe Getty]

So they quote this gal who's not that and finds it very annoying and described.

[Jack Armstrong]

Well, you're like me. We kind of, we kind bitterly are resentful against people who are like that because we're not.

[Katie]

And they're advertising it though. That's what I'm like. Why wouldn't want to advertise, hey, I'm not very good at my job, but I'm funny.

[Joe Getty]

Well, you leave that first part unsaid.

[Jack Armstrong]

Right.

[Joe Getty]

But she cites she worked with a personnel personality hire in a previous job. Though fun to be around, the person eventually generated resentment, didn't really pull her load. And after winning a promotion, prompted several co workers to quit. There's just too much.

[Jack Armstrong]

Well, I would, I would think if they're not good at their job, that's not enough to overcome it. But I'd never thought about this before. I could see hiring somebody, you know, if you're going to weigh them on a bunch of different things, man. Lump in the hole brings the room up as opposed to down.

[Joe Getty]

So bosses want the warm and fuzzies as the mood at work is generally sour. One third of U.S. employees say they're engaged in their jobs. Only a third near an all time low. Half workers say they feel a lot of stress. Half are interested in new jobs or are actively applying. With so many lonely, unhappy charges, bosses are desperate for good workplace energy. They say camaraderie is hard to build on hybrid schedules. So they prize upbeat employees whose energy is hopefully infectious. Then they quote a bunch of people and recruiters from various industries and saying, yeah, we really. We really need more people.

[Jack Armstrong]

Oh, it's clearly true. I haven't had a job I don't like in a long, long time. But when I worked jobs that I didn't like, oh, there were certain people that made it bearable. And when they weren't there, it was awful.

[Joe Getty]

Right. Or if they quit, everybody was like, I can't do this anymore.

[Jack Armstrong]

Right.

[Katie]

I wonder if they're hiring these people to make it more appealing to come back into the office, too, like, after Covid.

[Joe Getty]

That's got to be a factor. Sure. Yeah. So. But anyway, this. There's this comedian gal who has done a couple of bits about being a personality hire that I think are brilliant and illustrating what it is all about. Her name is Vienna Isla, and it's clip 15.

[Todd Gordon]

Michael, what's the project about today?

[Maddie]

I have no idea. Do you guys think we need to get an extension?

[Todd Gordon]

Yeah, we can't call Greg. He's so scary.

[Maddie]

So Greg is our CEO. I'll call Greg.

[Todd Gordon]

What?

[Jack Armstrong]

Really?

[Maddie]

Of course.

[Todd Gordon]

Are you sure?

[Maddie]

Yeah, yeah, yeah, yeah. Let's call Greg.

[Todd Gordon]

Greg is so terrifying.

[Maddie]

Greggy. Hey, you.

[Jack Armstrong]

Where are you?

[Maddie]

How are your kids?

[Jack Armstrong]

I didn't know that star is doing school production. Annie. I love Annie.

[Todd Gordon]

She's playing Annie.

[Maddie]

Oh, Greg, that's so amazing. Hold on one sec. Greg, what am I asking?

[Jack Armstrong]

Presentation. Yeah.

[Maddie]

Greg, you don't have to stand here and talk Annie with you all day. But, Greg, I have to ask you something. We're gonna need a couple days. Greg. Take a week. Oh, yeah, let's touch base next week. I want to come to Annie. Back to the important stuff. Where are you? I'll come meet you right now. Yeah, let's freaking eat a brioche and talk. Annie, my guy.

[Todd Gordon]

I'll be right back.

[Jack Armstrong]

Oh, my God.

[Todd Gordon]

Thank you.

[Joe Getty]

Thank you.

[Maddie]

Right, I'm coming to you.

[Joe Getty]

And then there's another bit where they have the. The permit revoked for an event at the last minute, and they're like, oh, my God. The only way we could deal with this is to, like, have the mayor on our side. She says, the mayor? The mayor's in my ass and abs class. I'll call her right now. She comes.

[Jack Armstrong]

Hello, girl.

[Joe Getty]

What's going on? Oh, my God. You don't need that class. Your ass is amazing. Anyway. And she gets the permit, reinstated the ass. She's just a schmoozer and a networker and that sort of super upbeat person does. But. And it's harder to tell without the visuals in that first video. But she doesn't know anything about the project. Then she gets the. On the call with Greggy and says, what am I asking for again? To her co workers. An extension. Oh, right, right, right. She goes into that. So it's a parody, obviously, but that's what we're talking about.

[Jack Armstrong]

I've never. I don't think enough attention is paid to, like, chemistry in a group of people for work. I don't. I don't think most bosses ever even think about it. They should. And now in the modern world of boy, like they said, the hybrid working in Zoom, I'm not sure any of that translates to zoom.

[Joe Getty]

Yeah, yeah. You know, I meant to talk about this on the show. Maybe I will. But I was talking to my son who's just about to turn 30, and he was talking about. And he's been a performer of various sorts for a very long time. He's a musician and gifted actor who decided not to act. That's fine. But he said coming out of COVID the very thought of performing just seemed enormous and terrifying and overwhelming. Just so. And it's worth mentioning he lived. He lives in Oregon, which is so cultish in its. Or was in its adherence to every COVID policy. And as a show of hating Trump, they wouldn't let their children play with other children for a year and a half. And it's just devastating to so many people of so many ages, even people in their 20s. It's horrible. Anyway, speaking of people who have difficulty communicating and communing and looking people in the eye and the rest of it, man. Covid Deco Declan, my son said to me, he said, I know a lot of people who are really damaged by it and they're not healing very quickly.

[Katie]

Was it. Was it just the act of having to go out and perform again, or was. Were there people that weren't going to the shows? What made it so much more difficult post Covid?

[Joe Getty]

Well, because everything was so locked down. You just. You had like your roommate and you would interact with a. Maybe somebody at work if you were allowed to work a little bit. It was like living in solitary confinement in a prison. Obviously not that bad.

[Jack Armstrong]

But I know a couple of people who talk about that dark period where they. They didn't have any communication and they would, you know, struggle to have any opportunity just to, like, wave to another car far away. Like, all right, I didn't live that way, so I didn't live that way at all.

[Joe Getty]

I guarantee they lived in a blue state. There was a prominent musician who I think is a wonderful songwriter, but he tweeted at one point that he felt bad for his kids because his kids hadn't had a playdate or hugged another child or whatever for a year. I wanted to fly to Portlandia, where he resides and punch him in the stomach and just to wake him up and say, what are you doing? And all the data about children and being fine was out there, all of it. But you had to virtue signal how much you despised Trump by torturing yourself and your loved ones. And Declan lived in the midst of that. And anyway, sorry to get started on that stuff, but it's a.

[Katie]

Well, no, it's a reality a lot of people are dealing with still.

[Joe Getty]

And that's why his company needs a personality hire to jazz things up a little bit.

[Todd Gordon]

Full circle Armstrong and Getty.

[Steve Post]

Head over to NFLShop.com today for the largest collection of officially licensed gear from all your favorite brands. NFL Shop is your ultimate destination for the official NFL Sideline collection worn by players and coaches on game day. Explore the same sideline and on field gear worn by your favorite players and coaches at NFL Shop. To shop now, go to NFLShop.com.

[Todd Gordon]

Immerse yourself in a world of over a billion vibrant colors with Vizio's quantum QLED TVs. No matter where you're sitting, everyone gets the perfect view thanks to wide viewing angles. Enjoy truly immersive gameplay with 120 FPS at 1080p. You can even stream your favorite songs with the iHeartRadio app. Ready to go on every Vizio Quantum TV. From movie nights to gaming marathons, the Vizio Quantum TV delivers unparalleled performance and picture. Head to Walmart to find your Vizio Quantum TV Today.

[Anthony]

History has made this world of ours history is the reason I'm talking to you in English from a place called the UK with its castles, its warm beer and cricket. It's why the United States doesn't have King Charles and its currency, but Canada does. I'm Dan Snow and I host Dan Snow's History Hit podcast. If you want to know the origin stories of the cities we inhabit, why we've always been drawn dictators, or the long history of what's going on in the Middle east, we've got you covered learn about the past and understand our world today. Listen to Dan Snow's history hit wherever.

[Jack Armstrong]

You get your podcasts the 2004 NASCAR.

[Joe Getty]

Cup Series championship was won in dramatic fashion.

[Jack Armstrong]

Well, they changed right side tires. Only the entire wheel came off.

[Joe Getty]

But what happened throughout the year is what makes it one of NASCAR's biggest seasons. Here are all the stories on NASCAR Live presents 2004 Chasing History but he climbed up on the pit box and someone came over and got ahold of him and then it was on. NASCAR Live presents 2004 Chasing History. Listen today in the iHeartRadio app or on your favorite podcast platform.

[Kyle Rickey]

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