The A&G Replay Thursday Hour Four

Summary

Armstrong & Getty On Demand: Episode Summary - "The A&G Replay Thursday Hour Four"

Release Date: December 26, 2024

In the December 26, 2024 episode of "Armstrong & Getty On Demand," hosts Jack Armstrong, Joe Getty, Katie, Gladys, and Sean engage in a lively and multifaceted discussion covering a range of topics from social isolation trends and economic concerns to perceptions of aging and the impact of handwriting on brain health. The episode is characterized by personal anecdotes, insightful commentary, and humorous exchanges, providing listeners with both entertainment and thoughtful reflections.

---

1. Social Isolation and Modern Communication Trends

Jack Armstrong opens the discussion by reflecting on his past experiences of complete social isolation during weekends when he was single and childless. He shares:

"I hadn't said a word since I left work on Friday because I hadn't interacted with another human being at all." ([01:20])

Gladys adds her perspective, highlighting periods where she intentionally disconnects by turning off her phone:

"I just take the recovery day, you turn the phone off." ([03:34])

Katie explores the broader societal shift towards reduced face-to-face interactions, attributing it to technological advancements and lifestyle changes:

"The younger crowd now with their lifestyle... I bet it happens more often than you think." ([03:27])

The hosts discuss the implications of these trends, considering whether such isolation is detrimental or a natural evolution of communication in the digital age. They ponder the increasing prevalence of minimal social interaction and its potential long-term effects on mental health and community cohesion.

---

2. Economic Insights: Money Supply Expansion and Inflation Risks

Transitioning to economic matters, Jack Armstrong raises concerns about the rapid expansion of the money supply in the United States:

"We have a money supply surge going on right now... they think that will likely lead to inflation surging higher." ([04:04])

Katie concurs, affirming the fundamental principles of economics:

"It ought to, if the laws of monetary physics are still true." ([05:21])

The conversation delves into the potential consequences of increased money circulation, such as diminished purchasing power and the challenges of managing inflation. The hosts express apprehension about the sustainability of current economic policies and their impact on everyday consumers.

---

3. Shifting Perceptions of Old Age

A significant portion of the episode focuses on how societal perceptions of aging are evolving. Jack Armstrong cites a survey by German researchers published in the Journal of Psychology, indicating that the age at which people consider themselves "old" is rising:

"I can tell you the average now is 75. If you ask, ask a senior. When does old age begin? It's now 75." ([06:03])

Katie shares her own experience, humorously noting:

"For me, it started at 48. That's when you start hurting yourself." ([06:14])

Gladys and Sean contribute personal stories about their parents and their health, illustrating the diverse experiences with aging. The discussion highlights the disparity between biological aging and societal labels, questioning the relevance of traditional age milestones in a world where lifespans are extending and lifestyles are changing.

---

4. The Cognitive Benefits of Handwriting

Katie brings attention to an educational shift, noting that several states are reintegrating cursive handwriting into school curricula. She explains the neurological advantages of handwriting over typing:

"According to neuropsychologists, there's something about handwriting that involves all sorts of different parts of your brain... it's really good for your brain." ([10:07])

Jack Armstrong supports this view, emphasizing the mental organization that comes with writing by hand:

"Writing things down organizes them in your head or gets them out of your head." ([11:17])

The hosts debate whether typing can replicate the cognitive benefits of handwriting, ultimately advocating for the preservation of cursive writing as a tool for enhancing brain function and fostering creativity.

---

5. Nostalgia for Outdated Media and Public Figures

The conversation takes a nostalgic turn as the hosts reminisce about past TV shows and personalities. Jack Armstrong recalls the quirky and often absurd nature of shows like "Animals Attack" on Fox:

"Animals usually won, like very easily, as you would expect... a tug of war with an orangutan." ([16:59])

Sean and Katie discuss the humor and over-the-top competitions featured in these shows, reflecting on how media has evolved over the years.

The discussion then shifts to Conan O'Brien, with Sean sharing an amusing encounter Conan had on the "Tonight Show":

"Conan O'Brien all of a sudden shows up and... let's do a selfie." ([19:33])

They explore Conan's enduring imposter syndrome despite his success, highlighting the universal nature of self-doubt:

"If you don't walk into the White House every day with imposter syndrome, there's something seriously wrong with you." ([27:31])

---

6. Artificial Intelligence and Future Implications

Katie and Jack Armstrong delve into the rapid advancements of Artificial Intelligence, contemplating its future impact on society:

"The environment of the beast, the human beast, is evolving at 5,000 times the speed that the beast can adapt to it." ([13:19])

They discuss potential scenarios where AI could outpace human adaptability, raising questions about employment, creativity, and the essence of human interaction in an AI-dominated future.

---

7. Personal Health Experiences and Awareness

The hosts candidly share their personal health journeys. Gladys opens up about her struggles with obesity and a stroke, emphasizing the importance of proactive health measures:

"I was obese big time... I had to make a change." ([08:45])

Jack Armstrong humorously contemplates the idea of having a minor heart attack as a wake-up call to healthier living:

"I'd like to have a minor heart attack... I don't want to die." ([09:13])

These personal stories underscore the significance of health awareness and the challenges of maintaining well-being amidst life's demands.

---

8. The Sphere: An Immersive Media Experience

A lighter segment features Jack Armstrong describing his visit to The Sphere, an immersive venue with an 18K screen and advanced sensory technology:

"This is the first time I've ever had the awe feeling that you get from doing things in person from a screen." ([31:24])

He praises the stunning visuals and immersive sound but also notes limitations, such as the lack of olfactory experiences. The hosts speculate on the future of such technologies and their potential to replicate real-life experiences, balancing enthusiasm with skepticism about sensory completeness.

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9. Humorous Exchanges and Lighthearted Banter

Throughout the episode, the hosts infuse humor into their discussions, making light of serious topics and engaging in playful banter. From jokes about public fornication to witty remarks about wearing suits, their interactions add a relatable and entertaining dimension to the conversation.

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Notable Quotes with Timestamps

• Jack Armstrong on Social Isolation:

  "I hadn't said a word since I left work on Friday because I hadn't interacted with another human being at all." ([01:20])

• Jack Armstrong on Money Supply:

  "We have a money supply surge going on right now... they think that will likely lead to inflation surging higher." ([04:04])

• Katie on Handwriting:

  "It's a use it or lose it thing with your brain." ([10:07])

• Jack Armstrong on Cognitive Benefits of Handwriting:

  "Writing things down organizes them in your head or gets them out of your head." ([11:17])

• Sean on Imposter Syndrome:

  "If you don't walk into the White House every day with imposter syndrome, there's something seriously wrong with you." ([27:31])

• Katie on AI’s Speed of Evolution:

  "The environment of the beast, the human beast, is evolving at 5,000 times the speed that the beast can adapt to it." ([13:19])

---

Conclusion

The episode of "Armstrong & Getty On Demand" effectively weaves together diverse topics, offering listeners a blend of insightful commentary, personal reflections, and humor. From examining societal shifts in communication and perceptions of aging to exploring the cognitive benefits of handwriting and the future implications of AI, the hosts provide a comprehensive and engaging narrative. Their candid discussions on personal health and nostalgic media moments further enrich the dialogue, making for a well-rounded and memorable listening experience.

Transcript

[Jack Armstrong]

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[Joe Getty]

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[Katie]

This is the Armstrong and Getty show featuring our podcast. One More Thing. Get it wherever you like to get podcasts.

[Jack Armstrong]

Reminds me for some reason you saying that Katie, when I was single and childless. Thank you. What is her name? Gladys.

[Gladys]

Gladys.

[Jack Armstrong]

Sorry, Gladys. I want to call her Lola. For some reason Lola doesn't play the harp. Thank you Gladys for laying the harp of me reminiscing about something. When I was single and childless, there were a few weekends where I would realize on Monday morning as I'm driving to work to do the radio show, that I hadn't said a word since I left work on Friday because I hadn't interacted with another human being at all. I said a word to anybody.

[Gladys]

I don't. I don't really know what to say to that.

[Katie]

What percentage of the population can make that same claim? I did not interact with another human being the entire weekend. Did not speak a word. Fairly limited I would guess. But you know, you do you.

[Jack Armstrong]

What would you guess?

[Katie]

And if you is angry hermit, Hey.

[Jack Armstrong]

I would guess that both my brothers have done it semi regularly recently with their kids, older and out of the house.

[Gladys]

Like not even a phone call. Like that's bizarre to me.

[Jack Armstrong]

Nobody talks on the phone and I don't know if that's a good example. Now back in the day?

[Katie]

No, we're talking back in the day.

[Gladys]

Yeah, right.

[Katie]

You had Gladys play the damn harp, then you called her Lola, and now we're in the present day. What's going on here?

[Jack Armstrong]

Somebody explained the ground rules. Have we all lost.

[Katie]

What does Walter say in the Big Lebowski? Something about if we all lost our minds. Nobody cares about the rules anymore.

[Jack Armstrong]

How much of an outlier do you think I am? You think I'm in the 1% of the population that has ever done that?

[Katie]

Or it's fewer than five? I'd say five.

[Jack Armstrong]

Pretty small.

[Katie]

No, it's not five. It's one to one to two and a half.

[Jack Armstrong]

I don't think it's probably good for you. I also had to do with like. Like, you know, have a really big Friday night, maybe alone, watching movies or something. You don't feel so good on Saturday. Maybe part of Sunday, you just don't leave the house. You order a pizza. You know, might be an exaggeration to have not said a word to anybody. Might have said thanks to the pizza guy when he handed me the pizza, but wouldn't been more than a couple of words.

[Gladys]

Oh, in this day and age, even with phones, I've. I've done that. Where you. You take the recovery day, you turn the phone off.

[Jack Armstrong]

Oh, yeah. So think about this, though. The younger crowd now with their lifestyle, like, you know, our producer Sean or whatever. I'll bet he had weekends where he never said a word to anybody other than through maybe a headset, playing video games or a number of young people. Now that, you know, you can doordash or whatever, you don't have to call anybody to order food or something. I'll bet it happens more often than you think. Think it'd still be a small number.

[Katie]

It makes me sad.

[Jack Armstrong]

All I know is we're moving more that direction than away from it, I would guess, which is good.

[Katie]

You can see all the statistics on how happy and. And carefree young people are these days.

[Jack Armstrong]

Yeah, I don't think I ever came out of a weekend, like, thinking that was, like, a really good time or what an awesome weekend that was or something. And I'm not claiming that.

[Gladys]

See, and I'm of the day and age of cell phones and whatnot. And it's amazing the. The hoops I will jump through to avoid having to talk to somebody else. Yeah, like I'll, you know, scheduling appointments online, ordering online, all that stuff. I would much rather do that than have to call and interact with someone.

[Jack Armstrong]

Yeah, I. I avoid it. Now, not because I don't want to talk to. If I thought I could talk to a human being, I'd call right away. I don't want to call and get your impossible to use automated phone system that takes me 20 minutes and doesn't work. I'll see if I can do it online. And the reason it takes 20 minutes and doesn't work is because you want me to do it online because it's the cheapest thing for you. But that's a different topic. A couple of quick things here. I just came across this. Don't usually talk about this sort of thing on this podcast. This money circulating in the US Is expanding rapidly. We have a money supply surge going on right now. It's the highest level in over a year. They think that will likely lead to inflation surging higher. Don't like that story.

[Katie]

It ought to, if the laws of monetary physics are still true. And they are.

[Jack Armstrong]

And then this one. This is an actual survey. This isn't one of those done by. According to walkintubs.com older people always look at who paid for the survey. Lot of times surveys are just. They're crap because of who they paid for. This is actual research done by a team of German researchers in Germany and the United States Journal of Psychology. Stuff about how what we. Where we think old age begins has been moving higher. This is not surprising at all.

[Katie]

Last July is when you think old.

[Jack Armstrong]

Age began for you?

[Katie]

Yes, absolutely. Last time. I feel like I screwed up my back.

[Jack Armstrong]

Oh, really?

[Katie]

Started the shuffling like I'm 90 and it's, it's a lot better now.

[Jack Armstrong]

But that has, that has a lot to do with it because I was going to mention my mom and dad have different numbers on that. And for those reasons, my mom's physical health is not near where my dad's is. So I don't know what she would say, but she would probably say old age starts. Well, I can tell you the average now is 75. If you ask, ask a senior. When does old age begin? It's now 75. 75 is the new 65 because it used to be. Not that many years ago, people said old age started at 65. Now that would seem kind of crazy, I think, for a lot of people.

[Katie]

For me, it started at 48. That's when you start hurting yourself, you know, just doing the most basic things like walking or something.

[Jack Armstrong]

Yeah, I was just in the lunchroom and one of the sales women who is now in her 40s, was talking about all 40s are not what I thought they would be talking about trying to work out and she keeps getting hurt and blah, blah, blah. Yeah, but so now it's 75 as opposed 65. My dad says 80 80s when old age starts. But that's because he was still riding his horse up till 82. My mom has not been as physically as gifted as him and would put it a little earlier, but probably about.

[Katie]

Surprisingly, the horse was 75. What? It's an old horse joke.

[Jack Armstrong]

Or said, when are you going to get off of me? That is the question. When do I have. When do I get to be an old age? That only makes sense, I suppose, life expectancy and help. But my mom regularly says when she was a kid, people in their 60s were considered old. You just that you were done with life in your 60s. Nobody would have thought you played golf or rode a horse or rode bikes or vacationed or anything. In your 60s you were just starting a new career.

[Katie]

Are you kidding?

[Jack Armstrong]

You were just in a rocking chair in your 60s. Which now of course seems crazy. You're the youngest among us. Katie, any thoughts on this or does everything over the age of 45 just seem ancient to you?

[Gladys]

No, my, my. Both my parents are in their early to mid-70s and they're both young as can be. So I don't even think 75 is old in, in my perspective. And I, dude, everything started hurting on me last year and I had a stroke when I was 31. So I'm. I'm 90.

[Katie]

That's why we get along so better.

[Jack Armstrong]

Having a stroke at 31 would change your view of it. I didn't have any health situation really at all until I got cancer at 49.

[Gladys]

But dude, my health went nuts at 29. A kidney problem came up out of nowhere. A quote, mutated gene. I have a hereditary condition that is a mutated gene because nobody else in my family has it. And then I stroked out in 2020. It was wild.

[Jack Armstrong]

What caused that?

[Gladys]

The stroke? Yeah, well, it was a mixture of not taking care of myself in stress.

[Sean]

Okay. Oh, really?

[Jack Armstrong]

But some of it was in your control.

[Gladys]

Yeah, I just, I. I wasn't exercising at all. I was obese big time.

[Jack Armstrong]

Were you really? I can't picture you obese at all.

[Gladys]

210 pounds.

[Jack Armstrong]

Were you really? This is new information. So that, that's why you're always talking about working out and you eat so healthy.

[Gladys]

Yeah, I had, I had to make a change. The doctors were like this. You dot. They actually call said that I dodged a bullet because I had three TIAs. Over the course of a week.

[Katie]

Yeah. Yeah. Well, it'll get your attention, won't it?

[Gladys]

Yeah, yeah. Huge. Kind of like what. I mean, Michelangelo had the. Had the big shock diabetes diagnosis and had to make a complete change on his life. Eye opening.

[Jack Armstrong]

That's why I've been saying for a long time that I'd like to have a minor heart attack.

[Gladys]

Come on.

[Jack Armstrong]

Yeah, I think a minor heart attack would get my attention. And I wouldn't eat donuts and stuff anymore. I don't want a major heart attack. I don't want to die.

[Sean]

I got kids to raise.

[Jack Armstrong]

But I think a minor heart attack. Just a little, hey. Huh, huh? Like flicking my ear. Huh? Wake up.

[Katie]

Well, good luck with that plan. That's between you and the Almighty, who you'll be meeting sooner than later. That's an interesting way to approach life. Note to self, take blood pressure this afternoon.

[Gladys]

Yes.

[Katie]

Yeah, it's always a good idea. One final note on brain health, because during your little screen about not having contact with any human being for an entire weekend, you know, so much of what we are is neurologically predetermined, honestly. And if you're a neurological outsider or outlier, you just are. And you can, as I always say, you can operate within a certain narrowish lane of the way you're made. You can intentionally be more outgoing because you know it's good for you, blah, blah, blah. But you are who you are. Having said that, we were talking about handwriting and why so many states are trying to bring back handwriting in cursive. I was intrigued because there wasn't a lot of information in the article we had, and I was reading into it, and apparently, according to neuropsychologists, there's something about handwriting that. That involves all sorts of different parts of your brain that govern language and creativity and physical stuff and whatever, and. And. And they all have to interconnect and work together to yield handwriting. And it's really good for your brain.

[Jack Armstrong]

Well, I mean, it's.

[Katie]

It's a use it or lose it thing with your brain.

[Jack Armstrong]

Well, I'm completely aware of that. And just the idea of. That's why journaling and that sort of stuff is so important. There's something about writing down thoughts that can get them out of your head and arrange them in ways that they don't get arranged otherwise. And people have known this for centuries. And if you don't do it, you should try it. I do it every day, sometimes twice a day. But writing things down organizes them in your head or gets them out of your head. Like if you got a. You know, why do I keep thinking about this thing that's driving me nuts? Write it down a couple of times and it can go away. Trust me, I've done it I don't know how many times, but I do. They know that printing doesn't do the same thing as cursive because I print everything. I've had success with it. And that's why I just don't understand why they're bringing back cursive specifically.

[Katie]

I really can't imagine why it would be different.

[Jack Armstrong]

I can, I don't.

[Katie]

I don't know. Which doesn't mean that it's not. I just can't imagine one question that.

[Jack Armstrong]

I don't think they've answered because I've looked into this and, and read some stuff about it. They're not sure if typing works the same way as I was just talking about or not, because you are picking specific letters and having to manipulate your fingers and everything like that.

[Katie]

Yeah, well, and what about playing a musical instrument? And although you can't compel a kid to play the guitar, but you can have them write in school and it's good for their brains.

[Jack Armstrong]

They brought back. If you didn't hear us talking about this, they brought back cursive, I think down 22 states. And I was just wondering why. What's the argument for it?

[Gladys]

I'm seeing that curse, according to the Google, cursive engages more areas of the brain than when you print.

[Jack Armstrong]

I hope I. If that's true. It's true, right? I do know because I know some of these people. There's just a hanging on to cursive because I've always done it, I'm good at it, and my grandma did it. That's why that drives some of it. But if it's better for you, it's better for you. And I'm fine with that.

[Katie]

All I know is that the environment of the beast, the human beast, is evolving at 5,000 times the speed that the beast can adapt to it.

[Jack Armstrong]

Yeah, probably more like 500,000 times the.

[Katie]

Speed, but yeah, all right, how about 5 million times?

[Jack Armstrong]

But the point being. Yeah, what are we going to do with that?

[Katie]

I was hoping he'd say, yeah, how about 50 million times, huh?

[Jack Armstrong]

And we're not even close to how fast it's going to go as soon as AI and everything kicks in. So.

[Katie]

Well, we're all doomed. Doomed to insanity, misery, drug addiction, public fornication. Who knows?

[Jack Armstrong]

We wish public fornication. Maybe some babies would be born. So if I was 1% of the population that didn't talk to anybody over the weekend, that number will be 75% here in about 10 years, I think.

[Katie]

And the survivors will write that history, but not in cursive, because their brains have stopped working.

[Jack Armstrong]

Something that's too funny not to end on.

[Armstrong and Getty Show]

Armstrong and Getty.

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[Armstrong and Getty Show]

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[Jack Armstrong]

But this, this is actually real. Remember this promo? I never watched this.

[Sean]

The show.

[Katie]

And the most horrifying donkey attack ever caught on tape. That was when animals Attack. That was in the heyday of when big fox went with like super pandery shows like when animals Attack in celebrity boxing and stuff.

[Jack Armstrong]

Well, that would. So the world's most terrifying donkey attack caught on tape.

[Katie]

Yes. And the most horrifying donkey attack ever caught on T. Yeah, not like a somewhat horrifying or one of your second or third most horrifying donkey attacks. They got the McGilla right there. They got the all time champ.

[Jack Armstrong]

The most horrifying donkey attack.

[Katie]

Right.

[Gladys]

There's a top five.

[Jack Armstrong]

Take that other S and get it out of here. Your marginally dangerous donkey. Exactly.

[Katie]

Somewhat horrifying donkey attacks. Who would watch that?

[Jack Armstrong]

I'm sorry, that's also when they were doing the man versus beast, which I love.

[Katie]

That was so crap O riffic.

[Jack Armstrong]

Those were so funny.

[Katie]

Then Michael Phelps go against a shark too. Yeah, that was, that was more recent. But Katie, this is when you were but a wee girl. But yeah, Fox, Big fox used to do some great idiotic pandering TV shows.

[Jack Armstrong]

They had whoever was the current fastest runner raced a giraffe I think for inexplicable reasons.

[Katie]

And a guy, what did he wrestle? A bear? Oh, he tried to out eat. It was a hot dog eating contest.

[Jack Armstrong]

At the time before Joey Chestnut, the top hot dog eater in the world. Kobayashi tried to eat plate of hot.

[Katie]

Dogs faster than a bear.

[Jack Armstrong]

And the bear just like just went.

[Gladys]

This sounds like Golden Entertainment.

[Katie]

Oh, it was, it was, it was terrible because they'd show, like the only really good piece of footage to promote it. And at the beginning and over and over again, then you had to wait till the end of the show and sit through, you know, just. Just stupidity.

[Jack Armstrong]

Well, I mean, Animals usually won, like, just very easily, as you would expect. There was some NFL lineman or some big tough guy who did a tug of war with an orangutan.

[Katie]

I'd forgotten about that one. Wow, this is good stuff.

[Jack Armstrong]

Stupid show. I just remember the. You had the guy in the giraffe, and they released him, and the guys run as fast as they can, and.

[Sean]

The giraffe just disappears.

[Jack Armstrong]

What's the point of this?

[Katie]

When Animals was on for weeks, right? That was a. That was a ongoing show, right?

[Jack Armstrong]

That was the heyday of Fox. Bring that back. I think they just ran out of ideas.

[Katie]

And sometimes they'd have real footage, but because not everybody had a cell phone at that point, and ring cameras weren't omnipresent, it was a lot of reenactments. Very disappointed. I don't care how good your reenactment is, it's not the same as actual footage, so.

[Sean]

That's right.

[Jack Armstrong]

Quick question for you. What if you happen to miss this unbelievable radio program?

[Katie]

The answer is easy, friends. Just download our podcast. Armstrong and Getty on Demand. It's the podcast version of the broadcast show available anytime, any day. Every single podcast platform known to man.

[Jack Armstrong]

Download it now. Armstrong and Getty on demand.

[Armstrong and Getty Show]

Armstrong and Gettysburg.

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[Katie]

Void.

[Armstrong and Getty Show]

We're prohibited by law. See terms and conditions.

[Sean]

Conan O'Brien went to Harvard and was involved in National Lampoon there and then went on to write for the Simpsons and Saturday Night Live and have his own show. And even with all that success, I think he's more successful now at age 60 than he's ever been in his career. He just sold his podcast dealio to Sirius XM for $150 million, and he's got millions of people that tune into his various works now. So good for him. Funny guy, creative guy. An interesting thing about his personality that I heard in an interview I want to bring up. But first, let's hear a clip of him on the Tonight show last night with Jimmy Fallon. First time he'd been back to the Tonight show since he got it taken away from him back in the day.

[Conan O'Brien]

This really nice young guy in a white shirt and a baseball cap starts chatting with me and he's saying, you know, Conan, I love the podcast. And I also, I really love the old late night clips.

[Katie]

I watch them all the time.

[Conan O'Brien]

And, you know, I also really like the stuff you did with the Simpsons. And I'm like, he's so nice. I'm saying, thank you so much. Then we both go through the TSA thing. He goes through, I go through, I collect all my stuff. You know, the way you're kind of distracted. I put my belt on, get my shoes back on. I turn around, see the guy, white shirt, hat. And I go, you know what? Let's do a selfie. Come on, come here, let's do a selfie. And the guy goes, okay, let's go, you knucklehead. And I get him, like in a headlock.

[Sean]

Yeah.

[Conan O'Brien]

And he does a selfie. And just as he's taking it, I look, my guy's over there. This is just a guy who's also wearing a white shirt and a baseball cap, which is pretty effing common. So rewind that story now and see it from his point of view. He's waiting for his wife to come through. Conan O'Brien comes through and is like, hey, selfie, get in here.

[Sean]

Come on, come on, get over here.

[Jack Armstrong]

That's what I'm talking about.

[Conan O'Brien]

Told the guy, I feel so, but you can delete it.

[Jack Armstrong]

And he was.

[Conan O'Brien]

Looked like he was on the fence about deleting it. I felt terrible. But I love moments like that where I'm go right back down to whatever you think you've achieved in life immediately. There's a guy who thinks, I met Conor Bryant. He's just an insane a hole.

[Sean]

That would be confusing.

[Jack Armstrong]

You're standing there.

[Katie]

Conan O'Brien all of a sudden shows up.

[Jack Armstrong]

What?

[Katie]

What? Okay, that's a great story. Oh, Lord and well told.

[Sean]

God, Conan O'Brien flying commercial and taking off his belt and shoes. I mean, when was that? Or does he still do that?

[Jack Armstrong]

Maybe.

[Sean]

I don't know.

[Katie]

Yeah, I wonder. Does it. He doesn't even do the TSA PreCheck. It's not that expensive, man.

[Sean]

So one thing I want to.

[Jack Armstrong]

Did you.

[Sean]

So Conan O'Brien's probably really closer to your era, Katie, as being the big late night king in ours. Yeah.

[Gladys]

Oh, yeah. Huge.

[Jack Armstrong]

I love him.

[Gladys]

I think he's hysterically funny.

[Sean]

He is. He is a funny, funny guy in a very unique way. Yep.

[Katie]

Yeah.

[Gladys]

I love watching his stuff where he goes out in the public and just messes with people. He's got a great series on YouTube where I think if you just type in Conan, he has his own channel. And it's just all this stuff of him with like Kevin Hart having the intern drive and just completely screwing with her the whole time. It's just wonderful.

[Sean]

Yeah. And what did I. Another Conan thing is. Oh, I heard Adam Sandler on a different podcast talking about how when Conan. So Conan was a writer there and a lot of those big stars from Sarah Liver there. And then when Conan got his own show, they were all so excited for him because they all liked him and Adam Sandler and David Spade and Chris Farley and all those people went over to somebody's house to watch his first show because they were all so excited that he was getting his big shot.

[Jack Armstrong]

To be a big deal.

[Sean]

And I need to turn out to be a big deal. Like I've mentioned a few times, he just sold his podcast for $150 million to Sirius after all his success. So good for him. But even with all that, he was on somebody else's show and talking about how, and I think this is true for a lot of people, how no matter what has happened in his life, he's still the same guy he was in high school when in high school he was a very awkward, not very well liked weirdo with not very many friends. And he said he's still. That he still sees himself that way. He's still always uncomfortable. He just, he said he doesn't. At this point, he's 60 years old. He doesn't expect anything will ever change that. So no level of crowds, cheering, money, success, anything has changed who he was in high school. And even without the crowd's money and everything like that, I feel the same way, too. So why.

[Gladys]

Why are.

[Jack Armstrong]

Why is who we were in high.

[Sean]

School baked into who we are for.

[Jack Armstrong]

The rest of our lives? Whose cruel trick was that?

[Katie]

I guess back when I would have been a cave boy, it just didn't matter. Life was so completely different for the first 99.9999% of mankind's existence. It was, you know, all right, look, you're. You're of breeding age. You're a fighting age. You're tracking down a mastodon Putting a spear in a mage. Let's get this done.

[Sean]

When you're going to be dead by age 24, most likely.

[Katie]

Yeah, yeah, exactly.

[Sean]

It didn't matter.

[Katie]

Yeah. We're just searching for yourself at age 48 as a caveman. Well, that's a rarity. I just don't know who I am.

[Sean]

I've seen it work both ways, too. I've known a few people that were big deals in high school, and adult life has not worked out for them that well, but they still see themselves as the big deal, and it just kind of weird to be around, you know? Things don't look that great for you, but. Okay, good for you.

[Katie]

Well, I still got the nose in the air. Congrats. Looking good.

[Gladys]

Makes it hard to feel bad for them, though.

[Sean]

Right? Right, Right, Right.

[Katie]

Yeah, I don't. I don't. Yeah, I suppose so. I don't recall running into anybody who really answered to that description recently, but, yeah, I don't know. I think I would pity them all the more, but again, I haven't brushed up against them, so I don't know. But getting back to the whole cave. So I guess, you know, typical. If you're going to have, like, a midnight. A midlife crisis or, you know, what am I doing? Why am I doing this? Is this how I want to spend the rest of my life? It'd be like at age 17, as a caveman. Right, Right. All of this eating meat and sitting around a fire.

[Jack Armstrong]

I wonder if that's the biggest problem.

[Sean]

If that's the biggest problem modern humans have is our. Our brains and consciousness just was not designed to go past, like, hardly past age 20. Breed, win a battle, die next.

[Katie]

Right, Right. Yeah. And I'd imagine if you. If there were scientists 50,000 years ago, if you were to say to them, what do you suppose happens to the brain around age 80? They would say, what the hell are you talking about? Why do you care?

[Sean]

Right. Yeah. Are you going to become disillusioned with Life at age 45? 45. Who do you know is 45? Says the caveman.

[Katie]

Right? Yeah. Yeah. And if they are, so what? If you'll excuse me, there's a tiger chewing on my leg.

[Sean]

But if you have imposter syndrome, I would say if Conan O'Brien still has imposter syndrome, you ain't getting rid of yours either, no matter what you achieve. That's what I learned.

[Katie]

Oh, yeah? Yeah. You know, I became aware that. Well, I suppose I can go ahead and say it. My. My daughter, like so many of us has a bit of that. And we were touring law school the other day and the two fabulous young women who were taking us around on the tour admitted to flaming imposter syndrome. And they were so sweet. They said, everybody has it, everybody has it. Don't worry about it. You can do this, you'll be fine. And it was great. And I think more people need to know that. I tried to teach my kids that, you know, that feeling. Your big successful dad has it every day. Every day. Don't worry about it. Fake it till you make it. Seriously. But it's hard to convince people. They think, oh, you're just saying that to make me feel better. Right.

[Sean]

I remember an interview I saw with Paul Begala. He is one of the people that got Bill Clinton elected president. And he was talking about what it's like to be at the White House and walk in there every single day. And he said, if you don't walk into the White House every day with imposter syndrome, there's something seriously wrong with you. Because everybody feels like, I can't believe I'm here. Why am I here? Of all people?

[Jack Armstrong]

Me.

[Katie]

Right. Right. I am not good enough for this. I am not important enough for this. I see the ghost of, you know, Thomas Jefferson standing there in the corner. Hi, Tom. Did you see the game last night?

[Sean]

So I bet again kind of getting to the other side of it. I feel like I have known some people who don't seem like they've ever had any self doub one second in their lives. And are they just pulling it off really well or do they actually not ever have any self doubt?

[Katie]

I think those people probably exist. Katie, your, your opinion. I just think, don't think there are many.

[Gladys]

I feel like if you. I feel like they're probably just hiding it well. It's like a natural, a natural thing for someone to feel.

[Katie]

I think, I would guess 80% of the people you perceive are that way are faking it. And maybe 20% of those people actually have whatever genetic gift it is to be, you know, super comfortable. And no imposter syndrome. I, you know, it's. I didn't really have it until I became an adult. And I guess I don't know either.

[Sean]

But it's partially because I hadn't achieved anything. So what would I be an imposter about?

[Katie]

I was just gonna say, as I kept running into things that were equipped increasingly difficult, I would think, oh boy, I could, I could really fail at this. Does anybody around here realize I could.

[Jack Armstrong]

Completely fail at This I still Katie.

[Sean]

Because I wear a suit to work most days. I still like walking down the street in a suit. Feel like people can look at me and say, what's that guy do wearing a suit for? He's not a suit guy.

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[Gladys]

A thing about you.

[Jack Armstrong]

Right? You just.

[Sean]

Because she could tell by looking at me. That's like a guy who wears a suit gonna act as that.

[Katie]

You think he borrowed that suit or stole it or what are you trying to impress? Look at the dip in the suit. Trying to kid.

[Gladys]

Right?

[Sean]

Exactly.

[Katie]

That's what I think. Yeah. Jack Armstrong and Joe Getty.

[Jack Armstrong]

The Armstrong and Getty Show.

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[Jack Armstrong]

When I mentioned the David Copperfield show that we went to the magician and how he was working too sexy for a show with lots of kids there. Lots of kids younger than my kids. Of course, the younger kids didn't get some of the jokes. But like he asked a dad. Stand up, sir. See your. Your wife and your kids. When's the last time you and your.

[Sean]

Wife had sex in front of their kids?

[Katie]

Wait, what?

[Jack Armstrong]

Okay, and the last time you had to. So seven days ago. He writes down the number seven for the trick. And last time he had sex, how long did the session last? And dad says 20 minutes. Like, I'm not answering that question in front of my kids. That's weird.

[Gladys]

I'm gonna start calling sex the session from now on.

[Katie]

Anytime for a session, honey.

[Jack Armstrong]

That was a fantastic session.

[Katie]

Maybe the. The rich old bastard just figures I got one act. I'm not changing it for these bunch of rugrats.

[Jack Armstrong]

I actually told my kids that it was a thing with aging. Sometimes when people get old, they just kind of lose track of what's appropriate and what's not. Because that's true. Right? And I think he might be there.

[Katie]

You'd think some of the world's most famous performers would have figured that out by now. Or had people.

[Jack Armstrong]

He's.

[Katie]

Hello.

[Jack Armstrong]

He's hella old. The thing that made me laugh the hardest. And I couldn't say this on the show, it's inappropriate. And I know some of you don't like this language, but. So part of the deal he was. He made this. It's a long, drawn out story, but he's got this little Yoda baby Yoda type character or whatever and trying to get him home. Anyway, all of a sudden we're all staring at the ceiling and all of a sudden a spaceship appears and it's floating around. He said, look at that spaceship. But anyway, so the other thing we did was we went to the Sphere and that's the great big giant ball. If you haven't heard anything about it. It got a lot of attention when it first opened because you two played there. But it's not just a concert venue. In fact, I don't think it's primarily going to be a concert venue. I think it's mostly going to be like movies and stuff like that. And so we watch this movie about planet Earth and the Big bang. And it was an opportunity to show you oceans and mountains and deserts. And I did get a little bit car sick. Motion sickness. Because you're floating around all this stuff and it's so giant, it's. I forget how many K it was. 18K screen.

[Gladys]

Oh, boy.

[Katie]

And yeah, no way I'm going to this.

[Jack Armstrong]

Oh, 18K screen.

[Katie]

That and the vertigo of sitting, like at the top of vertical stands.

[Jack Armstrong]

Yeah, it's like walking up a Mountain in 170, 000 speakers. And it's really move it all. Yes. So that's cool. So when the elephants come stomping through, the bass is like unlike anything you've ever heard before. I mean, even a great concert, the bass is just stunning. And then the seats move too. So you get a full. Like the elephants are stomping through. It's loud and you're kind of bouncing around.

[Gladys]

It sort of sounds like sensory overload.

[Sean]

Yeah.

[Jack Armstrong]

And I got a kid with sensory issues, so he. Was he actually holding my hand the whole show? Yes.

[Katie]

Joe, did the. Those woofers, did they hit the brown note? The brown notice a note that all bassists know about. And that is a particular note. If your amp is set up just right, that can cause people to poop themselves.

[Jack Armstrong]

But the other thing they had at the Sphere. And I was thinking about this because there is an article in the Wall Street Journal. We'll talk about this on the radio show.

[Katie]

Stop giggling. Look, Katie, the audience is not responding. They're a bad audience. You know what? You as the bass player, you're in charge of punishing them.

[Gladys]

I just hit that more from you. I expect more, Joe.

[Katie]

See, that's. That's what's so delightful about me. You know, so much many colors, so many different levels of humor.

[Jack Armstrong]

Before I move on to the AI thing, back to the Sphere show. So I'm sitting there and. And I was trying to decide how I'm going to talk about this so I don't get myself in trouble with various groups. I'm not going to mention the group, but it became clear to me that culturally, and this is another country, because they don't speak English culturally, some people just talk through shows because they were all from a certain area of the world and they just talked through the entire show and I was giving them the look, but they were just so engrossed and out loud, like regular voice, not even whispering, like regular voice conversation, that I thought, this is clearly a cultural thing. This isn't a. Wow. This isn't a couple of rude people who need to be reminded to be quiet. They come from a part of the world where you just talk through shows, I guess. So in these parts of the world that I won't mention because I don't want to get in trouble. If you go to a movie theater, is everybody just sitting there talking out loud through the whole movie because that's.

[Katie]

Why you think he's gonna kiss her. I keep expecting her to kiss her. I. I don't know.

[Gladys]

Good on you for figure, you know, having that thought process prior to telling him to shut the hell up.

[Jack Armstrong]

Well, they wouldn't have understood me because they clearly didn't speak English. But yeah, a couple young couple sitting beside me and then a couple of older people behind me, all from similar part of the world, and they just talked fully out loud the whole show. Even in like super quiet parts, dramatic parts and everything like that. Just blah, blah, blah, blah, blah, blah, blah.

[Sean]

Weird.

[Jack Armstrong]

I guess that's just a cultural thing. In the United States, we were quiet during shows.

[Katie]

Some might say respectful of other people's experience. You know, I totally get why you did what you did. It sounds super cool. You got kids, they need to have experiences and see the world. Blah, blah, blah. I may have been exactly when you were there doing that. Judy and I were walking through the woods taking pictures of birds. And I am so happy that that's what I was doing. Yeah, I would expect spectacle at all the.

[Jack Armstrong]

I was actually thinking watching this thing at the Sphere. I'm not sure while why anybody would ever need to go anywhere or do anything ever again if this becomes normal. It was the. The clarity of the 18K screen, the sound and all encompassing. I don't know why I would need to walk inside one of those great big cathedrals in Europe. I had the full. I've been to one so I know what it feels like.

[Katie]

Don't have smell o vision yet.

[Jack Armstrong]

This is the first time I've ever had the awe feeling that you get from doing things in person from a screen. And I thought, I think they finally replicated the in person experience for seeing a sunset, being on the ocean, whatever.

[Katie]

Interesting. Now you are famously hard of smelling. Hard of tasting. You don't taste things normally.

[Jack Armstrong]

Okay.

[Katie]

Which I think has to do with your old factory center in your brain or something like that. I disagree. You've got to have the smell, you've got to have the humidity. You've got to have the feeling of the air in a place interesting to really experience it. Anyway, so I read the mustiness of an old church, even musty.

[Gladys]

Yes.

[Katie]

The smell of the hymnals.

[Jack Armstrong]

Things get pretty musty after a session, don't they?

[Katie]

Why am I talking in this voice? I don't know. I'm going to ignore that attempted humor. Jack Armstrong and Joe Getty.

[Jack Armstrong]

The Armstrong and Getty Show.

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[Jack Armstrong]

How do I make a latte brew.

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[Jack Armstrong]

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[Jack Armstrong]

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