The A&G Replay Monday Hour One

Summary

Podcast Summary: Armstrong & Getty On Demand - The A&G Replay Monday Hour One

Release Date: February 17, 2025
Host/Author: iHeartPodcasts
Podcast Title: Armstrong & Getty On Demand
Episode: The A&G Replay Monday Hour One

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Introduction

In this episode of Armstrong & Getty On Demand, hosts Jack Armstrong, Joe Getty, Katie, and Michael dive into a variety of engaging topics ranging from personal career aspirations and parenting challenges to critiques of Hollywood’s latest offerings and dilemmas in the restaurant industry. The discussion is enriched with humor, insightful anecdotes, and sharp commentary, making it a compelling listen for both regular followers and newcomers alike.

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1. Career Aspirations and Parenting Challenges

The conversation kicks off with Katie sharing anecdotes about her children's evolving career dreams. She highlights the contrast between her oldest son's pragmatic approach to future planning and her younger son's whimsical aspirations.

• Katie on Children's Aspirations:

  • “My oldest son is in the [..] how you like, seriously have to start thinking about what you might want to do with your life. But my younger son is at the kind of more fanciful age of what do you want to be when you grow up.” (01:26)

• Joe Getty on Traditional Roles:

  • “Rearranging cattle is honorable work.” (01:51)

Katie reminisces about her own opportunity to pursue a cowboy profession but chose a different path, opting to become a feed truck driver instead.

• Katie on Career Choices:
  • “But I was gonna ask everybody before I get to what my youngest son's current plan is, which is kind of funny for you.” (01:20)

Michael shares his journey from aspiring marine biologist to archaeologist, eventually finding his passion in radio during his teenage years.

• Michael on Career Evolution:
  • “I went from marine biologist to archaeologist and then another good one, ended up in radio.” (03:18)

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2. Mentoring and Career Development

Joe Getty emphasizes the importance of mentoring programs and educational support, especially for students in underprivileged areas. He reflects on his own late discovery of a passion for radio, attributing it to a lack of exposure to clear career paths in his youth.

• Joe Getty on Mentoring:
  • “There are lots and lots of kids like that that are kind of doomed to not pursue their dreams or even understand what their dreams are because they haven't seen somebody do it.” (11:58)

Katie echoes the sentiment, discussing how unforeseen interests can redirect career paths and expressing contentment with her current trajectory despite earlier aspirations to join the Marines.

• Katie on Career Satisfaction:
  • “But I'm really happy with the way things turned out in my, my career this way.” (05:35)

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3. Health Insights: Stress and the Immune System

The hosts transition to discussing recent studies on how psychological stress impacts the immune system. They delve into how moderate stress can impair immune cells, exacerbating conditions like allergies and eczema, while extreme stress may trigger the body to enter a heightened state of alertness.

• Joe Getty on Stress Research:
  • “Psychological stress impairs specialized immune cells called macrophages by making them forget quote unquote how to clean up certain cells in the skin.” (14:04)

Katie relates this to personal experiences, noting how finals week often coincided with getting sick and recounting stories of individuals whose health was dramatically affected by high-stress situations.

• Katie on Personal Anecdotes:
  • “I've seen this, I've known people who've done this, seen this before.” (15:23)

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4. Hollywood Critique: The Case of "Amelia Perez"

A significant portion of the episode is dedicated to critiquing the fictional movie "Amelia Perez," which the hosts describe as a blatant attempt at Oscar bait with a convoluted plot that merges themes of transgender identity and Mexican drug cartels. The consensus among the hosts is that the film is more of a satirical commentary on Hollywood trends rather than a genuine cinematic achievement.

• Joe Getty on "Amelia Perez":

  • “It's the most blatantly Oscar Bait woke movie Hollywood has ever come up with. But the hilarious part is it's also terrible.” (18:10)

• Katie on the Film's Reception:

  • “It's currently the most likely movie to win best picture. Of course it is.” (17:41)

• Michael Comparing to Popular Media:

  • “That sounds like something I would have heard on Family Guy, right?” (23:55)

The hosts also discuss the film’s nominations, pointing out the irony of prestigious recognition despite its poor critical reception, as reflected in its Rotten Tomatoes scores.

• Joe Getty on Critical Reception:
  • “The tomato meter, which is critics, 74% positive. That's. That's pretty good. The popcorn meter. Actual movie viewers, 19%.” (30:21)

The discussion underscores the tension between critical acclaim and audience reception, while also mocking the superficiality of award-driven filmmaking.

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5. Restaurant Etiquette: Tipping and Service Charges

In the latter part of the episode, Katie raises a contentious issue regarding restaurants adding a 20% service charge to bills and the ensuing confusion over whether additional tipping is expected. This sparks a lively debate among the hosts about tipping norms and the financial implications for diners.

• Katie on Service Charges:

  • “If they add 20% and I'm supposed to tip 20%, that's 40% on top of my meal. That's a no go.” (34:51)

• Joe Getty's Take:

  • “That is the tip.” (35:34)

Katie shares her experience at Gordon Ramsay’s restaurant, where the added service charge led to uncertainty about proper tipping etiquette, prompting her to seek advice from listeners.

• Katie Seeking Listener Input:
  • “If you know, text line 415295KFTC. But what the hell.” (35:31)

The conversation highlights the broader issues of transparency in restaurant billing and the financial strain on customers faced with mandatory service charges.

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6. D.C. Restaurants and Political Climate

The hosts also touch upon how political tensions have permeated the restaurant scene in Washington D.C., citing examples of restaurateurs becoming more outspoken and the impact of political affiliations on dining experiences.

• Joe Getty on Political Outspokenness in D.C. Restaurants:
  • “Restaurant owners became much more politically outspoken. They were part of the resistance, and Trump officials became social pariahs when dining out.” (32:35)

Katie reflects on her previous experiences in D.C. during the Trump administration, noting a shift towards increased political expressions in dining establishments.

• Katie on Changing Dynamics:
  • “When Trump got elected, he was being treated like a regular president. I mean, the number of, of Trump shirts, hats, pins, inauguration, 47th president stuff that I saw, there was nothing like that in 2017 when I was there for the inauguration.” (33:52)

The discussion underscores the intertwining of politics and everyday social spaces, illustrating how external societal shifts influence local business practices.

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Conclusion

Armstrong & Getty On Demand delivers a multifaceted episode that weaves personal narratives with broader societal observations. From parenting and career reflections to sharp critiques of Hollywood and discussions on social etiquette, the hosts provide a rich tapestry of content that is both entertaining and thought-provoking. Notable quotes and candid exchanges make this episode a standout replay, offering listeners valuable insights and plenty of laughs.

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Notable Quotes with Timestamps:

• “Rearranging cattle is honorable work.” – Joe Getty (01:51)
• “I think running up against reality, honestly realizing I'm not really good enough for that and I have other interests now.” – Joe Getty (04:52)
• “Psychological stress impairs specialized immune cells called macrophages by making them forget quote unquote how to clean up certain cells in the skin.” – Joe Getty (14:04)
• “It's the most blatantly Oscar Bait woke movie Hollywood has ever come up with. But the hilarious part is it's also terrible.” – Joe Getty (18:10)
• “If they add 20% and I'm supposed to tip 20%, that's 40% on top of my meal. That's a no go.” – Katie (34:51)

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For more insights and engaging discussions, subscribe to Armstrong & Getty On Demand on your preferred podcast platform or visit armstrong.com.

Transcript

[Jack Armstrong]

Broadcasting live from the Abraham Lincoln Radio Studio at the George Washington Broadcast Center, Jack Armstrong and Joe Getty.

[Joe Getty]

Armstrong and Getty. And now he.

[Katie]

Armstrong and Getty Strong and not live from Studio C. Armstrong and Getty. We're off for taking a break. Come on. You get a break, we get a break.

[Joe Getty]

Enjoy this careful, beautifully curated Armstrong and Getty replay. And as long as we're off, perhaps you'd like to catch up on podcasts. Subscribe to Armstrong and Getty on Demand or One More Thing. We think you'll enjoy it. 30.

[Katie]

I want to be a cowboy. It's one More thing. Armstrong and Getty.

[Joe Getty]

One more thing.

[Katie]

So my kind, my kids are kind of in that age. You know, my, my oldest son is in the where you like, seriously have to start thinking about what you might want to do with your life. But my younger son is at the kind of more fanciful age of what do you want to be when you grow up? And so we have these conversations on a regular basis. You know, like when you're a really little kid, you want to be a, I don't know, astronaut or a cowboy.

[Joe Getty]

Rearranging cattle is honorable work.

[Katie]

It is.

[Joe Getty]

Cowboy.

[Katie]

I actually ended up working in a place where I could have been become a cowboy, if that's what I wanted to do.

[Michael]

Cowboy. You wear boots on the beach.

[Katie]

That was the actual job was I was working at the feedlot. And at some point you take the do you want to do go the feed truck driver route or do you want to go the cowboy route? And I want the feed truck driver route because I I don't know, I wasn't planning on being cowboy is more like a life profession. That's not something you just do for a year. That's like you're going to be your life. But I was gonna ask everybody before I get to what my youngest son's current plan is, which is kind of funny for you. What he wants to do is life. What did you want to be when you grew up? Katie?

[Michael]

I wanted to be a marine biologist.

[Katie]

That's a good one, because you saw Seinfeld and that's what George Costanza said he was. I've always wanted to pretend to be a marine biologist.

[Joe Getty]

I think both of my daughters may have had a, a time where they wanted to do that. You see dolphins and sea turtles and all sorts of endearing creatures. They're at risk. You want to do, yeah, it's, it's fine profession.

[Katie]

And what, at what point did you decide you didn't want to be that or maybe you don't even remember because, like some of my stuff, I don't remember ever making a decision or. It's not like I looked into it. Well, it looked to me like, according to the actuary tables, that people die at a young age in this profession and you only make this much money, so perhaps I'll turn my gaze towards something else. That's not the way it usually works.

[Michael]

But yeah, that's not how it happened. I went from marine biologist to archaeologist and then another good one, ended up in radio.

[Katie]

Ended up in radio. I don't know if that's.

[Michael]

No, that.

[Joe Getty]

This.

[Michael]

That's because what I ended up actually wanting to do. Oh, okay.

[Katie]

Wanting to do that. At what point. At what point in your life did you decide you wanted to be on the radio?

[Michael]

Around the time that I. I was a teenager. So 13.

[Katie]

Okay.

[Michael]

Ish. Yeah.

[Katie]

Interesting.

[Michael]

Fell in love with the morning show, was listening to Rush with my dad all the time. Found out dad did some radio and here we are.

[Joe Getty]

It's awesome.

[Katie]

Cool. Michael.

[Unknown]

I also wanted to be in radio as a little kid, believe it or not, but I like the technical stuff. I used to take Tinker toys and build tall towers all the way to the ceiling of the house.

[Katie]

Yeah, that's interesting. We've worked with you for 25 years and I didn't know that. Yeah.

[Unknown]

As a little kid. But I would play. I remember I'd have a little record player, official price record player. And I'd pretend I was a dj, but I always. Yeah, I ended up wanting to play with, you know, buttons and things like that. So that's kind of what I'm doing now.

[Joe Getty]

Yeah.

[Michael]

Cool.

[Joe Getty]

Yeah, with great skill and aplomb. Joe Getty, fairly standard American Midwestern boy. Cycle of paleontologist, hockey player, baseball player, professional musician, lawyer. Than this dead end job.

[Katie]

Do you remember?

[Joe Getty]

You know, it. There was definitely a progression.

[Katie]

Do you remember why you change your mind on various stuff? Because I don't.

[Joe Getty]

I think running up against reality, honestly realizing I'm not really good enough for that and I have other interests now. I think it was as simple as that.

[Katie]

I mean, if I go way back to the beginning, I think it was cowboy. Now for a very long time I wanted to be a carpenter and I really liked working with building stuff and all that sort of thing. Still do, but like, I don't remember it any at any point. Deciding. I don't know, I probably hit my thumb a lot, so maybe I'll. I mean, I just, you know, just stopped Being my interest for whatever reason.

[Joe Getty]

Yeah, I think that's it. You just develop other interests, get a passion for something else.

[Katie]

I was hardcore. I was going to join the Marines for most of high school. I mean, this wasn't even when I was a little kid. I mean, that was just absolutely my plan. What changed that? I don't know. Huh. I honestly don't know. It, it has something to do with hearing about a radio program. I think I was, I was in. I never did any sort of like drama, musical stuff until my senior year of high school. And I, I did that and I got kind of sucked into that world of performing, entertaining, the adulation that comes with it. And then I heard about a radio program at a nearby community college where practically everybody who went there found a full time job in radio. At least that was the stat at the time, which is amazing now. It was true then, but impossible now. There's not three full time radio jobs available in the country. But I just thought, oh, that'd be awesome. I always had listened to radio, always want like the idea of being on the radio. And then I was full speed on that after that. I. But I don't remember why I changed my mind. Like you would think you'd remember that, but I don't.

[Joe Getty]

The Marines thing. Yes. Unless it's, you know, as I said, you just develop other passions and you kind of get led away.

[Katie]

And I've sometimes wondered what my life would have been like if I had gone that direction. I kind of wish I would have just for the, the challenge of it and everything that comes with it. But I'm really happy with the way things turned out in my, my career this way. So I wouldn't want to mess with it too much. But yeah. Sometime when Elon gets the right rocket, I will travel to the parallel universe where I joined the Marine Corps and see where I ended up. Here's my son's current plan. He wants to double up on his schoolwork. Currently he does a combination of homeschool and independent study. He's not in a traditional school setting. He is. He wants to double up on his schoolwork. He wants to pass the GED at 16 so he'll have his high school education. Then he wants to spend two years getting jacked. Okay.

[Joe Getty]

Wow. There was a, there was a twist there. Did not see that coming.

[Michael]

Did not. That was not on my bingo card.

[Joe Getty]

Yeah, me neither.

[Katie]

It made. It made me laugh out loud just like this yesterday when he told me, this is my plan now I'm going to Double up my studying so I can get my GED at 16 and then I'm going to spend two years getting jacked.

[Joe Getty]

Yeah, all right. So now he's educated and swole and then what next?

[Katie]

And then he's going to join the military because he, he wants to do like my brother Jeff, who was career military because he's seen somebody do the other end of it. He also is just an odd. He's a different sort of human being and he seems to understand like time horizons as a kid the way that you only usually do as an adult. But to him, 20 years in the military where you get, you know, the, all the benefits that come with him. He thinks I'd only be 38, so it's just I'd have all these other opportunities to do this and that. It's like that's not usually the way you think when you're young. You know, being 38 seems like you might as well be dead. So there's no way I'm going to commit to doing. But that's the way he looks at that.

[Joe Getty]

That is utterly unique.

[Katie]

I know.

[Joe Getty]

Continually reminded my kids of, of that reality because it does not seem that way when you're young. I remember being practiced, not panic stricken, but extremely concerned at age 22 and a half that I wasn't completely certain what I wanted to do.

[Katie]

Right, right.

[Joe Getty]

Go off and do something for five years, then you'll be 27 and a half. Oh, you know, from this perspective it's crazy, but man, that is, that is so nuts that he's in a good way that he's got that perspective.

[Katie]

Well, you know, because we all just went through all our different iterations of things we want to do. I don't expect him to stay on this plan, but he's been with it for quite a while. He's always asking my brother about the military this, military that, and, and it would, it's actually a good plan if you, if you can handle the idea at a young age of 20 year commitment or something and you don't have to commit for 20 years at a time. You sign up for chunks at a time.

[Michael]

But boy, understanding that age is that.

[Katie]

That'S amazing because you're so young when you're 38. Good Lord.

[Joe Getty]

Oh my gosh.

[Michael]

I just had a conversation with a girl over the weekend. She lost her job unfortunately on Friday and she's losing it. She is 26 years old.

[Joe Getty]

Oh boy.

[Michael]

She's like, I'm already 26. I went, first of all, shut up about already being 26.

[Katie]

Okay, enough of that.

[Michael]

Yeah, Second, you're fine.

[Joe Getty]

Go find a 23 year old. Who wants to hear that? The rest of us, not so much.

[Katie]

Yeah, that's pretty funny. But I'd never heard anybody who had the plan of taking two years off to get jacked.

[Joe Getty]

Yeah, I love that. So, just as an aside, on a semi serious note, it's one of the reasons I really believe in mentoring programs and am like crazy super passionate about not papering over deficiencies in schools in, like, inner city areas, rough areas, whatever, wherever schools are suffering and then just admitting the kids anyway, because my. And Jack knows this story. My. The fact that it didn't even occur to me to pursue a career in radio until I was at a band rehearsal and one of the guitar players said he was going to his radio class. And I thought, oh, is that how you do that? I'd be better than him. And I enrolled in a radio class. It was as if I'd spent my entire life wandering around saying, you know, I'd really like to cure people of disease. And I'm fascinated by pharmacology and knives don't bother me. And I understand that surgery is important. And boy, oh boy, I like science. And again, healing people. And it never occurred to me to be a doctor. Doctor. I mean, it was that dense that it never occurred to me. It just didn't. For some reason I thought they import space aliens to do that, or you're hatched or, I don't know, summoned by God. It never occurred to me. No, you just make a couple of basic steps and then you explore it. And the fact that I could have that, that, that lack of vision just because I didn't know what those steps were, I realized there are lots and lots of kids like that that are kind of doomed to not pursue their dreams or even understand what their dreams are because they haven't seen somebody do it. And so that's what's so important about mentoring programs. And like the NFL. One of the best super bowl ads. This is the day after the super bowl, we're taping this. One of the best ones was that I am somebody thing where they go into neighborhoods and they tell kids, hey, this is a real possibility. People like you do this. I think those are great.

[Michael]

Yeah.

[Katie]

That's a weird thing about the human mind. It's putting limitations on yourself just for, like, things you aren't aware of. I've done a variety of area areas and it's just.

[Joe Getty]

It's odd. Yeah. I can't explain it. It's just weird little kid walking around in a lab coat and just fascinated by disease.

[Michael]

Wish you could do something with that.

[Joe Getty]

Y guess I'll go manage a grocery store.

[Jack Armstrong]

Armstrong and Getty the Armstrong and Getty Show.

[Joe Getty]

A British woman recently set a Guinness World record by finishing an ice marathon in less than five hours while wearing a polar bear costume. It beat the previous record of no one's ever done that. Did I get the record? Of course you did.

[Katie]

That's funny. Seth Meyers was a big fan of Norm MacDonald and that is a Norm MacDonald joke right there. The way that's worded.

[Joe Getty]

Well, that reminds me, it's one of my favorite weird experiences and it's hard to explain exactly why it was so delightful. But when we were walking back and forth to the convention hall in Milwaukee this past summer and we walked going in opposite directions on the sidewalk, walked past these climate protesters who were clearly not pleased to be there and weren't really enthusiastic about their work, but they were walking around with their polar bear costume that they were going to don to make some vague point about climate change. And the guy walking around with walking by with the big polar bear head under his arm looking miserable like anybody going off to their crop. Crappy job.

[Katie]

Another day.

[Joe Getty]

How's your day, honey? Another friggin day wearing the polar bear head in the heat to make some point about climate change. I guess they all just look so miserable. Anyway, a couple of stories from the world of health. This is interesting and I've my mom used to talk about this, God rest her soul. And I remember in college how like finals week, everybody would get sick either that week or after it or whatever. And what was it? Working too hard? Staying up too late? What was it? Scientists are getting more are getting closer to understanding how psychological stress hijacks the body's immune defenses. And they're talking specifically about allergies and skin diseases here. But it applies to a lot of different things. Psychological stress impairs specialized immune cells called microphages by making them forget quote unquote how to clean up certain cells in the skin, leading to worse allergy symptoms that can persist for up to a week after the stressful event. Researchers discover the stress hormones again with the hormones underappreciated, create a kind of cellular memory in immune cells, offering the first molecular explanation for why stress can worsen allergic skin conditions like eczema after stress.

[Katie]

So that's interesting and I remember the same experience too finals week of getting sick. It's interesting that a Moderate level of stress does this and it breaks down our immune system when we get sick. But people who are under tremendous stress, their body goes into some sort of superman mode. Because I've seen this, I've known people who've done this, seen this before. Like a guy who was taking care of his wife when she was like at the end of her life and he was taking care of her all the time and then she died. And he immediately is in the hospital with some sort of liver disease thing that his body had been completely ignoring the whole time because he was needed. I mean, he was in a very stressful. And I've heard of that sort of thing before, so.

[Joe Getty]

Yeah, yeah. Really interesting. Moving along quickly. The ability to detect spoiled food, which is of particular interest probably to Katie.

[Katie]

No such thing to me.

[Joe Getty]

Poisoning.

[Katie]

You get it cold enough, hot enough, you keep. You keep eating it.

[Joe Getty]

Oh, boy. Katie got some funky chicken yesterday and it made her sick. But this electric tongue can taste spoiled milk before a human stuff.

[Katie]

Where do I get one of these?

[Joe Getty]

I tell you what, you give the old lady the electric tongue, it'll make it make her young again, huh? No, I bring up the story merely to use the term electric tongue. Sure.

[Katie]

Can I plug it into my cigarette lighter and bring it in the car?

[Joe Getty]

Don't. It'll distract you while you're driving. You're liable to have a fatal wreck. They're detecting spoilers. Food electronically. That's it. But you get to say electric tongue. And then finally, major new study shows that sedentary work is linked to about a 40% increase in insomnia symptoms. The problem being 80% of the workforce has does sedentary work. Non physically demanding work.

[Katie]

And I found one that's battery powered. I can take it hiking.

[Joe Getty]

Oh boy. Oh boy. I'm not gonna look in your tent. Yikes.

[Jack Armstrong]

Jack Armstrong and Joe Getty. The Armstrong and Getty Show. The Armstrong and Getty Show.

[Katie]

You haven't seen Emilia Perez the movie? Nobody has. Even though it's been nominated for the second most Oscars of any movie in motion picture history and is up for best picture. And according to Vulture magazine or website, it's currently the most likely movie to win best picture. Of course it is. It stars a trans person. The Hollywood's not going to give a trans movie Best Picture. Are you kidding me?

[Joe Getty]

Currently 24 on Rotten Tomatoes. 24% ranking, which is abysmal.

[Katie]

You tried too hard with this one.

[Joe Getty]

Well, this. It's being hailed, Jack, as the greatest, most nakedly Oscar baity movie. Ever produced.

[Katie]

Yeah, they went too far.

[Joe Getty]

Like I said.

[Katie]

Yeah. They just went over the top with it.

[Joe Getty]

But not only that, the real. And this is. Let me, let me depart for a second. This is the final fatal self beclownment of Hollywood and I am more delighted than I can tell.

[Katie]

Yeah, that's awesome.

[Joe Getty]

Awesome. Anyway, so half of the story is that it is the most blatantly Oscar Beatty woke movie Hollywood has ever come up with. But the hilarious part is it's also terrible. But they've still rewarded it with this stunning number of nominations, including the first ever nomination for best actress for a trans woman. That's a dude, by the way. Yeah, it's gonna get me to watch.

[Katie]

The Oscars because I. I want to hate watch it when they stand up there and give their acceptance speeches and everybody just standing ovations all over the place.

[Joe Getty]

It's good.

[Katie]

Remember that one year, the super bowl where all the ads were so woke and you got some little girl climbing over the border wall to get a Coca Cola or whatever it is, Right?

[Joe Getty]

Oh my God.

[Katie]

This is going to be that kind of Oscars.

[Joe Getty]

Yeah. Charlie Cook of the National Review recently unleashed a screed that contained roughly these words. The idea that we should restructure our constitutional order because George Floyd died is a. Is not a very compelling argument anyway. But pop culture is more than willing. They're feverish to win the approval of their. Their lefty overlords. Anyway, where was I? So it is just nakedly Oscar bait. It's unwatchable. It's hilarious. It's bombed in Mexico. Here is the plot, friends. Oh, oh, I know what I wanted to say. You were talking about you want to watch the Oscars. The Oscar night. Here's your drinking game. You have to take a shot every time someone utters the word brave.

[Katie]

Oh, good one.

[Joe Getty]

About to have EMT standing by.

[Katie]

You got to do a keg stand for every standing ovation. You're going to be knee walking drunk.

[Joe Getty]

All right, so here's the deal. The movie, if you haven't heard this or even if you have, is about a dream Mexican drug cartel had an El Chapo type who is secretly a woman inside and becomes to be and longs to become transgender and has been.

[Katie]

Tortured by it their entire lives.

[Joe Getty]

Right? And. And his. Her girl boss, Mexican lawyer who helps her achieve quote unquote, her. Her true. You know, calling as a crusading feminist. Mexican drug cartel transgender person. Ho hum. Another one of those. Come on. Boy meets girl. Please formulate. Anyway, anyway, as if the coffin needed another nail. It's a freaking musical. That's right. And not only is it a musical.

[Katie]

Is it in Spanish? Is it a foreign language film?

[Joe Getty]

It was made by French filmmakers in Spanish. Mexican audiences. One of the reasons. Poor little confused fame was the worst thing that could have happened to her. What's her face?

[Katie]

Selena Gomez is one of stars, Right? Remember she had a meltdown earlier in the week, posted a video about kids being deported or something like that by the evil Trump administration. And she cried, Right?

[Joe Getty]

Exactly. Anyway, she was born in Texas. She's of Mexican heritage, but doesn't really speak Spanish. Spanish or didn't. And Mexican audiences were laughing at her Spanish. And there's some speculation that the crying jag was to kind of regain her bona fides as an up with Mexicans person. I don't know. I just think she's a young woman with mental health. Health issues. Anyway, having said that, so you got your transgender cartel boss, girl boss, crusading feminist, something or other musical. And if the songs were any damn good, that might save it. But this is what it sounds like. Hello. Very nice to meet you. I'd like to know about sex change operations.

[Zoe Saldana]

Men to woman, a woman to men, man to woman, from penis to vagina. Is it for you?

[Katie]

For me?

[Zoe Saldana]

What would you like to know about it?

[Joe Getty]

I want to know it all. What is the protocol, the techniques and the risks? How many operations? How much time do you need?

[Zoe Saldana]

Mammoplasty. Vaginoplasty?

[Katie]

Yes.

[Zoe Saldana]

Renoplasty. Laryngoplasty. Mammoplasty. Controllering.

[Joe Getty]

What is that?

[Zoe Saldana]

Adam's up for reduction?

[Katie]

Yes.

[Joe Getty]

Yes. Yes, what? That is the great Zoe Saldana, by the way, known for the Garden Guardians of the Galaxy movies.

[Katie]

But.

[Joe Getty]

And yes, I was doing the Trump dance during the song to.

[Katie]

Yeah. Were you off the day we played this, Katie? Because we played this earlier in the week. It's hilarious. Hilarious. It's like. It's a. It's like it's a joke that.

[Michael]

I was just gonna say. That sounds like something I would have heard on Family Guy, right?

[Katie]

Yes, it sounds exactly like Family guy when Seth McFarlane mocks musicals by just basically, you know, talking through songs about what.

[Joe Getty]

What the plot is.

[Michael]

I can't believe that's real.

[Katie]

I know.

[Joe Getty]

Getting back to the final fatal self beownment of Hollywood. That song is impossible to parody. You cannot do an exaggerated version of its. Of its ridiculousness and terribleness.

[Katie]

I'm thinking of getting a sex change. Do you know what that means? Yes, it's getting rid of my vagina and getting a penis. I mean, what kind of lyrics are those?

[Michael]

Give it an Oscar.

[Katie]

Yes. Second most dominations of any movie in movie history. Yes, yes, yes. In other words, it's one of the all time great pieces of cinematic art. It's just a coincidence that at this moment of trans hysteria, this movie has come along.

[Joe Getty]

That's just unbelievable.

[Katie]

You know, thank God.

[Joe Getty]

And this moment of great sympathy for drug cartel bosses as well. You know, I feel like I went to Hollywood and said, I'd like to. I'd like to finally kill your cultural influence. And Hollywood said, oh, we'll commit suicide.

[Katie]

If I was at a less busy point in my life, I would go to that movie and sit through the whole thing just for. Just to be able to talk about it on the radio.

[Joe Getty]

I will go if I can find it playing anywhere.

[Katie]

Good point.

[Joe Getty]

But I've got to go incognito. I don't want to be seen in it.

[Katie]

So I don't know if you know this aspect of the whole Oscar thing. I didn't in late in life when I became aware of how dog eat dog vying for the awards it gets leading up to Oscars. They all take out ads and then try to knife each other to try to get the votes of the Academy and everything like that. So that star who is singing the song there, the trans star, the Amelia Perez star currently campaigning for an Oscar, apologized yesterday after her her Islamophobic, anti Asian and anti black former Twitter posts resurfaced. So somebody dug up some old stuff they could damage her with and got it out. And then she had to apologize yesterday, hoping not to lose the. Oh, darn it. Now we got a problem singing about a trans person, but has Islamophobic Twitter posts from the past. Oh, how do I vote as an enlightened woke member of the Academy.

[Joe Getty]

Damn it. This keeps getting better and better. That is a delightful development.

[Zoe Saldana]

What would you like to know about.

[Joe Getty]

It, by the way? Zoe Saldana stars as the girl boss lawyer standing up for her transgender cartel. Crusading feminist, transgender boss man.

[Katie]

You went too far with your.

[Joe Getty]

So funny.

[Katie]

Yeah, like when the Hurt Locker came out in the midst of our wars and our conversations over wars and it had a. You know, a fair amount of. America causes as many enemies as. As friends. You know, at least it was subtle enough. It was a good war movie. I mean, you weren't hitting me over the head with it, but during the trans discussion that's going on in America right now, to come out with this is just too much. Yeah.

[Joe Getty]

I want the specifics on what the. The nominated, newly minted quote unquote woman said about these various groups. I don't. I don't want my. I. I hate when quotes are characterized because then the. The characterizer is in charge of, you know, what I think about them. But.

[Katie]

But the fact that the leading light, who is probably counting on standing ovations at the Oscars as tears stream down their face for being so brave having this show up. Yes. Ah, crap. That's right. I said some bad things about the Asians.

[Joe Getty]

Well, it's. It's great. The beast is eating itself.

[Katie]

Oh, my God.

[Joe Getty]

I mean, that's why I'm enjoying it so much. It's. It's. I went there to kill it, and it's. In the midst of self destruction.

[Katie]

Has anybody actually seen this movie? If you have, and I doubt you have, but if you have, you can text us at 415295, KFTC. Is that song nominated for best?

[Joe Getty]

It's not.

[Katie]

They have to have a song nominated for best song. There's no way you get the most Oscar nominations, second most ever, without best song being in there somewhere.

[Joe Getty]

I don't know, Katie, can you look that up? That'd be great.

[Katie]

But that song is hilarious. I mean, I can't even wrap my head around it. Give us a little more, Michael. All right.

[Joe Getty]

What I take from that song is that. Wait a minute. That many surgical interventions are required to make me who I really am. That does not make sense.

[Katie]

Why did they decide to go with a cartel leader?

[Joe Getty]

I can't imagine. He asked me to crawl inside their crazy heads. I don't like it in here.

[Katie]

Were they just trying to bring too many different things together? It's like way back, if you remember the Sopranos. Christopher wanted to be a, you know, a movie maker, and he makes. He combines Saw with the Godfather, too. It seems kind of like that you're combining whatever, a cartel, some sort of immigration thing with the trans story and putting them together.

[Joe Getty]

All right, well, Jack, the way I interpret it is that a cartel boss would have to be so brave. So brave.

[Katie]

All right, that's.

[Joe Getty]

That's two shots to. To embrace their real transgender self in spite of the pressures given to put upon them by Mexican society and their tough guy image. But it's important that you go ahead and have 50 surgeries if you feel like a girl.

[Katie]

Yep. Standing up to the macho culture.

[Joe Getty]

Amelia Perez looking at Rotten Tomatoes. You want to recognize Oscar bait Look at the difference between the critics poll and the audience polls. The tomato meter, which is critics, 74% positive. That's. That's pretty good. The popcorn meter. Actual movie viewers, 19%.

[Katie]

Wow.

[Joe Getty]

From Renegade auteur Jacques Odillard comes Amelia Perez, an audacious fever dream that defies genres and expectations. I do like artsy movies, but through liberating songs and dance and bold visuals. Liberating wasn't the word that came to mind when we listened to that last song. This odyssey follows the journey of four remarkable women in Mexico, each pursuing their own happiness. The fearsome cartel leader Emilia enlists Rita, an unappreciated lawyer stuck in a dead end job, to help her fake her death so that Amelia can finally live authentically as her true self.

[Katie]

There you go. No, I love art movies. Last year's winner I saw. And one of my favorite movies ever. The Everything all at once, all the time, whatever. I mean, you can't get much more arty than that movie. That is not a mainstream film. You got some for us, Katie?

[Michael]

Yeah, just. Just to let you know, if you don't want to be seen going into or out of the theater, this gem is on Netflix.

[Katie]

Oh, you can watch it at home. Okay.

[Unknown]

Yes, that's better.

[Katie]

That is good enough. Know. Yeah, I'll be sure to draw my drapes.

[Jack Armstrong]

The Armstrong and Getty Show. Get more Jack, more Joe podcasts and our hot [e-mail]. the Armstrong and Getty Show.

[Joe Getty]

So you what? I've waited on more people at this restaurant than you have in your goddamn life. Say the waiters and waitresses of Washington D.C. jack, where you just were. The Washingtonian, which is read in the self obsessed nation's capital, has a piece about how D.C. restaurants have long been like politically neutral spaces. Obviously, to cite the cliched example, you got Reagan coming in, you got Tim O'Neill coming in, right? So you treat everybody with respectfully. But that changed during the Trump years. Restaurant owners became much more politically outspoken. They were part of the resistance, and Trump officials became social pariahs when dining out. You remember several incidents involving Ted Cruz and Sarah Huckabee Sanders, who got kicked out of a restaurant in West Lexington, Virginia. Homeland Secretary Kirsten Nielsen's dinner at a D.C. mexican rest Mexican restaurant was interrupted as they yelled shame. Stephen Miller tossing $80 worth of takeout sushi after somebody cursed him and flipped him off at a sushi place. Somebody on the staff. But anyway, in the Washington Washingtonian, anyway, you got all these restaurateurs and Waiters and bartenders saying, we're not going to be silent. We're not going to be quote unquote, civil. Let's see, here's this guy. What does he do? He's a D.C. restaurant. He's a manager at a, at a club, big club in D.C. if you're just going out for a nice dinner, it's your anniversary or birth, and God forbid, RFK Jr. Is sitting next to you now, you're going to be dealing with whatever repercussions happen from that. He's saying all this restaurant staff is justified into cursing these people out and yelling at them and kicking them out.

[Katie]

Well, we'll see if this actually happens or not. Like I said, bumping around D.C. it was quite a bit different than the last time I was in D.C. when Trump got elected, he was being treated like a regular president. I mean, the number of, of Trump shirts, hats, pins, inauguration, 47th president stuff that I saw, there was nothing like that in 2017 when I was there for the inauguration.

[Joe Getty]

Right. Yeah. In fact, that was my question. I wonder if this is just big talk by little people.

[Katie]

I'd be my guess.

[Joe Getty]

Here's a woman who's a server and manager at a saloon on Capitol Hill, quote, people were a lot more motivated the first time around to do these kinds of shows of passion this time around. There's kind of a sense of defeat and acceptance. But I hope that people will see, still do stand up to this administration and tell them their thoughts on their misbehavior as they're trying to get a ham sandwich at lunchtime.

[Katie]

Here's my biggest question about restaurants, D.C. restaurants, because I had this and I tweeted it out, and it's the most controversial tweet I've ever put out, ever. It got more responses than anything I've ever tweeted this question. So I made it in Gordon Ramsay's restaurant, which I wish I'd have spent the time to look into what it cost to eat there, because it's the most expensive meal I've ever paid for for me and my two kids. Kids, partially because there was the, we've added to 20% already thing that restaurants are doing sometimes now. And so service charge.

[Joe Getty]

Is that what they call it?

[Katie]

Or they just said, yeah, we've, we've added a 20 service charge to your bill. And then it's got the line for the tip. And I thought, do I tip on top of this or not? And I tweeted that out. I googled it and tweeted it and same, same result either way. Plenty of people say absolutely, that's not the tip. You need to tip on top of that you're screwing your server or 100%. That's the tip. No way you should give any more money. I still don't know what the answer is on that. But obviously if they add 20% and I didn't know they were going to do that or I wouldn't have gone. If they add 20% and I'm supposed to tip 20%, that's 40% on top of my meal. That's a no go.

[Joe Getty]

That's a. I'm with that second group. That. That is the tip.

[Katie]

No freaking way I'm eating that. There a whole bunch of people adamantly said no. That goes to the restaurant. The the server will get nothing and you absolutely need to tip on top of that. Maybe that's true, but I'll never eat at a restaurant that does that. You can't pay 40% on top of your bill. Nobody's doing that. That's ridiculous. It is ridiculous. I don't know what the correct answer is either, or if it varies from restaurant to restaurant. If you know, text line 415295KFTC. But what the hell.

[Jack Armstrong]

Armstrong and Gettysburg.