
Redemption E6 — In the book of Psalms, the Hebrew words for “redemption” are often used to simply mean save, rescue, or release. This is especially true in the psalms of King David, who was never a slave but regularly used redemption language to speak of trials with his enemies. As the collection of psalms grew and shifted over many centuries, David’s personal longings for redemption came to represent something much bigger. In this episode, Jon and Tim explore the themes of personal, communal, and cosmic redemption in Psalms.
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Tim Mackey
We are more than halfway through a series on the theme of redemption. Redemption is when you take back what is rightfully yours. When something is lost or enslaved by another, and you get it back, it has been redeemed. In the story of the Bible, we belong to God, but we've been enslaved by death. God wants to take us back now. In order for any redemption to take place, it usually costs something like a payment called a redemption price. But not always.
John Collins
There are times when either God or someone will do an act of redemption, and there's no value exchange mentioned or highlighted. In those cases, the words for redeem almost just become synonymous for rescue, release. And that's what we're gonna see here in the Psalms.
Tim Mackey
In the scroll of Psalms, the word redemption often takes on this more general meaning of liberation or rescue or salvation. And it's always connected to Israel's most foundational redemption story.
John Collins
That past redemption, that repossession of Israel provides a model or a template for a future hoped for redemption on the other side of exile.
Tim Mackey
A lot of the poems in the Psalms are written by King David, and he uses red redemption language all the time.
John Collins
David found himself with his life in danger many times. King Saul chasing him around the wilderness. And Yahweh, through no agency of David, brought about the downfall of King Saul and exalted David to become king. When David looks back on that in the Psalms, he will describe that with you rescued me, you brought me out of the pit, you redeemed me.
Tim Mackey
But are these poems just about King David?
John Collins
You start to feel like what's happening for David is somehow brought into this bigger frame of the redemption of all Israel, which is brought into the biggest frame, the redemption of all humanity in the cosmos.
Tim Mackey
In Psalm 49, we get to a psalm by the sons of Korah who show us how cosmic this redemption will get, how God will rescue the poor and redeem us from the grave itself, that is from Sheol. And this is the earliest language in the Bible for the hope of resurrection.
John Collins
The poet is bringing comfort to the oppressed poor by saying, the people who neglect and oppress you, who have all the wealth, death will be their shepherd. But the upright, they will be the ones to rule when God redeems their life from the hand of Sheol.
Tim Mackey
Today, Tim Mackey and I discuss the theme of redemption in Psalms, which prepares the way for how the word redemption gets picked up in the New Testament. Thanks for joining us. Here we go. Hey, Tim.
John Collins
Hello, John. Hi.
Tim Mackey
Hello. We're talking about this concept of transferring ownership, transferring Possession. The word that we use in English is redemption. To redeem.
John Collins
To redeem.
Tim Mackey
And in the story of the Bible, God owns everything. So anytime God takes something back for himself, it's a repossession. And we've been looking at that in terms of the biggest frame, which is we are God's children. We are created to be in his life. It's the Garden of Eden. And through our own just failures and folly and violence, humans have been handed over to a new owner.
John Collins
Yeah. Or they've given themselves over. I mean, allowed themselves to be influenced by. And captives too, almost, you could say.
Tim Mackey
Yeah, the snake.
John Collins
The snake who leads them back to the dust. Yeah.
Tim Mackey
And so now humans are owned by death, but God wants to repossess back into life to redeem. Where this really comes to life narratively, is in the story of Israel under the possession of Pharaoh. And Pharaoh thinks he owns Israel, but God owns Israel. So God takes Israel back. And this is an act of redemption. And in the logic of redemption, oftentimes there's an exchange of value in order to take something back to repossess it. And in Hebrew, that's a kofer. It's a payment so that you can release someone from the ownership that they have. And in the story of Exodus, God doesn't give Pharaoh anything.
John Collins
Yeah.
Tim Mackey
But in the story of the Passover, which is this, like, little narrative moment at the hinge of when Israel's gonna go free, we kind of see that everyone has been handed over to death. Both Israel and Egypt.
John Collins
Yeah, yeah. Not kind of. I mean, in terms of. All the firstborn are going to die. That's the warning.
Tim Mackey
That's the warning.
John Collins
Yeah.
Tim Mackey
Death is coming for everyone. Everyone is a slave to death.
John Collins
Yeah. It's sort of like Pharaoh became a partner with an intent and purpose so evil that he thought he had to extinguish the life of an immigrant group to secure a future for his nation.
Tim Mackey
It's clear in the story why Pharaoh.
John Collins
Yeah, but he's in league with death.
Tim Mackey
He's in league with death.
John Collins
Yeah, that's right.
Tim Mackey
But the destroyer, the plague that comes at Passover is also gonna take out Israelite firstborn. And there is where you talked about the story of the Bible is nuanced. And the reason why Israel is in Egypt in the first place is because of a bunch of failures of oppression and injustice.
John Collins
Brothers betraying and enslaving their brother.
Tim Mackey
Yeah.
John Collins
Everyone in the grip of death.
Tim Mackey
Grip of death.
John Collins
Yeah. We're all outside Eden, returning to the dust.
Tim Mackey
And so the passover moment is not just releasing Israel from the death that Pharaoh brings.
John Collins
Yes, yeah.
Tim Mackey
But this bigger D death, which is gonna take everyone down.
John Collins
That's great.
Tim Mackey
And there the co for payment is the blood of a blameless lamb that will stand into place.
John Collins
Yep, that's right. The point is not a bloody death to satisfy a malicious deity. It's rather Yahweh provides the surrendered life of the lamb that will cover for anybody who also participates through an act of repentance, an act of turning towards God and surrender and trust. And that's Yahweh's gift that gives them the opportunity to find life out of death. And it's through this offering of a life in place of a life. But it's never called a kofir.
Tim Mackey
That's true.
John Collins
It is in the Exodus story. And that's okay. The idea is there, even if the word isn't used, the lamb functions in the slot of the kofer in that story.
Tim Mackey
Then we moved on. We talked about where redemption appears elsewhere in the Torah, and I don't think it's worth getting into necessarily. But it's all to say that redemption is a release of land or people who are under ownership that they shouldn't be. And so redemption is bringing back into the rightful ownership.
John Collins
That's right. We also noted back in those earlier discussions that there are times when either God or someone will do an act of redemption with either of the verbs in Hebrew, which is gaal or padah. And there's no kofir, there's no value exchange mentioned or highlighted. And in those cases, the words for redeem almost just become synonymous for liberate, rescue, release. And that's what we're going to see here in the Psalms, which we're focusing on in this episode, which is how the redemption ideas are picked up in the poetry of the Psalms. So maybe just a quick overall note. The Psalm scroll has the most chapters of any book of the Bible. That's one way to think about it. It has 150 distinct literary units that are each of them like poems. And man, these poems come from almost every period from Israel's history, from the way back to the period of the Kings and earlier, all the way down to the exile to Babylon, during the exile and even after the exile and the return back into the land during the Second Temple period. I mean, some of these poems are coming from way down the line after the exile. So it's an anthology, but it's been organized and shaped into meaningful bundles. We've talked about the five part shape before of the Psalms, and then within those five parts, there's these little sub collections. But the point is that the final composition of the Psalms and the final editing and shaping of these poems is all connected to the final themes and organizational ideas at work in the Hebrew Bible as a whole. So it is no surprise that there's going to be a lot of poems that reflect on the Exodus story, since that's like the foundation story of Israel's covenant relationship with Yahweh. So if you look at redemption language in the Psalms, many of the times that redeem appears is in a retelling of the Exodus story.
Tim Mackey
Which makes sense.
John Collins
Yeah, makes perfect sense. Here's a couple greatest hits. Psalm 106. It's a retelling of the Exodus and it recalls the moment when Yahweh rebuked the sea of reeds and dried it up. He led them through the deeps as through the wilderness.
Tim Mackey
Isn't that interesting that going through the sea is like going through the wilderness?
John Collins
Yeah, yeah.
Tim Mackey
Once they get through the sea, they gotta go through the wilderness.
John Collins
Yeah, exactly. Yeah.
Tim Mackey
But it's a little wilderness moment.
John Collins
Yeah. Like dry land. Yeah. He saved them from the hand of the one who hated them, namely Pharaoh. Yeah. He redeemed them from the hand of the enemy. Oh, so hand is image of possession.
Tim Mackey
Yeah. Okay.
John Collins
But Pharaoh isn't named explicitly. He's just called the hater.
Tim Mackey
The hater.
John Collins
The enemy hater.
Tim Mackey
Yeah.
John Collins
The waters covered their adversaries. Not one of them was left. They trusted in his words and they sang his praise. Okay, great little summary of the sea of reeds moment. But notice that redeem here is just a little signal that has a whole story underneath it. That just isn't the focus here.
Tim Mackey
So you're thinking of, okay, he could just be rescued. He saved them.
John Collins
Yeah. It's functioning very similarly. It's just he set them free. And even God's own possession isn't immediately in the context here, because normally you would think he redeemed them and made them his own. Made them his own people or something like that. In terms of like the family repossession.
Tim Mackey
Meaning it's under the service.
John Collins
It's under the service, but it can just function as a synonym for rescue. Psalm 77. I will remember the deeds of Yahweh. I will remember your wonders of old. I will meditate on all of your work and muse on your deeds. So what are those deeds of the past? Well, you're the God who works wonders. You made known your Strength among the peoples. You have by your power redeemed your people, the sons of Jacob and Joseph. The waters saw you, O God. They saw you and were in anguish. And the deeps trembled. Yeah, so this is the moment at the Sea of Reeds. Whatever happened at the Sea of Reeds, it just left a very powerful memory. Okay, so all of that is retellings of the Exodus story. The word redeem is front and center. I could show many more examples. Just like in the book of Isaiah, that past redemption, that repossession of Israel provides a model or a template for a future hoped for redemption on the other side of the exile. Okay, so that's what we're gonna look at. There's only a couple poems that mention Babylon explicitly in the psalm scroll. But the situation of exile is everywhere taken for granted in so many poems. Actually, one is the well known Psalm 137. By the rivers of Babylon we sat and wept. When we remembered Zion, we hung our harps upon the willow trees. And our tormentors demanded saying, sing us one of your songs of Zion.
Tim Mackey
Kind of rubbing it in.
John Collins
Yeah. So that poem clearly is, like, written by somebody who had to endure a lot, a lot of pain and trauma and shame as a forced migrant in Babylon. So a number of poems present themselves as coming from that situation of pain. For example, Psalm 44 opens by saying, oh, God, we heard with our ears what our fathers told us, the work that you did in their days, in the days of old. And then it goes on to talk about the Exodus story. And then God bringing Israel into the promised land under the days of Joshua and protecting them from all the aggressive attackers and the Canaanites and so on. But then the poem pivots in verse nine and says, but you have rejected us and brought us to dishonor. You don't go out with our armies. You cause us to turn back from our adversaries. And those who hate us have taken spoil for themselves. You've given us as sheep to be eaten and have scattered us among the nations. There it is.
Tim Mackey
There's the exile.
John Collins
Yeah. So Psalm 44 concludes with, Wake up. Why are you asleep? Yahweh, wake up. Don't reject us forever. That's an interesting metaphor, that God has taken a nap. It feels like God asleep, fell asleep on his promises. Why do you hide your face? Why do you forget our affliction and oppression? Our Nephesh, our soul has sunk down into the dust. Our body cleaves to the land.
Tim Mackey
We're turning back into dirt. Yeah, Deconstructing here.
John Collins
Yeah. Out of Eden imagery, we're dying, so rise up. Be our help. Redeem us for the sake of your loyal love.
Tim Mackey
Yeah. Transfer us back to your life. Redeem us.
John Collins
So it opened with Exodus, didn't use the word redeem, but now we're in a situation of dishonor, so redeem us. The implication being do a new Exodus thing. But notice how it's. Defeat by enemies is the description. Scattering among the nations. But then that's described first as the result of God being asleep or hiding or forgetting. And then this Eden imagery of what we're experiencing is like going back to the dust again. So it's this merging of defeat by enemies, exile and God turning away his face. Yeah. I mean, in a way, that's a way of thinking about the results of the Eden narrative. Deceived by an enemy, the snake, exiled from Eden, scattered out and then.
Tim Mackey
Yeah, back to the dust.
John Collins
Returning to the dust. Yeah. So whatever redemption is, it's also called being our helper, which is the same word as God says, splits the human in half. I will provide an ezer, that delivering ally. Be our delivering ally and redeem us. So it's the word padah, not the family repossession pada here. So there's no emphasis on, like, offer a kofer.
Tim Mackey
Right, right.
John Collins
It really. Padah here has, again, the sense of, like, release us, liberate us from this really bad situation. I'm really bad. Putting it lightly.
Tim Mackey
Yeah. Horrible.
John Collins
Yeah.
Tim Mackey
Horrible situation.
John Collins
Yeah.
Tim Mackey
Yeah.
John Collins
So again the point.
Tim Mackey
It's very honest, too. It's like it feels like you're asleep. God.
John Collins
Yeah.
Tim Mackey
Wake up.
John Collins
And what's interesting is in the Eden story, the reason why we're outside of Eden, it's not God's fault.
Tim Mackey
Yeah. He's not asleep at the wheel there.
John Collins
No. But this is now many generations into the human story, into Israel story. We don't know how many decades into Babylonian exile. And it can sure feel like God's asleep. So the point is that linkage between the past redemption and the hope for a future redemption, and that future redemption can also be just synonymous with being rescued. Yeah. Yeah, that's right. In fact, Psalm 106 and 107 are a great example where you can see Psalms having been edited and arranged in a specific order. So Psalm 105 and 106 are this twin retelling of Israel's story. 105 is from a pretty hopeful angle. 106 is really exposing Israel's failures as covenant partners, ending in Exile. And so Psalm 106 ends with these lines right here. Save us, O Lord our God. Gather us from among the nations.
Tim Mackey
Fairly clear posture of, yeah, we're in exile. Come and get us.
John Collins
Save us and gather us in order to give thanks to your holy name and glory in your praise. So save us so that we can thank you. Would you like there to be some people in the world who say thank you all the time? You could consider rescuing us and gathering us up. So that's how Psalm 106 ends. Psalm 107 begins, oh, give thanks to the Lord. Here's the thanks, for he is good. His loyal love is forever. Let the redeemed of Yahweh say this. The ones he has redeemed from the hands of their adversary and gathered them from all of the lands, east and west, north and south.
Tim Mackey
The gathering is the redemption.
John Collins
The gathering is the redemption. Yeah, yeah, yeah, that's right. So in the end of Psalm 106, it's save us and gather us. At the beginning of Psalm 107, it's redeem us and gather us, and gather us. So someone has knit the end of Psalm 106 real closely together with the beginning of Psalm 107. Psalm 107 is offered as a example of the kind of thanksgiving that the redeemed ones will give back to God. But specifically, the way that the word rescue or save, it's yasha, it's the root of Jesus name, becomes like a synonym for gaal to redeem.
Tim Mackey
Yeah. And that makes sense because redemption is a rescue, but the focus is on the transfer of ownership.
John Collins
That's right. That's right. So two poems I now want to put in front of us that highlight two themes in the Psalms that we've kind of already been hinting at. One is there's a really strong connection to David in the Psalm scroll. He's mentioned in over 70 of the poems. But the question is, well, what's the significance of having so many Psalms of David? Is it just like, it's cool. He's inspiring.
Tim Mackey
He's inspired many poets.
John Collins
Yeah. He was responsible for bringing the Ark to Jerusalem, and that's where the temple was built. And that's had a lot of implications for Israel's history and human history. Or is there something more? So here's something very interesting about the poems about David. There are many poems connected to David that speak in the first person about me and my oh, God, what you do for me. But then you start to feel like, what's Happening for David is also a poem about, like, all Israel at the same time. And then sometimes that is made explicit. Okay, so there was a past redemption, there is a hoped for future redemption that's synonymous with being saved. And then there is what you could say, an individual redemption of the poet who in many cases is David. But that individual's redemption and the story told in a particular poem about David is somehow brought into this bigger frame of like, the redemption of all Israel, which has brought into the biggest frame the redemption of all humanity in the cosmos. Is this becoming predictable now? Or familiar? It should be coming familiar.
Tim Mackey
It is more familiar for sure. I think these are the kind of things that would be just confounding though, before, like, wait, are you talking about David or not? Because it seems like a problem. Which is it? And then to realize, like, biblical authors are doing this on purpose.
John Collins
Yeah.
Tim Mackey
They're saying, yes, David's life, David as a character, is now a way for us to think about something bigger.
John Collins
Yeah, that's right. All Israel's story and all humanity's story. So Psalm 25 is a great place where this individual David, but somehow about all Israel interplay is going on here. So what's cool about Psalm 25 also is that it is an Alphabet poem, which means that every preceding line of the poem begins with the next Hebrew letter of the Alphabet, going through all the way for 22 lines, which also has all sorts of other cool dynamics going on. But it's framed from the beginning. It's given a SuperDescription, a Psalm, Le David. And it begins, to you, O Lord, I lift up my Nephesh, my very life being, O my God, in you I trust. Don't let me be ashamed. Don't let my enemies exult over me. Indeed, none of those who wait for you will be ashamed. Those who deal treacherously without cause will be ashamed. So he's got enemies. The first one was Saul was like the king of his own people. And then all kinds of other, like kings and tribal chieftains, Amalekites and that kind of thing. So this is just a snapshot from a moment. We don't know when, but we're to imagine David in one of those scenarios where his life was at risk. He was running, he was in a battle, and he's calling out to God. Verse 4. Make me know your ways, O Lord. Teach me your paths. Lead me in your truth. Teach me you are the God of my rescue. I'm going to wait for you all day long. Remember your compassion and loyal love. That sounds like what God said to Moses. Mount Sinai. Yahweh. Yahweh.
Tim Mackey
Abounding, passionate and gracious. Abounding in loyal love and faithfulness.
John Collins
Your compassion and loyal love have been from ancient times. Don't remember the sins of my youth or my transgressions. David made a lot of mistakes. But according to your loyal love, remember me for your goodness sake. So up to this point, you're like, yeah, man, this fits.
Tim Mackey
Yeah. David could have totally been singing this on many a day.
John Collins
Yes. Yeah. And really the rest of the poem is just like that. It's like he's taking lessons from his own life. Yahweh is upright and good. He teaches. He gives Torah to sinners on the path. He leads the humble in justice. He teaches the humble ones his way. Who is the man who fears Yahweh? He will teach him. So notice the emphasis on teaching here. So we return to his plea again in verse 16. Turn to me. Be gracious to me. The troubles of my heart are huge. Bring me out of my distress. Look upon my affliction. This is the word oppression. Forgive all my sins. So notice this recognition. The situations of difficulty that I'm in are the result of my own making here. And look upon my enemies. They are many. They hate me. Guard my soul. Deliver me. Don't let me be ashamed. We're returning to the language of the opening lines. Let integrity and uprightness preserve me for you. I wait. And that verse 21 is the last letter of the Hebrew Alphabet.
Tim Mackey
Okay. So you would think that's the last.
John Collins
Yeah, we've just gone from olive to tav and it's all just dialed into David's life. Last line of the poem. There is one more line that sticks out of the Alphabet structure. So just that itself makes it stick out like a sore thumb.
Tim Mackey
Yeah. Who added this line?
John Collins
And you're like, wow, this doesn't fit. Where is it? And what it says is, redeem Israel, O God, out from all of its troubles. And this word, troubles, is a synonym and related to all these words of distress and trouble from up earlier in the poem. Redeem Israel.
Tim Mackey
Israel. Yeah.
John Collins
So let's just sit with that. It's an Alphabet poem. It's a clear version. Final line that doesn't fit into. It's as clear as it is.
Tim Mackey
It seems like someone added that line to be like. When I read this poem, I reflect on the fact that I'm not David. But, man, the situation we're in is a lot like David.
John Collins
Yeah.
Tim Mackey
So my response to this poem isn't Redeem David. David's gone. You know, it's Redeem us, Israel.
John Collins
Yeah. Yep, that's it. You got it?
Tim Mackey
Yeah, that's it.
John Collins
So David here, in the shape of the psalm scroll, has become. You know, when we wrote the video for how to Read the Psalms and our how to Read the Bible series, I think this was a line you came up with or a phrase that in the Psalms, David is depicted as this figure of the past whose prayers become a model for later generations of Israel. And then we found this phrase together somehow. David's like a prayer coach, which is cool.
Tim Mackey
Yeah.
John Collins
Because then his life of prayer becomes a way for us to literally repeat his prayers as his prayers were certainly re sung in the temple and in Israel's liturgies, and that's how they ended up here. But now his prayer is in the mouth of Israel's later descendants. It doesn't change their meaning, but it puts it in another context. And Psalm 25 is a great example. David's prayer can become the prayer of any generation of Israel. So there's many poems that do this.
Tim Mackey
Take David's prayer and turn it into a template of the thing we can pray for.
John Collins
Yeah. And quite often what you will find is the language of redemption at some of those moments, whether it's a moment in the added bit or the reshape or that you'll find the word redemption in poems connected to David, but that seem like they're about more.
Tim Mackey
Well, that's interesting because David's story isn't really a story of redemption. Right.
John Collins
Oh, okay. You're talking about the arc of his whole life.
Tim Mackey
Well, I mean, just when you think of a redemption story, you think of the Exodus story, and then you think of. Yeah. God bringing Israel out of exile.
John Collins
Yeah.
Tim Mackey
We know that David uses redemption language almost metaphorically. Right. To talk about being rescued from his enemies. We looked at that the very first episode, I think we looked at how David will use the word redeem, and he just kind of really just means save me. So why is this word such a hot spot?
John Collins
Yeah. So David found himself with his life in danger many times. King Saul chasing him around the wilderness. He hadn't done anything wrong. He wasn't trying to stage a coup or usurp Saul. But there he is in the wilderness. And Yahweh, through no agency of David, brought about the downfall of King Saul and exalted David to become king. So when David looks back on that in the Psalms, he will describe that with, you rescued me you brought me out of the pit. You redeemed me. In fact, Psalm 103, a Psalm of David. Bless the Lord, O my nephesh, and all that is within me. Bless his holy name. Bless the Lord, O my nephesh, and forget none of his benefits. He pardons all your iniquity.
Tim Mackey
Here's some of the benefits.
John Collins
Here's some of the bennies. Yep. Bonus package. He pardons all your iniquities. He'll forgive the ways that you wrong him. He'll heal your diseases. He'll redeem your life from the pit, and he'll give you a crown with loyal love and compassion. So there's four benefits, four big ones. Four big ones right there.
Tim Mackey
Yeah. So redeem your life from the pit. The pit. And if we're. If we're talking about transfer of ownership, we're kind of this, like, the pit owns you now.
John Collins
Yeah, Death.
Tim Mackey
Death.
John Collins
Yeah, yeah. We're all going there.
Tim Mackey
I'm gonna transfer you out of death. Okay. So here's the thing I keep thinking about. Then you could just use the word rescue.
John Collins
Yeah. Yes. Yep.
Tim Mackey
Almost anytime the word redeem shows up in all of these stories and all these situations could use the word rescue. But by using the word redeem, it really highlights two things. We are gods, but also we are now under the possession of something else.
John Collins
That's good. That's right.
Tim Mackey
That frame is actually kind of easy to forget about. Like, when I think about the rescue, the salvation that God brings, I think it's easier for me to just think about it in terms of moral obligation. Like, I've screwed up. I owe a price for, like, the things that I did. Like, I've just. I've stacked up obligations that I can't make good on, and here it's actually bigger than that. It's like, well, yes, but now you're actually under the ownership.
John Collins
Yeah. Okay, good. That's great.
Tim Mackey
The Pharaoh, right? Of death.
John Collins
The pit.
Tim Mackey
The pit. Like, you actually now are a child of death, and that's not where you belong. So every time this word redeem shows up, it's like saying, I want you to think about that. That's the thing that's important to recognize. Not that you are being forgiven, although you are. Not that you're just being rescued, although you are. But there is this transfer. You are enslaved. As Paul will talk a lot about.
John Collins
Slavery, it's all about ownership.
Tim Mackey
Ownership, yes. Everything. It really makes it pop more.
John Collins
Slavery is one of the most potent images for being under the ownership. Wrongful ownership. Of another. Yeah, yeah, totally. And that's why redemption is one of the main words. So you're right. Salvation words are focused on the transition from death in danger to out of danger. Redemption words are talking about the same transition, but in terms of the possession that you're transferred into and that safety and security of being possessed by someone who will care and love and help you flourish. That's the emphasis of these words. That's cool. That's really helpful.
Tim Mackey
Yeah. I'll just say when we get to the line, you've redeemed me from the pit. I think normally that line, I just would go, yeah, okay. You rescued me.
John Collins
Yeah.
Tim Mackey
But now that it just feels so much more potent. The pit, like, owned me. I'm a slave to the pit.
John Collins
Yeah.
Tim Mackey
I have transferred allegiance to the pit.
John Collins
Yeah. Okay. All right. This is perfect. So we have to do one more.
Tim Mackey
Okay.
John Collins
So we've gone from collections of Israel's past exodus as a redemption from Egypt in the Psalms, anticipation of a future exodus. And then the way David will use that language to describe his own personal experience and how that becomes a model individually for all of Israel. For the music director from the sons of Korach, Assam. This is a group of Levites that were songwriters in the temple.
Tim Mackey
The sons of Korah.
John Collins
Yep. Listen to this. All you peoples, give ear. All you inhabitants of the world, both the low and the high, the rich and the poor together. My mouth will speak wisdom, and the meditations of my heart will be understanding. Why should I be afraid in times of calamity? I can think of quite a few.
Tim Mackey
Yeah, yeah.
John Collins
When death being iniquity. That's right. When iniquity surrounds me at my heels, when those who trust in their wealth boast about the abundance of their riches.
Tim Mackey
Why is that a calamity?
John Collins
Well, in the poet's day, if you are wealthy, most likely you got that money illegitimately. So those who have a lot of wealth in this poem are synonymous with the wicked and the oppressors. Okay. And so what the poet notice is like, oh, people who are wealthy tend not to care about anybody else. And they got that money in a wrong way. And it seems like they're doing great and everybody else is suffering. Okay, so what should I do?
Tim Mackey
They're boasting.
John Collins
What should I do in that time of calamity?
Tim Mackey
Yeah, yeah.
John Collins
Well, here's something to think about. Did you know that a human cannot redeem their brother?
Tim Mackey
Well, yeah, you can. That's the goel.
John Collins
Yeah, exactly. Yeah. Well, did you know that a human cannot Give to God his brother's kofir.
Tim Mackey
Ah. So redeem not from, like.
John Collins
Yeah, debt slavery.
Tim Mackey
Debt slavery. Redeem from death. What's the kofir payment for that?
John Collins
Yeah, yeah. The redemption price. And this is a synonym for kofer, but it's from padah, the pidion. The price of redeeming a life. A nefesh. Costly. In fact, any price that you pay will always fail. And what would you give that type of redemption price for? So that your brother would stay alive forever and never see the pit.
Tim Mackey
I see I'm a slave to death. What's the coffer? What's the price to get me out of death? And if that could be paid, and if death no longer owns me? Life. Everlasting life.
John Collins
So it's all an answer to the question of when the wealthy seem to be doing great and everybody's dying around them, and it's not fair. What reason do I have to trust God? And this thing about impossibility, this little meditation on.
Tim Mackey
Well, death's the final answer. No one can get me out of death.
John Collins
And specifically buying.
Tim Mackey
Yeah. No one can purchase.
John Collins
Yeah. You can't purchase eternal life. So let's read again. So a human cannot redeem their brother from death. From death. They can't give God a ransom payment to get free from death, get free from dying. Because the ransom or redemption price for a human life, it's costly. It always fails. It could never keep a human alive forever. You can't buy your way out of death. So you see people who are wealthy and you think that that is keeping them from all of these problems.
Tim Mackey
They're boasting in their wealth. But you know what your wealth can't do for you.
John Collins
Yeah.
Tim Mackey
Can't buy you life.
John Collins
Yeah.
Tim Mackey
True life.
John Collins
The poet is bringing comfort to the oppressed poor by saying, the people who neglect and oppress you, who have all.
Tim Mackey
The wealth, they don't want the pit.
John Collins
They're dying too. In fact, their money seems to give them a leg up. But actually, their money's no good.
Tim Mackey
The pit does not want their money.
John Collins
Yeah. Pitt doesn't care. So that's where the poem goes.
Tim Mackey
Pit don't care.
John Collins
This meditation. The pit don't care. The meditation ends with verse 14 saying, like sheep, they are appointed for the grave. So, like, they're like sheep being herded.
Tim Mackey
Yeah.
John Collins
Towards. Into a hole in the ground. Yeah. Death will be their shepherd, but the upright, they shall rule over them in the morning.
Tim Mackey
Okay. The upright will rule over these wealthy.
John Collins
Yeah. People. The righteous in the morning rule over them.
Tim Mackey
What morning are we talking about?
John Collins
In the morning? Yeah. And their form, that is the physical body of the wicked, will be for the grave to consume. They will have no habitation. But God will redeem my Nephesh from the hand of the grave. The power of the grave, for he will take me. Hmm.
Tim Mackey
Yeah. This is like one of the moments in the Hebrew Bible that talks about this idea of resurrection.
John Collins
Yeah.
Tim Mackey
This idea of something beyond the grave.
John Collins
Yeah. A rescue from the grave. And notice the transfer of possession is.
Tim Mackey
Kind of the power of Sheol from.
John Collins
The power of Sheol.
Tim Mackey
And Sheol is the grave.
John Collins
Yep.
Tim Mackey
It's the pit.
John Collins
Yep. Yeah.
Tim Mackey
And everyone's going there.
John Collins
Yeah. And it's the word hand. The hand of the grave.
Tim Mackey
Ooh, the hand of the grave.
John Collins
So the grave's got me in its grip.
Tim Mackey
Ooh, yeah.
John Collins
But God will redeem, that is repossess me.
Tim Mackey
Yeah.
John Collins
And he will take me. I will become his. He will make me his possession.
Tim Mackey
So there's no human, there's no. There's no brother who can redeem me from the grave. And so there's no amount of money that someone could pay on my behalf.
John Collins
Yeah.
Tim Mackey
But God can redeem from the grave.
John Collins
Yeah. You can't buy life that way. Even though it seems on the day to day level like you can buy the good life.
Tim Mackey
The hand of Sheol. Yeah, that's a cool kind of phrase.
John Collins
It's got us all. It's dragging us down.
Tim Mackey
I mean, isn't that kind of core to this whole idea? We're in the hand of Sheol.
John Collins
That's it. That's right. Yeah.
Tim Mackey
Who can rescue us? Who can take us from the hand of Sheol?
John Collins
Yeah. So on the largest frame, Psalm 49 kicks it out to. So we started with Israel in the hand of Pharaoh, then we had David in the hand of Saul. And now we're thinking in analogy with both of those, humanity in the hand of the grave. So the poet's trust here is that God can and will redeem my Nephesh, and that it's impossible for one brother to buy with money and escape from the pit for his brother. But it just tantalizes us here, Will.
Tim Mackey
There's nothing you can pay death to escape death.
John Collins
That's right.
Tim Mackey
It's kind of a pretty intuitive and just deeply disturbing reality that all humans have to kind of come to.
John Collins
Yeah. Yes.
Tim Mackey
We are owned by something that's coming, and there's nothing you can do.
John Collins
That's right. Yeah. And what the hope of the resurrection did in the development and history of human thought. Right. This bold idea, because there's ideas of afterlife in many cultures, but the unique idea of the recreation of the human on the other side of death to a transformed existence that is not just otherworldly, that is here placed in creation, but a transformed creation that's a unique contribution of the Jewish Christian story into human thought. And what that does is it both acknowledges the inevitability of death, but also sees it as the test, as Jesus called it. Like the fire, the purifying fires that are the gateway to a transformation into another mode of existence that has some sort of transphysical is the term that nt right puts to it. But all of that, the development of this idea, you're not avoiding death. The point is it's actually this enemy that God will overcome and use to initiate creation into the next phase of our existence. So it's both a defeating of death, but it's also acknowledging that it's coming for everyone.
Tim Mackey
It's both a defeating of death. What's a defeating of death?
John Collins
Well, the fact that God can repossess people from the hand of the grave. That's what Psalm 49 says. The point here is that there is a morning coming in Psalm 49.
Tim Mackey
Yeah, the morning.
John Collins
The morning.
Tim Mackey
The upright will rule in the morning.
John Collins
And it will be a time when those who are ruled over in an unjust, oppressed way, they will be the ones to rule. And it's connected to the time when God redeems their life from the hand of Sheol and transfers them into his possession. And if someone doesn't want to have God as their repossessor, but wants to try and repossess their own life, good luck with that. So in the Psalm scroll, we've got the whole redemption package. You've got past redemption, the future redemption, you've got individual redemption and corporate redemption. And then here it's like humanity's connected to cosmic redemption with somehow rescued from death. Humans. Ruling in the morning.
Tim Mackey
Yeah, ruling in the morning.
John Collins
Oh, so good. That's got Genesis 1 and 2 written all over it. Recovering what was lost in the exile from Eden. So really we've just kind of sampled a few places in the Psalms. We could do this all day with lots of other Psalms, but I just wanted to kind of paint the portrait that the kaleidoscope of redemption that's all throughout the Hebrew Bible is kind of condensed in the Psalm scroll. It's kind of all like a one stop shopping center for all your redemption needs. Okay, yeah. Next stop we're going to turn into the New Testament. Okay. So we're going to see how redemption language and ideas were picked up and carried forward in the story of Jesus, specifically in the Gospel of Luke. The Gospel of Luke has turned up the volume on redemption language in his account of Jesus. More than Matthew, Mark, or John, it's a unique emphasis in Luke's retelling of Jesus story. So we're going to look at that next.
Tim Mackey
That's it for today's episode. Next week we turn to the New Testament and we look at the theme of redemption in the Gospel of Luke. In the Gospel of Luke, Israel is waiting to be rescued and redeemed from Rome. But Jesus is pursuing a different type of redemption.
John Collins
Jesus is working on a more cosmic level, which doesn't mean it doesn't have political implications. He sees the enemy under the names of sin, the Satan, a spirit that affects our bodies so that they die, and the power of darkness. So this becomes Jesus and Luke's redefinition of redemption.
Tim Mackey
Bibleproject is a crowdfunded nonprofit and we exist to help people experience the Bible as a unified story that leads to Jesus. And everything that we make is free because of the generous support of thousands of people just like you. Thank you so much for being a part of this with us.
John Collins
Hi, my name is Chris and I am in Newburgh, Oregon. Hi, my name is Anne and I'm.
Tim Mackey
From Wales in the United Kingdom.
John Collins
I first heard about the Bible Project.
Tim Mackey
A few years ago at our church.
John Collins
I use the Bible Project personally to brush up on concepts that I just.
Tim Mackey
Need to revisit from time to time. My favorite thing about the Bible Project.
John Collins
Is just how approachable it is as.
Tim Mackey
A tool for teaching the Bible.
John Collins
I think my favorite thing is the.
Tim Mackey
Fact that it gives that clarity of overview.
John Collins
It's a really great introduction.
Tim Mackey
We believe that the Bible is a unified story that leads to Jesus. Bibleproject is a nonprofit funded by people like me. Find free videos, articles, podcasts, classes and more at the Bibleproject app and at.
John Collins
Bibleprojects.com hey everyone, this is Connor. I'm part of the infrastructure team here at bibleproject. I've been working at the bibleproject for just over a year now. And in my role, I work on behind the scenes technology to support bringing content like this to you. There's a whole team of people that.
Tim Mackey
Bring the podcast to life every week.
John Collins
For a full list of everyone who's involved, check out the show credits in the episode description. Wherever you stream the podcast and on our website.
Tim Mackey
Cheers. Sa.
BibleProject Podcast Episode Summary: "Redemption From Enemies and Death Itself"
Podcast Information:
The episode begins with Tim Mackey outlining the central theme of redemption, emphasizing its essence as reclaiming what is rightfully yours. He states:
"Redemption is when you take back what is rightfully yours. When something is lost or enslaved by another, and you get it back, it has been redeemed." [00:04]
He connects this concept to the biblical narrative, where humanity belongs to God but is enslaved by death, highlighting God's intent to redeem.
John Collins expands on the varying uses of the Hebrew word for redeem, gaal or padah, explaining that sometimes redemption equates to rescue or liberation without an explicit payment or exchange:
"In those cases, the words for redeem almost just become synonymous for rescue, release." [00:33]
He further explains that within the Psalms, redemption frequently symbolizes Israel's liberation and salvation, deeply intertwined with their foundational redemption story.
A significant portion of the Psalms are attributed to King David, who often employs redemption language to describe his personal experiences of being rescued by God. John Collins notes:
"When David looks back on that in the Psalms, he will describe that with 'you rescued me,' 'you brought me out of the pit,' 'you redeemed me.'" [01:27]
These personal narratives serve as a microcosm for Israel's collective redemption.
The discussion broadens as Tim Mackey and John Collins explore how individual redemption stories, particularly those of David, reflect larger themes of national and cosmic redemption. They highlight how redemption in the Psalms not only pertains to Israel but extends to all humanity and even the cosmos.
John Collins introduces Psalm 49, authored by the sons of Korah, as a pivotal text that illustrates the cosmic nature of redemption. This Psalm portrays God’s promise to rescue the oppressed and hints at the earliest biblical language for resurrection:
"God will rescue the poor and redeem us from the grave itself, that is from Sheol." [02:29]
He emphasizes that this Psalm conveys a profound hope beyond physical liberation, touching on eternal life and resurrection.
The conversation delves into how the Psalms address the Babylonian exile, a period of intense suffering and displacement for Israel. Tim Mackey references Psalm 137 to illustrate the deep pain and longing for redemption experienced during exile:
"By the rivers of Babylon we sat and wept... sing us one of your songs of Zion." [12:09]
This Psalm encapsulates the collective trauma and the yearning for God's redemption amidst adversity.
A critical theological point is made about redemption involving the transfer of ownership. John Collins explains:
"God owns everything. So anytime God takes something back for himself, it's a repossession." [03:05]
This perspective shifts redemption from merely being saved to being reclaimed as God's possession, contrasting with humanity's enslavement to death.
Several Psalms are examined to illustrate how redemption is portrayed as both rescue and repossession. For instance, Psalm 106 retells the Exodus narrative, emphasizing God's role in salvaging Israel:
"He led them through the deeps as through the wilderness... He redeemed them from the hand of the enemy." [09:35]
Similarly, Psalm 77 reflects on God's past deeds and redemptive acts, reinforcing the memory of divine salvation:
"You have by your power redeemed your people, the sons of Jacob and Joseph." [10:48]
Psalm 25 serves as a focal point for discussing the interplay between individual and collective redemption. This alphabet poem, attributed to David, initially appears as a personal plea but seamlessly transitions into a collective supplication for Israel:
"Redeem Israel, O God, out from all of its troubles." [26:37]
This structural feature underscores how David's personal experiences and prayers become a template for the entire community's redemption.
The hosts distinguish between "redeem" and "rescue," noting that while rescue implies being saved from danger, redemption involves a deeper transfer of ownership. Tim Mackey reflects:
"Redemption really highlights that we are God’s people, but also we are now under the possession of something else." [30:16]
This nuanced understanding emphasizes the theological depth of redemption beyond mere salvation.
Psalm 49 is revisited to highlight its revolutionary depiction of resurrection—a belief that was relatively unique in ancient Near Eastern thought. The Psalm portrays death's inevitability while also affirming God's power to redeem from Sheol:
"God will redeem my Nephesh from the hand of the grave." [39:13]
This hope of resurrection underscores a transformative aspect of redemption, promising life beyond death.
The episode wraps up by affirming that the Psalms serve as a comprehensive anthology of redemption themes. From past deliverance to future hopes, individual pleas to cosmic victories, the Psalms encapsulate the multifaceted nature of redemption throughout the Hebrew Bible.
John Collins concludes:
"The Psalm scroll has the whole redemption package—past, future, individual, corporate, and even cosmic redemption." [43:35]
He hints at the next episode, which will explore how these redemption themes transition into the New Testament, particularly within the Gospel of Luke.
Notable Quotes:
Tim Mackey [00:04]: "Redemption is when you take back what is rightfully yours. When something is lost or enslaved by another, and you get it back, it has been redeemed."
John Collins [00:33]: "In those cases, the words for redeem almost just become synonymous for rescue, release."
John Collins [01:27]: "When David looks back on that in the Psalms, he will describe that with 'you rescued me,' 'you brought me out of the pit,' 'you redeemed me.'"
John Collins [02:29]: "God will rescue the poor and redeem us from the grave itself, that is from Sheol."
John Collins [03:05]: "God owns everything. So anytime God takes something back for himself, it's a repossession."
Tim Mackey [30:16]: "Redemption really highlights that we are God’s children, but also we are now under the possession of something else."
Looking Ahead: The episode sets the stage for the next discussion, which will delve into the Gospel of Luke's unique emphasis on redemption, highlighting Jesus' role in pursuing a more expansive and cosmic form of redemption.
Credits: The episode is produced by the dedicated team at BibleProject, including contributors like Connor from the infrastructure team. For more information and to support their mission, visit bibleproject.com.