
Hosted by Arroe Collins · EN

I’m always askingquestions. The fun begins when you startresearching for answers. Such as… What will be federallylegalized first, full access to marijuana or psychedelic alternatives? I’m Arroe… I am a daily writer. A silent wolf. I stand on the sidelines and do nothing butwatch, listen study then activate. I call it The DailyMess. A chronological walk through aneveryday world. Yes, it’s my morningwriting. As a receiver of thoughts andideas, we as people tend to throw it to the side and deal with it later. When a subject arrives, Idig in. It’s still keeping ajournal! By doing the research thepicture becomes clearer. This is the Daily Mess…

Although we don't really write physical U.S. mail delivered letters anymore, this phrase continues to live on. Nothing to write home about. It's all-over social media and for some reason we care when years past that handwritten letter would've been trashed.

From one of cinema's wisest and most penetrating observers, an arresting new perspective on the sweep of film historyDavid Thomson has been called "the greatest living writer on the movies." Here is a career capstone of sorts-a one-volume history of film and screens as illuminating and provocative as his classic Biographical Dictionary of Film. In tracing the progress, from the Lumiere Brothers to the Coens, Thomson glories in the great movies, but admits to increasing unease over what the medium has done to us-promoting fantasy, misleading models of sexual identity, the cult of authority, power, and happy endings.This revisionist history is as alert to technology and business as it is to art and fun in tracing our pursuit of the lifelike instead of life. By turns trenchant, lyrical, and comic, Thomson uncovers our addiction to voyeurism and villainy, and a habit of passivity that has betrayed our political and cultural identity. In a survey that reaches from Metropolis to Rear Window to Anora, this will redirect ideas about film everywhere. As The New York Times has put it, "Thomson proves anew that he is irreplaceable.=

There's word on the podcast street of having a more open format when it comes to sharing politics. Especially as we get closer to the midterm elections. Do you or don't you include a political figure? The ups downs twists and victories. Invite them but play by your rules. A Politician can talk about any subject including yours. Don't stray from your vision. Tap into how they fit into yours. They need you.

STRANDED IN THE FUTURE is a kind of dystopian self-portrait. It's about obsession, and obsessive behavior. Spanning from 1968 to 1978, it takes in the mythology that teenagers weave around their musical heroes and their early loves: in this case, one specific hero and one specific love. The book explores the way that Hitchcock, in his own head, linked these two figures to each other, although they never actually met.On the way, the story mines the incremental hangover of the 1970s as Hitchcock begins to play live, teaches himself to write songs, and eventually forms the Soft Boys. There's a side order of trolleybuses too! Hitchcock's beautiful prose will resonate far beyond the fans of his music, and build on the literary following he established with his first book, 1967: How I Got There and Why I Never Left.

I’m always askingquestions. The fun begins when you startresearching for answers. Such as… People who claim to bereincarnated…do they remember their past lives? Plus…can you sign up to be the next in line to be reincarnated? I’m Arroe… I am a daily writer. A silent wolf. I stand on the sidelines and do nothing butwatch, listen study then activate. I call it The DailyMess. A chronological walk through aneveryday world. Yes, it’s my morningwriting. As a receiver of thoughts andideas, we as people tend to throw it to the side and deal with it later. When a subject arrives, Idig in. It’s still keeping ajournal! By doing the research thepicture becomes clearer. This is the Daily Mess…

Isn't there an old saying about nobody truly can hear the effects of a tree when it comes crashing down? Living inside a forest for 34 years, I've heard a lot of trees meeting their new neighbors as they face plant in the forest floor. I never want to enter a day until I've loved as well as recognized the skyscrapers that have spent many many more years on this planet then I the Poet with a pen.

In “WHAT I WISH I KNEW ABOUT LUCK: A Crash Course on Turning Aspirations into Achievements” (HarperOne) - STANFORD UNIVERSITY professor and bestselling author: TINA SEELIG - dispels the myth - noting that what we call luck is really the deliberate actions of hard work. From being born into the “right” family to someone helping you with a flat tire – Dr. Seelig tells us that what most consider lucky is really fortune. Meantime, luck, has to do with the choices you make and the risks you take as opportunities arise. With accessible tips and bite-sized lessons, Seelig breaks down the necessary components you need to create your own lucky opportunities. As she shared in her popular TED Talk - luck is like the wind, constantly blowing, often unpredictable, and always in motion. And to catch the winds of luck, you need to construct your sail by doing the internal work that sets the stage for success; recruit your crew by bringing others along; and hoist your sail by acting in ways that lead you closer to your goals. With these practical tools in hand, the winds of luck carry you toward the future you dream to live.The book is filled with memorable examples, personal anecdotes, and behavioral science research.

Why did Jews become devoted Democrats, and why did the Democrats turn on them?p> For the past 100 years, Jews have famously been at the forefront of every liberal cause in America. They were overrepresented in the Civil Rights Movement, in the Labor movement, the pro-choice movement, and the LGBT movement. If you ask them why they are Democrats, many will say it's because they are Jews.And yet, as Batya Ungar-Sargon explains in The Jews and the Left, with its slogans about the destruction of Israel and elevation of antisemitic leaders, the Left has become a no-go zone for Jews unless they are willing to denounce their own people. Now the left has cheers when Zohran Mamdani says there shouldn't be a Jewish state on this planet, and Bernie Sanders says Israel's goal in Gaza is "extermination."To explore how we got here. Ungar-Sargon takes readers through the long history of Jews in American political life, from George Washington's praise for the Jews to the forgotten Jewish Founding Father, from the Triangle Shirtwaist fire to the lynching of Leo Frank, from the Civil Rights movement to the shock many Americans felt on October 7th when Hamas wasn't universally condemned.Many Jews will insist that antisemitic violence has been more common on the right than on the left. The reality is far more complicated and far more troubling. This book analyzes a uniquely left-wing form of antisemitic hate. The Jews and the Left is a moving historical account of one of the most important alliances in American politics-and its breakdown.

Lily Heidinger is a young country music sensation from Madison, Ohio. Her heartfelt lyrics and soulful voice are already capturing attention far beyond her hometown. With a guitar in her hand and a story to tell, Lily writes her own songs—honest, emotional, and rooted in the traditions of country storytelling with a fresh, modern edge.Inspired by legends like Dolly Parton, Kacey Musgraves and Ashley McBride, Lily began performing at local venues and festivals as a teenager, quickly earning a loyal following drawn to her raw talent and magnetic stage presence. Soon, Lily began to perform at more important events: as a featured performer at world renown guitar virtuoso Neil Zaza’s “One Silent Night,” at the Goodyear Theater in Akron, OH, a Battle of the Bands competition at the Cuyahoga County Fairgrounds (that she won!), opening for an Emily Ann Roberts’ concert at the Beachland Ballroom in Cleveland and was recently nominated for Best Country Artist at the 2026 Cleveland Music Awards, while performing both at the awards show and as the headliner for the CMA Country Music Showcase at the Wild Eagle in downtown Cleveland.Her original music blends classic country themes with a Gen Z perspective, tackling love, growing up, and chasing dreams with unfiltered authenticity.Now, with her eyes set on Nashville, Lily is making the leap from hometown favorite to national name. As she heads to Music City, she carries with her a growing catalog of original songs, a work ethic shaped by small-town roots, and a voice the country world won’t soon forget.Lily Heidinger is more than just a rising star—she’s the real deal, and she’s just getting started.