Broadway Breakdown: Matt Reviews CALL ME IZZY
Episode Release Date: June 17, 2025
Host: Matt Koplik
Podcast: Broadway Breakdown
Description: Matt Koplik, the most opinionated, foul-mouthed, and passionate theater geek, dives deep into Broadway history and reviews the latest productions with a blend of fun facts, deep analysis, and plenty of colorful language.
Introduction
In this episode of Broadway Breakdown, host Matt Koplik delves into a dual review session. The primary focus is on the new Broadway play "Call Me Izzy" starring Jean Smart, which has launched the 2025-2026 Broadway season. Additionally, Matt offers a brief review of "Machinal", the inaugural production of the newly established New York Theater Company, helmed by Talina Kennedy.
Self-Review and Tony Predictions
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Matt opens the episode by reflecting on the podcast's latest ratings, highlighting a recent one-star review on Apple Podcasts. The review criticizes Matt and his co-host, Sam Ekman, for their incorrect Tony Awards predictions, specifically regarding Nicole's win over Audra McDonald.
Notable Quote:
"We were hilariously wrong with our predictions. Nicole did win, and I'm happy she won."
— Matt Koplik [02:35]
Matt explains how their pre-Tony predictions favored Audra McDonald, influenced by the buzz around Patti LuPone’s support. However, late-breaking polls and actual voting swayed the results in favor of Nicole, prompting Matt to retrospectively adjust his stance on the outcome.
Machinal Review
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"Machinal" is presented as an expressionist take on Sophie Treadwell's 1928 play, which explores the psyche of a woman driven to murder her husband amidst the pressures of a rapidly modernizing world.
Plot Overview:
The protagonist, Young Woman (Helen), navigates her oppressive marriage to her boss, resulting in a clandestine affair and ultimately leading to her husband's murder and subsequent execution by electric chair—the first woman in American history to face such a sentence.
Production Analysis:
Matt commends the production for its creative use of tap dance to mirror sound effects, creating an undercurrent of tension and dread. The casting is highlighted for its gender-inclusive approach, with Sophie Metcalf's portrayal of the lover receiving particular praise.
Notable Quote:
"The lover, played by Soph Metcalf, brings a balance of masculine energy that's lived in and charming, allowing the audience to feel her connection without overt seduction."
— Matt Koplik [15:45]
Matt appreciates the production's commitment to the expressionist movement, drawing parallels to works like Cradle Rock and Bertolt Brecht's plays. However, he notes that while the stylistic choices are bold, the narrative remains faithful to Treadwell's exploration of societal pressures and personal breakdown.
Performance Highlights:
- Sophie Metcalf as the lover, praised for their nuanced performance.
- Max Engerman as an understudy, noted for his versatility.
Critical Reception:
Matt acknowledges the historical and cultural significance of "Machinal" but suggests that modern audiences might find its pacing and stylized performances challenging yet rewarding.
Call Me Izzy Review
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"Call Me Izzy" centers on Isabel (Izzy), portrayed by Jean Smart, navigating an abusive marriage in Louisiana circa 1989. The play intertwines Izzy's passion for poetry with her struggle against domestic violence.
Plot Overview:
Izzy is trapped in an abusive relationship with her husband, Ferd. Her secret writing of poetry serves as both a form of resistance and a coping mechanism. The narrative follows her journey from a 17-year-old bride to a woman fighting for her independence and safety.
Performance Analysis:
Jean Smart's performance is the cornerstone of the production. Matt lauds her ability to convey deep emotion and authenticity, even when the material falters.
Notable Quote:
"Jean Smart's portrayal is an example of extremely good acting, considering the material itself is not quite up to her level."
— Matt Koplik [20:10]
While Smart's performance shines, Matt critiques the production's execution, mentioning issues like choppy pacing and technical pauses that detract from the overall flow. He suggests that better integration of costume changes and smoother scene transitions could enhance audience engagement.
Strengths:
- Jean Smart's Authenticity: Her honest and organic presence keeps the audience tethered to Izzy's emotional journey.
- Emotional Depth: Smart effectively portrays Izzy's internal conflict and resilience.
Weaknesses:
- Production Execution: Frequent pauses and simplistic staging limit the play's impact.
- Script and Flow: The narrative sometimes feels disjointed, relying too heavily on Smart's performance without sufficient support from the script or staging.
Overall Impression:
"Call Me Izzy" receives a mixed review. While Jean Smart's performance is universally praised, the play's structural and production flaws prevent it from reaching its full potential. Matt recommends the play for its powerful central performance but advises viewers to approach it with tempered expectations.
Notable Quote:
"It’s not super memorable, but Jean Smart is an example of extremely good acting. If you want to know what really good acting is, check this out."
— Matt Koplik [35:50]
Closing Remarks
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Matt wraps up the episode by discussing upcoming Broadway seasons, the potential for new productions amidst economic challenges, and invites listeners to engage through his Substack and Discord for more in-depth content. He praises Jean Smart's talent and expresses anticipation for her future projects, suggesting potential collaborations and role explorations.
Notable Quote:
"Broadway is the only ecosystem where the loss of jobs begets new jobs. We need new stories all the time."
— Matt Koplik [46:30]
He encourages listeners to continue supporting the podcast through ratings and reviews, highlighting the importance of community feedback.
Final Thoughts:
This episode of Broadway Breakdown offers a comprehensive look at two contrasting Broadway productions through Matt Koplik's candid and insightful lens. While celebrating standout performances, particularly Jean Smart's in "Call Me Izzy," Matt doesn't shy away from critiquing production shortcomings, providing listeners with a balanced and thorough analysis. Whether you're a seasoned theatergoer or new to Broadway, this episode delivers valuable perspectives on current theatrical offerings.
For more in-depth reviews and Broadway commentary, join Matt Koplik on his Substack and engage with the community on Discord. Stay tuned for regular episodes resuming in August, ensuring you stay connected with all things Broadway.