
Redemption Hyperlink Episode (E11) — There are so many themes in the Bible, from redemption to exile, to mountains and cities. In every series, we attempt to isolate and study one biblical theme. But it’s important to remember that biblical themes are woven together throughout the Bible like instruments in a symphony. Today in this hyperlink episode, we’ll listen to clips from previous podcast series where the theme of redemption also came up in Jon and Tim’s conversations.
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Tim Mackie
Foreign.
Michelle Jones
Hello and welcome to Bible Project podcast. I'm your host today, Michelle Jones. Back to wrap up our series on redemption. This is a new type of episode we've been trying out called a hyperlink episode. In every series, we attempt to isolate and study a biblical theme. But it's important to remember that biblical themes are woven together throughout the story of the Bible like a symphony. Today in this hyperlink episode, we'll listen to clips from previous series where the theme of redemption appears naturally in conversation. As we begin, let's remember that a redemption is a transfer of a possession from being lost back into the possession of its rightful owner. Human beings belong to God and exist to live in union with God, but humans tragically are lost when taken possession by sin and death. The story of the Bible then is a story of how God will repossess humanity, that is transfer us back to where we belong, to restore us into union with Him. In other words, God wants to redeem us. Thanks for joining us.
Tim Mackie
Here we go. That is indeptic.
Michelle Jones
Our first clip is from our series on the Leviticus scroll. Back In July of 2022, at the very center of the scroll of Leviticus is a climactic ritual called the Day of Atonement, or Yom Kippur. On this day, the high priest casts lots for the fate of two innocent and blameless goats. One goat symbolically receives the sin of Israel and and then is sent away to encounter a spiritual enemy in the wilderness named Azazel. The second goat is brought into God's holy place, the Tabernacle, and the blood of this goat is sprinkled on the COVID of the Ark of the Covenant, the throne of God himself. This is a strange image for us, but we need to remember that in the ancient world, the blood symbolizes life, and the life of something blameless can cover over the reality of death. While this series on redemption has focused on the Passover lamb, the Day of Atonement is another piece of the biblical mosaic that helps us understand the death and resurrection of Jesus. This conversation comes from the Leviticus scroll series, episode six, titled what is the Day of Atonement? Let's listen in.
Tim Mackie
Leviticus 16. This chapter is in the section that's at the center of the center of the center of the Torah. So we know we're close to the heartbeat of the message of the Torah when we enter into the tent on the Day of Atonement. This chapter is super, super important. So Aaron will take the two goats and present them before Yahweh at The tent of meeting, and he's going to get out dice. Usually they're called casting lots, but it's rolling ancient dice. And the dice will determine the fate of these goats. One lot will assign the goat for Yahweh, the other lot will assign the goat for Zazel. Who's this Azazel? It's a wonderful question, John. So let me just show you. Leviticus 16:8. NIV translates the word ezazel as for the scapegoat. One lot for Yahweh, the other lot for the scapegoat. Even that English phrasing is a little bit odd. For the scapegoat. Yeah.
John Dyer
Instead of as the scapegoat.
Tim Mackie
Yeah. Makes you sound like this goat is being sent for some other on behalf of. For some other thing named the scapegoat. And actually, the oddity is the problem at the heart of the NIV's interpretation here. The New American Standard also translates it as scapegoat. So does King James. But the ESV transliterates the word Azazel with a capital A. Yeah. One lot for Yahweh, one lot for Azazel.
John Dyer
Like it's a name of something.
Tim Mackie
Yeah. And the NRSV does that as well. Why do they do that? Well, so notice the parallelism of verse 8. It's almost like a poetic line. Aaron will cast lots for two goats, one lot for Yahweh, the other lot for Azazel. So the sentence structure leads you to think that each lot will designate each goat for someone. Then we'll just keep reading. Then Aaron will offer the goat on which is the lot for Yahweh fell, and make it a purification offering. And the goat on which the lot for Azazel fell shall be presented alive before Yahweh to make atonement for it, to send it to Azazel into the wilderness. So there is ample evidence that the earliest interpreters of Leviticus understood this as the name of a spiritual being. A Semitic scholar, Nicholas Wyatt, thinks it derives from two roots. One is the word Azaz in Hebrew, which means strong. And the other one is El, which means spiritual being, powerful spiritual being who resides in the wilderness. So here's the next thing that is interesting. The two goats are presented together as a singular offering. And there's no other offering that's quite like this. So first, the goat, that is for Yahweh, he shall slaughter the goat of the purification offering. That's for the people. And he will bring its blood inside.
John Dyer
The veil, inside the holy place.
Tim Mackie
Yeah, the holy of holies. And this is it. This is like the time that he goes in. Once a year, he will do with its blood as he did with the blood of a bull. He will sprinkle it right on the atonement lid, on the mercy seat. And he shall make atonement for the holy place because of the impurities of the Sons of Israel and because of their transgressions in regard to all their sins. So he will do this for the tent of meeting that dwells in the middle of them, in the middle of their impurities.
John Dyer
All right. Two goats. One is going to be an atonement.
Tim Mackie
Purification offering.
John Dyer
Purification offering.
Tim Mackie
That's right. Yeah.
John Dyer
And we know from that the purification offering, the lifeblood's taken from the animal, and the. The animal gave its life even though it didn't deserve it because it didn't have blemish. So it's this idea of something without the moral failings that you had. Even though its blemishes weren't about moral.
Tim Mackie
Failings, they were a symbol of them. They were a symbol of them is.
John Dyer
Dying on your behalf. The blood is drained out. The life is in the blood. There's some sort of life power still in that blood. The priest sprinkles it on objects and on the space. And it's still hard for me to wrap my mind around. But it's this idea of our corruption, our moral failings isn't just something that screws with me and my relationship with maybe God or with others. It actually screws up with the whole environment.
Tim Mackie
A vandalism.
John Dyer
A vandalism is the metaphor you've been using. And that the lifeblood is this ritual kind of cleansing to kind of clear the air, clean the slate, but also because of the transgressions in regard to their sins.
Tim Mackie
There's two reasons given here in Leviticus 16:16, making atonement. One, because of the impurities of the sons of Israel. So this is like. This is the stuff that doesn't have to do with moral failings.
John Dyer
Impurities just means, like, being impure.
Tim Mackie
We just talked about being ritually impure. And it's as if those ritual impurities of skin disease and of touching dead bodies and of leaking reproductive fluids, and these are all symbols, fluids and substances that are associated with death or the loss of life. It's as if the tent in the middle of the camp is depicted as surrounded by a chaotic sea of encroaching death by dying people who live around the tent. And those are constantly breaking at the Shore, as it were, and spattering up little bits of impurity over the tent curtains and like slowly vandalizing. So that's one image. Okay, so that needs to be dealt with. And then the second reason given is because of their transgressions in regard to all their sins, their moral impurities.
John Dyer
And that's also polluting.
Tim Mackie
Is also polluting. And so the singular act of atonement, it's dealing with both. And we're back to our conversation many episodes ago. The atonement is used in two ways. And the Hebrew Bible scholar here that I've learned the most from is Jay Sklar. His book Impurity and Sin and Atonement in Ancient Israel. That's not the precise title, but we'll put a link in the show notes to his book is the atonement is used in two ways, related to the two main meanings of its root word. One is to provide a ransom. When you wrong someone, you owe them. And so when we wrong each other, we wrong God. That's core to this idea. And so we owe God for wronging each other. And so a blameless life being offered unfairly to give its life for my sins is a ransom. But then also another metaphorical kind of scheme is that my sins and impurities pollute the divine presence like that, encroaching waves of ickiness. And so that blood can overpower the forces of death by standing in my place as a blameless substitute, where life, a blameless life, can cover over death and sin. Both stories are being told right here in Leviticus 16:16. And this goat, which is only one half of the day of atonement offering, the one that goes into the holy place by the priest, does that.
John Dyer
The emphasis is on the pollution and the vandalism.
Tim Mackie
Yeah, I have to separate them to make sense of them. But the idea is our signs of mortality, our impurities, which are not morally wrong, but they are signs that we're dying creatures. And then also my moral failures. And death and moral failure is linked closely together in the biblical story, because the only reason we're all outside of Eden is because of humanity's moral failings. And so the moral failings are compensated for and the effects of our moral failings are reversed by the blood of the substitute put on the atonement lid, as if this lid, which is the place where God's presence touches down, is the place where God has provided the substitute. I'm not saying any of this makes deep intuitive sense to me, but I'm saying it's A symbolic ritual language that I've had to work a long time to learn what it's saying. But I think once you sympathetically can enter into the symbols, you can see at least the story. So this one represents a blameless life who can ascend the mountain of the Lord. Psalm 15. Only the blameless one who does what is right and just. So this animal unfairly dies for the sins of the non blameless and carries in its life to cover over the effects of Israel's sins that have polluted the most holy place. That's the symbolism here. All right. What we also hear is nobody else should be in the tent when he brings in that goat. Just one representative human, Yahweh. Okay. Down to verse 20. So then he comes out, and when he finishes atoning for the holy place and for the tent of meeting and for the altar, because he actually sprinkles blood on all those. This is cool. So where he goes is he takes the blood of that goat and he goes in to the most holy place, which is going to the most westward point. The door is always facing east toward the sunrise. So. So you go in through the door. That brings you into the courtyard. You go past the altar, you go in the east door. So you're constantly going west. But what happens is he takes the blood in and then he starts a journey from the western holy spot to.
John Dyer
Go east to sprinkle the blood.
Tim Mackie
Yeah. And he's sprinkling at each key point on his eastward exile from the holy place. Adam and Eve are exiled at the east side of the garden. Cain is exiled east of Eden. The Babylonians go east. So it's as if the high priest is following the eastward exile of humanity from the early chapters of Genesis, sprinkling blood at every exile along the way. So then he comes out and he comes to that goat that's alive, and he puts the two hands and he presses them down on the head of that goat that's alive. And he confesses over it all the iniquities of the sons of Israel, all their transgressions and all their sins, he will place them on the head of the goat. Now there's good symbolic language for you. Put the sin on the goat. Yeah.
John Dyer
Somehow.
Tim Mackie
Somehow. Then what he does is send it into the wilderness by the hand of a man of my time. A man of the time. A man of appointing.
John Dyer
Someone will set him up, and that.
Tim Mackie
Goat will carry upon itself the iniquities of Israel to a land that is cut off. And he will send the goat into.
John Dyer
The wilderness, the sins are exiled.
Tim Mackie
Yeah. So the Holy of holies represents like the Eden tree of life center. And one goat goes in there, the blameless goat goes in there. The living goat goes out into the wilderness to a cut off land, the opposite end of the cosmos in the biblical imagination. And what's interesting is Azazel is not brought up there, noticing that here it's just called the realm of being cut off in the wilderness, which is the opposite of the garden. So the scholars call this the elimination ritual. And I learned a lot about this from reading lots of scholars. One particularly illuminating account for this ritual was a scholar named Roy Gain in his book Cult and Character. It's a whole book about purification offerings in the day of atonement and the problem of evil in the Hebrew Bible. So I'm just going to talk through this kind of extended quote, but this was hugely illuminating for me. And he says, no part of this goat, the living goat, is offered to Yahweh. This is not a sacrifice. It's an elimination ritual. The biblical prescription does not call for the death of this goat. It is simply sent away as a ritual garbage truck carrying controlled toxic waste to Azazel. Now, Azazel's precise nature is elusive. The reason for the LOT ritual before Yahweh is that he must decide the role of the goats through what appears to be chance. Through the LOT ceremonies, the goats are designated as belonging to Yahweh and Azazel, respectively, each being a party capable of ownership. The fact that Yahweh is a supernatural being could be taken to imply that Azazel is the same, but the animal is not an offering to Azazel. Rather, the live goat transports Israelite failures to Azazel, who ends up having to take this noxious load. The ritual is an unfriendly gesture to Azazel. It's more like sending someone a load of chemical or nuclear waste.
John Dyer
Yeah.
Tim Mackie
Because it's Yahweh who commands the priest to perform the ritual, it appears that Azazel is his enemy. It's likely, therefore, that Azazel is some kind of spiritual being, that his presence in the desert regions is the extreme opposite of God's holy presence in the holy of Holies. However, the nature of Azazel's personality is not revealed in Leviticus, likely to avoid the danger that some might be tempted to honor him. This is the snake. It's a name for the snake. And so that evil one is the architect behind why we're all outside of Eden. So Once a year, we send him a load of BS in a paper bag on fire. Right. And we send it out, like, send it back where it came from.
John Dyer
Ring the doorbell.
Tim Mackie
It's the elimination ritual. It's so illuminating. And both goats together, remember, are a singular purification offering.
John Dyer
How do you get that both goats are a singular.
Tim Mackie
When he said. Back when he said, take two special goats for a singular purification offering. So one is the blameless one who goes in and gives its life for sinful people and its blameless life ransoms them from death and also purifies the pollution of their iniquities. And then the other goat represents Yahweh's desire to do away with the effects of sin and evil once and for all by sending the load of waste back to the one who brought it into the world in the first place. This is the core of the day of atonement. It's remarkable.
John Dyer
Yeah. So Jesus is talked about in terms of being an atoning sacrifice.
Tim Mackie
He talked about his own coming death as an atoning sacrifice. Yes. What's interesting about Jesus is he is bringing together all of the mosaic tiles of depicting God's victory over the evil one and his dealing with the consequences of human sin, and he's merged them all together. So important passages here for Jesus are like Mark 10:45, where after two disciples come and say, hey, Jesus, you know, when you're enthroned as the king of the universe could, like we sit at your right and left hands, and Jesus says, you have no idea what you're asking for. Are you going to be able to be baptized, go through the waters that I'm going to have to go through? That's suggestive of purification. Purification? Yep. You know, the kings of our world, he says, love to become lords over people. They love to have authority. But now here in this crew, the. The one who is great becomes the servant. Whoever wants to be first must become the servant of all. For even the son of Adam, son of humanity, didn't come to be served, but to become a servant and to give his life as a lutron. Ransom for many.
John Dyer
Atonement.
Tim Mackie
Yeah. A sacrifice. Atonement that ransoms someone from death. Yeah.
John Dyer
The word atonement's not used.
Tim Mackie
No, it's the word redemption. Yeah. It's to purchase someone from a state of slavery leading unto death. Yep. But the point is, here he is activating the son of Daniel 7, the son of man. He's activating the suffering servant of Isaiah with this language, and he's activating the Exodus narrative of redemption from death through the death of the Passover lamb. That's Mark 10:45. Other key passages. I'll just. I could go to any of the Last Supper narratives, but Jesus chooses Passover. I'll go to Luke 22's account of the Last Supper. But Jesus chooses the weekend of Passover to time his showdown with the powers in Jerusalem. In Luke's account, he says, I've desired to eat this Passover with you before I come. When he takes the bread, he says, this is my body given for you. Do this in remembrance of me. In the same way, he took the cup, and he said, this cup, which is poured out for y', all, is the new covenant in my blood.
John Dyer
Poured out versus sprinkled. That's interesting.
Tim Mackie
Yeah, because remember, the blood would get taken from an animal, a purification offering. It would get taken into the Holy of Holies and sprinkled in the holy place and. And then sprinkled on the altar. And then what's left in the bowl gets poured out at the base of the altar. Yeah. So here Jesus is merging together imagery from the purification offerings happening in the tabernacle and the purification offerings that happen throughout the year culminate in this one great purification that is the day of atonement. But he's doing this on Passover, which.
John Dyer
Is a different type of substitute, a different narrative.
Tim Mackie
But both had to do with the sins of Israel, and the sins of the empires of this world lead to slavery and evil and death. And so Yahweh is going to bring a great flood of justice over the land. But for anyone who wants to be covered by God's mercy, he provides a blameless substitute. That's the Passover lamb. But that's also essentially what the day of atonement is about. He's brought Israel out into the wilderness, a land of danger and death, and he's provided a way for them to be washed of their sins and impurities. But, man, if they don't deal with them, they're going to pollute Yahweh's presence and he'll leave, which will leave them to die in the wilderness. And so the day of atonement, goats become another way of looking into the mystery of. Of what Passover is. The Hebrew Bible is a huge mosaic. So all these narratives and here ritual symbols help us become wise about what's wrong with us and what's wrong with the world. What is God doing about it? What has God done about it? And Jesus, just in a very few little words, brings all of these narrative images together in a really provocative way. And the Last Supper is an important place for that.
John Dyer
What Christians like to say is that these sacrifices were pointing to or trying to enact what Jesus actually accomplished.
Tim Mackie
Yeah, Yep, that's right.
John Dyer
That he's actually doing something that all of the symbolism was the hope and power of.
Tim Mackie
Yeah. So here an important distinction needs to be made between the actual historical activities happening in around the tent and the tabernacle and the Hebrew Bible's representation of all of that. Because the Hebrew Bible gives us a literary representation of the day of Atonement and a Passover. But included within a collection of scrolls that have all of these other stories in it. And one scroll in the Hebrew Bible is Isaiah, which tells you Israel and humanity really needs is a person who will ascend to the high place and offer their life as a blameless sacrifice. In other words, Leviticus is alongside Isaiah is alongside Genesis. So when the author of Hebrews says it's impossible for the blood of animals to take away sins, he's not saying something new. What he's saying is what is already the message of the Hebrew Bible. Because the Hebrew Bible is telling you that the animal sacrifices are just a symbolic gift of Yahweh, of a down payment of something bigger that needs to happen, which is of a blameless human who would come and stand in the holy place and offer their life. And that's what Moses story is about to. That makes sense.
John Dyer
So Jesus saw himself as the blameless goat whose blood is purifying. Now there's a goat who bears the sins and is cast out. Jesus identify with that goat.
Tim Mackie
It seems like the gospel authors want to associate Jesus with both goats, one by being the blameless sufferer. But then there's the emphasis that Jesus death is happening outside the city near a burial plot grave area outside the city gate.
John Dyer
Yeah.
Tim Mackie
And so the one place in the New Testament this is really exploited is in the letter to the Hebrews where he says therefore Jesus also that he might sanctify the people through his own blood suffered outside the gate. So let us go out to him outside the camp bearing his shame. The purification offering animals. Their remains were taken outside the camp to a dumping site. So it could be that he's referring to that he could also be referring to the goat that is exiled outside of the camp as well. Yeah, you go join him.
John Dyer
Well, because there's 1 Peter 2.
Tim Mackie
Oh yeah.
John Dyer
Jesus himself bore our sins in his body.
Tim Mackie
Yep.
John Dyer
That makes me think of like the ordination of the scapegoat with, like, taking the sins.
Tim Mackie
Yeah, yeah. Of bearing the sins, he's saying. Yep. Yeah. What verse is that?
John Dyer
24.
Tim Mackie
There it is. Yeah. 2, verse 24. Yeah. He links Jesus to a sacrificial animal that carries our sins. And there's only one animal that's said to carry the sins of Israel, and that's the goat for Azazel. Yeah. The scapegoat. Yeah. So that's a good example. That little line comes from Leviticus 16, but he's refracted that language through the way. That's all summarized in Isaiah 53, which he's also quoting from right here. And then in the next line where.
John Dyer
He says, oh, by his wounds you've been healed.
Tim Mackie
By his wounds, we've been healed. So he's reading the day of Atonement through the poem about the suffering servant. That's what we're seeing. Peter's mind is so saturated that he thinks about the day of atonement through the prism, through the looking glass of Isaiah 53. He sees them as deeply connected.
John Dyer
Where did Isaiah get the idea that the suffering servant would bear the sins?
Tim Mackie
Yeah, yeah. I think from the day of atonement and from the narratives about Moses giving his life for the sins of the people and so on. So, yeah, this is the chapter that resolves the crisis at the center of the center of the center of the Torah. And the fact that it needs to happen every year also tells us that it's like a stopgap. This is not new creation.
John Dyer
This doesn't settle it.
Tim Mackie
We haven't restored humanity back to Eden.
John Dyer
We're still enacting something.
Tim Mackie
Yeah, that's right. What God has given is a way for Torah instruction and a way for his people to understand who they are, what they need, what God wants to give them. This is what the ritual instructions of Leviticus are all about. Yeah.
John Dyer
Also, as a concluding note, when we were talking about the offerings before you showed, there was a sentence where God.
Tim Mackie
Says, I have given them to you.
John Dyer
I'm giving them to you.
Tim Mackie
Yeah.
John Dyer
This isn't like an obligation we owe to God to try to appease him, but was a gift that God was giving to us to know we can be in a right standing and to embrace this. Right standing.
Tim Mackie
Yeah. It's actually in the chapter right after the day of atonement. It's in Leviticus 17, where God says, the life of flesh is in the blood, and I have given it to you on the altar to make atonement for yourselves. It's God presented as the initiator and the giver of the blameless life that will ransom from death and purify from the effects of sin.
John Dyer
God is giving the life of the blood to us.
Tim Mackie
Yeah, the life of a blameless one.
John Dyer
Of a blameless one.
Tim Mackie
Yeah.
John Dyer
As a gift.
Tim Mackie
Yep. That is clearly how Jesus saw it, which is why he presented himself as the gift of God, as God's gift to a failed Israel and a failed humanity. Which is, I think, why, you know, the apostles and the Apostle John among them, whoever penned the letters of John and whichever apostle you think it is, the one that abandoned him in Gethsemane or the one John the Elder, who stuck around with Jesus mom by the cross. But either way, John's takeaway from having seen Jesus die is the most simple, profound statement in the New Testament. God is love, and he demonstrated his love for us in this While we were. Well, actually I'm merging it now with Romans 5. While we were still sinners, the Messiah died for us. The atonement is a revelation of the love of God for Jesus and for the apostle apostles. And I think here in Leviticus too, it just takes a little more work for us to get there.
Michelle Jones
That clip was from our 2022 Leviticus Scrolls series, episode six titled what is the Day of Atonement? You can listen to the entire nine part series to dive deeper into the structure and themes of the book of Leviticus. Now let's add another theme to the mix. In a long series about how to read the Bible. Tim And John spend six episodes talking about how biblical poetry works. 30% of the Bible is poetry full of metaphoric language. Metaphor is our fundamental way of perceiving the world. We create understanding by comparing familiar experiences with new ideas. And every culture has its own way of developing metaphoric language. We say things like, do you have time? Or I'm out of time Or Can I buy some more time? These are all phrases that show that we think of time as a possession. This clip is from the question and response episodes that conclude the discussion on biblical poetry. Does Paul think of time as a possession that needs to be purchased? Let's listen in. Hi John and Tim, I'm Chris Powers from Carbondale, Illinois. You talked about the metaphor of time as a possession and used it as an example of a modern metaphor. Then you said that the Bible doesn't view time in this way. However, in Psalm 31:15, David says, My times are in your hand. And in Ephesians 5:16, Paul writes that we should redeem the time don't these phrases suggest that both David and Paul view time figuratively as a tangible and valuable possession?
Tim Mackie
Thanks so much.
Michelle Jones
God bless.
Tim Mackie
Yeah, that's good. This was actually a little detail in our conversation about metaphor schemes.
John Dyer
Yeah.
Tim Mackie
Time as a possession.
John Dyer
Yeah. How much had you thought about that before you mentioned it?
Tim Mackie
Like, not at all.
John Dyer
Yeah, it seemed like kind of just a. Yeah, it was an afterthought kind of thing.
Tim Mackie
However, though I do think biblical authors conception of time is fundamentally different, that's a whole thing that I would love to learn more about. My point in that moment was just the Bible isn't filled with the same metaphors of time as a possession that we use.
John Dyer
We use it so much.
Tim Mackie
We use it so much. I lost time, spare some time, give some time, gain some time, buy some time. And the biblical authors don't use that kind of vocabulary. However, Chris, you identified too interesting text one, right? In Psalm 31, my times are in your hand. David says to God. And then in Ephesians chapter five. Yeah. Paul talks about redeeming the time. So I did, I went and looked both those up and thought about those. Because you're questioning Chris, here's what's interesting. In neither one of those cases is time my possession. So in Psalm 31, David's whole point is, my time belongs to you, my time belongs to God.
John Dyer
Yeah.
Tim Mackie
So time isn't my possession, it's God's possession. It's something God has and that he providentially orchestrates.
John Dyer
So you could use. So you could say, I'm saving time for God, I'm saving God's time.
Tim Mackie
Yeah.
John Dyer
That would be a funny way to talk like. Yeah, like you just saved me some of God's time.
Tim Mackie
Yeah. And even In Ephesians chapter 5, time, when it says redeem the time, it's not because time is mine, it's because time is evil. What he says is redeeming the time because the days are evil. And redeem is Exodus language that's purchasing a slave's freedom to release them into the promised land.
John Dyer
So time is. The metaphor is that time is in slavery to evil. In slavery to evil.
Tim Mackie
Yeah. Time's a captive of evil.
John Dyer
Time is. Time is a captive.
Tim Mackie
And we in the power of the new human Jesus are able to free time from its slavery to evil and release it into the new creation.
John Dyer
So that's a great example of what a cool metaphor. It is a cool metaphor. So the common Western metaphor is time is a possession. Yeah.
Tim Mackie
Time is my possession.
John Dyer
Time is my possession.
Tim Mackie
So if I Redeem it. It means I maximize it for my purposes.
John Dyer
Yeah, Right. And that's actually how I would typ. Quickly read that verse, redeem the time. Okay. Maximize my time. I'm not gonna sleep in. I'm not gonna Whatever.
Tim Mackie
But.
John Dyer
Which isn't necessarily completely off the mark.
Tim Mackie
Yeah, but. Yeah, that's right.
John Dyer
You're saying the metaphor that the Bible's.
Tim Mackie
Drawing upon Paul is using. When you look at his use of the word redeem.
John Dyer
Yeah. The metaphoric scheme in his head is time is a captive time.
Tim Mackie
It's the Exodus scheme.
John Dyer
Time is in slavery.
Tim Mackie
Yeah, actually, it's bigger than that. It's just the world is in slavery to evil and selfishness.
John Dyer
Okay.
Tim Mackie
And time is one example that can generate many different types of people are enslaved to evil.
John Dyer
Well, when he says time, is he referring to, like, you know, the age, how we talk about the age of sin and death?
Tim Mackie
Yeah, that's right.
John Dyer
So we're in an age that is captive.
Tim Mackie
Yes.
John Dyer
And we can rescue the age.
Tim Mackie
We can be a part of redeeming the time, freeing it from slavery.
John Dyer
But redeeming time seems kind of trite. Like, oh, I'm going to save an hour, but rescuing an age.
Tim Mackie
Yeah, that's right.
John Dyer
That sounds epic, right?
Tim Mackie
Yeah. Yeah. Again, our English word redeem has become bland from its biblical meaning. So think purchase or rescue, and purchase in terms of purchase something that's enslaved so that you can free it.
John Dyer
But he's not talking about, like, you know, organize your calendar better. That's not Paul's point.
Tim Mackie
No. Oh, no, totally not.
John Dyer
His point is, like, that we live in an era that is enslaved to evil and we can be a part of here rescuing this era.
Tim Mackie
Yeah. And actually, it's the crowning battle cry. It's a crowning statement of a whole series of metaphors in Ephesians 5 where he talks about, you were formerly dark, but now you are light in the Lord. So that's Genesis 1. And then he talks about the fruit of the light. So all of a sudden, the light grows fruit.
John Dyer
There's like a mixing metaphors now.
Tim Mackie
Yeah. And what's the fruit of the light? Goodness, righteousness, truth, new humanity.
John Dyer
Yeah.
Tim Mackie
And then he says, don't participate in the unfruitful actions of the dark. Rather shine light on them. Wow.
John Dyer
So light. Light is this type of tree that grows fruit. Dark is this kind of thing that grows unfruit.
Tim Mackie
Yeah, it is. And then he says, for this reason, it says. He quotes a hymn that they sang in the church. Wake up, O sleeper, rise from the dead and Messiah will shine on you. So now dark is associated with death and light associated with resurrection and new creation.
John Dyer
This is so saturated in metaphors.
Tim Mackie
Yeah. And this is very typical for Paul. His mind is steeped in the metaphors of the Hebrew Bible, and so he will mix them and combine them creatively. And this is the whole point we're making is the early biblical narratives, especially Genesis, are the seedbed of the entire biblical metaphorical imagination. Light, dark. Right. Death, life, fruit. This is all Genesis 1:3 imagery. So then when he says, redeem the time for the days are evil, he's venturing into the Exodus narrative to talk about time as a captive to evil. Yes. You're participating in the redemption of creation. So he's not talking about. Yeah, get more efficient with your calendar.
John Dyer
Yeah.
Tim Mackie
He's talking about loving your neighbor as yourself and loving God.
John Dyer
Living like you are ushering in a new era.
Tim Mackie
Yeah. Living as if you're in the new garden of Eden. Yeah. Even though we're in the in between time.
John Dyer
Beautiful.
Tim Mackie
Yeah. Chris Powers. Thank you. Good question.
John Dyer
Thanks, Chris.
Michelle Jones
That clip was from our 2018 series on how to read biblical poetry, specifically the poetry question and response episode. Now let's move to our third and final clip. In our series on redemption, we talked about God redeeming humanity from the realm of sin and death and bringing humanity into the realm of God's own life. But this raises an interesting question. What happens to us between the time we die and when God raises us to new life? In 2017, John and Tim did a series on the Hebrew word nephesh, which in English gets translated as soul. In Hebrew thought, our nephesh simply means physical life or the fact that we are a living being. When characters in the Bible talk about their Nephesh, they typically mean their embodied existence that is sustained by God's only life. And while the biblical authors believe that your life or your existence can persist after your body is in the grave, there's a little discussion on what that type of life is. In this clip, John and Tim discuss what happens to our Nephesh after we die. Can God redeem our Nephesh from the grave? Here's Tim and John.
Tim Mackie
So the reason why the biblical authors have a category for a you that survives after death, after your body gives out. It has to do with their deep conviction that God made this world good, that he loves it and that he's committed to it, and he's committed to rescuing it so that it can be what he always meant it to be. And if that's the case, then within this biblical right, Hebrew mindset, death cannot be the end of me. What the biblical authors refuse to speculate about is, what is the me? What is the state and experience of the me after I die? And we've had these conversations before, it's just there's virtually no information. Yeah, the grave or being with the Lord. And so here we go. Here's one. It's a great example in the Old Testament where the poet of Psalm 16 is talking about how God is committed to him, connected to David, the hope of the Davidic king, how God's committed to him. And he says, Psalm 16, verse 8, I set the Lord continually before me because he's at my right hand. I won't be shaken, therefore my heart is glad. My glory rejoices, my flesh dwells securely. You won't abandon my Nephesh to the grave or allow your Holy One to see the pit. You'll make known to me the path of life. So here's a sense of, you won't abandon my Nephesh to the grave. So when I die, isn't my body going to go to the grave? Yeah. So in that sense, my Nephesh, my physical existence, is. But there's another sense in which that can't be the end of the story. If this God is who this God says he is, he's committed to redeeming his world and his people. And so here's the use of nephesh that does seem to be the you that isn't tied to your current mortal body, but is connected to the you that will be the immortal, physical you. You've made known to me the path of life, there'll be a way through death to a physical existence on the other side. So this is not talking about afterlife. This is talking about when this Nephesh, when this prototype of my Nephesh gives out, the next version will be what you usher me into. So this is very important. This is not talking about the afterlife. Even in this use, we're not talking about an immortal, eternal soul. It's talking about, my Nephesh will take new form. So, I mean, he's going to die, but in another sense, he's able to say, you're not going to let my Nephesh die.
John Dyer
How do you know he's going to die? He knows he's going to die.
Tim Mackie
Well, I think there's a sense of. I mean, it's just being human. You're going to die. The last line of the poem is in your presence is fullness of joy. In your right hand are pleasures forever. It seems like what the poet's straining at here is that if God is truly committed to me and to this world, in this case, to the line of David, then death can't be the end. There has to be a form of life, eternal life, physical existence that God still has in store. There's a similar sentiment in the conclusion of Psalm 73. It's just not that many. But that's the basic idea.
John Dyer
There's this verse where it says, you will redeem my life from the grave. I think it's like, you will redeem my life from the grave. You will surely take me to yourself. Here it is. Yeah. Psalm 49.
Tim Mackie
Yeah. As for the wicked, death will be their shepherd. But God will redeem my nephesh. He'll redeem my nephesh from the grave, for he will take me. That's what it says.
John Dyer
He will take me.
Tim Mackie
So what does it mean for God to redeem, rescue your body from the grave? And again we think, yeah, through the.
John Dyer
Pearly gates to eternal bliss.
Tim Mackie
So think I'm going home. So redeem is vocabulary from the Exodus story and rescue. So what does it mean to be rescued from the power of death? It doesn't mean that you. I'm trying to think if you use the Exodus as an image, if you're enslaved in Egypt, you're saved out of.
John Dyer
Slavery and your status changes.
Tim Mackie
And your status changes and you go into the promised land.
John Dyer
Yeah.
Tim Mackie
So here it's, you're redeemed from having to die and then your status changes so that you can be alive. Can be alive, yeah.
John Dyer
So there's a resurrection hope here.
Tim Mackie
Correct. That's where these are the bedrock, or use a different metaphor, the seed bed.
John Dyer
Right.
Tim Mackie
And I'm not making this up. The Apostle Peter thought so too. This is the top of page 8. Psalm 16 was really important for the early Christians and how help them find language about Jesus. This is right after Peter is giving a message and he quotes the section of Psalm 16 that we just read. And here's this commentary. He says, fellow Israelites, I tell you confidently, the patriarch David died. He was buried. His tomb's with us to this day. But he was a prophet and he knew that God had promised him on oath that he would place one of his seed descendants on the throne. Seeing what was to come, he spoke of the resurrection of the Messiah in the quotes from the Psalm that he was not abandoned to the realm of the dead, nor did his body See, decay. God raised this Jesus to life and we're all witnesses.
John Dyer
So Peter looked at this hope that he saw in the Psalms of Resurrection and he said, look, that's what happened to Jesus.
Tim Mackie
This poem wasn't talking about the afterlife. This poem was talking about the hope of God rescuing someone into new physical existence.
John Dyer
It's not afterlife, it's more life.
Tim Mackie
Yeah, totally. Yeah. Or what scholar N.T. wright, he has a clever phrase, this fat book on the resurrection. He called it life after life after death. So in other words, life after death, life after death, resurrection, life after life after death. I'm so confused. Well, because by definition, if I die, if my body gives out the hope and the trust is that what happened to Jesus will happen to me. But most likely there's going to be a time gap like there has been for many followers of Jesus. So where are those people?
John Dyer
Oh, okay. Life, afterlife.
Tim Mackie
What is the afterlife existence of those?
John Dyer
And it's very. We have no idea.
Tim Mackie
It's very, very obscure. Here we go. In the Old Testament, it's just. There's no. Nothing.
John Dyer
He will take me.
Tim Mackie
Yeah. And then what we know is that death won't be the end. You've redeemed me from the power of the grave.
John Dyer
And so if that's afterlife, that's life after death, then what the resurrection is, is really the life after that.
Tim Mackie
Life after death.
John Dyer
The life after the life after death.
Tim Mackie
And then Paul, right, in those handful of passages, 2. And then once with Jesus, right to the guy next to him on the cross. Today you'll be with me in paradise.
John Dyer
Yeah, that's the afterlife.
Tim Mackie
To be absent from the body is to be present with the Lord. So that's life after death, according to the New Testament, is to be with Jesus.
John Dyer
Yeah. So we're all obsessed with what is life after death.
Tim Mackie
That's right.
John Dyer
And he writes clever turn of phrases to say we should be more obsessed with the life that comes after life.
Tim Mackie
And what the biblical authors are actually talking about is the life that comes after life, life after death. Come on, that's clever. You get this.
John Dyer
Clever.
Tim Mackie
Yeah.
John Dyer
So we should stop talking about the afterlife. We should start talking about the life after.
Tim Mackie
Yeah, that's right.
John Dyer
There's life after life.
Tim Mackie
Yeah, that's right. Life after. Yeah.
Michelle Jones
That was from our 2017 Nefesh Soul series, episode three, titled what Happens After We Die. Check out our podcast archives to listen to the entire series. Well, that's it for today's episode. I hope you enjoyed listening to this hyperlink edition of Redemption. You can find links for the full episodes we sampled in the show. Notes Keep an eye out for an upcoming theme video on Redemption, along with a collection of resources for deeper study. You can find everything on our app or@bibleproject.com I'm Michelle Jones and there's a whole team of people working to bring this podcast to life every week. For a full list of who's involved, check out the show credits on the episode. Description bibleproject is a crowdfunded project. We exist to help people experience the Bible as a unified story that leads. Everything we make is free because of the generous support of thousands of people just like you. Thanks for being a part of this with us.
John Dyer
Hey, my name is Zach Tamez and I'm from Bourbon, a, Illinois.
Tim Mackie
Hi, my name is Janie and I'm from Sisters, Oregon.
John Dyer
I first heard about Bible Project when.
Tim Mackie
I was in seminary years ago.
John Dyer
I first heard about the Bible Project from my dad. I get to work with college students experiencing scripture for the first time in their life in a real way, and I get to point out the bibleproject as a great resource for them as they begin to understand the story of their life as part of a kingdom narrative.
Tim Mackie
My favorite thing about bibleproject is that it reaches into this right brain world that we've got and help teach us the truth of scriptures. We believe the Bible is a unified.
John Dyer
Story that leads to Jesus. Bibleproject is a nonprofit funded by people like me. Find free videos, articles, podcasts, classes, and more on the Bibleproject app and@bibleproject.com.
Tim Mackie
It.
Date: August 18, 2025
Host: Michelle Jones (with Tim Mackie and John Dyer in archival clips)
Theme: Exploring the motif of "redemption" through earlier BibleProject conversations, linking how this theme appears across Leviticus rituals, biblical poetry, and the hope of resurrection.
This "hyperlink episode" gathers clips from several prior BibleProject podcast series, demonstrating how the theme of redemption is thoughtfully interwoven throughout scripture and the Project’s teaching. Host Michelle Jones guides listeners through discussions about atonement rituals in Leviticus, metaphors of redemption in biblical poetry, and the hope of resurrection and embodied life after death. The episode examines how the biblical idea of redemption is the transfer of something lost (humanity) back into the possession of its rightful owner (God), culminating in the work of Jesus.
[01:30 – 30:09]
The Day of Atonement (Yom Kippur) at the heart of Leviticus: A dramatic ritual involving two goats, each depicting a vital dimension of atonement and redemption.
The ritual deals with both ritual and moral impurities:
Strong links to Eden and exile imagery:
Tim Mackie ([02:49]): "This chapter is in the section that's at the center of the center of the center of the Torah. So we know we're close to the heartbeat of the message of the Torah when we enter into the tent on the Day of Atonement."
John Dyer ([07:05]): "It's this idea of our corruption, our moral failings, isn't just something that screws with me and my relationship with... God or with others. It actually screws up with the whole environment."
Tim Mackie ([13:00]): "It's as if the high priest is following the eastward exile of humanity from the early chapters of Genesis, sprinkling blood at every exile along the way."
Tim Mackie ([16:41]) on the scapegoat ritual: "The ritual is an unfriendly gesture to Azazel. It's more like sending someone a load of chemical or nuclear waste."
Tim Mackie ([18:23]): "Jesus... is bringing together all of the mosaic tiles of depicting God's victory over the evil one and his dealing with the consequences of human sin, and he's merged them all together."
Jesus merges the motifs of the Day of Atonement, the Passover Lamb, and the Suffering Servant—portraying himself as the ultimate substitute and ransom.
The animal sacrifices are symbols—down payments—foreshadowing the blameless human sacrifice to come (Jesus).
Jesus fulfills both goat roles:
Tim Mackie ([29:00]): "Jesus saw [his sacrifice] as the gift of God, as God's gift to a failed Israel and a failed humanity ... the atonement is a revelation of the love of God."
[30:09 – 38:07]
The power of metaphor in biblical poetry—language for understanding redemption.
Listener question: Do biblical references like Psalm 31 ("my times are in your hand") or Ephesians 5:16 ("redeem the time") picture time as a possession?
Biblical conception of time:
Redemption as the release from slavery, not time management:
Tim Mackie ([32:00]): "Time isn't my possession; it's God's possession. It's something God has and that he providentially orchestrates."
Tim Mackie ([33:56]): "Time's a captive of evil. And we in the power of the new human Jesus are able to free time from its slavery to evil and release it into the new creation."
John Dyer ([35:23]): "But redeeming time seems kind of trite ... but rescuing an age—that sounds epic, right?"
Tim Mackie ([37:09]): "The early biblical narratives, especially Genesis, are the seedbed of the entire biblical metaphorical imagination. Light, dark. Death, life, fruit—this is all Genesis 1:3 imagery."
Tim Mackie ([37:52]): "He's not talking about, yeah, get more efficient with your calendar. He's talking about loving your neighbor as yourself and loving God."
[38:11 – 47:55]
Hebrew anthropology: "Nephesh" (soul) denotes physical, embodied life—not an immortal, disembodied soul.
The biblical hope of redemption is not merely about "life after death," but about God’s commitment to restore embodied, physical existence.
Psalm 16 & Psalm 49 as foundations for resurrection hope:
Early Christians, especially Peter, saw in these Psalms the hope of Jesus’s resurrection as the prototype of what God would do for all his people.
Not immortality of the soul, but resurrection of the body:
Redemption in the Bible is a multi-layered, ongoing narrative—ritually enacted in Israel’s story, poetically explored through metaphor, and ultimately fulfilled in the life, death, and resurrection of Jesus. The podcast demonstrates how the theme is far richer and more complex than simply "going to heaven when you die"—it's about God reclaiming his creation, restoring embodied human life, and inaugurating a new era through Jesus.
For further study, listeners are encouraged to explore the referenced series on Leviticus, biblical poetry, and the nephesh ("soul"), available in the BibleProject podcast archives and at bibleproject.com.