Today we’re joined by Andrew Cook, author of the new book Capitol Gains: Exposing the Conflict Between The Beatles and the Record Label That Made Them — part one of a two-part conversation.

If you think you already know the story of how The Beatles conquered America, this book might surprise you.

Capitol Gains takes a deep dive into the complicated, occasionally combative, and hugely consequential relationship between the Beatles and Capitol Records in the 1960s. Andrew explores Capitol’s early refusals to release the band in the U.S., the strange and sudden shift that led to their American breakthrough, the aggressive marketing campaign that helped manufacture U.S. Beatlemania, and the decision to reshape the Beatles’ catalogue for American audiences — new tracklists, new mixes, new covers, new everything.

Drawing on corporate archives, private papers, and previously unseen material, the book re-examines some of the most persistent myths in Beatles history — and raises big questions about who really controlled the narrative, the money, and the music during those formative years.

Andrew Cook is the author of fifteen published books covering a wide range of 19th- and 20th-century history, from British intelligence agencies to the Romanovs, Jack the Ripper, and the Great Train Robbery. His work has led to more than twenty films and documentaries since his first book was published in 2002. His 2013 book The Great Train Robbery: The Untold Story from the Closed Investigation Files inspired a Channel 4 documentary and the acclaimed Chris Chibnall dramas A Robber’s Tale and A Copper’s Tale, starring Jim Broadbent and Luke Evans.

He’s written for The Times, The Guardian, The Independent, BBC History Magazine, and History Today — and now he’s turned his archival instincts toward one of the most fascinating business relationships in rock history.

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