BroadwayRadio Podcast Summary Episode: This Week on Broadway for April 13, 2025: BOOP!
Release Date: April 13, 2025
Host/Author: BroadwayRadio
Description: Broadway's Premier Podcasts

Introduction

In this episode of BroadwayRadio, host James Marino, alongside guests Peter Felicia and Michael Portantier, delves into a comprehensive discussion of the latest Broadway happenings. From in-depth reviews of current productions to previews of upcoming events, the trio offers insightful commentary and personal perspectives that cater to both avid theatergoers and casual listeners.

Show Reviews

1. Stephen Sondheim's Old Friends at the Friedman Theater

Duration covered: 07:36 - 19:15

Peter Felicia begins by expressing surprise over the inclusion of songs from Gypsy and West Side Story in the Sondheim tribute, noting, “I wouldn't think that that would be the case, that they would want to just stress songs by Stevens on time period” (07:49). He praises the evening’s production quality but feels the selection may be skewed towards familiar favorites, potentially overshadowing Sondheim's broader repertoire.

Michael Portantier offers a contrasting view, highlighting inconsistencies in the production. He remarks on the stellar performances, particularly praising Bernadette Peters: “She recreates songs and roles that she has played on Broadway... [she] sounds great” (10:25). However, Michael criticizes the heavy use of sprechgesang (a vocal style that blends speaking and singing) and back phrasing, which he believes detracted from the overall experience. He contends, “there was so much of that that it really bothered me a lot” (10:25). Despite these critiques, both agree that the production was well-executed, albeit with areas needing improvement.

2. Boop! at the Broadhurst Theater

Duration covered: 19:15 - 32:35

James Marino provides a critical overview of Boop!, expressing frustration with the book by Bob Martin: “the book by Bob Martin is unfortunately an absolute mess” (19:37). He questions the relevance of Betty Boop in modern audiences, noting her "black and white" appeal might limit contemporary resonance. Despite his reservations about the storyline and character development, James lauds the show's score and the standout performance of Jasmine Amy Rogers, declaring, “she is like the find of the century” (20:56).

Peter Felicia offers a more positive perspective, enjoying the toe-tapping score and clever visual elements. He praises Jasmine Amy Rogers, stating, “Jasmine Amy Rogers is phenomenally talented and charming” (26:04). Peter highlights the show's strengths, including the choreography by Jerry Mitchell and the integration of puppetry, which added a unique flavor to the production.

Michael Portantier echoes James's concerns about the show's narrative coherence but ultimately appreciates Jasmine's performance and the overall musicality. He suggests that while the show has its flaws, it remains an enjoyable experience primarily due to its standout elements.

3. The Last Five Years at the Hudson Theater

Duration covered: 32:35 - 48:03

Michael Portantier expresses strong dissatisfaction with The Last Five Years, particularly criticizing the direction and performances: “I was angry when I left the theater” (34:43). He points out issues with the staging and the actors' inability to convey the emotional depth of the characters, leading to a disconnected audience experience.

Peter Felicia concurs, highlighting confusion in the show's timeline and character interactions. He remarks, “We have been conditioned from time immemorial to think that when a person is singing, another person starts singing” (34:43), emphasizing the difficulty in following the narrative structure. Despite recognizing Jason Robert Brown's intentions, Peter feels the execution fell short, leaving the production lacking in emotional resonance.

James Marino adds that the sound design was problematic, further detracting from the overall performance. He mentions, “the orchestra plays awfully loud” (48:03), exacerbating the audience's inability to grasp the nuanced performances.

4. Becoming Eve at the Abrams Arts Center

Duration covered: 50:30 - 61:48

Peter Felicia passionately reviews Becoming Eve, a play based on Abby Carver Stein’s memoir. He describes it as “gripping beyond belief” (50:30), praising the performances of Tommy Dorfman as Kava and Richard Schiff as the rabbi. Peter highlights the emotional depth of the narrative, focusing on Kava’s struggle with gender identity and familial acceptance. He commends the creative use of puppetry to represent Kava’s childhood, enhancing the storytelling.

James Marino underscores the play's emotional impact, noting how the audience was fully engaged: “I never heard a cough. I could feel the pressure in the room” (50:30). He appreciates the thoughtful adaptation and the sensitive portrayal of complex themes, recommending the play for its powerful narrative and exceptional performances.

5. Dreamgirls at the Walnut Street Theatre

Duration covered: 55:37 - 61:48

Peter Felicia reviews Dreamgirls, praising the performances of Sawyer as Effie and Jaron Muse as Curtis Taylor Jr. He lauds the choreography and Henry Krieger’s music, describing the production as “very effective” and “wonderful.” However, Peter notes a minor visual confusion between characters Dina and Laurel due to their similar appearances, suggesting this could cause some audience uncertainty.

Michael Portantier complements Peter’s review, emphasizing the faithful adaptation of the screenplay and the smart inclusion of cultural references, such as mentioning the Supremes: “We mentioned there was a group called the Supremes that's not in the show” (60:55). He appreciates the production’s alignment with the original Dreamgirls narrative while highlighting the strength of the musical numbers and the talented cast.

6. Marilyn May at 54 Below

Duration covered: 62:05 - 75:30

James Marino details his experience watching Marilyn May perform at 54 Below, celebrating her 97th birthday and her tribute to Johnny Carson. He highlights her impressive vocal range and energetic performances, citing her mini medleys and emotional renditions of classics like “Here’s That Rainy Day.” James is particularly moved by her ability to blend humor with poignancy, stating, “it was a wonderful, wonderful evening as always” (62:07).

Michael Portantier shares similar sentiments, praising Marilyn May’s enduring talent and stage presence. He remarks on her seamless integration of video clips with live performance, enhancing the nostalgic experience. Both hosts commend her for maintaining high energy and vocal prowess at her advanced age, making her performances a must-see for Broadway enthusiasts.

Upcoming Events

Live Interview with Sandy Duncan

Date: Tuesday, May 13, 7:00 PM
Location: Laurie Beechman Theater at the West Bank Café
Details: Host Michael Portantier announces a live interview with the beloved Broadway and TV star Sandy Duncan. This event marks the reopening of the Laurie Beechman Theater, redesigned by David Rockwell. Michael shares insights into the gala opening, benefiting Broadway Cares/Equity Fights AIDS, and the installation of Prince of Hirschfeld drawings in the newly named Chita Rivera Room. Attendees can expect an engaging Q&A session with Sandy, complimented by clips from her greatest shows.

Special Segments

Brain Teaser

Question:
A Tony-winning play opened on a European holiday and closed on an international holiday. What is it?

Answer Reveal:
The answer to last week's brain teaser involved identifying the play based on clues about European countries’ nicknames and seasonal references. Listeners are encouraged to email their answers to traffic trivia@broadwayradio.com.

Musical Moments

Tribute to William Finn:
BroadwayRadio pays homage to composer William Finn, sharing personal anecdotes and favorite songs like “All Fall Down” from Romance and Hard Times. Host Peter Felicia recounts his first encounter with Finn and highlights Finn’s unique genius and enduring impact on musical theater. Michael Portantier discusses his experiences working with Finn, emphasizing Finn’s generosity and creativity in productions like Falsettos.

Featured Clips:

• Falsettos ensemble performing “Unlikely Lovers”
• Boop! sizzle reel showcasing Jasmine Amy Rogers and Jerry Mitchell's choreography

Conclusion

In this episode of BroadwayRadio, listeners are treated to a rich tapestry of Broadway insights, from critical reviews of current shows to heartfelt tributes and previews of exciting upcoming events. The hosts’ passionate discussions and expert analyses provide valuable perspectives for anyone interested in the vibrant world of Broadway. Don’t forget to subscribe to BroadwayRadio via broadwayradio.com or through platforms like Patreon to stay updated with the latest episodes and exclusive content.

Notable Quotes:

• “She recreates songs and roles that she has played on Broadway... [she] sounds great.” — Michael Portantier (10:25)
• “she is like the find of the century” — James Marino (20:56)
• “I never heard a cough. I could feel the pressure in the room.” — James Marino (50:30)

Links and Further Information:

• Stephen Sondheim's Old Friends: Link to show
• Boop! at the Broadhurst: Link to tickets
• The Last Five Years at the Hudson: Link to show
• Becoming Eve at the Abrams Arts Center: Link to tickets
• Dreamgirls at the Walnut: Link to tickets
• Marilyn May at 54 Below: Link to tickets
• Live Interview with Sandy Duncan: Link to event
• Brain Teaser Submissions: traffic trivia@broadwayradio.com

Thank you for tuning into this week's episode of BroadwayRadio. Join us next week for more in-depth Broadway discussions, reviews, and exclusive interviews!