43:I[185,["/_next/static/chunks/08z4tkzvltetr.js","/_next/static/chunks/121~yigv24_j6.js","/_next/static/chunks/0jo3du-icy6v2.js","/_next/static/chunks/15cy49d~_zsjj.js","/_next/static/chunks/0..ktetnpeix7.js","/_next/static/chunks/0_htf5~kl..m1.js","/_next/static/chunks/0i6hzvr84kc1r.js"],"SendEmailButton"] 49:I[45269,["/_next/static/chunks/08z4tkzvltetr.js","/_next/static/chunks/121~yigv24_j6.js","/_next/static/chunks/0jo3du-icy6v2.js","/_next/static/chunks/15cy49d~_zsjj.js","/_next/static/chunks/0..ktetnpeix7.js","/_next/static/chunks/0_htf5~kl..m1.js","/_next/static/chunks/0i6hzvr84kc1r.js"],"SignupCTA"] 3b:["$","h1",null,{"className":"max-w-[22ch] font-display text-[clamp(32px,4.5vw,48px)] font-medium leading-[1.05] tracking-[-0.02em] text-[color:var(--fg-1)] text-balance","children":"Kanye West and Nicki Minaj Chose MAGA Over Their Fans"}] 3c:["$","div",null,{"className":"flex flex-wrap items-center gap-x-4 gap-y-1 font-mono text-[12px] uppercase tracking-[0.1em] text-[color:var(--fg-3)]","children":[["$","time",null,{"dateTime":"2026-01-30T16:14:35.000Z","children":"January 30, 2026"}],["$","span",null,{"aria-hidden":true,"children":"·"}],["$","span",null,{"children":"00:41:33"}],false]}] 3d:["$","p",null,{"className":"max-w-[60ch] text-[18px] leading-[1.5] text-[color:var(--fg-2)]","children":"This week on Black on Black Cinema, we preview our upcoming review of Spike Lee’s groundbreaking 1986 film \"She’s Gotta Have It;\" a bold, black-and-white exploration of love, agency, and identity. Our full review drops next week.\n\nWe also dive into..."}] 44:T54b,This week on Black on Black Cinema, we preview our upcoming review of Spike Lee’s groundbreaking 1986 film "She’s Gotta Have It;" a bold, black-and-white exploration of love, agency, and identity. Our full review drops next week.

We also dive into this week’s random topic: Kanye West’s public apology to fans following his past embrace of white supremacist ideology, and Nicki Minaj’s sudden alignment with the Donald Trump MAGA movement. We break down why these moves feel like a betrayal to their Black and LGBTQ fan bases—and what it says about celebrity, power, and politics today.

Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

45:T4a9,Black on Black Cinema is a long-running podcast delivering in-depth reviews of Black films — from Oscar winners to hood classics, indie gems to blockbuster hits. Hosted by four Black men from Baltimore, we bring honest opinions, genuine disagreements, and conversations that matter to the Black community. We review: Spike Lee films, Jordan Peele films, Tyler Perry films, Black horror movies, Black indie films, Black action movies, Black comedies, classic Black cinema, new Black movie releases, Black TV shows and limited series, and everything in between. Featured on RogerEbert.com. Over 570 episodes and 13 years of Black film coverage. Topics include: Black film reviews, Black movie recommendations, Black cinema history, representation in Hollywood, Black horror, Black sci-fi, Blaxploitation classics, Black rom-coms, and cultural commentary from a Black perspective. New episodes weekly. Subscribe for your next movie night pick. 🎧 Also on Spotify, Apple Podcasts, Amazon Music, and all major podcast platforms.

Interested in sponsoring or advertising on this podcast? Contact us at ads@ossacollective.com. For