Episode Summary: "This Week on Broadway for Sunday, February 2, 2025"
Podcast Title: BroadwayRadio
Host: James Marino
Guests: Peter Felicia, Michael Portantier
Release Date: February 2, 2025
Episode: This Week on Broadway for February 2, 2025: English
Introduction
In this episode of BroadwayRadio, host James Marino welcomes listeners to another insightful edition of "This Week on Broadway." Joining him are Peter Felicia, a respected playwright, journalist, and historian, and Michael Portantier, a renowned theater reviewer and founder of CastAlbumReviews.com. Together, they delve into the latest happenings, reviews, and news shaping the Broadway landscape.
Featured Production: English at Todd Haimes Theatre
Overview and Reception
Peter Felicia introduces English, a transfer from Off Broadway's Atlantic Theater Company to the Todd Haimes Theatre. The play, written by Sanaz Tusi, explores the complexities of language and identity among Iranian immigrants learning English.
Peter Felicia [10:56]: "It's a very successful one with one drawback and that's the set."
The trio discusses the innovative linguistic approach of the play, where characters switch between broken English with heavy Farsi accents and flawless Farsi. Michael Portantier praises this device but notes a delayed realization of the language switch.
Michael Portantier [13:25]: "I really appreciated all of that discussion... it's a really great device they use."
Set Design Critique
While the performances receive high acclaim, James Marino and Peter Felicia voice concerns over the rotating set design, which they felt detracted from the overall experience.
James Marino [12:13]: "I don't understand why the set has to rotate at all."
Despite this, the ensemble cast's performances stand out, with all five actors delivering compelling Broadway debuts.
Peter Felicia [13:22]: "They were doing brilliantly. I really have to point out the fact that the cast is spectacular."
Community Theater Highlight: Dangerous Corner at Actors Net
Peter Felicia shares his recent experience attending a community theater rendition of J.B. Priestley's Dangerous Corner in Morrisville, Pennsylvania. He commends director Kat Malone and the dedicated cast for delivering a professional and emotionally impactful performance.
Peter Felicia [06:37]: "They don't have a movie theater there, but the town is really behind them. It's a small theater, but it was virtually filled."
He emphasizes the high quality of community theater and encourages listeners to support local productions.
Upcoming Productions and Reviews
Kowalski at Duke on 42nd Street
Michael Portantier discusses his impressions of Kowalski, highlighting Brandon Flynn's portrayal of Marlon Brando. He lauds Flynn's embodiment of Brando's persona through his body language and vocal delivery.
Michael Portantier [21:00]: "He really has the body language and the voice... he really read Brando."
Dear Jack, Dear Louise at 59 East 59
Peter Felicia describes Dear Jack, Dear Louise, a play by Ken Ludwig, as a moving narrative inspired by Ludwig's parents' love story during World War II. He praises the youthful audience's engagement and the universal themes of young love.
Peter Felicia [21:00]: "It was a very, very moving experience... the audience was really into it."
Of Bent at Studio Theater
Michael Portantier reviews Of Bent, directed by Outplay, noting both high-caliber acting and production flaws, specifically the overuse of loud music in Act 1 that overshadowed the dialogue.
Michael Portantier [31:02]: "The acting is superb, but the music was really distracting in Act 1."
Despite initial setbacks, he commends the actors for maintaining performance quality, especially in the powerful Act 2.
Industry News
Film Adaptations and Upcoming Projects
- "Emilia Perez": Peter Felicia shares a lukewarm reception of this musical film, noting its sporadic musical integration.
Peter Felicia [40:36]: "It wasn't compelling and it wasn't terrible."
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"The Lost Boys": Announced as the next tenant at the Palace Theater for Spring 2026, Michael Portantier provides details on the production team and creative direction.
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"Hadestown" Filming: The acclaimed Broadway musical will be filmed in London, featuring many original cast members, as Peter Felicia expresses enthusiasm over this milestone.
Peter Felicia [47:03]: "What a wonderful thing... how often does that happen so many years after the fact?"
- "Cult of Love" Movie Adaptation: The Broadway hit is set to transition to the silver screen, with details on casting yet to be revealed.
Brain Teaser
Peter Felicia presents a challenging trivia question for listeners:
Peter Felicia [54:46]: "Two musicals that opened 11 days apart in the early '60s. Each had an 11 o'clock number that mentioned a credit card. What are the shows, the songs, and the credit cards?"
Listeners are encouraged to email their answers to trivia@broadwayradio.com for a chance to be featured in the next episode.
Musical Moment: Harry Connick Jr. Celebrates Cole Porter
Michael Portantier recounts attending Harry Connick Jr.'s star-studded concert at the Met Opera House, celebrating Cole Porter's legacy. The event featured elaborate set designs, choreography by Luke Hawkins, and a live orchestra, enhancing the musical experience beyond a standard concert.
Michael Portantier [56:24]: "It was not just a concert, it was a real production."
A highlight of the evening was Harry's seamless performance of "It's All Right With Me," showcasing his impeccable vocal prowess and deep understanding of Cole Porter's music.
Conclusion
Host James Marino wraps up the episode by reminding listeners to subscribe to BroadwayRadio via broadwayradio.com or through platforms like Patreon to stay updated with the latest Broadway news and broadcasts. He also teases upcoming content, including a new release from Jan Simpson.
James Marino [66:35]: "Thanks so much for listening to your BroadwayRadio this week on Broadway."
Listeners are encouraged to reach out with feedback, questions, or participation in future episodes.
Notable Quotes
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Peter Felicia [06:37]: "They don't have a movie theater there, but the town is really behind them. It's a small theater, but it was virtually filled."
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James Marino [12:13]: "I don't understand why the set has to rotate at all."
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Michael Portantier [13:25]: "I really appreciated all of that discussion... it's a really great device they use."
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Peter Felicia [10:56]: "It's a very successful one with one drawback and that's the set."
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Michael Portantier [21:00]: "He really has the body language and the voice... he really read Brando."
For more insights, reviews, and updates, subscribe to BroadwayRadio and visit broadwayradio.com.
