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Lauren Klash Schneider (1:28)
Hi, I'm Lauren Clash Schneider with Clash Notes for Broadway Radio. I'm here with Amber Rushon Williams, cast member in American presented by primary stages at 59E59. Hello and welcome.
Amber Rashawn Williams (1:43)
Hello. Thank you so much for having me.
Lauren Klash Schneider (1:45)
Oh, of course. We're so excited to talk more about this small town, Maryland, where Jeff Browning resolves to give his newborn son every possible advantage by joining a local white supremacist group. When his attempt to join is thwarted by a DNA test, the line between us and them gets blurred. Jeff's story starts to unravel when a prominent black journalist and his daughter start asking questions. And you, Amber, play the role of Chris Lamont, the question asking daughter of the journalists.
Amber Rashawn Williams (2:17)
Oh yes, I ask a lot of questions.
Lauren Klash Schneider (2:20)
My first question to you is upon reading the play the first time, what were your thoughts about it and the role itself?
Amber Rashawn Williams (2:29)
It's so interesting because I was first introduced to the play at a very, very early reading. I believe it was still being workshopped. And this was about, I want to say, around like 2018. And it's been a really interesting process, having been introduced to the play years and years ago and then being reintroduced to the play this many years later as a, you know, a person who's grown and lived a little bit more life. And I remember when I first read the play as an actor, I was just astounded at how Chisa crafts character. She. As an actor, you don't gotta work very hard to find the stakes of the piece because they're there, they are on the page. And it's such an honor to embody a character that Chisa has so meticulously. And I'm a huge fan of her work, period, and have been for many years. And I fell in love with Chris, which is the character that I play, Chris Lamott. She's an honest and direct and fearless and resilient human. And I've had the honor of bringing a little bit of myself to it. And the thing I love about Chisa's writing is, particularly when she writes characters, is that she writes complex, full bodied characters. They make mistakes, they contradict themselves, they lie, they love. They're fully realized on the page. So when we get to, you know, jump in when rehearsals begin, you know, we get to add our little sauce to the character to bring it to life, but it's really, it's really on the page. So Chisa does a phenomenal job at just, I mean, crafting humans. And that was my first impression. I was like, whoo, it's on the page. I'm ready.
