The A&G Replay Thursday Hour Two

Summary

Podcast Summary: Armstrong & Getty On Demand – "The A&G Replay Thursday Hour Two"

Release Date: December 26, 2024

Hosts:

• Jack Armstrong
• Joe Getty
• Katie
• Michael
• Judy

---

1. Controversial Discussions on Transgender Issues

Timestamp: 02:26 - 05:09

The episode opens with a heated discussion revolving around transgender issues and societal perceptions. The hosts critique a particularly provocative statement made by an individual expressing extreme views on transgender surgery and abortion.

Joe Getty highlights the problematic nature of the comment:

"I want to be the first trans woman to have an abortion." ([03:11])

Jack Armstrong vehemently responds:

"You are full on mentally ill and evil." ([03:14])

The conversation delves into the phenomenon of "nut-picking," where extreme examples are spotlighted to misrepresent broader viewpoints. The hosts express frustration over the oversaturation of radical perspectives in mainstream media and social platforms like TikTok.

Judy questions the coherence of the individual's statements:

"Trans masculine man. So is that a woman who's becoming a man who doesn't want her parts anymore. I don't mat(he) this. This isn't working in my head." ([05:19])

Joe Getty adds:

"He's lost track of who's bringing the sperm to this party because he's lost." ([05:23])

The discussion critiques Bud Light's advertising strategy that attempted to align with transgender narratives, suggesting it backfired by alienating a broader customer base. The hosts argue that the brand misjudged the majority's sentiment, leading to a decline in their popularity.

2. The Impact of Social Media on Local Authors

Timestamp: 05:55 - 15:00

The hosts transition to discussing the power of social media in elevating unnoticed talents. They recount the story of a retired veteran living in Texas who sat alone with his novel in a grocery store, hoping for interactions that never materialized.

Joe Getty narrates:

"A kid goes into Dunkin Donuts and he has $4 with him... he ends up wanting to get a few donuts and ends up with the whole box." ([07:54])

However, the tide turns when a TikToker, Jared Swearingen, notices the author and decides to spotlight him on his platform. This act of kindness leads to a surge in the author's book sales, demonstrating the profound effect of digital amplification.

Jack Armstrong reflects:

"That's just such two different views of where you are at the end of your career... one is happy and one of you is miserable." ([35:41])

The segment underscores the importance of community and the potential for digital platforms to transform individual lives by providing visibility and support.

3. Navigating Mixed Signals in Relationships

Timestamp: 08:54 - 11:03

The conversation shifts to relationship dynamics, specifically addressing the frustration of receiving mixed signals from a romantic interest. The hosts offer practical advice on recognizing when to disengage from indecisive partners.

Katie and Jack Armstrong discuss:

"If he's truly interested, he'll put in the effort consistently." ([09:20])

Jack Armstrong emphasizes self-worth:

"Listen, you don't belong with someone who doesn't want you. He's done you a favor by eliminating himself." ([09:42])

The hosts encourage listeners to prioritize their emotional well-being by seeking partners who value their presence and are clear in their intentions.

4. Reflections on Aging and Personal Growth

Timestamp: 25:03 - 36:05

A poignant segment explores the contrasting attitudes toward aging, inspired by the recent passing of beloved artists John Prine and reflections on John Mellencamp's outlook on life.

Jack Armstrong shares personal sentiments:

"I wish I were still 30, you know, that sort of thing." ([28:17])

Joe Getty introduces the concept of epigenetics, discussing how genetics and life experiences interplay to shape one's attitude and personality:

"There are like triggers that you have genetically and if certain things happen to you... they'll flip switches." ([34:19])

The hosts debate whether a positive or bitter perspective towards aging is innate or influenced by external factors, ultimately acknowledging the complexity of human emotions and experiences as one grows older.

5. Personal Anecdotes on Parenting and Coaching

Timestamp: 36:05 - 45:56

The hosts share heartwarming and humorous stories about parenting, particularly focusing on the lessons learned through sports coaching.

Tristan Casas, a Boston Red Sox player, recounts his father's approach to coaching:

"He actually grabbed me by my shirt, dragged me through to the line and Looney Tunes style kicked me out onto the field." ([41:15])

This story illustrates the tough-love methodology some parents employ to instill responsibility and resilience in their children. Joe Getty and Judy contribute their own experiences, highlighting the balance between encouragement and discipline in effective coaching.

Judy adds a historical twist with a family story:

"My granddad sewed me up in the team locker room and then said, get your ass back out there." ([45:23])

These narratives emphasize the enduring impact of parental guidance and the values imparted through sports and other extracurricular activities.

6. The Evolution of Social Interactions and Technology

Timestamp: 47:12 - 49:43

In the latter part of the episode, the hosts touch upon the integration of technology in daily life, referencing AI and smart devices.

Jack Armstrong humorously envisions a future with AI-powered glasses:

"You wake up, put on your Ray Ban meta glasses, you're living all in..." ([47:05])

Michael and Katie promote smart devices and investment platforms, illustrating how technological advancements are becoming seamlessly embedded in everyday routines.

The discussion underscores the rapid pace of technological innovation and its influence on communication, lifestyle, and even personal relationships.

---

Notable Quotes:

• Joe Getty (03:11): "I want to be the first trans woman to have an abortion."

• Jack Armstrong (03:14): "You are full on mentally ill and evil."

• Jack Armstrong (09:42): "Listen, you don't belong with someone who doesn't want you. He's done you a favor by eliminating himself."

• Joe Getty (34:19): "There are like triggers that you have genetically and if certain things happen to you... they'll flip switches."

• Tristan Casas (41:15): "He actually grabbed me by my shirt, dragged me through to the line and Looney Tunes style kicked me out onto the field."

---

Concluding Thoughts

In "The A&G Replay Thursday Hour Two," Armstrong and Getty delve deep into pressing social issues, personal growth, and the interplay between technology and human interactions. Through candid conversations, personal anecdotes, and critical analysis, the hosts offer listeners a blend of entertainment and thoughtful commentary. The episode encourages self-reflection, resilience in relationships, and appreciation for the subtle ways in which modern life shapes our experiences.

Transcript

[Jack Armstrong]

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[Joe Getty]

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[Katie]

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[Joe Getty]

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[Joe Getty]

So let's clean out the sound fridge. We've got a bunch of great audio the crew got together that we didn't get to. This is an example. You could call it nut picking, which is an expression I really don't like. It's where you pick out a particularly wacky member of, you know, the other ideology or feature them. But this one, I just think, number one, there's so many of these. And the setup is you're not supposed to say, wow, that's a person with real mental problems who needs help. You're supposed to say, oh, you're so brave. Clip number five, Michael. The first trans woman to have a.

[Judy]

Successful uterus transplant, ovaries and eggs included.

[Joe Getty]

And I want to be the first trans woman to have an abortion.

[Jack Armstrong]

Oh, my God.

[Judy]

I will let a doctor who has successfully transplanted a uterine complex before cut the organs out of a willing, healthy, trans, masculine donor, place them in my body.

[Joe Getty]

I will devote myself, heart and soul, to their aftercare. And I want to be the first trans woman to have an abortion.

[Jack Armstrong]

You are full on mentally ill and evil.

[Joe Getty]

Yeah. Yeah.

[Judy]

And any doctor who would perform that surgery, knowing that those are his plans.

[Jack Armstrong]

Yeah.

[Judy]

Should lose their practice.

[Jack Armstrong]

God, that is just sick. Absolutely.

[Joe Getty]

Who has terrible mental problems, then.

[Jack Armstrong]

You're right. It is nut picking to a certain extent. It's taking, like, an extreme example of the people you don't agree with and kind of act and then trying to pretend sometimes that it represents a large point of view, which I'm sure this does not.

[Joe Getty]

But although Joe Biden met with that poor, unfortunate Dylan Mulvaney character to show how down he was with the trans folks.

[Jack Armstrong]

Absolutely. And one Bud Light thought it was important enough to make it part of their advertising campaign to their demise. But where did that video audio come from? I mean, what platform was that on to even be?

[Joe Getty]

They posted it online on. I think it was TikTok.

[Jack Armstrong]

Wow.

[Joe Getty]

And the people who compile crazy progressives, you know, re. Retweeted it or whatever.

[Jack Armstrong]

There's a lot of things that go into this phenomenon that's happening right now, but part of it is everybody needs to be famous or, you know, seen or liked or whatever. And, you know, it's getting harder and harder to do. It's a crowded field, so you have to be so out there to get some attention. And. Well, you talk about leading attention.

[Judy]

Well, and he's talking about a willingness. Trans, masculine man. So is that a woman who's becoming a man who doesn't want her parts anymore.

[Jack Armstrong]

Yeah. Correct. Yes.

[Judy]

I don't math like this. This isn't working in my head.

[Jack Armstrong]

Yeah.

[Joe Getty]

Well, I got to admit, at some point, and I'll bet I'm not the only one, as he was describing who he was going to do what with and that they were trans this and masculine. I was lie. I was like, I need a chart. I need. I'm. I'm losing track of, like, who's. Who's going to bring the sperm to this party? Because I'm lost.

[Judy]

For instance, who's bringing the sperm and the bonus holes to this party?

[Joe Getty]

Oh, boy. Again with that term. I love it. Oh. So I saw a Bud Light commercial I think was. It was during the All Star game, which, as we record this was last night. And I didn't watch much of it because my beloved Giants have angered me, and I'm just not a baseball fan anymore. But the Bud Light commercial, and they never enunciated it, but it was like people screwing up. A guy, you know, dropping the meat on the way to the grill. I can't remember the specifics. And somebody spilling something and then somebody breaking something, and then it went to Bud Light. So easy to drink, so easy to enjoy. And it didn't occur to me until I was like, oh, oh, they're making light of the fact that they really effed up. And their commercial theme is, look at everybody. Everybody. Fs up now and again.

[Jack Armstrong]

Yeah. Dropping the ribs on the ground is not the same as making a decision. I'm sure there were a half dozen or more people involved in. Of a giant marketing campaign.

[Joe Getty]

Yeah. Not to take this too seriously, but very briefly, what the Bud Light is a beautiful example of is that Anheuser Busch, or at least the people involved in the Bud Light marketing, became convinced, perhaps because they're personally down with it, but became convinced that that very tiny but outsized minority of Americans who pitches all this radical gender theory stuff represents most people. They got fooled. And then reality. Which bats last. Speaking of baseball said, not so much. We'll drink any other beer. Literally any other beer. Let's keep cleaning out the sound fridge. What's. Thanks, metal guy. Oh, let's see. Oh, Michael, do you want to introduce clip 11? Is there anything we need to know? Oh, yeah. A kid goes into Dunkin Donuts and he has $4 with him and he wants some strawberry donuts, and he basically ends up wanting to get a few donuts and ends up with the whole box.

[Jack Armstrong]

Okay.

[Joe Getty]

So he explains how. How we got him because they didn't have the type of donut I wanted. She gave me a deal. I could get four strawberry donuts for the price of one. And I decided, can I get two for that deal?

[Katie]

So I could surprise my mom.

[Judy]

Well, that's so sweet of you because I wanted some munchkins, but they didn't have that either.

[Joe Getty]

She gave me the right.

[Michael]

Give you all of them.

[Jack Armstrong]

There is a donut.

[Joe Getty]

Let's see.

[Jack Armstrong]

Oh, thank goodness. Oh, my goodness. Really pleased.

[Joe Getty]

$4.

[Jack Armstrong]

That is one very pleased woman with the number of cheap donuts she got.

[Joe Getty]

Wow. Her son drives a hard bargain too. What do you mean you're out of munchkins? Holy cow. How are we gonna make this right, huh? May I speak to the manager, please?

[Judy]

Karen in the making.

[Jack Armstrong]

Yes. How are we going to make this right? It's because I'm black, right? Or a child or a woman or something.

[Judy]

You being racistly out of munchkins.

[Joe Getty]

He's going to end up running a hedge fund or something. Keep an eye on that.

[Jack Armstrong]

You sense them trans, didn't you? And that's why you wouldn't make more of these.

[Joe Getty]

You're trans.

[Jack Armstrong]

Would you like me to go public like this?

[Joe Getty]

Oh, God. Give him as many donuts as he wants. Get him out of here. Michael, any introduction necessary to 12 Katie might be able to relate to this. This is when a guy gives you mixed signals.

[Jack Armstrong]

Here's why he's giving you mixed signals. He's either unsure about you, the relationship, or both. If he's truly interested, he'll put in the effort consistently.

[Joe Getty]

So don't waste your time on a guy who's indecisive.

[Jack Armstrong]

Your job is not to convince someone, but to find someone who doesn't need convincing. If a guy stopped talking to you, remember this quote? If your absence doesn't bother them, your.

[Joe Getty]

Presence never mattered to them.

[Jack Armstrong]

Listen, you don't belong with someone who doesn't want you. He's done you a favor by eliminating himself. That's a good one.

[Joe Getty]

Spitting truth.

[Judy]

No, my reaction is duh.

[Jack Armstrong]

Yeah, well, that's one of the best things that Sex and the City ever came up with. That. That whole he's just not that into me thing. As opposed to torturing yourself for both men and women. As opposed to torturing yourself of why somebody is, you know, didn't call you back, or they, they. They always. I've just. I've been so busy.

[Joe Getty]

No, don't.

[Jack Armstrong]

Don't, you know, don't. Don't tie myself into knots because I've Done this over it. They just. They don't dig you that much, so move on.

[Joe Getty]

Yeah, I'm not shocked to hear you say that. Katie, we don't know you. Well, we've only worked together a fairly short time. But you do strike me as more tethered to reality as opposed to what you wish were reality than. Than some folks.

[Judy]

Well, I. I mean, I appreciate that. And I feel like if you're dating somebody and they aren't calling you back, and this is the fifth time that he says, oh, I was busy. Hello, wake up. I think it's pretty obvious he doesn't want to talk to you.

[Jack Armstrong]

It's tough though. If you really, really want something to be true, though, to let go of that. I mean, that's easier said than done.

[Joe Getty]

Yeah.

[Judy]

Yeah.

[Joe Getty]

Oh, yeah. That's why you have to like rededicate yourself to clinging to reality over and over again in your life.

[Jack Armstrong]

If he isn't being bothered by your absence, he didn't care much about your presence. Yeah, that's pretty good.

[Judy]

Well, that one stings.

[Jack Armstrong]

Yeah, no kidding.

[Joe Getty]

The gut. Oh, doubled me over. Oh, and let's end on a positive note, shall we? Michael, why don't you go ahead and roll 13 then? I've got the details if we need them. What made you want to do murder mystery? Oh, I just always love mysteries. Grew up reading them. I do a little bit of tick tock and whatnot. So I think I'm gonna go ahead and get a second one.

[Katie]

I'm gonna gift it on there and.

[Tristan Casas]

See if we can get you a.

[Joe Getty]

Little bit of love on there.

[Jack Armstrong]

Okay. I want to thank everybody for the.

[Joe Getty]

Love and the kindness. All on.

[Jack Armstrong]

The video that Red posted is totally unexpected.

[Joe Getty]

I'm in shock.

[Jack Armstrong]

I don't even know what to say.

[Joe Getty]

About it at the moment.

[Jack Armstrong]

I'm trying to wrap my head around it.

[Joe Getty]

Thank you again for all the kindness. So here's the story. This. This gent, who's he looks to be, I would say in his 60s, well into his 60s. He's a retired man, a veteran of the armed services, and he is living his lifelong dream of being an author. But he was sitting alone and ignored at a folding table at his local grocery store in Texas with his novel, hoping people might ask him about it or if he could sign a copy or something like that.

[Jack Armstrong]

That's. I don't come across that that often. Tables with novelists sitting there and the image was heartbreaking.

[Judy]

If you saw this video.

[Jack Armstrong]

Are you interested in my novel? I gotta get out to my Car.

[Joe Getty]

You know, it's so funny. And you're right, Katie. I have this weird thing where if I'm, like, at a craft fair, Judy. And I'll go to, you know, whatever the August days or whatever the. What sits festival, and I walk through the craft fair and it hurts my heart. Like, everybody who's sitting there alone in their booth being ignored.

[Jack Armstrong]

Some old lady who. Who paints glass and puts a little string on it that you can hang from something.

[Joe Getty]

Yeah.

[Jack Armstrong]

And nobody.

[Joe Getty]

Thousand variations, and nobody's.

[Jack Armstrong]

Nobody's coming by her booth. And, you know, she puts a lot of time and effort into that and put some time and effort to showing up to the little, you know, garlic festival. And. Yeah, it's painful for me, too.

[Joe Getty]

The guy with the nice cutting boards, whatever. I just. It's painful anyway.

[Jack Armstrong]

And I don't have the heart to say, wake up, Granny. Nobody's interested in your colored glass.

[Joe Getty]

Folks.

[Katie]

Elder abuse.

[Joe Getty]

Oh, Lord.

[Judy]

Soulless Jack runs around screaming at Granny's.

[Joe Getty]

Anyway, so this Tick Tocker Shaw, Jared Swearingen, he. He walked into the store and he sees this guy, and he wonders what's going on. He figures, oh, he's got a book to sell and on. And he walks back out to his car and he says to himself, wait a minute. I keep thinking about this guy. I'm gonna go back in and talk to him. And so he talked to him and he videoed him. And. And as he said in the caption, he said, you know what? Let me put this on my TikTok. Maybe we'll get you some love. The guy describing his book and everything, Think rockets to the top of the bestseller lists. The freaking power of the Internet.

[Jack Armstrong]

Is the book any good?

[Joe Getty]

I don't know.

[Jack Armstrong]

Or is it. Is it just a whole bunch of people feeling like you were describing where you feel bad for the old guy tried to write a novel. This is a dream. You know what?

[Judy]

It happened so quickly, I would imagine they probably went straight to Amazon and gave him a high rating. But his books did sell out that day as well.

[Jack Armstrong]

It was a dark and stormy night.

[Joe Getty]

Lee Howard and the ghosts of Simmons Pierce Manor.

[Jack Armstrong]

Sounds good. Are the Hardy Boys in it? Sounds like the Hardy Boys are in it.

[Joe Getty]

That would be a copyright infringement, Jack. But it's a ghost. An orphaned girl who uses the help of ghostly companions to solve the murder of her parents. All right, it's all compelling stuff, man.

[Jack Armstrong]

It's only execution. Obviously.

[Joe Getty]

Compelling stuff.

[Jack Armstrong]

Okay. That's ultimately a story about kindness and the. The kind spirit of a humanity that's what it is.

[Joe Getty]

I think it is. Unless it turns out this Tick Tocker dude demanded a cut.

[Jack Armstrong]

Oh, somebody is going to the Internet's gonna get a hold of the old guy and find out anything he's ever done untoward in his life.

[Joe Getty]

No.

[Jack Armstrong]

Change the story around.

[Joe Getty]

No. No.

[Judy]

Grocery store is a weird spot for a book signing.

[Jack Armstrong]

It is. That's what I'm saying.

[Judy]

Like you're trying to reach the pickles and this guy's sitting there with his books. The table.

[Jack Armstrong]

So I walked by the one table, says, can you give us some money for youth sports? And then I come to the other table. It's a guy with a novel. I don't know.

[Judy]

And then on the way out, you're being sold chocolate bars, Right?

[Jack Armstrong]

Exactly.

[Joe Getty]

Well, but inside the store even you're thinking, yeah, I gotta get some. Some ground beef for the hamburgers tonight. You gotta get buns and ketchup and probably ought to find a good summer beach read too. An obscure novel said nobody sounds good. I mean, they solved the murder of her parents. Sure. Right. In favor of that. Right.

[Jack Armstrong]

If it got unsolved, it'd be disappointing.

[Joe Getty]

Well, right. Yeah. I guess the sound fridge is now reasonably clean.

[Jack Armstrong]

Yeah, that mayonnaise was passed date. I'm glad I didn't open it. Jack Armstrong and Joe Getty the Armstrong.

[Michael]

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[Jack Armstrong]

My son brought up I thought we were going to eat Rocky Mountain oysters when we were in Kansas and I forgot. He's been wanting to try Rocky Mountain oysters which have you ever been anywhere? Katie, you're a lifetime Bay Area person. They probably don't have Rocky Mountain oysters anywhere there.

[Judy]

No, I have not had Rocky Mountain.

[Jack Armstrong]

Oysters, but it was as common as anything could be as bar food for me like in college and that sort of stuff. Cow testicles fried up and and I told my son we'd Try them when we were back in Wichita to see Grandma and Grandpa, but we forgot to. We will next time.

[Judy]

Oh, darn.

[Joe Getty]

You know me. I believe it's karmically unacceptable. It's just, you know, I don't belong to any religion that forbids me from eating any particular foods. But I've crafted my own set of beliefs and I will not eat another man's. Even if it is a cow man. I will not eat another creature's testicles.

[Judy]

What about juggling them?

[Joe Getty]

I asked.

[Judy]

Because I did that. I juggled pig testicles for charity.

[Jack Armstrong]

Oh, really?

[Judy]

I did. They were quite slick.

[Joe Getty]

That is one of my favorite things you've ever said. Yeah, I didn't see that coming. I juggled pig testicles for charity. They were quite slick. Yep.

[Jack Armstrong]

The feedlots in western Kansas used to once a summer they'd have what they called a ball fry because they had such a. So many of them built up over a year of castration that had a ball fry. And that's. Everybody would come out. And that's how you go through them all.

[Joe Getty]

Well, I suppose it is. Putting them to use.

[Jack Armstrong]

Yeah.

[Joe Getty]

As opposed to just throwing them away. Letting them. Yeah. Wasting or juggling them like some sort of savage.

[Judy]

Twas entertaining. And then we played tug war with the intestines after. It was a long day.

[Joe Getty]

Oh, my Lord. Yeah.

[Judy]

We called it the Meat Circus. It was a whole thing.

[Joe Getty]

What was the charity?

[Jack Armstrong]

Yeah, what was the charity?

[Judy]

Oh, I can't remember what it was. It was something that was going against PETA, though. We were donating to, like. I think it was a butcher shop or something, because they got.

[Joe Getty]

So we were a fundamentalist militia.

[Jack Armstrong]

The charity wasn't. The charity wasn't Nudicles for Balless Hogs, was it that. I don't know, weird circular logic thing there. So this reminded me of a Saturday Live bit from Saturday Night. The. The idea, because these Rocky Mountain oysters, you could get them with your cheeseburger where you got fries or that or whatever. And they. Did you see the shrimp tower skit on Saturday Night Live?

[Joe Getty]

I did not.

[Jack Armstrong]

With James Brolin. That's what makes so funny. One of the greatest actors of all time playing the lead role. Anyways, he's throwing a very fancy party and he has a shrimp tower. And it's just, you know, his little shrimp built up to the shape of a tower. Anyway, he called it the thinking man's mozzarella stick, which I found very funny.

[Joe Getty]

That is dryly hilarious.

[Jack Armstrong]

Made me lol.

[Joe Getty]

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[Jack Armstrong]

So we're about to play a clip of John Cougar Melon Camp talking at a concert. Is this one of the concerts that he's doing with Willie Nelson and Bob Dylan, or is he on his own here?

[Joe Getty]

On his own here.

[Jack Armstrong]

Okay, so he's touring with. I know he's gonna be, I think, at the Hollywood bowl in la, which I'd like to see. Melonhead, Willie Nelson and. And the ancient Bob Dylan. Of course. Bob Dylan's not ancient compared to Willie Nelson, who just turned 90.

[Joe Getty]

Right.

[Jack Armstrong]

It's gotta be something when he sings. I was just reading the set list on these concerts, and Willie sings among his classics. Funny how Time Slips away. Did it slip away? You've been on 90 years. I don't think it slipped away. Something happened to you when you were 30. That was 60 years ago. It didn't just slip away, but I thought the set list would be interesting. It's not really. It's pretty much the songs you expect. Melonhead sings Pink Houses and, you know, that sort of stuff.

[Joe Getty]

I wonder why he's touring. A couple of years ago, he said he had no interest in being a jukebox. If people didn't particularly want to hear new music or new versions, old songs, that's fine. He had no interest in being a jukebox.

[Jack Armstrong]

He did get a tooth knocked out by his kid, like a year or so ago. Did that cause him any financial difficulties? He and his son got in a fist fight.

[Joe Getty]

I'd imagine he can afford basic dentistry, but I don't know. I have no idea of his financial wherewithal.

[Jack Armstrong]

Why is Willie doing it?

[Joe Getty]

That's just what he does. I don't think he can imagine any other life.

[Jack Armstrong]

Right.

[Joe Getty]

And it's like Keith Richards, the Rolling Stones. Why in the world would they play more shows, much less launch a giant tour Well, I think Willie. That's what they do. Willie's paying off his tax debts, right?

[Jack Armstrong]

I don't know if he still has.

[Joe Getty]

That, but that story was 30 years ago, Michael.

[Jack Armstrong]

But he also. He travels with his sons. I've watched some of the videos from the bus, and his kids are like 60, so. But he travels with his sons who are in the band, too. So it's probably. Probably a pretty good time. I mean, what would be better than that, really? Actually, I can't think of anything that would be better than that. So. And then Bob Dylan. I don't know what Bob Dylan's doing. Yeah, he doesn't need the money or the acclaim or the. Maybe he likes hotels. I don't know. But John Cougar is on stage for a while and do we need to know anything else about that? This than that?

[Joe Getty]

No. He start. He's just talking to the crowd.

[Jack Armstrong]

Okay, here we go.

[Joe Getty]

And she went, it's just like you, buddy, to be a smart guy.

[Katie]

Like when I'm talking to Jesus.

[Joe Getty]

And then it got real quiet. No. What do you think? I mean, do you. Hey, Joe, find this guy and let me see him after the show.

[Katie]

Anyway, before I was so rudely interrupted.

[Joe Getty]

Guys, I just thought off this show right now and just go home. Since you've been so wonderful, I'm going to cut about 10 songs out of the show. Here we go. A little bit. So nice. That's a tape of. Show's over.

[Jack Armstrong]

Did he actually leave?

[Joe Getty]

Wow.

[Jack Armstrong]

And he actually left.

[Joe Getty]

That's not cool. Don't let an a hole end the show. You heard that the crowd was entirely on your side, John.

[Judy]

One guy.

[Jack Armstrong]

So he's into a story. Some guy yells, play some music. Which is hurtful if you're telling a story that you think is either funny or important or something like that.

[Joe Getty]

Right.

[Jack Armstrong]

And. But yeah, I think the rest of the crowd was at least willing to listen to your story, if not enthusiastic about it.

[Judy]

Yeah, that was weak.

[Joe Getty]

No, it sounded like they were with him. They laughed at the joke and everything. It was fine.

[Judy]

And some of them even went, ah, hey. At the guy who interrupted him.

[Joe Getty]

So a lot of people did. Yeah.

[Jack Armstrong]

So then he plays like six bars of Jack and Diane leaves. Wow.

[Joe Getty]

Yeah. He's old and bitter.

[Judy]

I didn't have time for that.

[Jack Armstrong]

I have thought about this a lot. I. So on Charlie Rose, which I miss a lot. The TV show he had in the same week, I think John Mellencamp and John Prine, if you don't know Joan Prine, he Was a very old singer songwriter who never had commercial success like John Mellencamp, but was hugely adored by people who like music. Anyway, he died Covid but had him on both that week. So they're both super old and at the end of their careers. And it struck me how John Prine had what I hope I can have when I'm old, but I don't think I can because I don't even have it now. He just had. He just had like a rye. This is kind of funny, isn't it? View of getting older. I mean, this is almost amusing what this is like the health problems and then this and the that and the kids and the marriage and just the way songs were like that too. But John Mellencamp was clearly a bitter. It went by too fast. Sad. And I relate to those feelings, but just, you know, I wish. I wish I were still 30, you know, that sort of thing. And I thought those are. There's two really good examples, has nothing to do with being famous. Of how you approach getting older. You either just accept it and kind of enjoy it and marvel at its. Everything that it's evolved or be really bitter that you're not 30 and cool anymore like Mellencamp was. And I just thought that was interesting. And I think you heard a little of it there.

[Joe Getty]

Yeah, I think. Well, let me start with this. Was playing golf the other day and we saw some distance away, a mutual friend talked about him a little bit. One of the most cheerful guys you've ever met. This guy wakes up in the morning cheerful. He goes to bed cheerful. He's just made like that. And it's. It's an amazing blessing. And. And I commented to my buddy who also has more than one kid, I said, anybody who's raised multiple kids knows you come out of the womb like that or you don't. I've always said then, and this number is pulled out of my imagination, that you got maybe about 15, 20% around the edges. You can push yourself in this way or push yourself in that way, but you are who you are. And I just. I don't know. Could John Mellencamp have ever been John Prine in his old age? Maybe. I don't know.

[Jack Armstrong]

I don't know either. I think you're right about that and.

[Joe Getty]

That 15 and 20%. You could either go 15% more bitter and awful or 15% more cheerful and optimistic. And that makes a big difference in your life. I'm not saying it's insignificant. I'm just saying my buddy's name is Dan. I was born annoyed. I'm never going to be Dan.

[Jack Armstrong]

Right.

[Joe Getty]

And I love the guy and we're good friends, actually. I think my acerbic eye rolling view of the world is amusing to him and blah, blah, whatever. It works. The one thing I know, and I try, I try to be honest about this with myself, all of us want, all of us attribute our good qualities to choice and our bad qualities to genetics.

[Jack Armstrong]

Yeah.

[Joe Getty]

I gotta admit, the strength of character. Yeah. All the good things about me are because I chose to be that way and I worked hard to be that way.

[Jack Armstrong]

I gotta admit, when I was taking in the two different attitudes about growing older and your best days being behind you, I related to the emotions of John Mellencamp a lot more than John Pride. I'd like to be like John Pride, but I feel in my head, in my heart more like John Mellencamp for whatever reason, because I think I'm born that way. I was just way I am.

[Joe Getty]

Yeah. And then there's the question of epigenetics, which is one of my favorite things I ever learned. You have your genetics, but then you've got a bunch of things in your genes.

[Jack Armstrong]

Try to end up with a half cat, half dog sort of situation.

[Joe Getty]

Is that what that is? Yeah, that's. That's right. Exactly. Yeah, yeah. No, it's. There are like triggers that you have genetically and if certain things happen to you or you run into them, that those switches might be flipped. But if you don't go through those things, they won't be. If your environment is. You have good nutrition or whatever, it'll never manifest its itself. It's not like the entirety of who you are is determined by your genetics. Your experience in your life plays a role too, in various ways. But you know, we're at. In the early days of really understanding that stuff.

[Jack Armstrong]

I just remember. So they both sang songs that week. And John Prine's song at that time, this is the last album before he died, I think was When I get to Heaven. And there's a line in there, something about I'm gonna kiss that pretty girl on the tilt a whirl. I'm gonna smoke a cigarette that's nine miles long. It's. It's like looking back on the best parts of your life and wanting to relive them or getting to smoke cigarette again or. And John. John Cougar had a line in his song and all your best efforts don't amount to anything anymore. And I thought, wow, that's just such two different views of where you are at the end of your career and one of you is happy and one of you is miserable. But like you said, maybe you can't control that. I don't know.

[Joe Getty]

Yeah, I don't know. That's interesting. Acceptance is that how much of that is inborn? Your capacity to just accept your life and it's reality.

[Jack Armstrong]

I'm going to be a really bitter old person. I think I'm a pretty bitter young person.

[Joe Getty]

Believe that. Yeah. Yeah I can see that.

[Jack Armstrong]

I will be quite self deprecating but a bitter old person.

[Michael]

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[Fred]

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[Joe Getty]

A day, but we get a month of Alphabet soup. I like to the alternate people what.

[Jack Armstrong]

I don't think that's kind of society is this. I don't think that's the point of Pride month.

[Joe Getty]

And that's with all due respect to my my gay friends who are uniformly with the meme I saw the other day. LGB is all we need. The rest is not us.

[Jack Armstrong]

Well, and it's not just a month. As you know, there are a whole bunch of other weeks and days around the same theme throughout the year. So it's not just a month.

[Joe Getty]

240 days a year. Yeah, but fathers get a day. And the reason that popped into my mind is we have some kind of Father's Day related stuff. And you know, maybe it would have been better then, because fathers only get one day. Then you ought to shut up about the importance of fathers.

[Jack Armstrong]

Hey, you weren't here on Friday when Katie and I and Michael had the discussion that we've had for many years of looking for a Father's Day card and trying to find one that's not a joke about flatulence or drinking beer or watching tv. Mother's Day cards are all, you know, there, there, there are some joke Mother's Day cards, but there's tons of how important and valued and crucial mothers are. Dad's Day cards are all jokes about. Yeah, what I just said.

[Joe Getty]

Yeah, yeah, very true. So anyway, why would be we be in the least hesitant to continue Father's Day thoughts or respect or that sort of thing? Let's begin with clip 10. It's Tristan Cassatt. Cassis Casas. He's a Boston Red Sox player telling a story about his dad.

[Tristan Casas]

So I'm in coach, pitch. And you know, I'm so young, I don't really know what's going on at this point still. I'm still just playing baseball just to burn calories and get out there and get some sun. Right. And you know, I get out one day and I come back to the dugout crying, pissed. And you know, that's, that's what a six year old does. He sits on the bench and he cries and he doesn't want to go out there when, you know, his team's playing defense. So my dad, you know, being the dad that he is, trying to teach me the lessons that he did in his own special way, came into the dugout, he actually grabbed me by my shirt, dragged me through to the line and Looney Tunes style kicked me out onto the field and actually had one of my best friends that I went to high school with. Later, he ended up playing pro ball. His mom actually called child services on my dad at the field. No, no, for real, this is no joke at the field. I see my dad go away in the cop car, gets arrested, send the nights in jail. But that day, that day my dad taught me a super valuable lesson that not, not a lot of people know. And it's that I had a responsibility to my teammates, I had a responsibility to my coaches, to the parents that showed up that day, all the fans who were at that little league game, whatever it may be, to go out there and give my best effort, no matter how I was feeling on the bench, no matter what I was going through that day or whatever little hardship that I was feeling when I got out, that I still apply every single time. Because sometimes I just want to sit down on this bench after I get out.

[Jack Armstrong]

Yeah.

[Tristan Casas]

And I want to weave and I want to cry. But that's, that's not how baseball is. So, yeah, I love my dad to death. I wouldn't have this opportunity without him. But yeah, Funny little excerpt that's about that's the type of guy my dad is. So.

[Jack Armstrong]

That's true. That.

[Joe Getty]

I like the Looney Tunes reference.

[Judy]

That is an amazing story that took a turn though. She called CPS and the actual.

[Jack Armstrong]

Spent the night in jail.

[Joe Getty]

Yeah. Yeah. Wow. Did not see that coming. Wow.

[Jack Armstrong]

Yeah, it is a good story. I also like the fact that he's six and he said the reason he was playing was to burn calories to get some sun. I never thought about that when I was six. I better work off this pop tart.

[Joe Getty]

Wow. That second chocolate chip cookie was totally unnecessary. I'm going to go play some baseball. Yeah, that's, that's funny. It reminds me of a conversation we've had before that, you know, the, the. And it's a cliche and certainly the, the roles overlap, but when little Johnny skins his knee, mom is, oh, honey, oh no. Oh. And dad's like, you'll be fine, you'll be great. And, and that whole. And I remember my dad was my baseball coach a lot too. And he would come out to the mound when I was pitching and he, I've said this, told this story before too. He'd say, get this guy out or, or I'm gonna polya. And it wasn't cruelty. It was a way to focus me and to say, you know, you have a job to do here is what it is. I'm not out of here. I'm not out here to tell you everything's going to be okay. Because telling you go do it is telling you everything's going to be okay. Telling you you're fine. Go run and play is. It's a empowering message to, to look at me, a man to man, even as like a 15 year old and say, focus, get this guy out. That's it. That's a compliment.

[Judy]

Shift we've, we've experienced.

[Jack Armstrong]

Yeah, I'd say, oh yeah, I can't.

[Joe Getty]

Plus, you know, as I've said before, I was like, you damn right I'm getting this guy out. You're not pulling me. And it was just, it, it, it's. That's what coaching is. That's what man to man coaching is. Now it can cross the line into being an a hole if you're a bad coach. But it was a very good coach.

[Jack Armstrong]

I don't know. Anxiety, it's going to cause anxiety.

[Judy]

My, this is reminding me of a story my dad told me. He played football in high school. And my grandfather, his dad was a surgeon. And my dad took a cleat to the shin during a game and my granddad sewed him up in the. In the team. Team locker room and then said, get your ass back out there.

[Jack Armstrong]

This was during the Civil War?

[Joe Getty]

Yeah, pretty much.

[Fred]

Might as well.

[Joe Getty]

Ben.

[Judy]

Mid 60s.

[Joe Getty]

On the other hand. Katie, do we need any Setup for clip 12?

[Judy]

No, this is just where. Where we're headed if this woke crap continues.

[Joe Getty]

Hey, non binary offspring. Hey, non gender specific parent. Uh, just wanted to let you know that dinner is ready. Uh, if you consent for to it, of course. I don't. I don't consent.

[Michael]

Well, I was thinking maybe in an.

[Joe Getty]

Hour or so, if you're up to it, me and your other non gender.

[Michael]

Specific parent can sit in the living.

[Joe Getty]

Room and breathe for a little bit. If it doesn't trigger you, of course. You know, I'm not sure if I'm triggered by that or offended. I quite honestly, I don't know what to feel anymore. Trust me, I don't know either, honey. Oh, my God. Did you just call me honey? Oh, my God, I am so sorry. That's harassment. Please don't tweet about this. I already did. Well, it looks like my career is over. Well, maybe think 20 times before you talk. We'll have to live on the streets.

[Michael]

Well, that doesn't matter to me because.

[Joe Getty]

My feelings are more important than all of our physical, well, beings. Okay, well, I'm going to go into the living room and cry. I love you. You don't have to say it back. I'm not going to. Wow. Parent and child in the year 2060.

[Jack Armstrong]

That's pretty good.

[Judy]

I don't know if I'm triggered or offended. I don't know what I'm feeling anymore.

[Jack Armstrong]

I can't believe that dude's dad spent the night in jail.

[Judy]

Yeah.

[Joe Getty]

All right, I gotta ask. How hard did he kick him? I don't know. The boy, looking back is he's full of love and he did the right.

[Jack Armstrong]

Thing and laughing about it. So. Yeah, he does he.

[Joe Getty]

I don't know.

[Jack Armstrong]

That's crazy.

[Joe Getty]

Yeah. Yeah. Wow, that's quite a story. You know, they kicked each other pretty hard in those Looney Tunes cartoons. Occasionally. It was borderline brutality. Michael, you're quite right. The Armstrong and Getty show. You wake up, put on your Ray Ban meta glasses, you're living all in. You realize you need coffee so you say, hey, meta, how do I make a latte brew? Two shots of espresso after meta AI gets you caffeinated, you're ready for some beats.

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