Podcast
C86 Show - Indie Pop
Hosted by thec86show · EN
Channelling the spirit of Indie Pop!
92episodes
Episodes
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Alex Newport - Fudge Tunnel
Jun 1001:25:22Tap to summarizeAlex Newport in conversation with David Eastaugh https://www.alexnewport.com/ https://fudgetunnel.bandcamp.com/music https://www.youtube.com/watch?v=tb232BkAe6A Fudge Tunnel formed in 1989. They released their debut EP on Pigboy/Vinyl Solution in 1989, Fudge Tunnel. Although marketed as an EP, due to its short length, it was named "Single of the Week" in NME magazine in January 1990, with NME declaring "Absolutely and totally the best single ever to be released in 1990. Total nine guitar attack-rock". The band followed up with their second EP, The Sweet Sound of Excess, in 1990, again on Pigboy/Vinyl Solution. Fudge Tunnel also found support via DJ John Peel as they recorded a Peel Session in 1990. They then signed to Nottingham's Earache Records. Their full-length debut album was 1991's Hate Songs in E Minor, which attracted a large amount of press interest after the original album artwork was confiscated by the Nottingham Vice Squad
Transcribe →Neil Howson - Age of Chance
Jun 801:49:03Tap to summarizeNeil Howson in conversation with David Eastaugh https://preciousrecordingsoflondon.bandcamp.com/album/prelp-8-age-of-chance-bbc-sessions-85-87 A stunning mix of Northern Soul, machine-like beats, electroclash, slogans and agitpop, Age of Chance were unquestionably one of the most exciting groups to emerge during the C86 era. They certainly didn’t sound like anybody else, that’s for sure. An uncompromising live act, Age of Chance were frantic and frenetic – and they even dallied with the mainstream via their version of Prince’s Kiss. Janglepop this is not. Now, not before time, their three sessions for BBC Radio 1 are collected by Precious Recordings of London as part of the label’s ongoing series. And for good measure, we’ve included both sides of their first two incredible ground-breaking singles – Motorcity and Bible Of The Beats, both unavailable in any form for decades. Limited edition (500 copies worldwide) comes with unseen pics, sleeve essay by close associate John F Power. and download codes. Includes unlimited streaming of PRELP 8: Age of Chance BBC sessions 85-87 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Transcribe →Neil Taylor - Rough Trade
Jun 700:59:53Tap to summarizeNeil Taylor in conversation with David Eastaugh https://www.roughtrade.com/en-de/product/neil-taylor/document-and-eyewitness-an-intimate-history-of-rough-trade Rough Trade is practically a byword for the history of independent music over the last thirty years. DOCUMENT AND EYEWITNESS: AN INTIMATE HISTORY OF ROUGH TRADE tells the story from the inside of a phenomenally influential record label, through the voices of Geoff Travis, Jarvis Cocker, Robert Wyatt, Green Gartside and many many more. From the early records of Cabaret Voltaire, Kleenex and the Swell Maps, through to groundbreaking releases by The Fall, The Smiths and Scritti Pollitti, on through the collapse of the independent collective and the rebirth of Rough Trade at the turn of the century, this is the definitive, essential account for any serious music fan.
Transcribe →Julia Round - Misty
Jun 501:00:08Tap to summarizeJulia Round in conversation with David Eastaugh https://www.juliaround.com/ https://www.amazon.co.uk/Gothic-Girls-Misty-British-Comics/dp/1496824466 Award-winning writer and independent scholar. She is one of the founders and editors of the academic journal Studies in Comics (Intellect Books) and of the book series Encapsulations: Critical Comics Studies (University of Nebraska Press). Today fans still remember and love the British girls’ comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic, preserving both the inception and development of this important publication as well as its stories. Misty ran for 101 issues as a stand-alone publication between 1978 and 1980 and then four more years as part of Tammy. It was a hugely successful anthology comic containing one-shot and serialized stories of supernatural horror and fantasy aimed at girls and young women and featuring work by writers and artists who dominated British comics such as Pat Mills, Malcolm Shaw, and John Armstrong, as well as celebrated European artists. To this day, Misty remains notable for its daring and sophisticated stories, strong female characters, innovative page layouts, and big visuals.
Transcribe →Bob Bert - Sonic Youth and Pussy Galore
Jun 400:58:27Tap to summarizebob Bert in conversation with David Eastaugh https://therealbobbert.bandcamp.com/album/beach-bongo-bloodbath Many music gourmandizers know the name “Bob Bert” from his stint as drummer for Sonic Youth in their formative years. He also beat car gas tanks for Pussy Galore. In the years since, Bob has recorded albums and toured the world with Bewitched, Action Swingers, Chrome Cranks, Knoxville Girls, Five Dollar Priest, and in more recent times Lydia Lunch Retrovirus, coming full circle playing metal percussion with fellow Pussy Galore alumnus Jon Spencer in his HITmakers. With Beach Bongo Bloodbath Bob finally steps out under his own name with his first true solo album. For this outing he mixes original material with extensive re-workings of a number of covers to create a veritable soundtrack for the B-movie of his life. Surprisingly for a guy who has slammed away for some very noisy guitar outfits, this album has absolutely NO guitars; once you hear his beat-centric take on Mountain's "Mississippi Queen," you will never hear that song the same way again. Bob creates a new world of sound utilizing a variety of drums and percussion as well as a diverse array of keyboards and theremin. The results suggest Sandy Nelson playing with the Flying Lizards on their greatest hits collection of Kraut Rock influenced Cramps covers! The six originals and eight covers play to his love of campy teenage horror flicks, art damaged punk fuk-u-ness and Warholian underground groover vibes. In fact, let’s cue up some tracks from the album to help tell the Bob Bert story.
Transcribe →Thrum - Monica Queen & Johnny Smillie
Jun 301:08:09Tap to summarizeMonica Queen & Johnny Smillie in conversation with David Eastaugh https://www.firerecords.com/thrum-announce-rifferama-reissued-reimagined-along-with-new-uk-tour-dates/ TOUR DATES 07 Jul: The Wee Red Bar, Edinburgh, UK 08 Jul: Central Bar, Gateshead, UK 09 Jul: Lending Room, Leeds, UK 10 Jul: Just Dropped in Records, Coventry, UK 11 Jul: Betsy Trotwood, London, UK 12 Jul: The Jacaranda Club, Liverpool, UK 13 Jul: Cottiers, Glasgow, UK
Transcribe →Jimmy Eadie - Into Paradise
Jun 301:41:38Tap to summarizeJimmy Eadie in conversation with David Eastaugh Into Paradise were an Irish indie rock group from Dublin, whose influences included Joy Division and Echo & the Bunnymen. They formed in 1986 as Backwards into Paradise, and released their debut EP, Blue Light, in 1989 on the independent record label, Setanta. Soon after came the EP Change, and the band's first album, Under the Water. Their most successful album and major record label debut, was the Adrian Borland-produced Churchtown. https://www.youtube.com/watch?v=2N_j7s1Ahjo
Transcribe →Anthony Reynolds - Jack & Jacques
Jun 101:58:21Tap to summarizeAnthony Reynolds in conversation with David Eastaugh https://anthonyreynolds.bandcamp.com/ n 1993, Reynolds moved to London, where he formed the group Jack, on lead vocals, signing a music publishing deal with Warner/Chappell Music as well as a record deal with independent label Too Pure. Jack released three full-length albums, the first two of which – Pioneer Soundtracks (1996) and The Jazz Age (1998) – garnered excellent reviews and placed highly in critics' end-of-year polls. Despite the overwhelmingly positive critical reaction and extensive UK and European touring, sales for both records although respectable, were ultimately disappointing, and no Jack record would ever make the UK Top 40 singles or albums charts. The third album, The End of the Way It's Always Been, was released on the Les Disques du Crépuscule label. The record featured collaborations with writer/musician Kirk Lake and American poet and novelist/screenwriter Dan Fante (son of John Fante). An extensive European tour promoted the record. The critical reaction in the UK to the album was less positive than for the first two Jack albums, but the album was markedly successful in France.
Transcribe →Janet Housden - Redd Kross, Raszebrae, Superkools, The Excessories, The Omlits, The Shakes, The LA Times
May 3001:12:52Tap to summarizeJanet Housden in conversation with David Eastaugh https://www.facebook.com/janet.housden A fixture in the earliest days of the LA area punk scene, Janet Housden played drums with Redd Kross and was a member of several other bands, while also appearing in classic cult films. Janet Housden has been a creative force for decades in Southern California’s punk scene. She grew up alongside many of the South Bay scene’s iconic punk pioneers, including members of Black Flag, the Descendents and Minutemen, and played drums in the renowned Redd Kross (1982-83) and was a multi-instrumentalist in several other rock & roll bands. (Quote from Please Kill Me)
Transcribe →Alister Parker - Bailter Space
May 2901:09:22Tap to summarizeAlister Parker in conversation with David Eastaugh https://bailterspace.bandcamp.com/ New Zealand shoegaze and noise rock band that formed in Christchurch in 1987 as Nelsh Bailter Space; they had previously recorded as the Gordons. Its members are Alister Parker (guitar, bass), John Halvorsen (bass, guitar), and Brent McLachlan (drums/percussion, samples). After releasing seven studio albums, numerous EPs/singles and a career retrospective compilation, Bailter Space went on an extended hiatus in 2004. They returned in August 2008 to play the Bowery Ballroom in Manhattan.
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