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Jannell & Dipper le Responden a los Haters

Chente Ydrach

Published: Wed Oct 01 2025

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Summary

Podcast Summary: Chente Ydrach – "Janelle & Dipper le Responden a los Haters"

Date: October 1, 2025
Host: Chente Ydrach
Guests: Janelle, Dipper, and Edgar ("Elegal")


Overview

This high-energy episode of Chente Ydrach’s show, produced at Gallimbo Studios, brings back the controversial young influencers Janelle and Dipper. After a previous episode featuring the duo drew waves of online hate (and even coverage in newspapers), Chente invites them to "respond to the haters" and keep it real. The episode is a riotous mix of witty banter, irreverent takes on Puerto Rican pop culture, raw humor, social commentary, and the resilience needed to face public criticism.
The tone is candid, juvenile, and often explicit, balancing self-awareness with biting comedy as the guests and host poke fun at themselves, each other, and the dynamics of internet fame.


Key Discussion Points & Insights

1. Life After Online Backlash

  • Chente opens up about the tough 72 hours after airing the previous podcast with Janelle and Dipper, describing the barrage of hate and public scrutiny.

    “Desde que ese podcast se subió, lo que yo he vivido no se lo deseo ni a mi peor enemigo. Los haters han salido de aguas pantanosas a dejarse sentir.” (00:01)

  • Dipper declares indifference to the trolls:

    “¿Te importa el hate?”
    “Me importa un bicho, cabrón.” (05:29)

  • They discuss how much of the hate comes from older generations, people experiencing a "crisis de los 40", and the generational disconnect online.

    “Son viejos. Son viejos. Son ya. Sí, los que tienen la crisis de los 40.” – Dipper (05:43)


2. Identity, Image, and "Pertenecer"

  • Roasting each other’s body hair, beards, and looks is a running theme—Chente gets compared to Gollum and is critiqued for his mustache.

    "Yo pienso que corregirme eso es de nena, cabrón..." – Chente (08:04)

  • The guys reflect on what it means to belong, acceptance, and the pressures of group dynamics and social media.

    “Yo lo que quiero es pertenecer, cabrón. Sentirme que soy parte.” – Chente (29:44)

  • The “iniciación” joke: to belong to the group, “tienes que mamar los bichos.” (30:12)

3. Pop Culture, Music & Internet Fame

  • Discussion about Bad Bunny’s Super Bowl appearance and national pride.

    “Orgullo boricua.” – Dipper (22:41)

  • The group hilariously breaks down diss tracks and feuds, especially targeting Cosculluela, referencing his “calvo desde la escuela” line and their own experiences with online beef.
  • Playback and reactions to viral “tiradera” (diss tracks).

    “Cosculluela eres calvo desde que está en la escuela...” (10:18)

  • Influence of raperos/influencers and the blurred lines between content creators and musicians.

    "Yo pienso que ustedes cabrón, los influencer están poniendo a mamar a los raperos cabrón." – Chente (41:13)


4. Everyday Life, Fast Food, and Work Stories

  • They riff about working real jobs (pizza, construction), compare experiences, and commiserate about difficult customers.
  • Extensive tangent about favorite fast food desserts and complaints about poor quality drinks in Puerto Rican “fafú” (fast food) joints.

    “Estoy así de hacer un piquete... diciendo arreglen el puto refresco.” – Chente (21:57)


5. Cultural Commentary: Language, Slang, and Viral Expressions

  • Chente claims to have invented or popularized several Puerto Rican expressions:

    “Yo creo que yo me inventé me importa un bicho...” (24:13)

  • The group debates the origin of slang terms like “huele bicho”, reflecting on how pop culture and real life co-create language.
  • Lighthearted boasting about viral catchphrases and their real-life effects.

6. Sexuality, Identity Pressure, and Humor

  • Extended, irreverent banter about body hair, “ser pato” (Puerto Rican slang for being gay), masculinity, and internet stereotypes.

    “Uno se besa con hombre y le dicen no, que tú eres pato, cabrón. Uno sabe lo que es de verdad.” – Chente (61:32)

  • Jokes about sexual acts, acceptance, and subverting macho attitudes by playing with taboos.
  • Dipper talks about male admirers and the odd messages he gets.

    “A veces en Facebook hay hombres que dicen. Já, bicho tuyo, enséñame uno.” – Dipper (62:15)


7. Video Games, Hobbies, and Generational Gaps

  • Chente recounts the awkwardness of telling rapper Anuel he plays Animal Crossing.

    “Y en ese entonces se tronchó la amistad mía con Anuel, cabrón.” (53:46)

  • Riffs about the perceived value or lameness of different video games (Animal Crossing, Minecraft, Mario Kart), and competitive spirits.

8. Conspiracy Theories and Current Events

  • Quick takes on trending conspiracy theories—Trump’s assassination attempt, alien spacecraft ("Atlas"), and skepticism over viral news.

    “Yan Elendo ha estado... viendo teorías de conspiración de Charlie Kirk... Eso era un hologram, cabrón.” – Chente (69:06)


9. Comedy as Survival, Haters, and "El Proceso"

  • The hosts and guests circle back to the central theme: withstanding hate, embracing group membership, humor as self-defense, and navigating public perception.

    “Tiene que haber un momento en donde la persona se está ahogando. Yo me estoy ahogando...” – Chente (28:05)

  • Riffing on “el proceso” as both literal and figurative initiation for being part of their group/community/fame.

10. Closing & Notable Moments

  • Edgar (“Elegal”) joins, bringing his own irreverent energy and stories about internet fame and sexual innuendo.
  • A physical contest of “quién lo tiene más grande” (71:56)—a comedic contest about mouth size—encapsulates the silly, boundary-pushing vibe of the show.
  • Final remarks serve as open defiance toward the haters:

    “Dicen que nosotros no somos contenido... No es inventarla al próximo nivel. Próximo nivel.” – Dipper (73:31)

  • Chente wraps by promoting upcoming live shows and affirming the group’s camaraderie.

Notable Quotes & Timestamps

  • Chente: “Desde que ese podcast se subió, lo que yo he vivido no se lo deseo ni a mi peor enemigo.” (00:01)
  • Dipper: “Me importa un bicho, cabrón.” (05:29)
  • Janelle: “Es que yo antes como que él va para el barbero y le vi un fade en el pecho...” (04:09)
  • Chente (about slang): “Yo creo que yo me inventé me importa un bicho.” (24:13)
  • Group (on pop culture): “Bad Bunny va para el Super Bowl, la tarima más importante del mundo entero.” (02:40)
  • Chente (on hate): “Ponle que me estoy ahogando. Aquí, aquí. Hay alguien aquí así, ¿Verdad? Esta persona está ahogando y necesitamos que alguien haga esto.” (28:05)
  • Dipper: “¿Tú te afeitas el culo? Si me lo afeita a mí. Me dicen que yo soy bien pato por eso.” (04:51)
  • Edgar/Elegal (on fame): “Yo soy el egal con él... Cuando lo vieron dijeron diablo y esa mierda, para eso te mamó el culo.” (39:10)
  • Janelle (on work): “Trabajé también haciendo pizza. Y fregaba. Yo empecé fregando y después aprendí...” (19:10)
  • Chente (on group belonging): “Yo lo que quiero es pertenecer, cabrón. Sentirme que soy parte.” (29:44)
  • Dipper (on haters inventing): “Siempre están tirando ahí por ahí que nosotros inventamos cositas que no inventamos.” (73:31)

Memorable Segments & Timestamps

  • Introduction & addressing backlash: 00:01–05:26
  • Body hair, beards, and masculinity banter: 03:17–05:11
  • Discussing Bad Bunny and Super Bowl: 02:23, 22:41
  • Old school vs. new school slang: 24:13–26:20
  • Edgar/Elegal’s entrance & stories: 38:22–41:13
  • Physical challenge—mouth contest: 71:49–72:44
  • Haters, authenticity, and group solidarity: 73:19–74:18
  • Upcoming shows & wrap-up: 64:17–66:56

Final Thoughts

This episode is a microcosm of modern Puerto Rican youth culture, confronting hate with laughter, satirizing the lines between influencers and traditional artists, and flipping critics’ narratives on their head. It’s unfiltered, crass, often absurd, but with a core of resilience and self-awareness. If you want a snapshot of young creators thriving in the face of public scorn—and having a blast while doing it—this is their statement.

No transcript available.