John Zorn’s musical world resists any sort of tidy summation. A constellation of projects that refuse genre’s pull, a deeply-embedded philosophy of artistic risk, and an appetite for assembling untested combinations.

Recorded during Big Ears 2026, this panel of Zorn collaborators assembled by journalist Hank Shteamer, on the 10 year anniversary of an article he published in Rolling Stone exploring Zorn’s explorations into metal and heavy rock. In that article, vocalist and Mr. Bungle/Fantomas founder Mike Patton says Zorn “made the world bigger,” through endless curiosity and a constant desire to expand his own musical world, while also expanding the musical horizons of his collaborators and the audience.

Classical soprano Barbara Hannigan recalls a lunch in New York after which a forbiddingly difficult score landed in her inbox, a test that reshaped her craft over several years. Former Slayer drummer Dave Lombardo remembers meeting Zorn at Slim’s and being coaxed from metal’s strictures into the wild freedoms of Cobra and Xu Fang. John Medeski tells of an early ’90s organ‑trio experiment that began with curiosity and, after years away, turned into a sustained collaboration. And bassist Jorge Roeder describes a meeting in a Thai restaurant that led to an ongoing series of projects in which he found himself handpicked for myriad sonic constellations.
Listening to each of these musician’s stories, one begins to appreciate the care John Zorn takes in shaping his world as a laboratory for experimentation. Where music serves as an ongoing experiment in attention, courage, and the ever‑expanding possibility of sound.