Hosted by Joshua Citarella, Interdependence, New Models · EN

When Enlightenment-era scholars taxonomized humankind, they chose homo sapiens, in part because of what they observed as a uniquely human aptitude for “taste.”[“Taste” comes from the Latin taxare (to handle, to assess) – an intensive form of tangere (to touch). It is a term that via vulgar Latin blended with gustare (to taste, to try) to express the act of appraising something by physically handling or even consuming it. In proper Latin, there is the related term sapere, which carries a double meaning of “to taste” and “to be wise.” To taste, in the sense of sapere, is to possess wisdom through tangible experience.]It’s remarkable that in recent years, and intensely in recent months, the idea of “taste”—“having taste,” “deploying taste,” “taste agents,” “integrating a taste layer,” “taste as a core skill,” “taste as moat”—has become an ultra-present concern in tech circles. Isn’t having taste (wherever one falls along the taste spectrum) an inherent quality of being human?To be sure, there’s already a lot of writing on this phenomenon: “Tasteslop” by NEMESIS‘s Emily Segal and “Why Tech Bros Are Now Obsessed With Taste” by Kyle Chayka for the New Yorker being among the best takes. The most confounding, in our opinion being Y-Combinator cofounder Paul Graham’s “Taste for Makers” (Feb 2002, but highly cited this year).There is also “Against Taste,” by Will Manidis, which makes some good points (patrons used to fund art for a higher power or at least public display whereas contemporary collectors tend to buy art for their own private use) but in its theory-of-everything aspiration, feels LLM-ish and contextually ahistorical. So in pure “Content Today” form, we are adding to the pile-on with our own fashionably late, probably factually botched but definitely human, free-associative conversation about taste.--> Channel.xyz subscribers DM for link to full NM notes on taste, and recap of recent events

We discuss strategies of reform vs revolution, electoralism vs internationalism, and more. Our conversation continues behind the paywall.

My guest is Julian Feeld, an author, journalist and co-founder of the QAA podcast. He is the host of Superstructure with comedian Jon Gabrus. Our conversation explores the impact of media, political speech and “influence” in our extremely-online society. What do we hope to accomplish through content? When does education and information impact real material forces in the world? From differing viewpoints, Julian and I explore the theory and practice of political-education.

We discuss Claire’s background in art, working at Sculpture Center, studying at SAIC and navigating the extreme inequality of American life. I share some war stories about the hazards of DIY creative life, freelancing and healthcare.

My guest is Claire Valdez, a union organizer, artist and democratic socialist running for congress in NY-7. Valdez has garnered an impressive list of endorsements; Bernie Sanders, Zohran Mamdani, UAW’s Shawn Fain, DSA, Mahmoud Khalil, Zephyr Teachout, and many others. We discuss the American labor movement and the power of democratic majorities. The NY primary election is on June 23rd.

In recent episodes, you’ve heard us mention the project we created this spring with Joshua Citarella, together with the spatial design studio sub, for “Strange Rules” at Palazzo Diedo, Venice. On this episode, we chat with Josh about this work.The exhibition, which was curated by Holly Herndon, Mat Dryhurst, and Hans Ulrich Obrist with Adriana Rispoli, presents practices that engage with the "protocol layer” — in other words, the rules that determine how culture is created, transmitted, remembered.https://www.youtube.com/watch?v=f1SXuZsjh1kChannel members: DM for more text and images

We talk a lot on this show about the “content” layer being compromised; how, given the physics of the feed, the creative act increasingly happens at the protocol level. While this is true, good books and films and records are, in fact,still being made. On this ep, friend of New Models Steven Warwick comes by on the occasion of his two new albums — SW Live at Café Oto (P-A-N) and, from his new band with Iván Brito, GUSH, Splash of Milk (Huntleys + Palmers) — to chat about making music, touring, putting out albums — in 2026.For more:@ohmygushhhhh@sweetie_darling_bebehttps://stevenwarwick.info/

If the stats are correct, 3,733 registered journalists attended the preopening of this year’s Venice Art Biennale, a group that is projected to produce some 2500 pieces of legacy media style coverage. It just so happens that we, too, were in Venice — there to install our work with Joshua Citarella, The Online Marketplace of Ideas, at the Palazzo Diedo for the “Strange Rules” exhibition curated by Holly Herndon, Mat Dryhurst, Hans Ulrich Obrist, and Adriana Rispoli. (Stay tuned for an ep next week with Josh discussing the collab in detail). And so here we are with our unaccredited, unsolicited content about Venice, alongside a bonus travel special featuring a visit to the Lake Garda home of Italian decadent poet Gabriele D’Annunzio (1863-1938). | Channel subscribers, please DM for access to image content and we'll send U pdf.

Abby and I analyze the new Manosphere doc by Louis Theroux, college campus politics, elite formation, legacy vs alt media, and explore some deeper themes from her new film.

My guest is Abby Martin, a journalist and documentarian. We explore the early years of internet culture (before big platforms and algorithms) back when Occupy Wall Street and 4chan were on the same side. This formative period gave birth to the first wave of an anti-establishment alternative media, where conspiracy theorists and radical anti-capitalists shared a similar online sphere.