Transcript
Cascade Natural Gas Representative (0:00)
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Matt Tammanini (0:31)
Welcome to Today on Broadway for Tuesday, April 22nd, 2025. I'm Broadway Radio's Matt Tammanini and I'm.
Grace Aki (0:37)
Tell me on the Sunday podcast Grace.
Matt Tammanini (0:39)
Aki Grace we are living in an era where the TNA heavyweight champion not only appeared at WrestleMania, had a match at WrestleMania, but had a match at WrestleMania against a future hall of Famer. How are you feeling about the appearance of Joe Hendy on WrestleMania 41?
Grace Aki (0:58)
Listen, if Joe Hendry has no fans, it's because I'm dead. I love that man. I bet all of you are thinking, wait, I thought I was listening to Broadway radio and the truth is that you are. But real theater also happens off of Broadway and it happens on the Worldwide Entertainment Wrestling WrestleMania. And I was just blown away by the surprise visit we had from one of my favorite performers, Joe Hendry.
Matt Tammanini (1:26)
One of the best. All right, well we have so much to get into. I can't even get into anything else WrestleMania related, but we have reviews, we have a schedule and we have a ton of news. So we are going to start first over at the Vivian Beaumont Theater. We're on Monday night the first ever Broadway production of Floyd Collins officially opened. That's why we are recording at about 11:30pm on Monday night. The show was originally written by Tina Landau, who wrote the book and the music is by Adam Guettle. Landau also directs this production and leading the cast in the title role is Jeremy Jordan. He is joined by Jason Gotay, Sean Allen Krill, Mark Kudish, Lizzie McAlpine, Wade McCollum, Jessica Malaski, Taylor Trench, and more. This show is based on a true story that is about a minor in West Virginia in the early 1900s who was trapped in a cave and his family was trying desperately to get him out. The show talks not only about this actual individual story, but the hysteria that surrounded it and everything that went into this story. So it is one that actually sees. I guess this might be a spoiler alert, but I think this is important for people to realize. Jeremy Jordan spends most of the show just sitting in what is supposed to be a cave. It is stage right. So if you want to get tickets to see him properly and maybe sit over on that side as of now, did they like it has not released their roundup of reviews. I will put a link in the show notes either to that site or to the actual roundup if it is out by the time that this episode goes up. But we're going to run through the reviews as they are now, and we're going to start with Laura Collins Hughes, who wrote the review for the New York Times, and she did make the show a critics pick. She said, quote, floyd Collins reaches the sublime, and that is a rare achievement in any work of art. One of the wonders of the show's glorious sounding new production is how far from claustrophobic it feels. Jordan swiftly makes us want that for Floyd. Suddenly, powerfully, Floyd was all of us waylaid mid pursuit of happiness, uncertain how to proceed inside that tiny, frightening pocket of earth, Floyd needs an echo. To cry out and get only silence back there would be the heartbreak. Charles Isherwood of the Wall Street Journal was positive, saying, quote, although its subject is inherently sad, Floyd Collins depicts the title character in his family with a tenderness that allows the musical to transcend any abiding sense of despair. Adam Feldman of Timeout New York gave the show three out of five stars, so he was probably mixed. He said, quote, the show is one long elegy for a man we have barely met and barely get to know and who doesn't seem especially special except as a victim of circumstance. Greg Evans of Deadline was positive, saying, quote, with gettles often sublime score and lyrics that get at the terror, cynicism, and most of all, undying hope against hope. Well captured in Landau's book, Floyd Collins might haunt some of those who see it now just as surely as it haunted many of us back in 96. So, Grace, I don't know that you have seen this show, have you?
