
Reviews for ‘Floyd Collins’ on Broadway, Jam-Packed Theatre Week, Clooney and LuPone to Lead Actors on Actors Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday.
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Matt Tammanini
Welcome to Today on Broadway for Tuesday, April 22nd, 2025. I'm Broadway Radio's Matt Tammanini and I'm.
Grace Aki
Tell me on the Sunday podcast Grace.
Matt Tammanini
Aki Grace we are living in an era where the TNA heavyweight champion not only appeared at WrestleMania, had a match at WrestleMania, but had a match at WrestleMania against a future hall of Famer. How are you feeling about the appearance of Joe Hendy on WrestleMania 41?
Grace Aki
Listen, if Joe Hendry has no fans, it's because I'm dead. I love that man. I bet all of you are thinking, wait, I thought I was listening to Broadway radio and the truth is that you are. But real theater also happens off of Broadway and it happens on the Worldwide Entertainment Wrestling WrestleMania. And I was just blown away by the surprise visit we had from one of my favorite performers, Joe Hendry.
Matt Tammanini
One of the best. All right, well we have so much to get into. I can't even get into anything else WrestleMania related, but we have reviews, we have a schedule and we have a ton of news. So we are going to start first over at the Vivian Beaumont Theater. We're on Monday night the first ever Broadway production of Floyd Collins officially opened. That's why we are recording at about 11:30pm on Monday night. The show was originally written by Tina Landau, who wrote the book and the music is by Adam Guettle. Landau also directs this production and leading the cast in the title role is Jeremy Jordan. He is joined by Jason Gotay, Sean Allen Krill, Mark Kudish, Lizzie McAlpine, Wade McCollum, Jessica Malaski, Taylor Trench, and more. This show is based on a true story that is about a minor in West Virginia in the early 1900s who was trapped in a cave and his family was trying desperately to get him out. The show talks not only about this actual individual story, but the hysteria that surrounded it and everything that went into this story. So it is one that actually sees. I guess this might be a spoiler alert, but I think this is important for people to realize. Jeremy Jordan spends most of the show just sitting in what is supposed to be a cave. It is stage right. So if you want to get tickets to see him properly and maybe sit over on that side as of now, did they like it has not released their roundup of reviews. I will put a link in the show notes either to that site or to the actual roundup if it is out by the time that this episode goes up. But we're going to run through the reviews as they are now, and we're going to start with Laura Collins Hughes, who wrote the review for the New York Times, and she did make the show a critics pick. She said, quote, floyd Collins reaches the sublime, and that is a rare achievement in any work of art. One of the wonders of the show's glorious sounding new production is how far from claustrophobic it feels. Jordan swiftly makes us want that for Floyd. Suddenly, powerfully, Floyd was all of us waylaid mid pursuit of happiness, uncertain how to proceed inside that tiny, frightening pocket of earth, Floyd needs an echo. To cry out and get only silence back there would be the heartbreak. Charles Isherwood of the Wall Street Journal was positive, saying, quote, although its subject is inherently sad, Floyd Collins depicts the title character in his family with a tenderness that allows the musical to transcend any abiding sense of despair. Adam Feldman of Timeout New York gave the show three out of five stars, so he was probably mixed. He said, quote, the show is one long elegy for a man we have barely met and barely get to know and who doesn't seem especially special except as a victim of circumstance. Greg Evans of Deadline was positive, saying, quote, with gettles often sublime score and lyrics that get at the terror, cynicism, and most of all, undying hope against hope. Well captured in Landau's book, Floyd Collins might haunt some of those who see it now just as surely as it haunted many of us back in 96. So, Grace, I don't know that you have seen this show, have you?
Grace Aki
I've not seen it, but I know the score really well. Like I used to listen to it, but I haven't seen this production.
Matt Tammanini
Okay, I haven't either. So I'm kind of interested about this. As I've said many times before, Adam Guettel is not my thing. I'm not a big Adam Guettle fan, but I'm a big Jeremy Jordan fan. So I am going to wrap up with Juan A. Ramirez from Theatrely who said, quote, floyd Collins is an odd piece which stage asks a little too hard that we mine through dense earth to reach its goal. But this Broadway premiere makes a solid case for its beauty, found through a gorgeous score that draws opera from Americana. Jeremy Jordan at the top of his game with a rich, penetrating voice that at times feels like it could shatter right through that cavern. So this one seems to be mostly mixed to positive, Grace, and I think that Jeremy Jordan is somebody who is on a little bit of a role. I don't think that the that the critics necessarily loved the Great Gatsby, but audiences continue to enjoy it and loved him in that role. I would not be surprised if we find him back in that role at some point, but things going pretty well over at Lincoln center now, Grace, this week's tactical schedule is jam packed. I'm going to go through all of the Broadway stuff and I'm going to mention the Off Broadway stuff. I'm not going to get into the Off Broadway stuff at all, but I will have a complete list in the show Notes what is your week like? What are the highlights for you this week in terms of what's happening on and around Broadway?
Grace Aki
Well, tomorrow night, well, I guess today, tonight, this evening, et cetera. I'm opening Stranger Things, the First Shadow on Broadway. And that is, that's the major big moment of the week for me. And then I'm also seeing Orville Peck and even Oblazada on Wednesday. So I'm very excited.
Matt Tammanini
Great. That is. That is awesome. We are going to do the best that we can in order to get you the reviews as quickly as possible. One of the things, unfortunately, Grace, with Stranger Things, as you mentioned, it's opening on Tuesday night. It's opening tonight. Those reviews aren't coming out actually until midnight 12am on tonight, Wednesday morning, so we will have to wait on those, but we will get the rest of the reviews hopefully as quickly as possible. I do want to mention that in addition to Floyd Collins opening on Monday night, we also had the final Off Broadway performance of Conversations With Mother starring Caroline Aaron and Matt Doyle. And then that of course brings us to Stranger Things, the First Shadow, officially opening on Broadway at the Marquee Theater tonight. The show was written by Kate Treffery and is based on an original story by Treffery, Jack Thorne and the Duffer Brothers, who were the creators and executive producers and showrunners for the Netflix series Stranger Things, from which this was inspired. It is directed by Stephen Daldry and features an interesting cast of both Broadway and West End performers. But this has been a very interesting one. Grace, as you said, I know that you work on it. For people who don't know what to expect from Stranger Things, the First Shadow who maybe are only tangentially familiar with the TV show. What should they expect from this show?
Grace Aki
I think that what really shook me was the fact that it is a highly entertaining piece of theater. And that's not to say that I had, like, you know, I didn't think it would be entertaining, but it's more so to say that, like, I don't have to have had knowledge of Stranger Things to still feel like I went to see a great piece of theater. Like, I really don't think that you have to know the show. So if you are scared of that for that reason, that has been the biggest feedback that I've gotten from people, is that people that are not familiar with the show, they said, oh, that was great, and I didn't have to know the show. You can enjoy it a lot, like in places, you know, if you're familiar. But that's the biggest thing takeaway for me is the entertainment value. It's so good.
Matt Tammanini
Yeah. And Ashley Hufford, on an episode that was released a week or so ago that we had here, she had seen it in London and, to be quite honest with you, didn't think much of it over there. Didn't think it was really a great piece of work. When she saw it on Broadway, she said that it was almost a completely different show. Obviously, the story is essentially the same, but they did so much work from London to New York that she said it just feels like a completely different show. And she raved about it and really enjoyed it. We were talking about whether or not it was going to slide into a very, very, very crowded best play category. I think that might be tough for it. But one of the conversations we had is the fact that its best play is a production category, it is not a writing category. So when you throw all of the special effects with all of the substantive changes that they did to the story, it very well could sneak into that category. But also happening tonight, off Broadway, we have the opening of Atlantic Theater Company's Grief Camp. And we also have the first Off Broadway performances for the new groups, the Last Bimbo of the Apocalypse. Then on Wednesday, we have Ryan J. Haddad's new play, Hold Me in the Water, officially opening Off Broadway from Playwrights Horizons. Then on Thursday, we have our next Broadway opening, and this one will take place at the Todd Hames Theater from the Roundabout Theater Company. And it is Pirates, exclamation point, the Penzance musical. This one is currently slated to run through July 27. It is directed by Scott Ellis. Of course, this is A new take on the Gilbert and Sull operetta. It does have no new music. It is all Gilbert and Sullivan's music. But it is a completely new and original book adapted by Rupert Holmes. Warren Carlile does the choreography and the cast is tremendous for this. Stars Ramin Karimlou, Jinx Monsoon, David Hyde Pierce, Nicholas Barish, Preston Truman Boyd, Samantha Williams and more. What I think is important to know about this one, Grace, is that it is set in New Orleans and so a lot of the musical arrangements do favor kind of that vibe. And it very much takes place in the French Quarter in a frame story. So if you think you were just going to see Pirates of Penzance, it is not exactly that. So that is why we do have a slightly different title on this one. Then the next thing that we have on Broadway Happening will be on Saturday over at the Circle in the Square Theater with Just In Time. This is a new musical that tells the story of Bobby Darin. It has a book by Warren Late and Isaac Oliver. It is developed and directed by Alex Timbers. Jonathan Groff stars as Bobby Darin. Also in the cast are Emily Bergle, Erica Henningsen, Gracie Lawrence, Michelle Pac, Cesar Samoya and more. But this one has reinvented the Circle in the Square Theater to make it an intimate club setting. Think Lady Day at Emerson's Bar and Grill kind of thing where you actually have tables and stuff set around where they are performing and then you have the rest of the seats and the pictures have been really interesting. I didn't really know what to expect from this and I'm still not sure that I actually do. But I really enjoyed the videos and the images that we have gotten an opportunity to see. So I'm looking forward to seeing that when I'm in town in a couple weeks. Also happening on Saturday we have two off Broadway closings. The first is from Lincoln Center Theater and it's star studded production of Ghosts. And then another show happening at the Here Arts center from the new George's Theater. Two sisters find a box of lesbian erotica in the woods. And then Grace, you might know a little bit more about this On Sunday we have not one but two Broadway openings. I'm assuming they're gonna have to do them one in the afternoon, one at night just for media purposes. I haven't seen exactly when they are scheduled for, but the official Broadway League calendar has Dead Outlaw first and Real Women have Curves listed second. I don't know if that's alphabetical order or chronological order. Do you know by Any chance, Grace?
Grace Aki
I actually don't, but that's crazy.
Matt Tammanini
Yeah. I mean, we've had this happen before in the past, but usually, but not always usually it has to do with, like, things getting rescheduled. That's not the case. This is just they're both scheduled for Sunday, so I'm going to go in the order that the Broadway League calendar has them. It might just be alphabetical, I don't know. But that would mean that Dead Outlaw is first. It will officially open at the Longacre Theater on Sunday. It features a book by Itamara Moses and music by David Yazbeck and Eric Della Pena. And it is directed by David Cromer. This is one, as we've talked about many times before, was probably the musical hit off Broadway last season and it features the entire off Broadway cast of Jeb Brown, Andrew Durant, Eddie Cooper, Dashiell Eves, Julia Nettle, Ken Marks, Trent Saunders, and Tom Cessma. Our beloved Tom Sesma. This one is going to be a huge factor when it comes to the best musical race. So we'll see more about that on Sunday night. But another show that very well could enter itself into the best musical race will also open over the James Earl Jones Theater on Sunday, and that is Real Women have Curves. It features a score by Joy Huerta and Benjamin Velez and a book by Lisa Loomer and Nell Benjamin. It's interesting they are credited separately. The way that IBDB has it is book by Lisa Loomer, book with Nell Benjamin, rather than book by Lisa Loomer and Nell Benjamin. So I'm not sure what the crediting is, is on that. But nonetheless, it is based on the play by Josefina Lopez and the film of the same name. It is directed and choreographed by Sergio Trujillo. And the two main stars are Tatiana Cordoba, who I have heard has been out a little bit this week with an illness. So I think they've had to change around some, you know, some performances and everything. So hopefully this, this final week of previews when all of the critics are going to be there, that she's able to go 100%. Justina Machado, who is one of my favorites, is, is also in this, in this show playing Tatiana's mother. You've talked about Grace Mason Reeves is in this show and many others. So I'm fascinated by this and it just seems like it's a, it's a very fun show with a nice story that again, makes me kind of wonder if this is one that could contend for a Best musical nomination.
Grace Aki
There are a lot of really good musicals that are still running. There are a lot of good musicals that are no longer running. You know, I think that it's just going to come down to, like, what people are really vibing with, you know what I mean? Like, I don't know, the way that the different, the boop, the smash, all of these shows that have opened recently factor in. This is really exciting because we've got a lot of great shows that are of contention and New York Times critics pick things like that, but with real women have curves. Like, I haven't heard, like, what people are saying. I'm just excited to see it myself. But yeah, with Dead Outlaw and that one, those are the last two, right?
Matt Tammanini
Yep. Those will wrap up the Tony eligibility. And I also think it's really interesting because we have all these critics. Everybody has their say. We have word of mouth, we have friends that go see shows. But really it comes down to like 40 to 50 people who are the Tony nominators. And those numbers get significantly decreased when people have to recuse themselves either for conflicts of interest, because a lot of these people work in the industry. So if they are producers or whatever, they have to take themselves out of contention for shows. And then also like actors or directors or creatives who are working out of town during this season and miss shows, shows, they have to be recused as well. So it's really just a small, small group of people who are going to make this call and the individual tastes of those people play a huge part. So we will have to see what happens with all of that. All right, I'm going to run through what we have very quickly, but let's start off Broadway from Second Stage Theater Company that will end its season with the New York premiere of David Margulis's Lunar Eclipse. It will be directed by Kate Wariski and will star Tony winner Reed Bernie and Lisa Emery. As it was announced yesterday, preview begin off Broadway on May 14th. Then we also had a very crazy story happen over the weekend. The new immersive show Life and Trust that was running off Broadway in the Financial District officially closed with no notice. They had tickets were sold. Tickets had been being sold for months and months to come. And then all of a sudden on Saturday, they just announced that, quote, due to unforeseen circumstances, all the other tickets will be fronted. The show is now officially closed. I do think it's important to keep in mind that this show comes to us from the team behind Sleep no More and that very well might have something to do with the fact that production had a very, very tumultuous last year running off Broadway. So I'm sorry for people who had taken us to see that because I heard it was actually really good, but certainly a lot of it difficulty going on there. Then yesterday we also find out that Michael Urie would be returning to the stage with Red Bull Theater's new one person production of Richard ii. Michael Urie has done a lot of shows with Red Bull Theater actually that's really kind of what got him back onto the theater scene after doing television for so long. So that one should be interesting. It will be a part of the 2025, 2026 season. It is only going to be two performances though. It'll happen on September 27th and September 28th. Then the Atlantic Theatre Company extended, I'm assuming you know David Greenspan. It will now play an extra performance on April 27th. So that is coming up. If you want to check that out, please make sure that you do so. But the show must end on April 30th. Speaking of shows extending off Broadway, the quartet of Carol Church plays at the Public Theater. Glass Kill, what if, IF only and imp have now been extended. They will play through May 25 and then going out of town. Yesterday it was announced that Pamela Anderson and Emmy Award winner Nicholas Alexander Chavez, who will always be Spencer Kassadine from General Hospital to me, are going to do a production of Tennessee Williams play Camino Real. It will run from July 19th through August 3rd. They will be joined in the cast by Whitney Peak. It'll be directed by Dustin Willis. And now Grace, this is something that I think you are probably going to absolutely love for multiple reasons. But take taking the Kieran Culkin of it aside, but yesterday Variety announced its first ever Broadway Actors on Actors series of videos. These are things that happen every year around award seasons and stuff like that where they have two big name actors interview each other. This year we are going to have George Clooney and Patti LuPone talking Audra McDonnell and Jake Gyllenhaal, Kieran Culkin and Sarah Snook, Nicole Scherzinger and Jonathan Groff and Cole Escola and Darren Criss. What are your thoughts here? Grace?
Grace Aki
It's very exciting, I will say. Back in 2022 I pitched this idea for a certain show and it was really like I was so excited to make it happen and then ultimately it couldn't because then the show didn't run, et cetera, et cetera. And I've seen people trying to, like, do this. So it's. I like that variety is doing it. Obviously they're like the ones that do this. But we've needed to do something cool like this for a really long time, especially in the theater community, because wouldn't you love to have, like, Nathan Lane talking to Jen Simard? Like, I just, I think that. I don't know, it's just food for thought. But. But I like this list. I'm particularly moved by the Nicole Scherzinger Jonathan Groff conversation. I don't know what that's gonna be like, but I'm excited.
Matt Tammanini
Wild. Yeah. Yeah. That the, the pairings are interesting. Clooney, who is like, super cool, laid back movie star guy, and Patti LuPone, who has, like, negative amounts of chill. So I think that'll be very interesting. I have seen some people that are a little concerned. Like, these are mostly, with a few exceptions, mostly like TV and film stars talking to each other. That just happened to be on Broadway this season. It's not like.
Grace Aki
But how else would that have happened? I mean, this is a series.
Matt Tammanini
Exactly.
Grace Aki
Yeah. The film people. So it's like, oh, these are mega movie stars that also happen to be on Broadway. We could do something like this. You know what I mean? Like, it wouldn't have happened if it had been just theater people, frankly. But I'm very excited by it.
Matt Tammanini
Yeah. And these are all people who are giving excellent performances. And I will be shocked if every single one of these people isn't nominated for. Probably rightly so. All right, let's run through some recommendations very quickly. Jordan Fisher and Solea Pfeiffer, your new stars of Mulan Rouge on Broadway, performed your song on the Today Show. We have the video of that next. We also have an absolutely incredible clip from RuPaul's Drag Race where Liza Minnelli accepts the Giving Us Lifetime Achievement Award. You don't want to miss that. And then finally, something years and years and years in the making, backstage at death becomes her. We had a Michelle Williams and Michelle Williams sighting as Michelle Williams Dawson's Creek visited Michelle Williams Destiny's Child in her dressing room after the show. So she posted that. Michelle Williams, who was in the show, posted a video and some pictures. So we have that in the show notes. And then if you want to hear a little bit more about Pirates, the Penzance musical, they were on CBS Sunday Morning, we have that clip. And then a reminder, miscast is now available to stream from MCC Theater. You do have to get a ticket to broadcast it. But it is free. But you do. They're only allowing so many people an opportunity to stream it for free at this time. So if you want to do that, we will have a link link in the show notes. All right, Grace, 25ish minutes in. Anything that I missed, anything that we got to tell people about before we head out?
Grace Aki
I have a cool conversation coming up sometime probably in the next week with Daniel Yearwood of Old Friends. I got to talk to him about Sweeney Todd and all the great things. I cannot wait to see the show at mtc. But that conversation is really lovely and I can't wait for y'all to hear it.
Matt Tammanini
Yeah, we have that. And I also recently spoke with Amanda Green, who is the lyricist behind Regency Girls, the show that it's currently playing at the Old Globe. And maybe we'll come to Broadway. We'll see. We talk about that. So two great interviews that'll be in your feeds at some point over the next few days as well. All right everybody, that's all that we have for today. Thanks for listening to Today on Broadway. Follow us on Facebook, Twitter and Instagram rodwayradio. Grace, where can people find you?
Grace Aki
You can find me at it's graceaki.
Matt Tammanini
All right, everybody, have a wonderful Tuesday. We'll be back to talk to you tomorrow.
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BroadwayRadio Podcast Summary: "Today on Broadway: Tuesday, April 22, 2025"
Release Date: April 22, 2025
Host: Matt Tammanini & Grace Aki
Podcast: BroadwayRadio
In the April 22, 2025 episode of BroadwayRadio's "Today on Broadway", hosts Matt Tammanini and Grace Aki delve into the latest happenings on and around Broadway. From new productions and critical reviews to upcoming openings and industry news, this episode offers an extensive overview for theater enthusiasts and newcomers alike.
Matt Tammanini kicks off the discussion with the Broadway premiere of "Floyd Collins" at the Vivian Beaumont Theater. This first-ever Broadway production, written and directed by Tina Landau with music by Adam Guettel, features renowned actor Jeremy Jordan in the titular role alongside a talented ensemble cast including Jason Gotay, Sean Allen Krill, and Lizzie McAlpine.
Plot Overview:
The musical is based on the true story of Floyd Collins, a young man trapped in a West Virginia cave in the early 1900s. It not only portrays Collins' struggle but also the widespread hysteria and efforts to rescue him.
Critical Reception:
The show has received a mix of reviews:
Laura Collins Hughes from The New York Times praises the production, stating, "Floyd Collins reaches the sublime, and that is a rare achievement in any work of art." ([03:00])
Charles Isherwood of the Wall Street Journal commends its emotional depth: "Although its subject is inherently sad, Floyd Collins depicts the title character in his family with a tenderness that allows the musical to transcend any abiding sense of despair." ([03:40])
Adam Feldman from Timeout New York offers a more moderate perspective: "The show is one long elegy for a man we have barely met and barely get to know and who doesn't seem especially special except as a victim of circumstance." ([04:00])
Greg Evans of Deadline highlights the musical's emotional resonance: "With Guettel's often sublime score and lyrics that get at the terror, cynicism, and most of all, undying hope against hope... Floyd Collins might haunt some of those who see it now just as surely as it haunted many of us back in '96." ([04:40])
Juan A. Ramirez from Theatrely notes the show's aesthetic qualities: "Floyd Collins is an odd piece which stage asks a little too hard that we mine through dense earth to reach its goal. But this Broadway premiere makes a solid case for its beauty, found through a gorgeous score that draws opera from Americana." ([05:20])
Hosts' Take:
Both Matt and Grace acknowledge the mixed reviews but express optimism about Jeremy Jordan's performance, suggesting that his portrayal could become a standout element of the show.
Opening at the Marquee Theater, "Stranger Things: The First Shadow" is an original story inspired by the beloved Netflix series. Co-written by Kate Treffery, Jack Thorne, and the show's creators, the musical is directed by Stephen Daldry and features a blend of Broadway and West End talent.
Grace Aki's Insight:
"It's a highly entertaining piece of theater. I don't have to have had knowledge of Stranger Things to still feel like I went to see a great piece of theater." ([07:40])
Audience Reception:
Grace emphasizes that the production is accessible to both fans and newcomers, highlighting its broad entertainment value.
Set in New Orleans' French Quarter, this fresh adaptation of Gilbert and Sullivan's classic, directed by Scott Ellis, incorporates vibrant musical arrangements to match its setting. With stars like Ramin Karimloo, Jinx Monsoon, and David Hyde Pierce, the show promises a unique take on the beloved operetta.
Featuring Jonathan Groff as Bobby Darin, this new musical reimagines the legendary singer's life. Developed and directed by Alex Timbers, the production transforms the Circle in the Square into an intimate club setting, enhancing the immersive experience for the audience.
"Conversations With Mother" starring Caroline Aaron and Matt Doyle has concluded its final performance Off Broadway.
"Grief Camp" at Atlantic Theater Company is set to open, alongside new productions like "The Last Bimbo of the Apocalypse" and Ryan J. Haddad's "Hold Me in the Water" at Playwrights Horizons.
Michael Urie returns to the stage with Red Bull Theater's one-person production of "Richard II", scheduled for September 27-28, 2025.
The quartet Carol Church extends performances of "Glass Kill", "What If, IF Only", and ".imp" at the Public Theater through May 25.
"Life and Trust", an immersive show from the team behind Sleep No More, has abruptly closed in the Financial District due to "unforeseen circumstances."
The episode delves into the critical period for Broadway as shows vie for Tony nominations. Two significant openings, "Dead Outlaw" and "Real Women Have Curves", have premiered on Sunday, April 25, 2025, positioning themselves as strong contenders in the Best Musical race.
"Dead Outlaw" at the Longacre Theater features a book by Itamara Moses, music by David Yazbeck and Eric Della Pena, and is directed by David Cromer.
"Real Women Have Curves" at the James Earl Jones Theater, with a score by Joy Huerta and Benjamin Velez, and a book by Lisa Loomer and Nell Benjamin, adapts the play by Josefina Lopez. Despite challenges, including lead actress Tatiana Cordoba's recent illness, the show garners anticipation for its compelling narrative and vibrant performances.
Matt Tammanini explains the Tony nomination process, emphasizing the limited pool of nominators and the impact of personal tastes on the final selections.
Variety has launched its inaugural "Broadway Actors on Actors" video series, featuring interviews between prominent actors such as:
Grace Aki's Reaction:
"We've needed to do something cool like this for a really long time, especially in the theater community... I particularly moved by the Nicole Scherzinger Jonathan Groff conversation." ([19:38])
The hosts express excitement over the unique pairings, anticipating insightful and engaging conversations that bridge the worlds of film, television, and theater.
Performances to Watch:
Streaming Alert:
Grace Aki shares exciting future content, including:
Matt Tammanini and Grace Aki wrap up the episode with a preview of upcoming content and a reminder to follow BroadwayRadio on social media. They invite listeners to stay tuned for more in-depth interviews and analyses of the Broadway scene.
Grace Aki can be followed on social media at @itsgraceaki.
Thank you for tuning into this episode of "Today on Broadway." Whether you're a seasoned theatergoer or new to the Broadway scene, this podcast offers valuable insights and updates to keep you informed and entertained.