Podcast Summary: Candace – "Becoming Brigitte: The God Of Amiens"

Host: Candace Owens
Date: September 9, 2025

Overview

In this solo episode, Candace Owens dives deep into the mysterious past and present symbolism surrounding Brigitte Macron, the First Lady of France, and her husband Emmanuel Macron. The episode explores the intersection of French politics, ancient mythology, cultic symbolism, and suspected theatrical "theology" behind key players in global politics—offering a provocative lens on history, gender ideology, and modern power.

Key Discussion Points & Insights

1. Setting the Stage: Why Brigitte Macron?

• Candace starts by revisiting the question "Why make Brigitte the First Lady of France?” (00:55) and speculates about spiritual and theological motives.
• She reflects on her own academic regrets about not studying theology:
  "Nothing else actually matters. Really. Everything else is theater. If you don't know what is guiding someone, spiritually speaking, then you can't comprehend what is happening." (03:00)

2. Brigitte & Notre Dame Controversy

• Owens recounts a story about Brigitte Macron’s controversial suggestion to transform the Notre Dame dome:
  "She first got into office... Brigitte Macron wanted to transform the dome of Notre Dame into a penis... French President's wife proposed Phallus and Golden balls for Notre Dame rebuilds." (05:42)
• Rosalind Bachelot, Minister of French Culture at the time, documented the proposal and was dismissed soon after objecting.

3. Archaeological Curiosities: The "God of Amiens"

• Candace’s childhood interest in archaeology leads her to examine a recently spotlighted artifact discovered in Amiens—the "God of Amiens" statue, found in the Henryville neighborhood (Emmanuel Macron's childhood area).
  • The statue is a bronze figurine resembling a pagan idol, missing a snake and grapes from its hands.
  • It closely connects to another figure—the "God of Besançon."

4. Mythological Connections and Symbolic Analysis

• The statue incorporates features of Pan (goat ear), King Midas (animal ear), Cybele (snake), and Dionysus/Addis (grapes), all linked in Anatolian/Phrygian mythology.
• Candace explains the myth:
  • Agdistis (hermaphrodite), turned Cybele after castration.
  • Cybele’s children: Midas (gold) and Dionysus (festivity, effeminacy).
  • Dionysus and Pan (the half-goat foster father); Midas’ curse (the Midas touch).
• She underlines the theme: sacrificial acts, gender ambiguity, and cultic theater.

5. Dionysian Cults and Theaters of Power

• Candace highlights cult practices associated with Dionysus and Cybele—the Galli priests, who castrated themselves and dressed as women, marking them as forerunners of modern non-binary and transgender identities:
  "They therefore occupied an ambiguous space in Roman notions of gender that many modern transgendered and non binary people have identified with." (27:30)
• She points to theater and performance as foundational methods of these cults, and links them to today’s global elites:
  "So when we look across the world and we see all these people in positions of power... It makes you ask yourself the reasonable question. Did this cult really survive through the ages? And it did." (33:08)

6. Brigitte, the Olympics, and Mock Theatricality

• Brigitte’s role in the controversial 2024 Olympic opening ceremony is discussed. The performance is later justified by the Élysée Palace as a "tribute to Dionysus," echoing the ancient themes already explored.

7. Elite Symbolism, Weddings, and Cakes

• Strange symbolism in Brigitte and Emmanuel’s wedding, notably a horned cake topper possibly alluding to Baphomet, is analyzed through quotes from Xavier Prussard’s “Becoming Brigitte”:
  "...the cake topper possibly evoking the horns of Baphomet. Strangely, he continues, this wedding did not appear in the local weekly..." (37:50)
• Parallels are drawn to aristocratic gatherings (e.g., Rothschild’s surrealist ball).

8. Connecting Historical and Modern Political Actors

• Listener email highlights George Pompidou's Rothschild banking background, mirroring Macron’s career:
  "Pompidou was the Director General of the Rothschild bank in Paris before becoming Prime Minister and later the President of France..." (47:15)

9. Stanford as a Hub for Sex Change Surgery (1960s–70s)

• Candace references a Stanford University newspaper article chronicling their transgender surgery program as early as 1967—right as the "Prisoner 2093" mystery was unfolding.
• This leads to commentary on gender ideology as a theological and cultural plan.

10. Prisoner 2093 Audio: Linguistic and Cultural Analysis

• Candace plays audio of the mysterious “Prisoner 2093,” noting the unnatural accent and role-based philosophizing:

  Prisoner 2093 (38:16): "I suppose you could say I was playing, playing my best role because I believe that life is really depends upon what role you play, as to how you act..."

• Candace observes: "I would state almost unequivocally that this is not a native, native English speaker." (39:04)

11. Theology, Cults, and the Modern "Matrix"

• Candace goes further into identifying longstanding infiltration of “Dionysian” theater into modern politics and media: "The ultimate trick, the carnies establishing Hollywood and then giving everything a screen is it allows them to tell their story and make us feel overcome with emotions. It allows them. It's almost a way to possess us with lies." (49:40)
• She challenges listeners to “pick up an old Bible” and arm themselves with “the truth” in opposition to cultic influence.

Memorable Quotes

• "Nothing else actually matters. Really. Everything else is theater." — Candace Owens (03:00)
• "I'm sorry, but if I was just going in my backyard and dug up something that looked like a pagan figurine, I wouldn't name it the God of anything..." — Candace Owens (10:20)
• "They therefore occupied an ambiguous space in Roman notions of gender that many modern transgendered and non binary people have identified with." — Candace Owens, quoting an academic source (27:30)
• "So when we look across the world and we see all these people in positions of power and we learn that Justin Trudeau was a drama instructor, Zelensky was an actor, Emmanuel Macron was an actor being instructed by Brigitte... Did this cult really survive through the ages? And it did." — Candace Owens (33:08)
• "You will always know them by their fruits. Right? And this transgenderism thing, I was telling you, the Kabbalah, they believe this, that the Kabbalah, that is rooted in Turkey, right? ... To them. That's peak, that's sibily, that's hermaphrodite." — Candace Owens (48:50)
• "The ultimate trick, the carnies establishing Hollywood and then giving everything a screen is it allows them to tell their story and make us feel overcome with emotions... It's almost a way to possess us with lies." — Candace Owens (49:40)
• "If you're not in the cults, then you got to fight the cults. And do you know the best way to fight them? The author of Lies with truth. It's that easy." — Candace Owens (50:45)

Notable Timestamps

| Timestamp | Segment | |-----------|-------------------------------------------------------------| | 00:55 | "Why make Brigitte the first lady of France?" begins | | 05:42 | Notre Dame controversy; phallic symbolism | | 10:20 | The “God of Amiens” artifact and symbolism | | 18:30 | Explanation of the myth of Cybele, Midas, Dionysus, Pan | | 27:30 | Dionysian cults, castration, and gender ambiguity described | | 33:08 | Modern echoes: drama, theater, and world leaders | | 37:50 | Symbolic cake topper at the Macron wedding | | 38:16 | Audio and analysis of Prisoner 2093 | | 47:15 | Listener email: Pompidou and Rothschild banking connection | | 49:40 | Hollywood, screen culture, and "possession by lies" | | 50:45 | Concluding exhortation about truth vs. lies |

Listener Interactions and Community Responses

• Emails and comments help clarify military terms (“Furos” as "further assignments") in the Prisoner 2093 case (41:00).
• Listeners offer mythological and ritualistic connections, such as red balls on Christmas trees possibly derived from cultic castration rituals (46:30).
• Several question the role of performance ("military-grade actors") and the persistence of "gypsy" theatricality in elite circles.

Final Thoughts

Candace leaves listeners encouraged to think more critically about the intersections of power, religion, and theater in the modern world. She frames recent events and revelations about Brigitte Macron as symptomatic of a much older, shadowy pattern—a global elite masking theological cultism as progressive ideology and theater.

Closing Note:
"If you're not in the cults, then you got to fight the cults... The author of Lies with truth. It's that easy." — Candace Owens (50:45)

For further content, check Candace Owens’ book club and past episodes for deeper dives into related conspiracies and historical analysis.