Christian Parenti (7:58)
Yeah, the accreditation group came in and was like, no, we're pulling your license. But anyway, I hitchhiked out to California at age 19 from Vermont. I couldn't really write. And I met this journalist named Johann Carlisle, who had a little publication called Propaganda Review. And I was helping him out a little bit and I asked him, how do I learn to write? Well, the way I learned to write was doing community radio. And he pointed me in the direction of kpfa, which is the Pacifica station in the Bay Area, which still has a program that trains radio journalists. And a lot of people who ended up at NPR came through this much more left wing community radio station, which was always a. That bothered me that they would come there, get this free education and go on and. And, you know, sometimes just be stenographers for power. But the deal was they would train you in the evening. It was a pretty rigorous training course. And then you had to work for free one day a week for a year. And basically what happened is, you know, some people would drop out and not pay their debt, and other people would become completely committed and often become full time journalists and maybe get jobs there. And so that's what I did. I learned to write by doing radio at KPFA first. And then I worked on a radio show called Flashpoints with a guy named Dennis Bernstein that's still going on. And then I moved to New York to finish college at the New School, which is also now in crisis. And I worked at wbai, volunteering and freelancing. And I had a little paid gig for a while. WBAI is also a Pacifica station, and it was its program director at that time was a guy named Samori Marksman, who unfortunately died young of a heart attack in his late 50s. And he was really erudite, a character from a different era. He was from some very small Caribbean island like Martinique or Saint Kitts, something like that. And he was a scholar and a journalist. And I kind of liked that idea too, of being like a scholar and a journalist. And so I had a little. During the Somalia engagement, when US Troops were in Somalia, I had a little program once a week, 15 minutes, Somalia watch. So I did radio journalism. And then I finally published a piece when I was in my. Maybe I'm 24 or 25, about policing and in Z Magazine. And I wrote for Z magazine for a while. And along the way, you know, I think it is. Yeah, along the way, it was a big deal. It was a big deal. And it was. It was sort of like, you know, there had been a kind of real lull for the left. And then Z magazine came along. It was sort of like, oh, the left isn't fully dead. And one of the big stories that I did early on that affected me and sort of helped me along was I remember I was interviewing Mike Davis, the late Mike Davis, who was a historian of Los Angeles. And I asked him after the interview, I said, are there any stories you think I should be working on? And this was right after the Crips Blood gang truce and the riots. And he said, yeah, you should do a story about Duane Holmes, the guy who started the Crippsblood gang truce. I was like, okay. And he put me in touch with Duane Holmes mother. And the story of the gang truce was amazing. Everybody thought that the verdict, that Rodney King, African American motorist, is beaten by these LAPD officers. Camcorders are new. Some guy's gotten a video camera for Christmas, and he's filming randomly and he films this beating. And nowadays it's kind of hard to imagine what that was like because there's images everywhere. But in those days, we're like, whoa. To see this verite images from some person's camera catching this police brutality. This was incredible. It was really arresting. So there was a trial, and all the officers got off. And so then there were massive riots. And right after the riots, a gang truce was announced in Los Angeles. And it quickly spread throughout the country. Not all over the country, but there was then a gang truce among the Vice Lords and Disciples in Chicago. There were, like, truces all over the country. So everyone thought that the truce came out of the riots. But the real story was that actually the truce had been worked on for almost six months prior to the riots. This guy, Dwayne Holmes, who was. He came from Watts, and I mean, like, his story, you almost had to, like, if it wasn't real, you'd think it was, like, invented. It Was like there were these three housing projects in Watts and there were these, there were two Crip sets and one blood set and they had this three way fratricidal war. They had all gone to school together. There had been a paint factory. Duane Holmes father had worked in the paint factory. I believe he died eventually. The paint factory's closed, it's torn down. There used to be these 70s era, you know, social welfare programs called teen posts. And Duane said, yeah, well they closed the teen post when I was about 8 or 9. And so we would go on the freeway overpass and throw rocks at cars. Instead. The paint, you know, the teen post is shut down. The working class jobs at the paint factory disappear. Eventually the. The site of the paint factory becomes jail. Anyway, long story short, Duane Holmes is. His cousin is murdered by the lapd. They're not involved in anything. They come around the corner during a police raid in the Imperial Courts projects and Sky Tiny is shot and killed and left to bleed out. And Duane's mother had raised him and she is furious. So she starts a group called Mothers Against Police Brutality, which involves black, Latino and, and Southeast Asian mothers. And as part of that she says to Dwayne, you guys need a ceasefire. And she leans on her son and he goes and he communicates through.