Articles of Interest – Episode: Clergy Hosted by Avery Trufelman | Release Date: May 22, 2024

Introduction: A Left-Leaning Sanctuary with Timeless Traditions

In the episode titled "Clergy," Avery Trufelman explores the intricate relationship between fashion and faith by attending an 11 a.m. Mass at St. Ignatius on 84th and Park, accompanied by her friend Nick Minoni, a journalist covering the Vatican. The church, characterized by its progressive posters featuring activists like Dolores Huerta and Sharon Levine, juxtaposes modern social activism with the enduring grandeur of traditional Catholic rituals. “No one puts on a show like the Catholics,” Avery remarks at [00:01:03], highlighting the dramatic blend of sensory elements such as the choir’s harmonious singing, the organ’s resounding notes, and the evocative scent of incense, which she describes as "coming out like a dry ice machine."

Father James Martin’s Homily: Community and Relational Theology

Father James Martin, a renowned and inclusive Jesuit priest, delivers a poignant homily emphasizing the importance of community in salvation. At [00:02:11], he states, “We express our love of God through relationships with one another,” underscoring the necessity of human connections despite the church’s imperfections. Avery reflects on her personal journey back to Catholicism, noting, “As a Jew who'd never been to Mass before, there's no denying the power of the choir, the vaulted ceilings, and, of course, the costumes” at [00:01:47].

The Elegance and Symbolism of Clerical Attire

A substantial portion of the episode delves into the sartorial aspects of clergy garments. Avery and Nick discuss Father Martin’s ornate attire, including the "golden cream" brocaded vestments seen from the pulpit ([00:03:00]). Avery marvels at the craftsmanship, describing the vestments as “sumptuous, elegant cloth” and questioning their cost, which can range from $400 to $12,000 ([00:06:33]). Father Martin explains the practical and symbolic reasons behind the clerical collar and formal vestments at [00:04:40], noting, “Every time I put on the collar... people treat you completely differently.”

Historical Perspectives: John of Damascus and the Evolution of Religious Art

Nick Minoni introduces historical context by discussing John of Damascus, a 1st-century theologian who defended the use of religious icons. At [00:12:11], Nick explains how John’s rationale laid the groundwork for masterpieces like the Sistine Chapel and the Renaissance era's ornate church art. This historical linkage underscores the Catholic Church’s embrace of beauty as a reflection of divine glory, contrasting with other religions that may eschew worldly adornments ([00:13:58]).

Vatican II: A Turning Point in Church Attire and Practices

The episode transitions to the significant impact of the Second Vatican Council (Vatican II) on church practices and attire. Avery provides a concise definition, noting its occurrence from 1962 to 1965 and its intent to modernize the Catholic Church ([00:29:28]). John O’Malley, a Jesuit priest and historian, describes how Vatican II sought to make Mass more accessible by introducing the vernacular language and altering the priest’s orientation to face the congregation ([00:31:02]). This shift sparked debates within the church, particularly concerning the use of traditional Latin Mass versus the newly adopted local languages.

Post-Vatican II: Division and Tradition in Clerical Vestments

Post-Vatican II, Avery explores the dichotomy between conservative and liberal priests regarding vestments. Victor Slabink of Slab Inc., a family-run business supplying church vestments, explains how different chasubles signal theological leanings ([00:28:32]). The episode features interviews with traditional priests who resist change, preferring the Roman chasuble without sleeves, and contrasts them with more progressive clergy who embrace the reforms.

Modern Monastic Life: Simplicity and Craftsmanship at Holy Rood Guild

Avery visits a Trappist monastery in Massachusetts, meeting Father Boniface and Father Timothy, who manage the Holy Rood Guild. Their commitment to crafting high-quality vestments reflects a dedication to both tradition and craftsmanship. At [00:42:05], Father Boniface emphasizes the monastic vow of obedience and the importance of creating vestments as an act of service and devotion. The meticulous process of making and maintaining vestments, including custom tailoring and rigorous quality control, underscores the sacredness attributed to these garments.

Ethics and Economics of Clerical Clothing

The episode further explores the ethical implications of vestment production. Victor Slabink discusses the high costs associated with ethically made vestments, which often preclude cheaper alternatives from meeting fair labor standards ([00:46:30]). Avery highlights the tension between beautiful, ethically produced vestments and the market flooded with inexpensive, poorly made alternatives that undermine both economic stability and the sanctity of worship.

Philosophical Underpinnings: Beauty, Goodness, and Truth in Clerical Fashion

Nick Minoni introduces the philosophical perspective of Hans Urs von Balthasar, who posited that everything embodies truth, goodness, and beauty. Avery connects this to the clergy’s attire, suggesting that the beauty of vestments serves as a gateway to deeper spiritual truths and communal goodness. She reflects, “The beauty of clothing, the fantasy of fashion, led me to the goodness of quality and style and craftsmanship and tradition” ([00:50:35]).

Conclusion: The Interconnectedness of Apparel, Ethics, and Spirituality

Avery concludes by reinforcing the idea that clerical attire is more than mere clothing; it represents a complex interplay of tradition, craftsmanship, ethical labor, and spiritual symbolism. Father James Martin encapsulates this sentiment by stating, “When you put it on, it makes you feel different about where you are and how you're to comport yourself… It's a way to God” ([00:49:30]). The episode leaves listeners contemplating the profound connections between what we wear, how we present ourselves, and the deeper values that guide our lives.

Key Takeaways:

• Tradition vs. Modernity: The Catholic Church balances deep-rooted traditions with modern progressive elements, particularly evident in worship spaces that blend activism with traditional rituals.

• Vestments as Symbols: Clerical attire serves not only functional and symbolic purposes but also reflects theological and cultural shifts within the church.

• Vatican II’s Legacy: The Second Vatican Council was a pivotal moment that transformed Catholic liturgy and vestments, fostering both unity and division among clergy.

• Ethical Considerations: The production of religious garments raises important ethical questions about labor practices, sustainability, and the true cost of beauty.

• Philosophical Dimensions: The intersection of truth, goodness, and beauty in religious attire underscores a broader philosophical and spiritual narrative within the Catholic tradition.

Notable Quotes:

• Avery Trufelman [00:01:03]: “No one puts on a show like the Catholics.”

• Father James Martin [00:02:11]: “We express our love of God through relationships with one another.”

• Victor Slabink [00:28:32]: “We offer fresh soup to our people every day just to make sure they have their vitamins.”

• Dr. Candida Moss [00:21:11]: “People associate beauty and ideas of beauty...with morality.”

Further Exploration:

Listeners interested in the intricate relationships between faith, tradition, and fashion are encouraged to visit articlesofinterest.substack.com for more images and insights. Additionally, Nick Minoni’s upcoming documentary on the Vatican promises an in-depth look into the fashion dynamics within the heart of Catholicism.

Music Credits:

This episode features music by Ray Dawnroyal with theme music by Sesame.

For more episodes and discussions on the intersection of culture and attire, subscribe to Articles of Interest wherever you get your podcasts.