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Raoul Peck makes sweeping, breathtaking, insightful films that marry the political to the personal. As a director, he's made both documentaries and feature films. That includes 2000's Lumumba about the assassinated Congolese leader, Patrice Lumumba, 2016's Oscar-nominated I Am Not Your Negro which vividly reworked the writings of the late James Baldwin and 2017's The Young Karl Marx—a biopic about the German philosopher's young adulthood. His latest project is Exterminate All the Brutes, an HBO docuseries. Based on the book by Sven Lindqvist, the film delves into the destruction and desolation caused by European colonialism in places like Australia, Africa, Asia and the Americas.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Roman Mars hosts the radio show and podcast 99% Invisible. It's a show about the little known stories behind everyday design and architecture. Prefabricated homes. Trash can design. Even those little ramps you see on sidewalk corners: how and why did stuff like that come to be? He just released a new book based on the podcast – it's called the 99 Percent Invisible City. The book is an illustrated look at how cities work, and why they work the way they do. Roman Mars joins us to talk about life before podcasting, and what decades in radio has taught him. Plus, the COVID-19 Pandemic has affected the design of cities, and which of those changes might be permanent. To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Forest Whitaker has got this knack for taking huge figures from history and portraying them as complex, fascinating, sometimes really fragile people. You've seen him as the star of countless great movies for over thirty years now. He has won plenty of awards including an Academy Award for best actor for his role as Idi Amin in The Last King of Scotland. When we spoke last year, he portrayed Archbishop Desmond Tutu in the film The Forgiven. Forest chats with Jesse about getting to know Archbishop Tutu as a character and a friend over the years. Plus, hot takes on box-office flop Battlefield Earth! This interview originally aired in March of 2018To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

If you go to an art museum: contemporary, encyclopedic, local... odds are most of the art displayed was made by white men. Even if you leave out the renaissance painters and the Dutch Masters. It's still not that common to see a solo show by a woman or a person of color these days. This was even more true in the mid-80s. Some of New York's most prominent galleries showed less than 10% of women artists. Others were showing no women at all. In 1984, an art collective known at The Guerilla Girls drew attention to issues of discrimination and representation in galleries and museums all over the world. The group demonstrated in front of museums with placards and picket lines. And they wore gorilla masks while doing it. Jesse talks to a founding member of The Guerilla Girls, who goes by Kathe Kollwitz. She'll reflect on the origins of the group, anonymity in the art world, and what the group means now more than 30 years later.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

So much of Bullseye is about what we think is great in culture today. And, for our money, one of the most compelling creative forces around is a guy named Boots Riley. For the first few decades in his career, Boots fronted the Coup. The Coup are a catchy, deeply political rap group from the Bay Area. Then, Boots had a movie idea. One that took 6 years to realize. He called it Sorry To Bother You - maybe you've seen the trailer already. Boots wrote and directed it, and it's set to hit theaters July 6. The movie is almost too wild to describe - it talks about telemarketing, race and monsters and so much more. In a deep, fascinating discussion with Jesse, he talks about the movie, the evolution of the Coup, politics and poverty and so much more. This one's an all-timer! Then, a tribute to the idea of serendipity, as evidenced in a surprising and infectious Max Roach record from the 70s.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

First up, a Bullseye fav: Jesse chats with Kim Deal of The Breeders about their new album "All Nerve," which drops this week. Also discussed: the Pixies' breakup, best Italian restaurants for live music in Dayton, Ohio, advancements in personal amplification technology in live music. Then, Raoul Peck. The director of "The Young Karl Marx" talks about bringing the personal story of the writer of "The Communist Manifesto" to life. Plus: how to make a narrative film about one of the most consequential philosophies in recent history. Finally, on this week's Outshot, Jesse talks about the work of Curtis Mayfield on his brilliant, underrated debut solo record "Curtis."To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

If a director is looking for the perfect guy to play an oblivious, cocky buffoon then Fred Willard is their man. Jesse talks to Fred about his entire career, and finds out why he turned down the lead in the movie Airplane! Then later Jesse talks to David Gordon Green. He's directed everything from pensive, dramatic movies like All The Real Girls to huge stoner-action comedies like Pineapple Express. His new movie, Prince Avalanche exists somewhere in between. Plus, Pitchfork's Ian Cohen recommends a couple of great new heavy rock records, we share an episode from Nate DiMeo's The Memory Palace, and Jesse talks about his favorite Robin Thicke record. Yes. He has a favorite Robin Thicke record. It's great, too.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Nathan Rabin and Marah Eakin from the AV Club talk about a couple of their all-time favorite albums from Warren Zevon and Fleetwood Mac, respectively. Aisha Tyler — who stars as Lana on Archer, the animated spy show on FX — talks about living a real-life version of Fame in high school and funneling her experiences as an outsider into performance and comedy. Plus, the jazz singer Bilal talks about his school days, too. He was voted the weirdest kid in his class. Bilal's new album is called A Love Surreal. And Jesse reveals the best cold open from a sitcom, ever. [Segments from this show aired on previous episodes of Bullseye and The Sound of Young America]See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The writer George Saunders talks about his early creative challenges, the slight constant pressure of capitalism, and Tenth of December, his new book of short stories. Maria Bamford explains why she filmed her new comedy special in front of an audience of two (her parents), and why it's important to talk about scary stuff on stage. Plus, Jesse shares one of his favorite poems by William Carlos Williams. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Aimee Mann explains her transition from an 80s pop star to a solo performer who writes mostly for her own tastes. Then, a conversation with Seth Godin. He's kind of a creative marketing guy, but not in the sleazy way. He's actually kind of brilliant. Plus, Jordan ranks what's best in America and Jesse suggests you check out Orson Welles' final masterwork - F for Fake.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy