BroadwayRadio Episode Summary
This Week on Broadway for June 29, 2025: Transport Group’s Hello, Dolly! in Concert @ Carnegie Hall

Introduction

In this engaging episode of BroadwayRadio, hosts James Marino, Peter Felicia, and Michael Portantier delve into the vibrant world of Broadway, offering insights, reviews, and discussions on recent and upcoming productions. The episode primarily focuses on Transport Group’s concert rendition of "Hello, Dolly!" at Carnegie Hall, along with reviews of other notable plays and musicals currently gracing the Broadway scene.

Transport Group’s "Hello, Dolly!" Concert @ Carnegie Hall

Michael Portantier kicks off the main discussion by reviewing Transport Group's concert presentation of "Hello, Dolly!" at Carnegie Hall. He highlights the concert's ambitious scale, featuring a large orchestra and a substantial chorus that brings an authentic Broadway feel to the performance.

• Notable Quote:
  “...they wound up doing Hello, Dolly! ... it's a great score and it would have been worth it to attend this concert if only for the very large orchestra... Absolutely great.”
  — Michael Portantier [10:31]

Portantier praises the performances of Katie Finneran (“I Put My Hand in”), Gracie Lawrence (“Just Leave Everything to Me”), and Santino Fontana (“Put on Your Sunday Clothes”), among others. He also notes the inclusion of original choreography in key numbers, enhancing the concert's authenticity.

James Marino adds personal anecdotes, mentioning interactions with cast members and reflecting on the show's legacy. He expresses disappointment over certain directorial choices but acknowledges the overall success of the concert.

• Notable Quote:
  “...they did a spectacular job and it was quite a cast... absolutely fantastic.”
  — James Marino [19:56]

Despite some criticisms regarding narration inaccuracies, the consensus remains positive, celebrating the concert as a commendable tribute to the classic musical.

Review of "Machinal" at Roundabout

James Marino reviews the third iteration of "Machinal" at Roundabout Theatre Company. He reflects on its historical significance and contemporary production choices, though he expresses frustration with certain directorial decisions that he felt detracted from the play’s intensity.

• Notable Quote:
  “...it was so horrifying to see this play mangled in this way. So here's another one where a director had to put her stamp on it.”
  — James Marino [24:14]

Marino underscores the play's ahead-of-its-time themes, but his critique centers on the overuse of tap dancing and chaotic courtroom scenes that, in his view, undermine the narrative’s gravitas.

Taylor Mack’s "Prosperous Fools" at Theater for a New Audience

The discussion shifts to Taylor Mack’s production of "Prosperous Fools" at Theater for a New Audience. Marino praises the performances of Jason O’Connell and Sierra Bodges, highlighting their portrayal of affluent philanthropists whose questionable money-making schemes are central to the narrative.

• Notable Quote:
  “...they really have no idea what the theater company is about, what the theater is about. They don't care. It doesn't.”
  — James Marino [30:36]

The hosts commend Mack’s incisive critique of wealthy donors in the theater industry, noting the play’s sharp humor and relevant social commentary.

Duke and Roya at the Lortel

Peter Felicia introduces "Duke and Roya" at the Lortel Theatre, a play that explores the complexities of love amidst the backdrop of war-torn Afghanistan. He lauds the performances of Jel Ellis and Stephanie Knurr, emphasizing the emotional depth and strong character development.

• Notable Quote:
  “...the playing is so good that you really get galvanized by their performances.”
  — Peter Felicia [34:40]

The trio discusses the play's poignant themes and potential for transferring to Broadway, especially with the availability of the James Earl Jones Theater.

"Drunk Romeo and Juliet" by Drunk Shakespeare Company

Michael Portantier shares his experience attending "Drunk Romeo and Juliet" by Drunk Shakespeare Company. He describes the production as a humorous and irreverent take on the classic tragedy, enriched by strong performances amidst chaotic and comedic elements.

• Notable Quote:
  “...this was extremely enjoyable on a comedic level and a gonzo comedy level.”
  — Michael Portantier [39:55]

The hosts appreciate the blend of modern references and anachronisms, which inject fresh humor into the timeless narrative.

Upcoming Productions and Industry News

The episode also covers other upcoming productions, including "Thank You, Don Amici" at the American Theater of Actors and "Midsummer Night's Dream" by the Ensemble Shakespeare Company at the Flea Theater. Discussions touch upon casting choices, directorial visions, and the innovative approaches these productions bring to classic works.

Notable Quotes:

• “...it's a unique and intimate style of storytelling.”
  — Michael Portantier [60:22]

• “...our non-traditional casting and focus on the extraordinary language of the play will challenge our audience to meet Midsommar anew.”
  — Michael Portantier [67:00]

Brain Teaser and Musical Moments

The hosts engage listeners with a weekly Brain Teaser, revealing the answer as Kristin Chenoweth’s Tony win for a revival of "Your Good Man Charlie Brown". They also celebrate musical moments by highlighting Ruth Cobart's contributions to Broadway, featuring selections from her performances in "A Funny Thing Happened on the Way to the Forum" and "How to Succeed in Business Without Really Trying."

• Notable Quote:
  “...two of Ms. Cobart's biggest successes were in two shows with really long titles.”
  — Michael Portantier [73:12]

Conclusion

Wrapping up the episode, James Marino encourages listeners to subscribe to BroadwayRadio for more updates and insights, while Peter Felicia reminds everyone of the ongoing and upcoming shows featured throughout the broadcast.

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This summary encapsulates the key discussions and highlights from the June 29, 2025 episode of BroadwayRadio, offering a comprehensive overview for listeners and enthusiasts alike.