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Sergeant Joe Friday
Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows like us on Facebook. Subscribe to us on YouTube and thank you for donating@ChoiceClassicRadio.com.
Gordon Shane / Narrator
Ladies and gentlemen, the story you're about to hear is true. The names have been changed to protect the innocent. Dragmet, You're a detective sergeant. You're assigned a homicide detail. A woman reports her sister is missing. The story she gives you indicates foul play.
Sergeant Joe Friday
Your job, investigate. It was Tuesday, April 8th. Was warm in Los Angeles. We were working the day watch on a homicide division. My partner is Frank Smith. The boss is Captain Lorman. My name is Friday. I was on my way back from the business office and it was 11:46am when I got to room 42, homicide.
Karen Moffat
You know, it's just too bad you can't move them faster on things like this. It's just too bad.
Sergeant Joe Friday
Yes, ma'. Am. Hi, Joe. Hi, Ms. Moffat. This is my partner, Sergeant Friday. Joe, this is Mrs. Moffat. How are you, ma'?
Gordon Shane / Narrator
Am?
Karen Moffat
How do you do?
Sergeant Joe Friday
You want to tell him the story?
Karen Moffat
Think it'll do any good?
Sergeant Joe Friday
Yes, ma'. Am.
Karen Moffat
Well, then my sister's gone.
Sergeant Joe Friday
Yes, disappeared.
Karen Moffat
And I want you to find her.
Sergeant Joe Friday
When'd you see her last?
Karen Moffat
A couple of weeks ago.
Sergeant Joe Friday
Could you give us a date?
Karen Moffat
You have a calendar?
Sergeant Joe Friday
Yes, ma'. Am. Right on the wall there behind you.
Karen Moffat
Oh, this is 8th. Maggie's birthday was in March. And that naked 14th of March.
Sergeant Joe Friday
I see.
Karen Moffat
She come by to thank me for the party. Had a few of the girls in for her.
Sergeant Joe Friday
That's your sister?
Karen Moffat
Yes, Margaret Shane.
Sergeant Joe Friday
Have you heard anything from her since then?
Karen Moffat
Not a peep.
Sergeant Joe Friday
What about her home? Have you checked there?
Karen Moffat
Tried to call her on the phone a couple of times. Didn't talk to her, though.
Sergeant Joe Friday
Who'd you speak with?
Karen Moffat
Her husband.
Sergeant Joe Friday
Did you ask him where your sister was?
Karen Moffat
Yes, I came right out with it. Didn't mince anything up.
Sergeant Joe Friday
What'd he have to say?
Karen Moffat
Well, then, just beat around. Didn't come out with a yay or no, just beat around.
Sergeant Joe Friday
How about the rest of her family?
Karen Moffat
Isn't any. I'm the only living relative she has.
Sergeant Joe Friday
Possible she's ill.
Karen Moffat
If that's so, I'd know about it. We were pretty close. Hardly no secrets from each other.
Sergeant Joe Friday
I see.
Karen Moffat
Now, if you're all done asking me the same questions this fellow has, I want to know. I know there's something wrong. I want you to find out.
Sergeant Joe Friday
All right. We'll check on him.
Karen Moffat
I want you to do more than that. A lot more.
Sergeant Joe Friday
Beg pardon?
Karen Moffat
I want you to arrest Maggie's husband.
Sergeant Joe Friday
Well, why?
Karen Moffat
Because he killed her.
Sergeant Joe Friday
We checked the name and description of the woman through missing persons files, but we failed to find anything on her. While I talked to Karen Moffett, Frank went down the hall and ran the names Margaret Shane and her husband Gordon through R and I. There was nothing on either one of them. 1:06pm we left the office and drove out to check a missing woman's house. Doesn't seem like anybody's home. Well, let's check the bank. Fine. You think there's anything to it? You know as much as I do. We both started from the same place. Yeah. I'll get it. All right. There's somebody home. Yeah. Wonder why he didn't bark when we knocked on the door. There's nothing here. Let's check the garage. There. Lock? Nope. That's quite a shop, huh? A lot of tools. Doesn't look like anything. Nope. Breaks? Yeah. Come here. Right here. Under the sawdust. Where? Oh, yeah. Looks like somebody tried to hide it. Blood stains. We put in a call to the crime lab requesting that a crew be sent out to check the stains that we'd found on the floor. We talked to the neighbors about the couple and we got the address of the place where Mr. Shane was employed. It was a large wholesale carpet company. We found Shane in one of the offices.
Gordon Shane / Narrator
That's right. No, ma'. Am. If it's put in, it should make the room a lot warmer. No, the carpet you've chosen shouldn't show anywhere for years. Well, we found that color doesn't show the dirt.
Sergeant Joe Friday
No, ma'. Am.
Gordon Shane / Narrator
Well, it'll increase the value of your home. That's right. Oh, we can have it in for you day after tomorrow. That's right. I'll give you a call. All right. Bye.
Sergeant Joe Friday
Yes, sir.
Gordon Shane / Narrator
Can I do something for you?
Sergeant Joe Friday
Mr. Shane?
Gordon Shane / Narrator
That's right. You and Quint. What can I do for you?
Sergeant Joe Friday
Police officers. Frank Smith. My name's Friday.
Gordon Shane / Narrator
How do you do, sir? Something wrong? No, sir.
Sergeant Joe Friday
Just a couple of questions we'd like to ask. Oh, sure.
Gordon Shane / Narrator
You want to sit Down.
Sergeant Joe Friday
Thank you.
Gordon Shane / Narrator
Cigarette?
Sergeant Joe Friday
Yeah, thanks. How about you, Mr. Smith? Yes, thanks.
Gordon Shane / Narrator
Sir, would like.
Sergeant Joe Friday
I've got it where you are. Thanks. Thanks.
Gordon Shane / Narrator
Now then, what's this all about?
Sergeant Joe Friday
You know where your wife is, Mr. Shane?
Gordon Shane / Narrator
Oh, there's something about Maggie.
Sergeant Joe Friday
Well, do you know where she is?
Gordon Shane / Narrator
Look, Mr. Friday, if there's something wrong with Maggie, I got the right to know about it.
Sergeant Joe Friday
Yes, sir, that's true. We're not sure there's anything wrong. We'd like to talk to Mrs. Shane. We hope you tell us where we might reach her.
Gordon Shane / Narrator
Was she in trouble?
Sergeant Joe Friday
No, sir.
Gordon Shane / Narrator
Well, then I don't understand all the questions.
Sergeant Joe Friday
We've got a report that she's missing. Who filed it? Her sister.
Gordon Shane / Narrator
That figures.
Sergeant Joe Friday
How's that?
Gordon Shane / Narrator
She is never gonna stop.
Sergeant Joe Friday
I don't believe I follow you.
Gordon Shane / Narrator
Karen's been hacked at me ever since I married Maggie. Now the day goes by she doesn't plan some kind of a dig.
Sergeant Joe Friday
She have a reason?
Gordon Shane / Narrator
Yeah, she had it all fixed for Maggie to marry someone else. I came along and upset her plans. Been trying to break us up ever since.
Sergeant Joe Friday
That's so.
Gordon Shane / Narrator
Yeah. This fella she was trying to palm off on my wife. Karen's husband worked for him. She figured it'd be real soft having the boss as a brother in law.
Sergeant Joe Friday
Well, the way it worked out, the.
Gordon Shane / Narrator
Slob had to work for a living. Almost kills Karen every time she thinks of it.
Sergeant Joe Friday
Where is your wife?
Gordon Shane / Narrator
I wish I could tell you.
Sergeant Joe Friday
What?
Gordon Shane / Narrator
I wish I knew where she was.
Sergeant Joe Friday
Haven't you got any idea? No.
Gordon Shane / Narrator
A couple of weeks ago, I came home from work, Maggie was gone. I haven't seen her since.
Sergeant Joe Friday
Can you pin it down?
Gordon Shane / Narrator
Thursday a week. She called during the day to tell me she wanted me to go out to dinner. Said she wanted me to be home on time. I told her I wouldn't be able to make it. We had words, she hung up. When I got to the house, she was gone.
Sergeant Joe Friday
Did you leave any kind of a note?
Gordon Shane / Narrator
Yeah.
Sergeant Joe Friday
Have you got it?
Gordon Shane / Narrator
I don't think so. I was pretty upset. Guess I must have thrown it away. Haven't seen her around since.
Sergeant Joe Friday
You know, you've got quite a woodworking shop in your garage.
Gordon Shane / Narrator
Yeah. Yeah, stuff's getting a little rusty now. I haven't felt like doing anything.
Sergeant Joe Friday
This trouble with your wife. Was there another man involved? Be hard to say. What do you mean?
Gordon Shane / Narrator
Well, Maggie's an attractive girl. Everywhere she went, there was some guy trying to make time. Might have been someone special. I wouldn't know.
Sergeant Joe Friday
Wonder if we could use one of the phones outside.
Gordon Shane / Narrator
Use this if you like.
Sergeant Joe Friday
Well, one of the others will do.
Gordon Shane / Narrator
Sure, go ahead.
Sergeant Joe Friday
I'll call a laptop, see what they've come up with. Okay. This note your wife left. Wouldn't say you mean the exact words if you remember them.
Gordon Shane / Narrator
It was pretty simple. Just that she was leaving me. Said she didn't have to tell me why, That I knew.
Sergeant Joe Friday
Did she say where she was going? No.
Gordon Shane / Narrator
Figured maybe she went back east. She's got some friends there. Where? Nebraska, I think. I've never met him.
Sergeant Joe Friday
How about clothes?
Gordon Shane / Narrator
What?
Sergeant Joe Friday
Did she take any clothes with her?
Gordon Shane / Narrator
Oh, yeah, I guess so. She had quite a few. I looked at her closet. I couldn't tell what was gone. She took her fur coats up.
Sergeant Joe Friday
Did you try to contact any of her friends?
Gordon Shane / Narrator
I called around. I didn't find out anything. Whole thing's a farce. Sergeant. Isn't anything new about a wife leaving her husband? Read about it all the time in the papers. Karen's just stirring up trouble. She's sore at me. Always has been, always will be. Joe.
Sergeant Joe Friday
Yeah? Excuse me.
Gordon Shane / Narrator
Yeah, sure.
Sergeant Joe Friday
Did you talk to the lab? Yeah, I just finished the test on the blood stains. Mm. We're not too far off, huh? Human blood. Frank and I took Gordon Sheen back to his house. During the ride, he was quiet, and he refused to be let into a conversation about his wife. When we arrived at the house, we took him back to the garage. The crew from the crime lab had gone back to the office to make the grouping tests on the blood stains.
Gordon Shane / Narrator
We should tell me what this is all about.
Sergeant Joe Friday
We figure you might have the answer to that.
Gordon Shane / Narrator
When are you gonna stop talking in riddles?
Sergeant Joe Friday
Now, Shane, you know what we're after. You'll save yourself a lot of trouble if you go along with us.
Gordon Shane / Narrator
I don't know. What are you after? You dragged me away from my job. Caused me a lot of embarrassment. Now, how about calling the game so we both know what we're playing? All right, fine.
Sergeant Joe Friday
Sure. You got an explanation for this? What? The blood stains here on the floor?
Gordon Shane / Narrator
Yeah, sure. I killed a couple of people. This is where I did it.
Sergeant Joe Friday
We don't need any jokes, Shane. Just figure it out.
Gordon Shane / Narrator
Well, you better turn in your deerstalker cap. I made those stains myself. Yeah, I was working on the lathe. Chisel slipped out of my hand, cut my foot.
Sergeant Joe Friday
When this happened?
Gordon Shane / Narrator
A couple of weeks ago.
Sergeant Joe Friday
Before or after your wife left?
Gordon Shane / Narrator
Now you're ready to stop the game?
Sergeant Joe Friday
It's a real easy question, Shane. Give us the answer. The same way, will you? Before how much?
Gordon Shane / Narrator
A couple of days.
Sergeant Joe Friday
You told us your wife left on the 27th of March. Is that right?
Gordon Shane / Narrator
Yeah, I guess so.
Sergeant Joe Friday
Is it right or isn't it?
Gordon Shane / Narrator
It's right.
Sergeant Joe Friday
It's right. And when did you cut your foot?
Gordon Shane / Narrator
The Sunday before.
Sergeant Joe Friday
How'd you pull that date up?
Gordon Shane / Narrator
Well, no trouble. It's the last time I worked out here.
Sergeant Joe Friday
Oh, well, to cut that bad, still be a mark, wouldn't it? Yeah. You mind showing us?
Gordon Shane / Narrator
Not at all.
Sergeant Joe Friday
You know your blood type? Mm. What's your blood type?
Gordon Shane / Narrator
Oh.
Sergeant Joe Friday
How about your wife's?
Gordon Shane / Narrator
I don't know. Somehow we never quite got around to talking about it.
Sergeant Joe Friday
All right, let's go in the house. You can show us your foot there.
Gordon Shane / Narrator
Yeah, sure.
Sergeant Joe Friday
You think you might be able to come up with a note your wife left as well?
Gordon Shane / Narrator
Well, look.
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Gordon Shane / Narrator
You know much about the law?
Sergeant Joe Friday
What do you mean?
Gordon Shane / Narrator
If I get out of this, can I bring suit against my sister in law? What's that? Well, it seems there should be something I can do to close her mouth. All the time Maggie and me were together, she was causing trouble. Like to really fix her good.
Sergeant Joe Friday
That's a civil matter. You better see your lawyer about that. Wait a minute.
Gordon Shane / Narrator
I'll get the door. We can talk in the living room.
Sergeant Joe Friday
Where?
Gordon Shane / Narrator
Living room.
Sergeant Joe Friday
You want to go ahead? Yeah, yeah.
Gordon Shane / Narrator
This is the living room. You can sit on any place.
Sergeant Joe Friday
All right.
Gordon Shane / Narrator
A little messy. I haven't spent a lot of time here since she left. Just toss those things on the floor.
Sergeant Joe Friday
Don't worry about it. You want to see if you can find that note now?
Gordon Shane / Narrator
Yeah, I think maybe it's in the desk. I'll get it.
Sergeant Joe Friday
Wait a minute. I'll have a look first.
Gordon Shane / Narrator
You guys don't trust anybody, do you?
Sergeant Joe Friday
That's the way it's going to be. You got to go with it. All right. All right.
Gordon Shane / Narrator
Better make sure I haven't got a machine gun hidden in there.
Sergeant Joe Friday
You know, you've done pretty good up to here, Shane. Don't press your luck.
Gordon Shane / Narrator
Yeah, go ahead, tear the place up. Too bad I haven't got a wall bed. You could look for her in there.
Sergeant Joe Friday
Doesn't seem to make any difference to you that your wife left at all.
Gordon Shane / Narrator
It's the way it looks. Yeah, well, you ain't far off. Real load off my back. We've been married over four years. And all that time I haven't had a minute's rest. Thinking how she was gonna run off with somebody else. Figured that she'd drop me. Now it's over. I don't have to worry anymore.
Sergeant Joe Friday
You got it wrong, Shane. That right? Yeah.
Gordon Shane / Narrator
Take a look, Joe. What do you got there? You got no right to go through my personal things.
Sergeant Joe Friday
When did you see your wife last?
Gordon Shane / Narrator
I'm not gonna say anything more. You're trying to lead me into something.
Sergeant Joe Friday
Looks like you found your own way. Now, how about it?
Gordon Shane / Narrator
I'm not gonna talk anymore, all right?
Sergeant Joe Friday
You call any way you want. No matter how it turns out, you're gonna carry the load.
Gordon Shane / Narrator
All right? She left on the 27th of.
Sergeant Joe Friday
That's the last time you saw her? Yeah. Have you heard anything from her since then? I hope you got an answer for these.
Gordon Shane / Narrator
What do you got?
Sergeant Joe Friday
A couple of checks made out to you. And they're signed by your wife. Well, what's that prove? The dates and the checks make a liar out of you, Shane, huh? They were written a week after she left you. We made a search of the house, but we failed to turn up anything more that would tie Gordon Shane in with his wife's disappearance. We looked through the desk and we found several letters that she'd written. These were taken for handwriting comparison. We also found several pictures of the missing woman. A check with the neighbors failed to give us anything further to work on. All of them told us of constant fights between Shane and his wife. One of the people said that on several occasions the sound of sobbing had been heard coming from the house. At 5:20pm Frank and I left the place and took Shane down to the city hall. The checks and samples of Mrs. Shane's writing were turned over to Larry Sloan for comparison. We put in a call to the crime lab, but we found that the blood grouping tests were not finished. 6:12. We took the suspect to the interrogation room. Just sit down over there, Shane.
Gordon Shane / Narrator
Okay. How long you think you're gonna be able to hold me?
Sergeant Joe Friday
Depends on when we get the truth.
Gordon Shane / Narrator
Well, you saw the cut on my foot. You didn't find anything at the house? Look, you're grabbing at shadows.
Sergeant Joe Friday
You still haven't told us about the checks.
Gordon Shane / Narrator
No reason to. Everything I say, you twist around so it ends up something I Don't mean.
Sergeant Joe Friday
Where'D you get the checks?
Gordon Shane / Narrator
From Maggie.
Sergeant Joe Friday
What about the date on them?
Gordon Shane / Narrator
I don't know. I guess she made a mistake when they were written.
Sergeant Joe Friday
Where'd you get them? Found him at the desk. Well, didn't you think it was kind of funny that your wife would write a couple of checks and just leave them laying around on a desk?
Gordon Shane / Narrator
No, Maggie was always doing something like that. She didn't care about money.
Sergeant Joe Friday
How about you, Shane? Huh? Make any difference to you?
Gordon Shane / Narrator
Look, I'm getting tired of this. Some crazy old bag comes in here, tells you a fairy tale and you buy it all away. Any special reason why you're taking my sister in law's word for it?
Sergeant Joe Friday
The way she tells us things to add up.
Gordon Shane / Narrator
Well then you better go over the column again. My wife walked out on me. There wasn't any fight when it happened, she just picked up and she left. I don't know where she is. I don't much care. You put this down in your book. I didn't kill her. Now look, leave me alone. When do I get to call a lawyer?
Sergeant Joe Friday
We'll set it up for you.
Gordon Shane / Narrator
Well, do it fast. Cause you're getting nothing more from me.
Sergeant Joe Friday
That's the way you want.
Gordon Shane / Narrator
It wasn't any other way. I'm telling you the truth and you don't believe it. Might as well keep my mouth shut so you can't make it any worse.
Sergeant Joe Friday
All right, Gordon, we'll take you over to the main jail. You can call your lawyer from there.
Gordon Shane / Narrator
What are you holding me on?
Sergeant Joe Friday
Suspicion of murder.
Gordon Shane / Narrator
You just don't give up, do you?
Sergeant Joe Friday
Look, we got to go along with the evidence.
Gordon Shane / Narrator
Well, you better check it again because you're making a mistake somewhere along the line.
Sergeant Joe Friday
That's the way it looks to you, does it?
Gordon Shane / Narrator
Yeah. Go over the road again, find that you're a cop.
Sergeant Joe Friday
No, let's do it the easy way, huh? You point it out. The suspect was removed to the main jail and held for further investigation. Frank checked the office and I went down the hall to talk to Larry Sloan and handwriting.
Gordon Shane / Narrator
Joe, how's it going?
Sergeant Joe Friday
You all throw those checks? Larry?
Gordon Shane / Narrator
Just wrapping it up.
Sergeant Joe Friday
All right to wait?
Gordon Shane / Narrator
Sure. Sit down.
Sergeant Joe Friday
Okay. What do you figure I don't want you to tell us? Mm.
Gordon Shane / Narrator
How'd it start?
Sergeant Joe Friday
Complaint woman wanted us to find her sister.
Gordon Shane / Narrator
Where did the checks fit in?
Sergeant Joe Friday
Found them with the husband. Dates a couple of days after she disappeared.
Gordon Shane / Narrator
Uh huh. Figure he might have written them, huh?
Sergeant Joe Friday
Well, that's one way.
Gordon Shane / Narrator
No, that doesn't.
Sergeant Joe Friday
Okay. What do you got?
Gordon Shane / Narrator
The endorsement on the back is Shane's writing.
Sergeant Joe Friday
His signature? Yeah. Here.
Gordon Shane / Narrator
You can see it. No trouble there. The O's wave, pulls the stroke down on the S. That's his.
Sergeant Joe Friday
What about the writing on the face?
Gordon Shane / Narrator
Well, look here. Shading on the G. Yeah. Way the crossbar on the T's pulled up, these are the samples. And you got the same thing right here.
Sergeant Joe Friday
No doubt about it, huh?
Gordon Shane / Narrator
Not with me.
Sergeant Joe Friday
Okay.
Gordon Shane / Narrator
Woman wrote the checks.
Sergeant Joe Friday
Joe? In here, Frank. Oh, just talked with Lee at the crime lab. Yeah? He finished the grouping test. What'd he find? Got in touch with Karen Moffat. Found out the missing woman's blood type. Yeah. Stains on the floor aren't hers. They belong to Shane.
Gordon Shane / Narrator
How you doing, Joe?
Sergeant Joe Friday
Not good. Looks like we got the wrong man in jail, doesn't it?
Gordon Shane / Narrator
You are listening to Dragnet. The authentic story of your police force in action.
Sergeant Joe Friday
Frank and I left the office and went over to the main jail to see Gordon Shane. We talked to him for over an hour. He told us that he and his wife had been having trouble for quite a while and that they'd separated on several occasions. He went on to tell us that he didn't know for sure whether there was another man involved, but that he'd heard his wife spent a lot of time in a small bar on Vermont Avenue. He said that it was possible we could pick up some information on her there. Frank and I left the jail and drove over to the place. It was an average neighborhood tavern. We talked to the bartender.
Gordon Shane / Narrator
Only one way to describe her. Man, oh, man.
Sergeant Joe Friday
Was there anybody special that Mrs. Shane spent a lot of time with? Would you know? Gee, I don't know.
Gordon Shane / Narrator
A lot of people in here like a family. Guess if you had to nail it down, it'd be Leonard.
Sergeant Joe Friday
Who's Leonard?
Gordon Shane / Narrator
Another regular. He's here almost every afternoon.
Sergeant Joe Friday
He and Mrs. Shane were pretty friendly, huh?
Gordon Shane / Narrator
Yeah, real buddies. They used to come in and get gas together. Spend the whole afternoon, sit down there at the inn and play horse. Play it by the hour. Not for money. We don't allow that in here.
Sergeant Joe Friday
What do you know about him?
Gordon Shane / Narrator
Not much. Doesn't figure him and Maggie would hit it off, though.
Sergeant Joe Friday
Why do you say that?
Gordon Shane / Narrator
Well, just doesn't. She liked her fellows big, you know, dark and handsome. Leonard's a little guy. Not more than 5.
Sergeant Joe Friday
4.
Gordon Shane / Narrator
Sure ain't anything to look at.
Sergeant Joe Friday
What's his last name?
Gordon Shane / Narrator
I think it's P, U, R, D, Y, Purdy. It seems like it's it.
Sergeant Joe Friday
What's he look like?
Gordon Shane / Narrator
Not much about him you'd remember. He's a little guy. Blonde hair, real bad complexion. Has a mustache, you know, big, kind of handlebar like.
Sergeant Joe Friday
Yeah. You know where he lives?
Gordon Shane / Narrator
Not for sure. I think he's got a room over on Fountain someplace.
Sergeant Joe Friday
I don't know the number. Where's your phone?
Gordon Shane / Narrator
Through the back door there on the left.
Sergeant Joe Friday
I'll take it. Jim. Right. Does this Prud, he work for a living?
Gordon Shane / Narrator
Not regular.
Sergeant Joe Friday
What's he do to.
Gordon Shane / Narrator
You know, he's some kind of salesman.
Sergeant Joe Friday
Door to door.
Gordon Shane / Narrator
I don't know what he peddled. Seen him a couple of times with a sample case.
Sergeant Joe Friday
Has he been around lately?
Gordon Shane / Narrator
No, hadn't thought about it. But I guess I haven't seen him in a couple of weeks.
Sergeant Joe Friday
You ever hear what he and Mrs. Shane talked about?
Gordon Shane / Narrator
Word here, there nothing you could put together. I think she spent the time with him because she didn't have to worry about it.
Sergeant Joe Friday
How do you mean that?
Gordon Shane / Narrator
Well, you know, a little guy like that couldn't give her no trouble. She's always around. Maggie didn't have a car, so Leonard would drive her if she wanted to go someplace.
Sergeant Joe Friday
What kind of a car?
Gordon Shane / Narrator
41 de Sota. Parked it out back a couple of times.
Sergeant Joe Friday
It's a real wreck, all right. What'd she do, huh?
Gordon Shane / Narrator
Maggie. What are you after her for?
Sergeant Joe Friday
Like I said, we'd like to talk to her.
Gordon Shane / Narrator
Sure. Adult. You get to know her after that, doesn't matter how much money she spends, she can't switch you back.
Sergeant Joe Friday
She spent quite a bit in here, did she?
Gordon Shane / Narrator
Yeah. Her and Leonard had really put the drinks away. Both of them had hollow legs, you know, I've seen some pretty heavy drinkers walk up against them. They don't stand a chance. Maggie can really put it away.
Sergeant Joe Friday
Always causes trouble, honey.
Gordon Shane / Narrator
Me gets loud, yelling all over about how she could buy and sell everybody in a place. A couple of times I had asked her to get out. Things like that hurt business, you know.
Sergeant Joe Friday
She carried a lot of money with her, did she?
Gordon Shane / Narrator
Oh, yeah. I always had a bundle. Said she was an heiress or something. I don't know.
Sergeant Joe Friday
She was always loaded, though. Anything unproty. Yeah, sure is. Yeah. Got out of the state mental hospital six months ago. From his package we found that Leonard Purdy had been arrested several times for suspicion of grand theft. However, he hadn't been convicted on any of them. Also, there were 18 drunk arrests against him. We put in a call to Georgia Street Psycho detail and we talked to Lieutenant Quinn. He remembered Purdy he went on to say that the suspect had been in to see him several times since his release. He told us that Purdy had committed himself to the state hospital as an alcoholic. Quinn went on to say that when Purdy was drunk, he became violent and that on three of his arrests, it had taken several officers to subdue him. We contacted the authorities up at Camarillo. They told us that the suspect had been released by them after treatment and that he apparently was cured. We checked the last address in his package, but we found that he'd moved a local and an APB was gotten out on him. We asked DMV to furnish any and all information on a car registered to him. Two days went by without a word of him. In the meantime, we talked to all of his friends and acquaintances. From each one of them, we got the same story. Leonard Purdy was a freeloader who'd do anything for a dollar. On Thursday, April 10, we got word that the suspect had been seen in a secondhand store down on Main Street. We checked the area and got an identification from his mugshot. He'd come in to pawn a man's watch from the buy book. We got an address out on Gladys Avenue. We talked to the landlady and found that the suspect was in his room. Frank and I went upstairs.
Gordon Shane / Narrator
Who's that?
Sergeant Joe Friday
Huh? No. One talk.
Gordon Shane / Narrator
Your party? Yes. Yeah. What do you want?
Sergeant Joe Friday
You Leonard Purdy?
Gordon Shane / Narrator
That's right. Who are you guys?
Sergeant Joe Friday
Police officers. Want to talk to you.
Gordon Shane / Narrator
I got nothing to do with cops. I have them.
Sergeant Joe Friday
A fella? Yeah.
Gordon Shane / Narrator
Why don't you come in?
Sergeant Joe Friday
Right? Yeah.
Gordon Shane / Narrator
Going to be here long?
Sergeant Joe Friday
Not long.
Gordon Shane / Narrator
That's good. I don't feel like making small talk. I'd offer you a drink, but there's just barely enough for me. You can understand.
Sergeant Joe Friday
Put the glass down, pretty.
Gordon Shane / Narrator
What?
Sergeant Joe Friday
Put it down.
Gordon Shane / Narrator
Look, you got no right to come in here and tell me what to do. Nobody ask you.
Sergeant Joe Friday
Oh, Ms. McCloud. This fur coat belong to you? Purdy?
Gordon Shane / Narrator
Yeah. I get cold night.
Sergeant Joe Friday
You know a woman by the name of Margaret Shane?
Gordon Shane / Narrator
Never heard of her.
Sergeant Joe Friday
Sure about that?
Gordon Shane / Narrator
I'm sure. I'm sure. I got nothing to answer to you for. You come in here, tell me what to do. I don't have to give you one single answer about nothing.
Sergeant Joe Friday
You better come up with one.
Gordon Shane / Narrator
What's that?
Sergeant Joe Friday
This coat.
Gordon Shane / Narrator
What about it?
Sergeant Joe Friday
It's got Margaret Shane's name in.
Gordon Shane / Narrator
Must be a mistake. I don't know anybody named Shane. Nobody.
Sergeant Joe Friday
We got a lot of people who say you do.
Gordon Shane / Narrator
You Telling me the truth?
Sergeant Joe Friday
Same people. Tell us you were with her when she disappeared.
Gordon Shane / Narrator
They don't know what they're talking about.
Sergeant Joe Friday
The way they put it, it's pretty straight. Who told you? Who?
Gordon Shane / Narrator
Just give me some names.
Sergeant Joe Friday
Everybody we talked to. They said I was with her. That's right. Now, where is she? I don't know. You gotta do better than that.
Gordon Shane / Narrator
It's the truth. I don't know where she is. I killed her, but I don't know where she is.
Sergeant Joe Friday
We took the suspect down to the city hall and questioned him. He finally sobered up enough to tell us that he'd gotten into an argument with the Shane woman and beaten her to death. He went on to say that his car was being repaired and that he'd rented one and driven it out into the desert. He buried the victim there. We showed him maps of the area, but he was unable to tell us where to find the body. He only knew that he put it in a culvert along the roadside. We got the name of the automobile rental agency and we called them. Their records gave us the date of the rental and the mileage the car had been driven. We put the suspect in our car and started out toward the Mojave Desert. As we drove, Purdy verified our route by dividing the total mileage in half and figuring the distance between his house and the office of the auto rental company. We had a vague idea of where to start looking. After we'd been driving for over two hours. We pulled to the side of the road. How's it look around here?
Gordon Shane / Narrator
Yeah, it might be it. I think up the road a little way. Remember that big rock over there? Remember that? Pretty good.
Sergeant Joe Friday
It's up ahead a little. All right. We drove for another 30 minutes and then Purdy directed us to pull off onto a dirt road. We drove another half a mile and we came to the end of the road. We can't go any further.
Gordon Shane / Narrator
Don't have to, huh? I remember now. Let's get out of the car.
Sergeant Joe Friday
Just stay close to us. Purdy.
Gordon Shane / Narrator
Right here. All right.
Sergeant Joe Friday
Which way?
Gordon Shane / Narrator
Over here? Sure. Beautiful day.
Sergeant Joe Friday
Yeah.
Gordon Shane / Narrator
It's different when you get out in the country.
Sergeant Joe Friday
Everything's got a different color. Come on, Purdy. Where is she?
Gordon Shane / Narrator
Over there, behind the bushes.
Sergeant Joe Friday
I'll go look.
Gordon Shane / Narrator
Always been the big trouble.
Sergeant Joe Friday
What's that?
Gordon Shane / Narrator
Boozing it up. Every time I get a few drinks, I don't know what I'm doing. But after I got out of the hospital, I had it made. You know, I'd be able to stay away from it. First time I had trouble, I went back. I always went back.
Sergeant Joe Friday
How about it? Yeah, she's there all the time.
Gordon Shane / Narrator
That's what caused the trouble. Wouldn't be here if it wasn't for me boozing it up.
Sergeant Joe Friday
If I could just stay away from.
Gordon Shane / Narrator
It, I wouldn't have any problems. I want to give it up. If I could just find a way.
Sergeant Joe Friday
You got one Now.
Gordon Shane / Narrator
The story you have just heard is true. The names were changed to protect the innocent. On August 14, trial was held in Department 98, Superior Court of the state of California in and for the county of Los Angeles. Leonard Iler Purdy pled guilty to murder in the second degree and received sentence as prescribed by law. Murder in the second degree is punishable by imprisonment for a period of from five years to life in the state penitentiary.
Sergeant Joe Friday
Dragnet the story of your police force.
Gordon Shane / Narrator
In action is a presentation of the United States armed Forces radio Service.
Podcast: Choice Classic Radio Detectives
Episode: Dragnet: The Big Dig
Date: November 25, 2025
Host: Choice Classic Radio
Main Theme:
This episode of Dragnet thrusts listeners into a tense missing person’s investigation that turns into a murder case. Sergeant Joe Friday and his partner Frank Smith must piece together confusing leads, family tensions, and forensic evidence to solve the disappearance of Margaret “Maggie” Shane. Set in postwar Los Angeles, the story combines hard-boiled realism, procedural police work, and a sobering look at personal tragedy.
Timestamps: 00:49 – 03:00
Summary:
The story opens with Mrs. Karen Moffat reporting her sister Maggie missing, adamant that something is amiss. She insists that Maggie’s husband, Gordon Shane, is responsible:
“I want you to arrest Maggie’s husband. …Because he killed her.”
(Karen Moffat, 02:50–02:53)
Notable Moment:
Mrs. Moffat’s forthright accusation sets an accusatory and suspicious mood.
“We were pretty close. Hardly no secrets from each other.”
(Karen Moffat, 02:35)
Timestamps: 03:00 – 10:13
Garage Evidence:
Friday and Smith search the Shanes’ home and garage, finding suspicious blood stains. The crime lab is called in for analysis.
“Looks like somebody tried to hide it. Blood stains.”
(Sergeant Joe Friday, 03:00)
Interview with Gordon Shane:
At his workplace, Gordon Shane insists he hasn’t seen Maggie since she left after an argument. He blames his sister-in-law for meddling and claims Maggie had many male admirers.
“Everywhere she went, there was some guy trying to make time. Might have been someone special. I wouldn’t know.”
(Gordon Shane, 07:13)
Blood Stain Explanation:
Shane claims he cut his foot in the garage—before Maggie left—and offers to show the wound as proof.
Detective Tone:
Joe Friday's questioning is relentless but calm, pushing Shane to clarify dates and actions despite his evasiveness.
Timestamps: 10:43 – 12:09
Shane’s Frustration:
Shane wonders if he can sue his sister-in-law for her accusations, revealing personal animosity.
“If I get out of this, can I bring suit against my sister-in-law?... Seems there should be something I can do to close her mouth.”
(Gordon Shane, 10:44–10:57)
Handwriting and Timeline Contradictions:
Checks written and signed by Maggie after her supposed disappearance cast doubt on Shane’s version of events.
Timestamps: 12:09 – 16:18
Jail Interrogation:
Shane maintains his innocence, and detectives pursue signature verification on the checks.
Forensic Results:
The crime lab confirms the blood stains in the garage match Shane’s blood type, not Maggie’s.
“Stains on the floor aren’t hers. They belong to Shane.”
(Frank Smith, 16:14)
This exonerates Gordon Shane as the likely killer.
Timestamps: 16:43 – 19:33
Following Maggie’s Trail:
Interviews at Maggie’s local bar introduce Leonard Purdy, a small-time, alcoholic regular who was close with Maggie.
“Guess if you had to nail it down, it’d be Leonard.”
(Bartender, 17:16)
Purdy’s Background:
The detectives learn Purdy recently left a mental hospital, has a record, and may have unpredictable violent tendencies.
Timestamps: 20:56 – 24:30
Tracking Purdy:
Police trace Purdy to a pawnshop and boarding house, where they find him—still wearing Maggie’s fur coat.
“This coat… It’s got Margaret Shane’s name in [it].”
(Sergeant Joe Friday, 22:13–22:16)
Confrontation and Confession:
Initially denying involvement, Purdy breaks down:
“I killed her, but I don’t know where she is.”
(Leonard Purdy, 22:36)
Timestamps: 24:30 – End
Locating the Body:
Guided by Purdy and auto rental records, detectives drive into the Mojave Desert, where he directs them to where he buried Maggie after beating her to death during a drunken argument.
“Over there, behind the bushes.”
(Leonard Purdy, 24:21)
Sobering Regret:
Purdy laments his inability to stay sober, blaming his drinking for everything that went wrong:
“If I could just stay away from it, I wouldn’t have any problems. I want to give it up. If I could just find a way.”
(Leonard Purdy, 24:50)
Epilogue / Case Disposition:
The narrator confirms Purdy pled guilty to second-degree murder and was sentenced to five years to life.
“I want you to arrest Maggie’s husband. …Because he killed her.”
— Karen Moffat, 02:50–02:53
“Looks like somebody tried to hide it. Blood stains.”
— Joe Friday, 03:00
“I didn’t kill her. Now look, leave me alone. When do I get to call a lawyer?”
— Gordon Shane, 14:21
“Stains on the floor aren’t hers. They belong to Shane.”
— Frank Smith, 16:14
“Guess if you had to nail it down, it’d be Leonard.”
— Bartender, 17:16
“I killed her, but I don’t know where she is.”
— Leonard Purdy, 22:36
“If I could just stay away from it, I wouldn’t have any problems. I want to give it up. If I could just find a way.”
— Leonard Purdy, 24:50
True to Dragnet’s trademark style, dialogue is terse, factual, and tinged with dry wit. Joe Friday leads with directness and persistence, while the supporting cast adds emotional depth and tension—especially in scenes of confrontation or confession. The procedural drama unfolds with deliberate pacing, emphasizing logical deduction and methodical police work.
For Listeners:
This episode demonstrates the patience, skill, and empathy required of police detectives while also underlining the tragic consequences of misdirected suspicion, addiction, and domestic strife in mid-century America.
Whether you’re a fan of classic radio drama or a student of crime fiction, “The Big Dig” offers a riveting, true-to-life procedural, revealing as much about human nature as it does about police work.